Rashid Johnson (b. 1977, Chicago) is recognized as one of the major voices of his generation, an artist who composes searing meditations on race and class while establishing an organic formal vocabulary that fuses a variety of sculptural and painterly traditions. Though he employs materials drawn from specific autobiographical contexts––including those related to African American intellectual and imaginative life––and though his practice had its beginnings in photography and conceptual art, Johnson is equally interested in testing the ability of abstract visual languages to communicate across cultural boundaries. The visceral experience of art, on formal terms, is therefore considered inseparable from the social matrix that gives rise to it. Johnson’s work is predicated upon moving freely between these two modes. The breadth and generosity of his vision has resulted in a wide range of two-dimensional and three-dimensional objects, installations, videos, and performances.
Rashid Johnson has been the subject of solo exhibitions at the Power Plant Contemporary Art Gallery, Toronto (2019), Museo Tamayo, Mexico City (2019), and the Aspen Art Museum (2019). Other recent solo exhibitions include shows at Lismore Castle Arts, Lismore, Ireland (2018); Kemper Museum of Contemporary Art, Kansas City (2017, traveled to Milwaukee Art Museum); McNay Art Museum, San Antonio, Texas (2017); Garage Museum of Contemporary Art, Moscow (2016); Galleria d’Arte Moderna e Contemporanea, Bergamo, Italy (2016); Drawing Center, New York (2015); and Kunsthalle Winterthur, Switzerland (2014). Johnson’s work is in the permanent collections of many public institutions, including the Art Institute of Chicago; Astrup Fearnley Museum of Modern Art, Oslo; Museum of Modern Art, New York; Los Angeles County Museum of Art; Metropolitan Museum of Art, New York; National Museum of African American History and Culture, Washington, D.C.; Studio Museum in Harlem, New York; Walker Art Center, Minneapolis; and the Whitney Museum of American Art, New York. Johnson directed the 2019 feature film Native Son, an adaptation of the 1940 novel by Richard Wright. He lives and works in New York.
Rashid Johnson
Untitled Broken Men, 2018
ceramic tile, mirror tile, spray enamel, oil stick, black soap, and wax
47 3/4 x 34 3/4 x 2 1/2 inches
(121.3 x 88.3 x 6.4 cm)
Rashid Johnson
Untitled Microphone Sculpture, 2018
bronze panel, ceramic tile, books, shea butter, ceramic, plant, black soap, and wax
60 x 60 x 6 1/8 inches
(152.4 x 152.4 x 15.6 cm)
Rashid Johnson
Untitled Escape Collage, 2017
ceramic tile, mirror, spray enamel, vinyl, black soap, and wax in walnut frame
73 x 96 x 2 inches
(185.4 x 243.8 x 5.1 cm)
Rashid Johnson
Untitled Anxious Audience, 2016
ceramic tile, black soap, and wax
94 1/4 x 158 1/2 x 2 1/2 inches
(239.4 x 402.6 x 6.4 cm)
Rashid Johnson
Falling Man, 2016
mirrored tile, ceramic tile, spray enamel, vinyl, black soap, and wax
96 1/2 x 73 x 2 inches
(245.1 x 185.4 x 5.1 cm)
Rashid Johnson
Flavor Man, 2015
bronze panel, black soap, and wax
49 1/8 x 39 1/8 x 1/2 inches
(124.8 x 99.4 x 1.3 cm)
Rashid Johnson
Un-American Idol, 2014
mirrored tile, vinyl, book, plant, shea butter, black soap, and wax
72 1/2 x 98 x 14 inches
(184.2 x 248.9 x 35.6 cm)
Rashid Johnson
Plateaus, 2014
steel, spray enamel, plants, ceramic, concrete, plastic, brass, burned wood, grow lamps, CB radios, shea butter, rugs, and books
228 x 180 x 180 inches
(579.1 x 457.2 x 457.2 cm)
Installation view, Fondation Louis Vuitton, Paris, 2017
Rashid Johnson
Cosmic Slop "Planet Rock", 2012
black soap and wax
72 x 48 x 1 3/4 inches
(182.9 x 121.9 x 4.4 cm)
Rashid Johnson
Houses in Motion, 2012
branded red oak flooring, black soap, and wax
96 x 120 x 2 3/4 inches
(243.8 x 304.8 x 7 cm)
Rashid Johnson
Souls of Black Folk, 2010
stained wood, books, vinyl, brass, shea butter, plants, space rocks, mirrors, gold paint, black soap, and wax
114 x 124 3/4 x 24 inches
(289.56 x 316.865 x 61.278 cm)
Rashid Johnson
Black Steel in the Hour of Chaos, 2008
steel
136 1/2 x 126 x 24 inches
(346.7 x 320 x 61 cm)
Installation view, Whitney Museum of American Art, New York