Mary Weatherford (b. 1963, Ojai, California) has become increasingly recognized as one of the leading painters of her generation, as well as one of the most astute and daring practitioners taking on the legacies of American abstraction. As she explores and expands the medium’s possibilities, she honors its history by seizing opportunities to break with tradition at every turn. Over the course of her career, she has produced feminist revisions of large-scale Color Field painting, posited new directions for the landscape genre, and explored the social histories of California. Her notable incorporation of sculptural elements—including the neon tubes that have been a presence in her work since 2012—as well as her fearless and physically embodied approach to painterly gesture, have allowed her to employ abstraction as both a formal language and a poetic, highly personal mode of engagement with the world outside the studio.
Mary Weatherford was the subject of the survey exhibition Canyon–Daisy–Eden, presented at the Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York (2020) and SITE Santa Fe, New Mexico (2021). Other solo exhibitions of her work have been presented at Museo di Palazzo Grimani (2022); Aspen Museum of Art, Colorado (2021); Marian Miner Cook Athenaeum, Claremont McKenna College, California (2014); Todd Madigan Gallery, California State University at Bakersfield, California (2012); and LAXART, Los Angeles (2012). Recent group exhibitions include Color is the First Revelation of the World, Orange County Museum of Art, Costa Mesa, California (2024); Making Their Mark, Shah Garg Foundation (2023); America: Between Dreams and Realities, Selections from the Hirshhorn Museum and Sculpture Garden, Musée national des beaux-arts du Québec, Montreal, Canada (2022); Aftereffect: Georgia O'Keeffe and Contemporary Painting, Museum of Contemporary Art Denver (2019); Between Two Worlds: Art of California, SFMOMA, San Francisco (2017); and The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York (2014). Her work is in the permanent collections of institutions including the Los Angeles County Museum of Art; Museum of Contemporary Art San Diego; Museum of Modern Art, New York; Tate Modern, London; Brooklyn Museum, New York; K11 Art Foundation, Hong Kong; and Museum of Contemporary Art, Los Angeles. In 2019, Lund Humphries published an in-depth monograph surveying the artist's oeuvre. Weatherford lives and works in Los Angeles.
Mary Weatherford
The Sphinx and the Milky Way, after Charles Burchfield, 2024
Flashe on linen
66 x 58 inches
(167.6 x 147.3 cm)
Mary Weatherford
Turquoise and Cockle Shells, 2023
Flashe and neon on linen
68 1/4 x 43 inches
(173.4 x 109.2 cm)
Mary Weatherford
The Sea and the Woods, August, 2023
shellac ink on Gampi Torinoko
22 1/2 x 30 1/4 inches
(57.1 x 76.8 cm)
framed:
25 1/4 x 33 x 1 1/2 inches
(64.1 x 83.8 x 3.8 cm)
Mary Weatherford
Light Falling Like a Broken Chain; Paradise, 2021
Flashe on linen
133 x 288 x 1 5/8 inches
(337.8 x 731.5 x 4.1 cm)
Mary Weatherford
In the Evening, Western Cape, 2020
shellac ink on Gampi Torinoko paper with folds
22 1/2 x 30 1/8 inches
(57.2 x 76.5 cm)
framed:
24 3/4 x 32 3/8 x 1 1/2 inches
(62.9 x 82.2 x 3.8 cm)
Mary Weatherford
Butterfly, 2017
Flashe and neon on linen
117 x 234 x 4 1/2 inches
(297.2 x 594.4 x 11.4 cm)
Mary Weatherford
Coney Island II, 2012
Flashe and neon on linen
103 x 83 inches
(261.6 x 210.8 cm)
Mary Weatherford
vines, 2008
Flashe on linen
37 x 44 inches
(94 x 111.8 cm)
Mary Weatherford
Brooklyn, 2008
Flashe on linen
78 x 100 inches
(198.1 x 254 cm)
Mary Weatherford
the spiritual in art, 2006
Flashe on linen
44 x 48 inches
(111.8 x 121.9 cm)
Mary Weatherford
absorbent, 2000
Flashe and sponges on canvas
66 x 82 inches
(167.6 x 208.3 cm)
Mary Weatherford
Portrait of Orson Welles, 1988
enamel on canvas
60 x 120 inches
(152.4 x 304.8 cm)