Adam Pendleton’s (b. 1984, Richmond, Virginia) work is a reflection of how we increasingly move through and experience the world on a sensorial level—a form of abstraction that, in its painterly, psychic, and verbal expression, announces a new mode of visual composition for the twenty-first century. It investigates Blackness as a color, an identity, a method, and a political subject—in short, as a multitude. His work also poses questions about the legacy of modernism in the present day, reactivating ideas from historic avant-gardes across mediums and moments in time. Since 2008 he has articulated much of his work through the frame of Black Dada, an evolving inquiry into the relationships between Blackness, abstraction, and the avant-garde. It’s a visual philosophy that confounds the distinctions between legibility and abstraction, past and present, familiar and strange, reminding us that meaning always develops through difference.
This philosophy extends to Pendleton’s solo exhibitions. He approaches each space not just as a container for his work, but as a literalization of it. In a museum exhibition like Who Is Queen? (The Museum of Modern Art, New York) or Blackness, White, and Light (mumok, Vienna), his painted compositions inspire a structural intervention that physically implicates us, rearranging our perceptions and encouraging us to approach the work on our own terms. A similar phenomenon is at play in the works themselves. Each painting, drawing, sculpture, or film is a visual chorus of excited multiplicities. When these works come together in an exhibition, their polyphonic structure becomes both audible and visible.
Adam Pendleton is an artist based in New York. His work has been the subject of solo exhibitions at such notable museums as mumok in Vienna (2023), the Montreal Museum of Fine Arts (2022), The Museum of Modern Art in New York (2021), Le Consortium in Dijon (2020), and the KW Institute for Contemporary Art in Berlin (2017). His work has also been featured in the Whitney Biennial (2022), the Venice Biennale (2015), and other prominent group exhibitions, including Grief and Grievance: Art and Mourning in America at the New Museum in New York (2021). Writing and publishing are central to Pendleton’s practice, and his many books include Pasts, Futures, and Aftermaths (2021), Who Is Queen? A Reader (2021), Heavy as Sculpture (2021), and Black Dada Reader (2017). Pendleton lives and works in New York.
Adam Pendleton
Untitled (WE ARE NOT), 2021
silkscreen ink on canvas
120 x 234 x 2 inches
(304.8 x 594.4 x 5.1 cm)
Adam Pendleton
What Is Your Name? Kyle Abraham, A Portrait, 2018-2019
single-channel color video
19 minutes 39 seconds
dimensions variable
Edition of 5, with 2 AP
Adam Pendleton
Our Ideas #4, 2018 – 2019
silkscreen ink on Mylar
32 parts, each:
sheet:
38 x 29 inches
(96.5 x 73.7 cm)
framed:
40 3/8 x 31 3/8 inches
(102.6 x 79.7 cm)
Adam Pendleton
Independance (Mask, Ivory Coast), 2018
silkscreen ink on mirror-polished stainless steel
60 x 41 inches
(152.4 x 104.1 cm)
Adam Pendleton
still from Just Back from Los Angeles: A Portrait of Yvonne Rainer, 2016 – 2017
single-channel black-and-white video
dimensions variable
13:51 minutes
Adam Pendleton
Untitled (Code Poem), 2016
glazed ceramic
4 rectangle, 7 circle, and 7 square units, each:
rectangle:
6 x 12 x 1 1/2 inches
(15.2 x 30.5 x 3.8 cm)
circle:
6 x 1 1/2 inches
(15.2 x 3.8 cm)
square:
6 x 6 x 1 1/2 inches
(15.2 x 15.2 x 3.8 cm)
Adam Pendleton
WE (we are not successive), 2015
silkscreen ink on mirror-polished stainless steel
W:
43 13/16 x 61 1/2 x 5/8 inches
(111.3 x 156.2 x 1.6 cm)
E:
46 13/16 x 35 5/8 x 5/8 inches
(118.9 x 90.5 x 1.6 cm)
Adam Pendleton
Untitled (water), 2014
silkscreen ink on mirror-polished stainless steel
sheet:
120 x 60 inches
(304.8 x 152.4 cm)
framed:
122 1/8 x 62 1/8 x 3 1/2 inches
(310.2 x 157.8 x 8.9 cm)
Adam Pendleton
Larry Hinton (white), 2012
silkscreen ink on Formica
overall dimensions:
120 x 96 inches
(304.8 x 243.8 cm)
4 panels, each:
120 x 24 inches
(304.8 x 61 cm)
Adam Pendleton
still from Lorraine O'Grady: A Portrait, 2012
single-channel color video
dimensions variable
22:51 minutes
Adam Pendleton
System of Display, IU (WITHOUT/Documenta I, Kunsthalle Fridericianum, 1955), 2010
silkscreen ink on plexiglass and mirror
63 7/8 x 48 7/8 x 3 1/8 inches
(162.2 x 124.1 x 7.9 cm)
Adam Pendleton
Black Dada (LCK/AK/AA), 2008
silkscreen ink on canvas
2 panels, overall:
96 x 76 inches
(243.8 x 193 cm)
each:
48 x 76 inches
(121.9 x 193 cm)