Michael Williams (b. 1978, Doylestown, Pennsylvania) negotiates the long history of painting by consistently questioning—and often undoing—its major components. Challenging himself with an ever-evolving set of formal problems, he produces images that reflect modern complexity and contradiction. Recent works have been made using a variety of different materials and tools, including oil paint, collage, and airbrushes; some have been composed on a computer using Photoshop and a digital drawing pad before being inkjet-printed onto canvas. In the execution of his images Williams twists together a balance of offhanded gesture and careful compositional rigor, making decisions that keep his paintings willfully misoriented. As art historian Richard Shiff notes, “[Williams’s] art is infectious in causing others to ponder the importance—or not—of anything. It’s a start-all-over-again art for a start-all-over-again life.”
Michael Williams has been the subject of solo and two-person exhibitions at the Power Station, Dallas (2022); LOK, the Kunstzone in the Lokremise, Kunstmuseum St.Gallen, Switzerland (2021); Le Consortium, Dijon, France (with Tobias Pils, 2017); Carnegie Museum of Art, Pittsburgh (2017); Musée des Beaux-Arts de Montréal (2015); and Gallery Met, New York (2015). Recent group shows include Day for Night: New American Realism, Palazzo Barberini, organized by the Aïshti Foundation, Rome (2024); .paint, Museum of Contemporary Art Chicago (2020); Joe Bradley, Oscar Tuazon, Michael Williams, Brant Foundation Art Study Center, Greenwich, Connecticut (2018); The Trick Brain, Aïshti Foundation, Beirut (2017–2018); High Anxiety: New Acquisitions, Rubell Family Collection, Miami (2016); Artists and Poets, Secession, Vienna (2015); and The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York (2014). His work is in the permanent collections of institutions including The Museum of Modern Art, New York; Whitney Museum of American Art, New York; Dallas Museum of Art; and Musée des Beaux-Arts de Montréal. Williams lives and works in Los Angeles.
Michael Williams
Chair, 2024
acrylic on canvas
59 1/8 x 51 1/8 x 1 3/8 inches
(150.2 x 129.9 x 3.5 cm)
framed:
60 3/8 x 52 3/8 x 2 inches
(153.4 x 133 x 5.1 cm)
Michael Williams
Untitled Puzzle Drawing (Struck Set 3), 2022
photocopy, pen, and colored pencil on collaged paper
11 x 8 1/2 inches
(27.9 x 21.6 cm)
framed:
14 5/8 x 12 1/8 x 1 1/4 inches
(37.1 x 30.8 x 3.2 cm)
Michael Williams
MPGA (3), 2020
oil and UV print on photo paper mounted on canvas
97 1/2 x 157 x 1 inches
(247.7 x 398.8 x 2.5 cm)
Michael Williams
Untitled (Painter), 2020
pen and and colored pencil on paper
11 x 8 1/2 inches
(27.9 x 21.6 cm)
framed:
13 1/2 x 11 x 1 1/4 inches
(34.3 x 27.9 x 3.2 cm)
Michael Williams
Large HBO, 2018
enamel on canvas
68 x 84 1/8 x 1 1/8 inches
(172.7 x 213.7 x 2.9 cm)
Michael Williams
New Field, 2016
oil, acrylic, and inkjet on canvas
122 1/4 x 82 1/2 x 1 inches
(310.5 x 209.6 x 2.5 cm)
Michael Williams
Yoga Online Series, 2014
collage and pen on paper
11 1/2 x 8 1/2 inches
(29.2 x 21.6 cm)
Michael Williams
New File, 2014
inkjet on canvas
108 5/8 x 83 1/8 x 1 3/8 inches
(276 x 211 x 3.5 cm)
Michael Williams
Honk if You Don't Exist, 2013
inkjet and airbrush on canvas
100 1/4 x 80 3/4 inches
(254.6 x 205.1 cm)
Michael Williams
We'd Better Get My Prius, 2013
inkjet and airbrush on canvas
96 x 75 7/8 inches
(243.8 x 192.7 cm)
Michael Williams
Everything Bagel, 2011
oil and airbrush on canvas
68 x 52 inches
(172.7 x 132.1 cm)
Michael Williams
Surf n' Turf, 2008
oil on canvas
40 x 60 inches
(101.6 x 152.4 cm)
Bill Powers