Skip to content
Valentin Carron, Man with Baby on Arm, 2023

Valentin Carron

Man with Baby on Arm, 2023

cast aluminum and enamel paint

66 1/2 x 24 x 14 inches
(168.9 x 61 x 35.6 cm)

unique in a series of 3, with 1 AP

Valentin Carron, Man with Baby on Arm, 2023

Valentin Carron

Man with Baby on Arm, 2023

cast aluminum and enamel paint

66 1/2 x 24 x 14 inches
(168.9 x 61 x 35.6 cm)

unique in a series of 3, with 1 AP

Chase Hall, Heavens, 2023

Chase Hall

Heavens, 2023

acrylic and coffee on cotton canvas

72 x 48 x 1 1/2 inches
(182.9 x 121.9 x 3.8 cm)

Chase Hall, Heavens, 2023

Chase Hall

Heavens, 2023

acrylic and coffee on cotton canvas

72 x 48 x 1 1/2 inches
(182.9 x 121.9 x 3.8 cm)

Jonas Wood, Interior with Japanese Landscapes, 2022

Jonas Wood

Interior with Japanese Landscapes, 2022

oil and acrylic on canvas 

106 x 128 inches
(269.2 x 325.1 cm)

Jonas Wood, Interior with Japanese Landscapes, 2022

Jonas Wood

Interior with Japanese Landscapes, 2022

oil and acrylic on canvas 

106 x 128 inches
(269.2 x 325.1 cm)

Sam Gilliam, Untitled, 2018

Sam Gilliam

Untitled, 2018

acrylic on Cerex nylon

installation dimensions variable
approximate installation dimensions:
131 x 75 x 37 inches
(332.7 x 190.5 x 94 cm)

Sam Gilliam, Untitled, 2018

Sam Gilliam

Untitled, 2018

acrylic on Cerex nylon

installation dimensions variable
approximate installation dimensions:
131 x 75 x 37 inches
(332.7 x 190.5 x 94 cm)

Lesley Vance, Untitled, 2023

Lesley Vance

Untitled, 2023

oil on linen

36 x 28 x 1 inches
(91.4 x 71.1 x 2.5 cm)

Lesley Vance, Untitled, 2023

Lesley Vance

Untitled, 2023

oil on linen

36 x 28 x 1 inches
(91.4 x 71.1 x 2.5 cm)

Fred Eversley, Untitled (parabolic lens), 2022

Fred Eversley

Untitled (parabolic lens), 2022

2-color, 2-layer cast polyester

19 1/8 x 19 1/8 x 6 1/4 inches
(48.6 x 48.6 x 15.9 cm)

Fred Eversley, Untitled (parabolic lens), 2022

Fred Eversley

Untitled (parabolic lens), 2022

2-color, 2-layer cast polyester

19 1/8 x 19 1/8 x 6 1/4 inches
(48.6 x 48.6 x 15.9 cm)

Adam Pendleton, Untitled (WE ARE NOT), 2023

Adam Pendleton

Untitled (WE ARE NOT), 2023

silkscreen ink on canvas

96 x 120 inches
(243.8 x 304.8 cm)

Adam Pendleton, Untitled (WE ARE NOT), 2023

Adam Pendleton

Untitled (WE ARE NOT), 2023

silkscreen ink on canvas

96 x 120 inches
(243.8 x 304.8 cm)

Torbjørn Rødland, Paint it Pink, 2017 - 2023

Torbjørn Rødland

Paint it Pink, 2017 - 2023

chromogenic print

55 1/8 x 43 3/8 inches
(140 x 110 cm)
framed:
56 1/8 x 44 3/8 x 2 inches
(142.6 x 112.7 x 5.1 cm)

Edition of 3, with 1 AP (#1/3)

Torbjørn Rødland, Paint it Pink, 2017 - 2023

Torbjørn Rødland

Paint it Pink, 2017 - 2023

chromogenic print

55 1/8 x 43 3/8 inches
(140 x 110 cm)
framed:
56 1/8 x 44 3/8 x 2 inches
(142.6 x 112.7 x 5.1 cm)

Edition of 3, with 1 AP (#1/3)

Matthew Brannon, There are no opening credits. It just begins. And when it’s over you watch it again. Expensive American images. Too young to know your lines., 2020

Matthew Brannon

There are no opening credits. It just begins. And when it’s over you watch it again. Expensive American images. Too young to know your lines., 2020

silkscreen with hand-painted elements on paper

103 x 52 1/2 inches
(261.6 x 133.4 cm)
framed:
106 1/4 x 55 3/4 x 2 inches
(269.9 x 141.6 x 5.1 cm)

unique

Matthew Brannon, There are no opening credits. It just begins. And when it’s over you watch it again. Expensive American images. Too young to know your lines., 2020

Matthew Brannon

There are no opening credits. It just begins. And when it’s over you watch it again. Expensive American images. Too young to know your lines., 2020

silkscreen with hand-painted elements on paper

103 x 52 1/2 inches
(261.6 x 133.4 cm)
framed:
106 1/4 x 55 3/4 x 2 inches
(269.9 x 141.6 x 5.1 cm)

unique

John Armleder, Divino, 2019

John Armleder

Divino, 2019

mixed media on canvas

in four parts, each:
138 x 69 x 1 3/4 inches
(350.5 x 175.3 x 4.4 cm)
overall:
138 x 276 x 1 3/4 inches
(350.5 x 701 x 4.4 cm)

John Armleder, Divino, 2019

John Armleder

Divino, 2019

mixed media on canvas

in four parts, each:
138 x 69 x 1 3/4 inches
(350.5 x 175.3 x 4.4 cm)
overall:
138 x 276 x 1 3/4 inches
(350.5 x 701 x 4.4 cm)

David Altmejd, Dream Recall, 2023

David Altmejd

Dream Recall, 2023

epoxy clay, epoxy gel, expanding foam, glass eyes, acrylic paint, quartz crystals, human hair, glass rhinestones, pencil, steel, concrete, resin, and plaster

39 x 16 1/2 x 16 1/2 inches
(99.1 x 41.9 x 41.9 cm)

David Altmejd, Dream Recall, 2023

David Altmejd

Dream Recall, 2023

epoxy clay, epoxy gel, expanding foam, glass eyes, acrylic paint, quartz crystals, human hair, glass rhinestones, pencil, steel, concrete, resin, and plaster

39 x 16 1/2 x 16 1/2 inches
(99.1 x 41.9 x 41.9 cm)

Mario Ayala, Lipstick Bail Bonds, 2023

Mario Ayala

Lipstick Bail Bonds, 2023

acrylic on canvas

51 x 61 inches
(129.5 x 154.9 cm)

Mario Ayala, Lipstick Bail Bonds, 2023

Mario Ayala

Lipstick Bail Bonds, 2023

acrylic on canvas

51 x 61 inches
(129.5 x 154.9 cm)

Rashid Johnson, Seascape "Twenty Years", 2023

Rashid Johnson

Seascape "Twenty Years", 2023

oil on linen

73 3/4 x 97 3/4 x 2 1/2 inches
(187.3 x 248.3 x 6.3 cm)

Rashid Johnson, Seascape "Twenty Years", 2023

Rashid Johnson

Seascape "Twenty Years", 2023

oil on linen

73 3/4 x 97 3/4 x 2 1/2 inches
(187.3 x 248.3 x 6.3 cm)

Anthony Pearson, Untitled (Coupled Casement), 2023

Anthony Pearson

Untitled (Coupled Casement), 2023

cotton Spandex embedded in pigmented Hydrocal

18 x 12 x 3 inches
(45.7 x 30.5 x 7.6 cm)

Anthony Pearson, Untitled (Coupled Casement), 2023

Anthony Pearson

Untitled (Coupled Casement), 2023

cotton Spandex embedded in pigmented Hydrocal

18 x 12 x 3 inches
(45.7 x 30.5 x 7.6 cm)

Guan Xiao, Minty Paddler, 2022

Guan Xiao

Minty Paddler, 2022

bronze, iron, aluminum alloy, acrylic color, motorcycle handlebar, and carbon powder

96 x 36 x 35 inches
(243.8 x 91.4 x 88.9 cm)

unique in a series of 3

Guan Xiao, Minty Paddler, 2022

Guan Xiao

Minty Paddler, 2022

bronze, iron, aluminum alloy, acrylic color, motorcycle handlebar, and carbon powder

96 x 36 x 35 inches
(243.8 x 91.4 x 88.9 cm)

unique in a series of 3

Michael Williams, Weekend at Bernie’s 9, 2020 - 2022

Michael Williams

Weekend at Bernie’s 9, 2020 - 2022

oil on canvas

98 1/4 x 75 x 1 1/8 inches
(249.6 x 190.5 x 2.9 cm)

Michael Williams, Weekend at Bernie’s 9, 2020 - 2022

Michael Williams

Weekend at Bernie’s 9, 2020 - 2022

oil on canvas

98 1/4 x 75 x 1 1/8 inches
(249.6 x 190.5 x 2.9 cm)

Markus Amm, Untitled, 2023

Markus Amm

Untitled, 2023

oil on gesso board

23 7/8 x 20 x 1 1/4 inches
(60.6 x 50.8 x 3.2 cm)

Markus Amm, Untitled, 2023

Markus Amm

Untitled, 2023

oil on gesso board

23 7/8 x 20 x 1 1/4 inches
(60.6 x 50.8 x 3.2 cm)

Jason Fox, Chill Out America, 2023

Jason Fox

Chill Out America, 2023

oil, acrylic, pencil, collage on canvas

90 x 62 x 1 3/4 inches
(228.6 x 157.5 x 4.4 cm)
framed:
90 3/4 x 62 3/4 x 2 inches
(230.5 x 159.4 x 5.1 cm)

Jason Fox, Chill Out America, 2023

Jason Fox

Chill Out America, 2023

oil, acrylic, pencil, collage on canvas

90 x 62 x 1 3/4 inches
(228.6 x 157.5 x 4.4 cm)
framed:
90 3/4 x 62 3/4 x 2 inches
(230.5 x 159.4 x 5.1 cm)

Ruby Neri, Lightning Strikes Twice, 2023

Ruby Neri

Lightning Strikes Twice, 2023

ceramic with glaze

58 x 38 x 38 inches
(147.3 x 96.5 x 96.5 cm)

Ruby Neri, Lightning Strikes Twice, 2023

Ruby Neri

Lightning Strikes Twice, 2023

ceramic with glaze

58 x 38 x 38 inches
(147.3 x 96.5 x 96.5 cm)

Derek Fordjour, Anniversary, 2023

Derek Fordjour

Anniversary, 2023

acrylic, charcoal, cardboard, oil pastel, and foil on newspaper mounted on canvas

62 1/4 x 92 1/4 inches
(158.1 x 234.3 cm)

Derek Fordjour, Anniversary, 2023

Derek Fordjour

Anniversary, 2023

acrylic, charcoal, cardboard, oil pastel, and foil on newspaper mounted on canvas

62 1/4 x 92 1/4 inches
(158.1 x 234.3 cm)

Kathryn Andrews, Tit Job, 2023

Kathryn Andrews

Tit Job, 2023

stainless steel, glass, Plexiglas, vinyl, and U.S. currency

20 x 42 x 10 3/4 inches
(50.8 x 106.7 x 27.3 cm)

Kathryn Andrews, Tit Job, 2023

Kathryn Andrews

Tit Job, 2023

stainless steel, glass, Plexiglas, vinyl, and U.S. currency

20 x 42 x 10 3/4 inches
(50.8 x 106.7 x 27.3 cm)

Odili Donald Odita, Vanishing Point, 2023

Odili Donald Odita

Vanishing Point, 2023

acrylic on canvas

84 1/4 x 140 1/4 x 1 1/2 inches
(214 x 356.2 x 3.8 cm)

Odili Donald Odita, Vanishing Point, 2023

Odili Donald Odita

Vanishing Point, 2023

acrylic on canvas

84 1/4 x 140 1/4 x 1 1/2 inches
(214 x 356.2 x 3.8 cm)

Tobias Pils, Sh, 2023

Tobias Pils

Sh, 2023

oil on canvas

74 3/4 x 59 inches
(190 x 150 cm)
framed:
77 1/8 x 61 3/8 x 2 3/8 inches
(196 x 156 x 6 cm)

Tobias Pils, Sh, 2023

Tobias Pils

Sh, 2023

oil on canvas

74 3/4 x 59 inches
(190 x 150 cm)
framed:
77 1/8 x 61 3/8 x 2 3/8 inches
(196 x 156 x 6 cm)

Mary Weatherford, Ocean View, 2021 - 2023

Mary Weatherford

Ocean View, 2021 - 2023

Flashe and neon on linen

122 x 117 inches
(309.9 x 297.2 cm)

Mary Weatherford, Ocean View, 2021 - 2023

Mary Weatherford

Ocean View, 2021 - 2023

Flashe and neon on linen

122 x 117 inches
(309.9 x 297.2 cm)

Doyle Lane, Weed Pot, c. 1960 - 1978

Doyle Lane

Weed Pot, c. 1960 - 1978

glazed ceramic

3 3/4 x 3 x 3 inches
(9.5 x 7.6 x 7.6 cm)

Doyle Lane, Weed Pot, c. 1960 - 1978

Doyle Lane

Weed Pot, c. 1960 - 1978

glazed ceramic

2 1/4 x 2 1/2 x 2 1/2 inches
(5.7 x 6.4 x 6.4 cm)

Doyle Lane, Weed Pot, c. 1960 - 1978

Doyle Lane

Weed Pot, c. 1960 - 1978

glazed ceramic

2 1/2 x 2 1/2 x 2 1/2 inches
(6.4 x 6.4 x 6.4 cm)

Doyle Lane, Weed Pot, c. 1960 - 1978

Doyle Lane

Weed Pot, c. 1960 - 1978

glazed ceramic

2 x 2 1/4 x 2 1/4 inches
(5.1 x 5.7 x 5.7 cm)

Andrea Büttner, Duck and Daisy, 2015

Andrea Büttner

Duck and Daisy, 2015

woodcut

two parts, each:
76 3/4 x 48 1/2 inches
(194.9 x 123.2 cm)
framed:
77 1/2 x 96 1/4 x 1 1/2 inches
(196.9 x 244.5 x 3.8 cm)

unique

Andrea Büttner, Duck and Daisy, 2015

Andrea Büttner

Duck and Daisy, 2015

woodcut

two parts, each:
76 3/4 x 48 1/2 inches
(194.9 x 123.2 cm)
framed:
77 1/2 x 96 1/4 x 1 1/2 inches
(196.9 x 244.5 x 3.8 cm)

unique

Deana Lawson, Andreen, 2022

Deana Lawson

Andreen, 2022

pigment print

49 7/8 x 35 inches
(126.7 x 88.9 cm)
framed:
50 3/4 x 36 x 1 3/4 inches
(128.9 x 91.4 x 4.4 cm)

Edition of 4, with 2 AP (#4/4)

Deana Lawson, Andreen, 2022

Deana Lawson

Andreen, 2022

pigment print

49 7/8 x 35 inches
(126.7 x 88.9 cm)
framed:
50 3/4 x 36 x 1 3/4 inches
(128.9 x 91.4 x 4.4 cm)

Edition of 4, with 2 AP (#4/4)

Aaron Curry, Machine Sky, 2023

Aaron Curry

Machine Sky, 2023

painted aluminum and synthetic polymer

46 3/4 x 26 5/8 x 24 1/4 inches
(118.7 x 67.6 x 61.6 cm)

Aaron Curry, Machine Sky, 2023

Aaron Curry

Machine Sky, 2023

painted aluminum and synthetic polymer

46 3/4 x 26 5/8 x 24 1/4 inches
(118.7 x 67.6 x 61.6 cm)

Chris Martin, Happening Now, 2022

Chris Martin

Happening Now, 2022

acrylic, oil, and sequins on canvas

97 x 88 x 2 3/4 inches
(246.4 x 223.5 x 7 cm)

Chris Martin, Happening Now, 2022

Chris Martin

Happening Now, 2022

acrylic, oil, and sequins on canvas

97 x 88 x 2 3/4 inches
(246.4 x 223.5 x 7 cm)

Mai-Thu Perret, On the water’s dustless surface, waves wash over waves, 2023

Mai-Thu Perret

On the water’s dustless surface, waves wash over waves, 2023

glazed ceramic

18 1/8 x 13 3/4 x 4 1/4 inches
(46 x 34.9 x 10.8 cm)

Mai-Thu Perret, On the water’s dustless surface, waves wash over waves, 2023

Mai-Thu Perret

On the water’s dustless surface, waves wash over waves, 2023

glazed ceramic

18 1/8 x 13 3/4 x 4 1/4 inches
(46 x 34.9 x 10.8 cm)

Ivan Morley, A True Tale, 2023

Ivan Morley

A True Tale, 2023

thread, ink, and watercolor on canvas

54 1/8 x 54 1/8 x 1 1/2 inches
(137.5 x 137.5 x 3.8 cm)
framed:
54 7/8 x 54 7/8 x 2 inches
(139.4 x 139.4 x 5.1 cm)

Ivan Morley, A True Tale, 2023

Ivan Morley

A True Tale, 2023

thread, ink, and watercolor on canvas

54 1/8 x 54 1/8 x 1 1/2 inches
(137.5 x 137.5 x 3.8 cm)
framed:
54 7/8 x 54 7/8 x 2 inches
(139.4 x 139.4 x 5.1 cm)

Evan Holloway, Figure with Shadows and Incense, 2021

Evan Holloway

Figure with Shadows and Incense, 2021

aluminum and incense

80 x 34 x 34 inches
(203.2 x 86.4 x 86.4 cm)

Evan Holloway, Figure with Shadows and Incense, 2021

Evan Holloway

Figure with Shadows and Incense, 2021

aluminum and incense

80 x 34 x 34 inches
(203.2 x 86.4 x 86.4 cm)

Joel Mesler, Untitled (Mazel Tov), 2023

Joel Mesler

Untitled (Mazel Tov), 2023

pigment on linen

80 x 70 x 1 1/4 inches
(203.2 x 177.8 x 3.2 cm)
framed:
80 3/4 x 70 3/4 x 2 inches
(205.1 x 179.7 x 5.1 cm)

Joel Mesler, Untitled (Mazel Tov), 2023

Joel Mesler

Untitled (Mazel Tov), 2023

pigment on linen

80 x 70 x 1 1/4 inches
(203.2 x 177.8 x 3.2 cm)
framed:
80 3/4 x 70 3/4 x 2 inches
(205.1 x 179.7 x 5.1 cm)

Tom of Finland, Untitled (from Kake vol. 17 - "Loading Zone"), 1975

Tom of Finland

Untitled (from Kake vol. 17 - "Loading Zone"), 1975

pen and ink on paper

12 7/8 x 9 3/8 inches
(32.7 x 23.8 cm)
framed:
18 1/4 x 14 3/4 x 1 1/2 inches
(46.4 x 37.5 x 3.8 cm)

Tom of Finland, Untitled (from Kake vol. 17 - "Loading Zone"), 1975

Tom of Finland

Untitled (from Kake vol. 17 - "Loading Zone"), 1975

pen and ink on paper

13 x 9 1/2 inches
(33 x 24.1 cm)
framed:
18 5/8 x 15 1/8 x 1 1/2 inches
(47.3 x 38.4 x 3.8 cm)

Tom of Finland, Untitled (from Kake vol. 17 - "Loading Zone"), 1975

Tom of Finland

Untitled (from Kake vol. 17 - "Loading Zone"), 1975

pen and ink on paper

12 7/8 x 9 1/2 inches
(32.7 x 24.1 cm)
framed:
18 5/8 x 15 1/8 x 1 1/2 inches
(47.3 x 38.4 x 3.8 cm)

Tom of Finland, Untitled (from Kake vol. 17 - "Loading Zone"), 1975

Tom of Finland

Untitled (from Kake vol. 17 - "Loading Zone"), 1975

pen and ink on paper

12 7/8 x 9 1/2 inches
(32.7 x 24.1 cm)
framed:
18 5/8 x 15 1/8 x 1 1/2 inches
(47.3 x 38.4 x 3.8 cm)

Betty Woodman, Red Room with Lattice, 2010

Betty Woodman

Red Room with Lattice, 2010

glazed earthenware, epoxy resin, lacquer, acrylic paint, and canvas

87 x 86 x 13 inches
(221 x 218.4 x 33 cm)

Betty Woodman, Red Room with Lattice, 2010

Betty Woodman

Red Room with Lattice, 2010

glazed earthenware, epoxy resin, lacquer, acrylic paint, and canvas

87 x 86 x 13 inches
(221 x 218.4 x 33 cm)

Lucy Bull, 20:57, 2023

Lucy Bull

20:57, 2023

oil on linen

55 1/8 x 138 x 1 5/8 inches
(140 x 350.5 x 4.1 cm)

Lucy Bull, 20:57, 2023

Lucy Bull

20:57, 2023

oil on linen

55 1/8 x 138 x 1 5/8 inches
(140 x 350.5 x 4.1 cm)

Shahryar Nashat, Lover_18.JPEG, 2022

Shahryar Nashat

Lover_18.JPEG, 2022

synthetic polymer and fiberglass

27 x 73 x 25 inches
(68.6 x 185.4 x 63.5 cm)

Shahryar Nashat, Lover_18.JPEG, 2022

Shahryar Nashat

Lover_18.JPEG, 2022

synthetic polymer and fiberglass

27 x 73 x 25 inches
(68.6 x 185.4 x 63.5 cm)

Will Boone, Time Served, 2023

Will Boone

Time Served, 2023

automotive paint, enamel, metal flake, resin, and dog training collar on canvas 

66 x 54 x 1 1/2 inches
(167.6 x 137.2 x 3.8 cm)

Will Boone, Time Served, 2023

Will Boone

Time Served, 2023

automotive paint, enamel, metal flake, resin, and dog training collar on canvas 

66 x 54 x 1 1/2 inches
(167.6 x 137.2 x 3.8 cm)

Shara Hughes, In My Palm, 2021

Shara Hughes

In My Palm, 2021

oil and acrylic on canvas

60 1/4 x 52 x 1 3/4 inches
(153 x 132.1 x 4.4 cm)

Shara Hughes, In My Palm, 2021

Shara Hughes

In My Palm, 2021

oil and acrylic on canvas

60 1/4 x 52 x 1 3/4 inches
(153 x 132.1 x 4.4 cm)

Richard Tuttle, Blue/Red - Velvet Squares, 2003

Richard Tuttle

Blue/Red - Velvet Squares, 2003

acrylic and velvet on plywood

16 1/4 x 17 1/2 x 1 1/2 inches
(41.3 x 44.5 x 3.8 cm)

Richard Tuttle, Blue/Red - Velvet Squares, 2003

Richard Tuttle

Blue/Red - Velvet Squares, 2003

acrylic and velvet on plywood

16 1/4 x 17 1/2 x 1 1/2 inches
(41.3 x 44.5 x 3.8 cm)

Richard Tuttle, Summation, 2021

Richard Tuttle

Summation, 2021

pine wood, acrylic paint, and metal wire

installation dimensions variable
approximate installation dimensions:
8 1/4 x 34 x 23 1/4 inches
(21 x 86.4 x 59.1 cm)

Richard Tuttle, Summation, 2021

Richard Tuttle

Summation, 2021

pine wood, acrylic paint, and metal wire

installation dimensions variable
approximate installation dimensions:
8 1/4 x 34 x 23 1/4 inches
(21 x 86.4 x 59.1 cm)

Jenna Gribbon, Popcorn painting, 2023

Jenna Gribbon

Popcorn painting, 2023

oil on linen

80 1/8 x 64 1/4 x 1 1/4 inches
(203.5 x 163.2 x 3.2 cm)

Jenna Gribbon, Popcorn painting, 2023

Jenna Gribbon

Popcorn painting, 2023

oil on linen

80 1/8 x 64 1/4 x 1 1/4 inches
(203.5 x 163.2 x 3.2 cm)

Raul Guerrero, El Amazonas, 2023

Raul Guerrero

El Amazonas, 2023

oil on linen 

56 x 76 1/8 x 1 3/8 inches
(142.2 x 193.4 x 3.5 cm)

Raul Guerrero, El Amazonas, 2023

Raul Guerrero

El Amazonas, 2023

oil on linen 

56 x 76 1/8 x 1 3/8 inches
(142.2 x 193.4 x 3.5 cm)

Tala Madani, Puzzle Pussy (Crushed), 2023

Tala Madani

Puzzle Pussy (Crushed), 2023

oil on linen

98 x 80 inches
(248.9 x 203.2 cm)

Tala Madani, Puzzle Pussy (Crushed), 2023

Tala Madani

Puzzle Pussy (Crushed), 2023

oil on linen

98 x 80 inches
(248.9 x 203.2 cm)

William E. Jones, Esquerita, 2022

William E. Jones

Esquerita, 2022

oil on canvas

16 x 12 x 5/8 inches
(40.6 x 30.5 x 1.6 cm)
framed:
16 5/8 x 12 5/8 x 1 1/8 inches
(42.2 x 32.1 x 2.9 cm)

William E. Jones, Esquerita, 2022

William E. Jones

Esquerita, 2022

oil on canvas

16 x 12 x 5/8 inches
(40.6 x 30.5 x 1.6 cm)
framed:
16 5/8 x 12 5/8 x 1 1/8 inches
(42.2 x 32.1 x 2.9 cm)

William E. Jones, Maurice Blanchot, 2023

William E. Jones

Maurice Blanchot, 2023

oil on canvas

16 x 12 x 5/8 inches
(40.6 x 30.5 x 1.6 cm)
framed:
16 5/8 x 12 5/8 x 1 1/8 inches
(42.2 x 32.1 x 2.9 cm)

William E. Jones, Maurice Blanchot, 2023

William E. Jones

Maurice Blanchot, 2023

oil on canvas

16 x 12 x 5/8 inches
(40.6 x 30.5 x 1.6 cm)
framed:
16 5/8 x 12 5/8 x 1 1/8 inches
(42.2 x 32.1 x 2.9 cm)

William E. Jones, Sid Vicious, 2023

William E. Jones

Sid Vicious, 2023

oil on canvas

14 x 11 x 5/8 inches
(35.6 x 27.9 x 1.6 cm)
framed:
14 5/8 x 11 5/8 x 1 1/8 inches
(37.1 x 29.5 x 2.9 cm)

William E. Jones, Sid Vicious, 2023

William E. Jones

Sid Vicious, 2023

oil on canvas

14 x 11 x 5/8 inches
(35.6 x 27.9 x 1.6 cm)
framed:
14 5/8 x 11 5/8 x 1 1/8 inches
(37.1 x 29.5 x 2.9 cm)

Ricky Swallow, Chair with Stringer (1st), 2023

Ricky Swallow

Chair with Stringer (1st), 2023

patinated bronze and oil paint

34 3/8 x 39 x 18 inches
(87.3 x 99.1 x 45.7 cm)

Ricky Swallow, Chair with Stringer (1st), 2023

Ricky Swallow

Chair with Stringer (1st), 2023

patinated bronze and oil paint

34 3/8 x 39 x 18 inches
(87.3 x 99.1 x 45.7 cm)

Lauren Halsey, portal hoppin hood poppin, 2023

Lauren Halsey

portal hoppin hood poppin, 2023

mixed media on foil-insulated foam and wood

122 1/4 x 105 3/4 x 18 1/2 inches
(310.5 x 268.6 x 47 cm)

Lauren Halsey, portal hoppin hood poppin, 2023

Lauren Halsey

portal hoppin hood poppin, 2023

mixed media on foil-insulated foam and wood

122 1/4 x 105 3/4 x 18 1/2 inches
(310.5 x 268.6 x 47 cm)

Hilary Pecis, M&W, 2023

Hilary Pecis

M&W, 2023

acrylic on canvas

64 x 74 x 1 5/8 inches
(162.6 x 188 x 4.1 cm)

Hilary Pecis, M&W, 2023

Hilary Pecis

M&W, 2023

acrylic on canvas

64 x 74 x 1 5/8 inches
(162.6 x 188 x 4.1 cm)

Larry Johnson, Untitled (L+R), 2020

Larry Johnson

Untitled (L+R), 2020

diptych, color photographs

two parts, each:
76 x 59 1/2 inches
(193 x 151.1 cm)
framed, each:
77 1/2 x 61 x 2 inches
(196.9 x 154.9 x 5.1 cm)

Edition of 4, with 2 AP (#1/4)

Larry Johnson, Untitled (L+R), 2020

Larry Johnson

Untitled (L+R), 2020

diptych, color photographs

two parts, each:
76 x 59 1/2 inches
(193 x 151.1 cm)
framed, each:
77 1/2 x 61 x 2 inches
(196.9 x 154.9 x 5.1 cm)

Edition of 4, with 2 AP (#1/4)

Huma Bhabha, It's All Good, 2023

Huma Bhabha

It's All Good, 2023

cork, Limulidae, acrylic, oil, oilstick, nail polish, and MDF

61 3/4 x 22 x 22 inches
(156.8 x 55.9 x 55.9 cm)

Huma Bhabha, It's All Good, 2023

Huma Bhabha

It's All Good, 2023

cork, Limulidae, acrylic, oil, oilstick, nail polish, and MDF

61 3/4 x 22 x 22 inches
(156.8 x 55.9 x 55.9 cm)

Jennifer Guidi, Infinite Possibilities in a Magical World (Painted Pink Sand, Rainbow, Black Ground), 2023

Jennifer Guidi

Infinite Possibilities in a Magical World (Painted Pink Sand, Rainbow, Black Ground), 2023

sand, acrylic, and oil on linen

60 x 48 x 1 1/2 inches

(152.4 x 121.9 x 3.8 cm)

Jennifer Guidi, Infinite Possibilities in a Magical World (Painted Pink Sand, Rainbow, Black Ground), 2023

Jennifer Guidi

Infinite Possibilities in a Magical World (Painted Pink Sand, Rainbow, Black Ground), 2023

sand, acrylic, and oil on linen

60 x 48 x 1 1/2 inches

(152.4 x 121.9 x 3.8 cm)

新闻稿

David Kordansky Gallery is pleased to present 20, a group exhibition celebrating the gallery’s twentieth anniversary, on view in Los Angeles at 5130 W. Edgewood Pl. from July 8 to August 19, 2023. An opening reception will be held on Saturday, July 8 from 6 to 8 PM.

Since 2003, when it first opened in the Chinatown neighborhood of Los Angeles, David Kordansky Gallery has grown into one of the defining galleries of its generation, as well as one that comprehensively embodies concurrent transformations in the Los Angeles art world and beyond. 20 provides an up-to-the-moment snapshot of the gallery’s program, highlighting the dialogues, correspondences, and distinctions between the members of its diverse community of artists. Featuring many works created especially for this occasion, the exhibition provides windows into the minds of artists who interact with the world, their chosen materials, and their ideas and impressions in singular ways; it also provides a window into a collective experience of artmaking at this particular time, when the world of art has undergone profound structural, geographic, economic, and social changes.

Because David Kordansky Gallery’s evolution directly informed the evolution of Los Angeles as a global hub for contemporary art, 20 tells the story of transformations that are larger and more profound than those contained in any one institution. It also shows how each iteration of the gallery remains present and alive in its current—and still-changing—state. The gallery’s ability to represent the tight-knit, community-based ethos of its first years of activity in Chinatown at international art fairs, for instance, was instrumental in fostering dialogues between young artists in Los Angeles, London, and continental Europe—conversations that are very much ongoing among the artists included in this exhibition.

As the gallery expanded in the period between 2008 to 2014, establishing itself in a larger space in the Culver City neighborhood and constellating a growing concentration of artistic activity there, it expanded both its reach and its impact, producing ambitious shows, and encouraging artists to realize complex, large-scale, genre-defying projects. With the 2014 move to its new Los Angeles home in Mid-City and subsequent expansion to New York in 2022, this artist-centered mission continued, as did its propensity for engaging with the cultural world more broadly through its publication and programming initiatives. A selection of books and ephemera, curated by David Kordansky, offers visitors the opportunity to learn about the gallery’s print history and important influences that have shaped its growth, attesting to the gallery’s ongoing commitment to fostering communication and questioning the foundational values that drive commercial and non-commercial activity in the arts.

Given the many generational and intergenerational forces that move through the gallery’s activities, reflections about intergenerational cross-pollination and artistic discourse at a geographical distance become living, observable facts. In 20, works by Los Angeles-based artists born in the 1990s, like Mario Ayala and Lucy Bull, can be seen alongside major works by internationally recognized icons like Sam Gilliam and Betty Woodman, who were born in the 1930s and have impacted the trajectory of twentieth and twenty-first century art in influential and documented ways.

Showcasing such juxtapositions has long been one of the gallery’s primary aims, even from its beginning twenty years ago when a local group of young artists constituted the core of its program. One of its first shows in 2003 featured the Los Angeles-based filmmaker, photographer, and writer William E. Jones, who is represented in 20 with the debut of a new series of paintings—a move that captures both the historical spirit and present-centered experimentation that animate the exhibition and underscore the gallery’s openness to regeneration.

David Kordansky Gallery has long been concerned with providing space for artists to look both inward, toward the development of their mediums and the personal motivations that drive them to make art, and outward, toward the environments in which their artmaking arises and evolves. Regional, global, intimate, expansive: any given work can be a contradiction that provokes the rearticulation of pre-existing categories. A new painting by Raul Guerrero, for instance, wryly depicts conquistadors trudging through a flora- and fauna-filled jungle scene where futility, exasperation, loss, and the fecund humor of the natural world co-exist uneasily, requiring second, third, and fourth glances to make sense of their complex relationships. An expansive neon painting by Mary Weatherford, meanwhile, suggests that experiences of the ocean are not only expressions of visual or tactical sensory perception, but also internal reflections in which poetic association, historical musing, and emotional responses all play important roles. 

During decades in which internet-based communication and social media have become dominant forces, the gallery has steadfastly advocated for the importance of physically embodied encounters with art, even when exhibiting artists like Guan Xiao and Shahryar Nashat whose work directly addresses digital conditions. As artists like Huma Bhabha, Evan Holloway, Ruby Neri, and Ricky Swallow make plain, however, technology does not always have to do with what is new. It is also present in handmade things and processes that are as old as civilization, in materials like wood, clay, and bronze whose use requires cutting, casting, glazing, and changes in temperature. Regardless of medium and position relative to historicity, art offers opportunities for real-time interaction with the products of human creativity. The gallery has long held that this interaction is itself a creative act that cannot be replicated virtually, despite the important ways new modes of communication have made dialogues around art more expansive and democratic.

Communication, and the symbols of which it is built, gives people access to each other’s dreams and memories. For the entirety of its twenty-year history, David Kordansky Gallery has sought to provide a container whose clarity, care, and heart enable artists to engage in such communication as openly and as fearlessly as possible. 20 is, in this respect, no more and no less than another show. Inasmuch as it commemorates the past and posits new directions for the future, the exhibition is primarily oriented toward making space for what its four dozen artists have to say today, about today. It is, in other words, a celebration of the current moment. Like the work of artists as distinct from one another as Lauren Halsey, Chris Martin, and Tom of Finland, 20 is also a paean to the power of community.

 

Downloads

Press Release
Checklist