Jared Buckhiester’s (b. 1977, Dahlonega, Georgia) art-making process is led—first and foremost—by intuition. Beginning with drawing in which certain forms, shapes, and gestures are revisited, Buckhiester moves to other materials. Working across mediums, often at the same time, an inherent relationship is forged between the ceramic sculptures, drawings, and paintings that are at the core of Buckhiester’s practice. The resulting images live as fragments of a larger story, one which is never complete. In this way, the installation and presentation of Buckhiester’s work are as important as each individual artwork so that the elements present in a sculpture can stand in for things left absent in a painting. His ceramic sculptures, which predominantly consist of separate parts—a base, legs, a torso, and head—are pieced together like interchangeable parts of a collage until they find their final form. In the same way a story is told slightly differently each time it’s recounted, Buckhiester’s works are exercises in repetitive expressions, yielding new and surprising outcomes with each gesture and each application of glaze, charcoal, or paint. For Buckhiester, art is as much a reflection of the artist’s interior world as it is of their exterior conditions and associations, both known and unknown.
Jared Buckhiester has been the subject of solo exhibitions at venues including Dunes, Portland, Maine (2023); Lighthouse Works, Fishers Island, New York (2021); Clough-Hanson Gallery, Rhodes College, Memphis, Tennessee (2018). His work has been included in notable group exhibitions including The Writing’s on the Wall: Language and Silence in the Visual Arts (curated by Hilton Als), Hill Art Foundation, New York (2024–2025); elbow fist to make, Parker Gallery, Los Angeles (2023); Toni Morrison’s Black Book (curated by Hilton Als), David Zwirner, New York (2022); and One Day at a Time: Manny Farber and Termite Art, Museum of Contemporary Art, Los Angeles (2018). His work is in the collection of the Morgan Library and Museum, New York. He received his BFA from Pratt Institute in New York and his MFA from Bard College in Annandale-on-Hudson, New York. Buckhiester lives and works in New York.
Jared Buckhiester
Drum Major Speaking Snake, 2025
glazed stoneware
18 1/2 x 12 x 11 inches
(47 x 30.5 x 27.9 cm)
Jared Buckhiester
The Front of The House Painted From Memory, 2024
oil on linen
25 x 21 7/8 inches
(63.3 x 55.6 cm)
framed:
28 3/8 x 25 1/4 x 1 3/4 inches
(71.9 x 64.1 x 4.4 cm)
Jared Buckhiester
you were a good son, 2024
charcoal on paper
33 x 26 1/4 inches
(83.8 x 66.7 cm)
framed:
39 x 32 x 1 1/2 inches
(99.1 x 81.3 x 3.8 cm)
Jared Buckhiester
A General, A Soldier, and A Goat, 2024
oil on linen, in artist's frame
19 1/8 x 17 1/4 x 1 3/4 inches
(48.6 x 43.8 x 4.4 cm)
Jared Buckhiester
Don't believe them if they said I ran away, 2023
oil on canvas, in artist's frame
16 1/8 x 14 1/8 x 1 3/4 inches
(41 x 35.9 x 4.4 cm)
Jared Buckhiester
Mother was not, as she believed, innocent, 2023
charcoal on paper
38 5/8 x 38 1/8 inches
(98.1 x 96.8 cm)
framed:
43 7/8 x 43 3/8 x 2 inches
(111.4 x 110.2 x 5.1 cm)
Jared Buckhiester
I salute you badly in haste, 2023
glazed stoneware and walnut
28 x 7 x 7 inches
(71.1 x 17.8 x 17.8 cm)
Jared Buckhiester
Reflecting the low, early sun, 2022
oil on canvas, in artist's frame
17 1/8 x 19 1/8 x 2 inches
(43.5 x 48.6 x 5.1 cm)
Jared Buckhiester
Guide posed as a rainbow II, 2022
glazed stoneware and walnut
13 x 14 x 7 inches
(33 x 35.6 x 17.8 cm)
Jared Buckhiester
For all to see, 2022
oil on canvas, in artist's frame
19 1/8 x 22 1/8 x 2 inches
(48.6 x 56.2 x 5.1 cm)
Jared Buckhiester
Untitled, 2021
charcoal on paper
42 1/4 x 29 7/8 inches
(107.3 x 75.9 cm)
framed:
47 1/2 x 35 x 2 inches
(120.5 x 88.7 x 5.1 cm)
Jared Buckhiester
Captain holding a head, 2017
stoneware
7 x 4 x 4 1/2 inches
(17.8 x 10.2 x 11.4 cm)