Shara Hughes (b. 1981, Atlanta) uses dizzying brushwork, vibrant colors, and shifting perspectives to make paintings that defy many of the existing conventions associated with the landscape genre. Natural motifs and patterned elements recur throughout Hughes’s pictures: snake-like trees, floating moons, distorted reflections in bodies of water, and stippled night skies appear in various permutations, synchronized with harder-to-define forms in which abstract and representational impulses co-exist in unorthodox harmony. Hughes’s process rarely involves reference images; instead, she transposes the psychological complexity of her interior world into lush and layered compositions. She often mixes pigment directly atop her surfaces, and in this way creates intuitive, one-of-a-kind color palettes that simultaneously point to art historical movements like color field painting and Post-Impressionism. As she engages with these open-ended experiments in image-making, Hughes depicts kaleidoscopic visions of flora and fauna in processes of constant evolution.
Shara Hughes has been the subject of solo exhibitions at Metropolitan Opera, New York (2024); Kunsten Museum of Modern Art, Aalborg, Denmark (2023); FLAG Art Foundation, New York (2022); Kunstmuseum Luzern, Switzerland (2022); Yuz Museum, Shanghai (2021–2022); Contemporary Art Museum St. Louis (2021); Garden Museum, London (2021); Aspen Museum of Art, Colorado (2021); and Le Consortium, Dijon, France (2021). Recent group exhibitions include Day for Night: New American Realism, Palazzo Barberini, organized by the Aïshti Foundation, Rome (2024); Open Ended: SFMOMA’s Collection, 1900 to Now, SFMOMA, San Francisco (ongoing); Being in the World: The Tenth Anniversary of the Long Museum, Long Museum, Shanghai (2023); Nature humaine – Humaine nature, Fondation Vincent van Gogh, Arles, France (2022–2023); America Will BE! Surveying the Contemporary Landscape, Dallas Museum of Art (2019); and Whitney Biennial 2017, Whitney Museum of American Art, New York. Her work is in the permanent collections of institutions including The Metropolitan Museum of Art, New York; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Los Angeles County Museum of Art; Denver Art Museum; High Museum of Art, Atlanta; and Smithsonian American Art Museum, Washington, D.C., among others. Hughes lives and works in Brooklyn, New York.
Shara Hughes
Wake, 2023
oil, acrylic, and dye on canvas
48 x 40 inches
(121.9 x 101.6 cm)
Shara Hughes
Swelling, 2023
oil, acrylic, and dye on canvas
diptych, overall:
72 x 174 inches
(183 x 442 cm)
Shara Hughes
Pink Cotton, 2022
oil and acrylic on canvas
58 x 50 inches
(147.3 x 127 cm)
Shara Hughes
New Systems, 2020
oil and acrylic on canvas
68 x 60 x 1 1/2 inches
(172.7 x 152.4 x 3.8 cm)
Shara Hughes
Turbulence, 2019
mixed media on paper
30 x 22 inches
(76.2 x 55.8 cm)
framed:
33 x 25 x 1 1/2 inches
(83.8 x 63.5 x 3.8 cm)
Shara Hughes
Ignoring the Present, 2018
oil and dye on canvas
67 7/8 × 59 7/8 × 1 3/4 inches
(172.4 x 152.1 x 4.4 cm)
Shara Hughes
Carving Out Fresh Options, 2018
oil on wall
70 x 76 feet
(2133.6 x 2316.5 cm)
Installation view, Rose Kennedy Greenway, Dewey Square Park, Boston
Shara Hughes
Star Gazing, 2017
oil, enamel, dye, and acrylic on canvas
54 x 48 inches
(137.2 x 121.9 cm)
Shara Hughes
Throwing Shade, 2016
oil, enamel, and acrylic on canvas
68 x 60 inches
(172.7 x 152.4 cm)
Shara Hughes
Many Moons, 2014
oil, enamel, acrylic, and spray paint on canvas
64 x 58 inches
(162.6 x 147.3 cm)
Shara Hughes
Green Monster, 2013
oil, enamel, acrylic, and spray paint on canvas
60 x 54 inches
(152.4 x 137.2 cm)
Shara Hughes
Lounge, 2007
gouache, oil, crayon, marker, pastel, glitter, pen and ink, and graphite on paper
22 1/8 x 29 7/8 inches
(56.2 x 75.9 cm)