Mario Ayala (b. 1991, Los Angeles) reimagines a contemporary landscape where identity, observation, and the presence of material fact play equal roles. In his paintings, Ayala brings together figures and forms drawn from every corner of his experience living on the West Coast. Ayala's work lends interest in traditions and techniques with strong visual ties to California, such as muralism, tattooing, and industrial techniques used in automobile painting and commercial signage. Ayala's influences also extend into postwar art historical movements such as the Cool School of Los Angeles and Bay Area Funk art. Ayala's highly personal, often surreal, tableaux are vivid representations of the way in which images course through the world, carrying with them fragments of the past, present, and a future still in formation. His creations live as collectively inspired documents that reflect issues, energies, and aesthetics alive in Mexican American, Latin, and Brown communities throughout the region. Ayala's sculptures, site-specific works, and collaborations embody his capacity to envision the local and the global as interwoven phenomena. Like his paintings, they locate surprising—and even unsettling—moments of cohesion in a world defined by multiplicity and rapid, ever-changing flux.
Mario Ayala has been the subject of solo and two-person exhibitions at CAC Málaga, Spain (2024); David Kordansky Gallery, Los Angeles (2023); Jeffrey Deitch, New York (2022), and Ever Gold [Projects], San Francisco (2021). Recent group exhibitions include Xican-a.o.x. Body, Pérez Art Museum Miami (2024) and The Cheech Marin Center for Chicano Art & Culture at the Riverside Art Museum (2023); Prospect 2024, Museum of Contemporary Art San Diego (2024); Sitting on Chrome: Mario Ayala, rafa esparza, and Guadalupe Rosales, SFMOMA, San Francisco (2023–2024); Together in Time: Selections from the Hammer Contemporary Art Collection, Hammer Museum, Los Angeles (2023); Hot Concrete: LA to HK, K11 Musea, Hong Kong (2022); and Made in L.A. 2020: a version, Hammer Museum, Los Angeles (2020). His work is in the permanent collections of institutions including the Hammer Museum, Los Angeles; San Francisco Museum of Modern Art; and Aïshti Foundation, Beirut. Ayala lives and works in Los Angeles.
Mario Ayala
Oil Tanker, 2024
acrylic on canvas
114 x 96 1/8 inches
(289.6 x 244.2 cm)
Mario Ayala
Emilia’s Tortas, 2023
acrylic on canvas
47 3/4 x 69 inches
(121.3 x 175.3 cm)
Mario Ayala
Pyramid, 2022
acrylic on canvas
in five parts, overall:
104 3/4 x 52 3/8 inches
(266.1 x 133 cm)
Mario Ayala
be my baby (ronettes), 2022
acrylic on canvas
15 3/4 x 28 inches
(40 x 71.1 cm)
Mario Ayala
Tinsel Town Towing, 2022
acrylic on panel in artist frame
18 x 24 inches
(45.7 x 61 cm)
framed:
19 x 24 7/8 x 1 5/8 inches
MARIO AYALA
Muffler Man, 2022
moulded fiberglass
body:
76 x 78 1/2 x 51 1/2 inches
(193 x 199.4 x 130.8 cm)
legs:
90 3/4 x 40 x 35 inches
(230.5 x 101.6 x 88.9 cm)
MARIO AYALA
Parallel Parking 2, 2021
acrylic on canvas
72 x 96 inches
(182.9 x 243.8 cm)
Mario Ayala
Reunion, 2021
acrylic on canvas
88 x 68 inches
(223.5 x 172.7 cm)
Mario Ayala
Earth Angel, 2020
acrylic on canvas
88 x 68 inches
(223.5 x 172.7 cm)
Mario Ayala
Outside Looking in 2, 2018
acrylic on canvas
63 3/4 x 48 inches
(161.9 x 121.9 cm)
Mario Ayala
Accordion, 2017
airbrush on canvas
72 x 96 inches
(182.9 x 243.8 cm)
MARIO AYALA
Rim Job, 2018
airbrush and Flashe on canvas
64 x 48 inches
(162.6 x 121.9 cm)