Larry Johnson (b. 1959, Long Beach, California) has influenced an entire generation of artists who use photography not to 'capture' images but to make pictures that reveal the underlying social strata of contemporary culture. His work represents an idiosyncratic amalgam of popular history, text-based narrative, graphic design, and class awareness; even as it maps the physical and mental geographies of Los Angeles, it establishes a broader critique of the ways in which culture defines itself. Johnson often looks to the production of cartoon illustration, for instance, as a way of channeling the repressed libidinal energies of Hollywood. He hijacks pre-existing cultural forms and bends—or queers—them according to his own ends, appropriating signs and symbols through a kind of camp-inflected haunting, all the while locating vulnerability and humor in some of the darkest recesses of the social landscape.
For Made in L.A. 2020: a version, the fifth iteration of the Hammer Museum’s biennial exhibition, on view through August 1 at the Hammer Musuem, Los Angeles, and the Huntington Library, Art Museum, and Botanical Gardens, San Marino, California, Johnson created an off-site project comprising five billboards in MacArthur Park, Los Angeles. Johnson has been the subject of solo exhibitions at MAMCO Geneva (Musée d’art moderne et contemporain) (2016); Raven Row, London (2015); Hammer Museum, Los Angeles (2009); and Morris and Helen Belkin Art Gallery, The University of British Columbia, Vancouver (1996). Recent group exhibitions include The Foundation of the Museum: MOCA’s Collection, The Museum of Contemporary Art, Los Angeles (2020); Brand New: Art and Commodity in the 1980s, Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2018); Récit d’un temps court, MAMCO Geneva (Musée d’art moderne et contemporain) (2018); In the Crack of the Dawn, POOL at Luma/Westbau, Zürich (2014). Johnson was included in the Whitney Biennial 1991, Whitney Museum of American Art, New York and the 43rd Venice Biennale, Italy (1988). His work is in the permanent collections of many institutions, including the Art Institute of Chicago; Hammer Museum, Los Angeles; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; and Whitney Museum of American Art, New York. Johnson lives and works in Los Angeles.