Matthew Brannon (b. 1971, Anchorage, Alaska) has long been recognized not only for his wit and literary sensibility, but also for the precision with which he approaches his chosen mediums. He is best known for his radical approach to printmaking, which, contrary to traditional usage, frequently involves the elaborate production of unique artworks. The scope and ambition of these works has increased exponentially over the last decade, beginning with a series of large-scale unique prints borne of exhaustive research into the political and cultural ramifications of the Vietnam War. Since that time, Brannon has addressed an ever-widening circle of generational patterns as they appear in music, movies, product design, and typography, as well as in harder-to-define phenomena like collective states of mind. Throughout each of these domains, he also introduces a subtle and incisive sense of personal investment, questioning some of the broadest, overarching trends in the life of our civilization with curiosity, humor, and irreverence. Brannon confronts the messy business of narrating history, creating his own versions of “primal scenes” in the American psyche. The vocabulary and voice developed in the prints has provided the center for an expanding world of objects and narratives that also includes painting, sculpture, video, and installation.
Matthew Brannon has been the subject of solo exhibitions at Museo Marino Marini, Florence, Italy (2013); Portikus, Frankfurt, Germany (2012); Museum M, Leuven, Belgium (2010); Whitney Museum of American Art at Altria, New York (2007); and Art Gallery of York University, Toronto (2007). His work is in the permanent collections of numerous museums, including The Museum of Modern Art, New York; Whitney Museum of American Art, New York; Los Angeles County Museum of Art; Hammer Museum, Los Angeles; Albright-Knox Art Gallery, Buffalo, New York; Denver Art Museum; DESTE Foundation for Contemporary Art, Athens, Greece; and Museo MADRE, Naples, Italy. In 2019, Gregory R. Miller & Co. published Concerning Vietnam, a book dedicated to Brannon’s multi-year project investigating the Vietnam War. Brannon lives and works in New York.
Matthew Brannon
Concerning Vietnam: Bell AH-1S Cobra, Gunner’s Seat (V), 2022
silkscreen with hand-painted elements on paper
67 1/2 x 52 inches
(171.5 x 132.1 cm)
framed:
70 3/4 x 55 1/4 x 2 inches
(179.7 x 140.3 x 5.1 cm)
Matthew Brannon
Shampoo, Psychoanalysis, Aspartame & Glass Bricks, 2022
acrylic and enamel on canvas
52 1/8 x 45 3/8 x 1 3/8 inches
(132.4 x 115.3 x 3.5 cm)
Matthew Brannon
Serious Boyfriend / The Lost Art of Making Out / Dancing to the Television, 2022
silkscreen with hand-painted elements on paper
67 x 54 inches
(170.2 x 137.2 cm)
framed:
71 1/4 x 58 1/4 x 2 inches
(181 x 148 x 5.1 cm)
Matthew Brannon
Chapel Perilous, 2021
silkscreen and pencil on paper
30 1/4 x 22 1/2 inches
(76.8 x 57.2 cm)
framed:
33 x 25 1/4 x 1 1/2 inches
(83.8 x 64.1 x 3.8 cm)
Matthew Brannon
Sweating tonic water and bug spray. Brushing your teeth with cognac. The no-time of hotel time. Not sleeping but not awake. Sober while drunk., 2020
silkscreen with hand-painted elements on paper
52 x 67 inches
(132.1 x 170.2 cm)
framed:
55 3/4 x 70 3/4 x 1 1/2 inches
(141.6 x 179.7 x 3.8 cm)
Matthew Brannon
710 Ashbury Street, San Francisco 1967, 2020
silkscreen with hand-painted elements on paper
84 x 52 inches
framed:
88 x 56 x 2 inches
(223.5 x 142.2 x 5.1 cm)
Matthew Brannon
Short-Timer Calendar, Nude 1: 63 Days, 2017
letterpress with hand-painted elements on paper
31 1/2 x 45 inches
(114.3 x 80 cm)
framed:
34 5/8 x 48 1/2 x 1 1/2 inches
(87.9 x 123.2 x 3.8 cm)
Matthew Brannon
Undivided Attention (Leopard), 2013
DVD: two channels HD NTSC
34:45 minutes
Matthew Brannon
Inside Out, III (The Anesthesiologist), 2013
brass, linen, enamel, acrylic, offset printing on paper
90 x 73 x 1.75 inches
(228.6 x 185.4 x 4.4 cm)
Matthew Brannon
Tour Guide, 2010
sculpture: steel, enamel, wood
print: letterpress on paper
sculpture:
39 1/2 x 237 1/2 x 97 inches
(100.3 x 603.3 x 246.4 cm)
print:
24 x 18 inches
(61 x 45.7 cm)
Matthew Brannon
The Price of Admission, 2007
matte black vinyl foil
316 x 131 inches
(803 x 333 cm)
Installation view, Whitney Museum of American Art at Altria, New York
Matthew Brannon
More Autopsy than Diagnosis, 2006
letterpress on paper
24 x 18 inches
(61 x 45.7 cm)
framed:
25.63 x 19.63 inches
(65.1 x 49.9 cm)
Jan Tumlir
Travis Diehl
George Pendle
Chris Sharp
Steel Stillman
John Beeson
Jennifer Higgie