Anthony Pearson (b. 1969, Los Angeles) occupies a quietly antithetical position in a contemporary cultural landscape characterized by visual noise and short attention spans. An exploration of the possibilities inherent to a small group of materials (plaster, bronze, and steel among them), his work fosters concentrated modes of perception, and has taken shape according to a number of different typologies over the course of his career. Photography played a formative role at the beginning of his project, and the action of a shutter capturing serial instances of light continues to be a guiding metaphor for the way he produces, edits, and installs his work. Recent wall-based objects made using poured Hydrocal focus not only on the sculptural properties of this material, but the ways in which it responds to ambient shifts in luminosity and color. This emphasis on optics and the seeing of immaterial phenomena recalls the ethos of the Light and Space movement; the practice as a whole embodies and reflects the perceptual qualities of the artist’s native Southern California.
Anthony Pearson has been the subject of solo exhibitions at Contemporary Art Museum, St. Louis (2012) and Midway Contemporary Art, Minneapolis (2008). He has participated in group exhibitions including Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art (2014); second nature: abstract photography then and now, deCordova Sculpture Park and Museum, Lincoln, Massachusetts (2012); and The Anxiety of Photography, Aspen Art Museum, Colorado; and Arthouse at the Jones Center, Austin, Texas (2011). His work is in the permanent collections of institutions including the Art Institute of Chicago; Hammer Museum, Los Angeles; Berkeley Art Museum and Pacific Film Archive, California; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; and Walker Art Center, Minneapolis. In 2019, a comprehensive monograph dedicated to Pearson’s multifaceted work was published by Inventory Press. Pearson lives and works in Los Angeles.
Anthony Pearson
Untitled (Casement), 2021
canvas embedded in pigmented Hydrocal
58 x 34 x 1 inches
(147.3 x 86.4 x 2.5 cm)
Anthony Pearson
Untitled (Embedment), 2018
canvas-embedded, pigmented Hydrocal in enamel coated aluminum frame
47 3/4 x 20 x 2 inches
(121.3 x 50.8 x 5.1 cm)
Anthony Pearson
Untitled (Etched Plaster), 2016
medium-coated, pigmented Hydrocal in walnut frame
49 x 39 x 2 1/2 inches
(124.5 x 99.1 x 6.4 cm)
unique
Anthony Pearson
Untitled (Plaster Positive), 2015
pigmented Hydrocal in walnut frame
28 1/2 x 21 1/2 x 3 1/4 inches
(72.4 x 54.6 x 8.3 cm)
unique
Anthony Pearson
Untitled (Four Part Etched Plaster), 2015
pigmented Hydrocal and medium-coated pigmented Hydrocal in four walnut frames
four parts, each:
12 1/2 x 9 1/2 x 1 3/4 inches
(31.8 x 24.1 x 4.4 cm)
unique
Anthony Pearson
Untitled (Tablet), 2014
bronze relief with silver nitrate patina
8 x 5 x 2 1/2 inches
(20.3 x 12.7 x 6.4 cm)
unique
Anthony Pearson
Untitled (Plaster Positive), 2013
medium-coated pigmented Hydrocal in lacquer finished maple frame
43 1/2 x 31 x 3 inches
(110.5 x 78.7 x 7.6 cm)
unique
Anthony Pearson
Untitled (Transmission), 2011
steel, patina, sandblasted white Portland cement
96 1/4 x 80 x 33 1/4 inches
(244.5 x 203.2 x 84.5 cm)
unique
Anthony Pearson
Untitled (Tablet), 2011
bronze relief with cobalt patina
6 x 5 x 1 3/4 inches
(15.2 x 12.7 x 4.4 cm)
unique
Anthony Pearson
Untitled (Slip Cast Slab Arrangement), 2010
solarized silver gelatin photograph in artist's frame, bronze sculpture with silver nitrate patina, walnut base and pedestal
61 x 29 x 12 inches
(154.9 x 73.7 x 30.5 cm)
unique
Anthony Pearson
Untitled (Flare Diptych), 2010
c-print in artist's frame
97 x 40 x 1.5 inches
(246.4 x 101.6 x 3.8 cm)
unique
Anthony Pearson
Untitled (Solarization), 2008
solarized silver gelatin photograph in artist's frame
19.5 x 16 inches
(49.5 x 40.6 cm)
unique