David Kordansky Gallery

  • F.E.S.T.A., 2014, Kölnischer Kunstverein, Cologne, Germany, Installation view
  • F.E.S.T.A., 2014, Kölnischer Kunstverein, Cologne, Germany, Installation view
  • The Seven Sleepers, 2013, mixed media, installation dimensions variable
  • The Seven Sleepers, 2013, (installation view) mixed media, installation dimensions variable
  • The Seven Sleepers, 2013, (installation view) mixed media, installation dimensions variable
  • The Seven Sleepers, 2013, (installation view) mixed media, installation dimensions variable
  • The Unborn Museum, 2013, Le Magasin, Grenoble, France, Installation view
  • The Unborn Museum, 2013, Le Magasin, Grenoble, France, Installation view
  • The Unborn Museum, 2013, Le Magasin, Grenoble, France, Installation view
  • The Unborn Museum, 2013, Le Magasin, Grenoble, France, Installation view
  • Il Traviatore, 2012, pastel on paper on forex, 38.98 x 30.91 inches (99 x 78.5 cm)
  • Study for Tableau Vivant (D'Apres Pasolini La Ricotta), 2010, (installation view) slide projection, graphite on paper, 34.06 x 23.23 inches (86.5 x 59 cm)
  • Truka all-over (The Formula of the Phantom), 2010, two performers, silver-coated armor, acrylic, airbrushes, spray guns, photograph, platform, photograph: 47.24 x 106.3 inches (120 x 270 cm), platform: 47.24 x 106.3 inches (120 x 270 cm)
  • The Fourteen Stations (You Never Look at Me from the Place I See You), 2010, 14 Moleskine notebooks, charcoal, graphite and acrylic on paper, each: 15.75 x 13.78 x 1.77 inches (40 x 35 x 4.5 cm)
  • The Fourteen Stations (You Never Look at Me from the Place I See You), 2010, (detail) 14 Moleskine notebooks, charcoal, graphite and acrylic on paper, each: 15.75 x 13.78 x 1.77 inches (40 x 35 x 4.5 cm)
  • The Fourteen Stations (You Never Look at Me from the Place I See You), 2010, (detail) 14 Moleskine notebooks, charcoal, graphite and acrylic on paper, each: 15.75 x 13.78 x 1.77 inches (40 x 35 x 4.5 cm)
  • The Fourteen Stations (You Never Look at Me from the Place I See You), 2010, (detail) 14 Moleskine notebooks, charcoal, graphite and acrylic on paper, each: 15.75 x 13.78 x 1.77 inches (40 x 35 x 4.5 cm)
  • The Fourteen Stations (You Never Look at Me from the Place I See You), 2010, (detail) 14 Moleskine notebooks, charcoal, graphite and acrylic on paper, each: 15.75 x 13.78 x 1.77 inches (40 x 35 x 4.5 cm)
  • Unicuique Suum, 2010, stacked newspapers, magnifying glass, acrylic paper, stacked newspapers: 23.62 x 33.46 x 4.72 inches (60 x 85 x 12 cm), acrylic on paper: 8.46 x 6.3 inches (21.5 x 16 cm)
  • Fare Mondi / Making Worlds, 2009, 53 Esposizione Internazionale dʼArte, Biennale di Venezia, Venice, Italy, Installation view
  • A Good Man is Hard to Find, 2008, (install view) oil on canvas, 16mm film, terracotta basin, table oil on canvas: 11.4 x 16.9 inches (29 x 43 cm), 16mm film: 36 inches (91.4 cm), terracotta basin, diameter: 17.7 inches (45 cm), table: 47.2 x 31.5 inches (120 x 80 cm)
  • Z, 2008, (installation view) tableau vivant, offset print on paper, fried rice ball, oil on canvas, neon, offset print on paper: 31.5 x 31.5 x 19.7 inches (80 x 80 x 50 cm), fried rice ball, diameter: 11.8 inches (30 cm), oil on canvas: 32.7 x 28.7 inches (83 x 73 cm), neon: 13 x 72.8 inches (33 x 185 cm)
  • The Skeleton Key III, 2007, soft pastel on paper on forex, 74.41 x 57.87 inches (189 x 147 cm)
  • The Skeleton Key III, 2007, soft pastel on paper on forex, 74.41 x 57.87 inches (189 x 147 cm)
  • Jockey Full of Bourbon II, 2006, (installation view) neon, resin and hand painted feathers, microphone pole, acrylic on paper on forex, mirror, 114.17 x 267.72 x 228.35 inches (290 x 680 x 580 cm)
  • Jockey Full of Bourbon II, 2006, (installation view) neon, resin and hand painted feathers, microphone pole, acrylic on paper on forex, mirror, 114.17 x 267.72 x 228.35 inches (290 x 680 x 580 cm)
  • Senza Titolo, 2006, oil on paper on forex, 12.6 x 9.45 inches (32 x 24 cm)
  • The oval portrait. A ventriloquist at a birthday party in October 1947, 2005, (installation view) tableau vivant, soft pastel on paper on panel, pastel on paper: 35.83 x 59.06 inches (91 x 150 cm), installation dimensions variable
  • Giocondità, 2002, digital animation, 3:53 minute, looped
  • Intelligent Artifice(r), 1999-2003, oil on canvas on wood, 32.28 x 25.98 inches (82 x 66 cm)

Biography

born 1970, Modica, Italy
lives and works in Milan, Italy


EDUCATION

1995
Accademia di Belle Arti di Brera, Milan


SELECTED SOLO EXHIBITIONS

2016
WHO SHOT MR. BURNS?, The Power Station, Dallas, TX
Il Signor Beneventano, David Kordansky Gallery, Los Angeles, CA

2015
The Wooden O, Galleria Zero, Milan, Italy

2014
The Queen of Gaps, Zeno X Gallery, Antwerp, Belgium
F.E.S.T.A., Kölnischer Kunstverein, Cologne, Germany

2013
*The Unborn Museum, Le Magasin, Grenoble, France

2012
The Strange Young Neighbours, David Kordansky Gallery, Los Angeles, CA

2010
Unicuique Suum Fussball, Johnen Galerie, Berlin, Germany

2008
Art Statements, Art 39 Basel, Basel, Switzerland
Z, CCS Bard at Seventh Regiment Armory, New York, NY

2007
Truka, GAMeC Galleria d’Arte Moderna e Contemporanea, Bergamo, Italy; Galleria Civica Montevergini, Siracusa, Italy
Truka, art : concept, Paris, France

2006
Il Traviatore – The Skeleton Key, Fondazione Querini Stampalia, Venice, Italy
My Private #4, Ex Tempio Metodista, Turin, Italy
De Morgen, Hoet Bekaert Gallery, Gent, Belgium
La Tempesta, Johnen + Schöttle, Cologne, Germany

2005
Ø, ZERO…, Milan, Italy

2004
O.H., Viafarini, Milan, Italy

2003
Fisheye, Vistamare, Pescara, Italy


SELECTED GROUP EXHIBITIONS
(* indicates a publication)

2017
And what, for example, am I now seeing? (Autodisporsi), Galleria Continua, Boissy-le-Châtel, France

2016
*Quand fondra la neige où ira le blanc, curated by Eric Mezil and Lorenzo Paini, Palazzo Fortuny, Venice, Italy
Self-Portrait, Massimo de Carlo, London, England
Peter Halley & Pietro Roccasalva: The Awakening, Mottahedan Projects, Dubai, United Arab Emirates

2015
Ennesima/Upteenth. An Exhibition of Seven Exhibitions on Italian Art, curated by Vincenzo de Bellis, Triennale di Milano, Milan, Italy
The Violet Crab at DRAF, David Roberts Art Foundation, London, England
Le Stanze d’Aragona, Villino Favaloro, Palermo, Italy
Pass. Kunst in dorpen, Mullem; Huise; Wannagem; Lede, Belgium
Collection for Tomorrow: new works at Museion, MUSEION – Museo d’Arte Moderna e Contemporanea, Bolanzo, Italy
Works on Paper II, Zeno X Gallery, Antwerpen, Belgium

2014
Imitatio Christie’s, ZERO…, Milan, Italy
video screening 25, ZERO…, Milan, Italy

2013
Several Species of Small Furry Animals Gathered Together in Cave and Grooving with a Pict, VeneKlasen Werner, Berlin, Germany
A House of Leaves. Second Movement, curated by Vincent Honoré, David Roberts Art Foundation, London, England

2012
A House of Leaves. Second Movement, curated by Vincent Honoré, David Roberts Art Foundation, London, England
No. 17 Group Exhibition of Gallery Artists, Casey Kaplan, New York, NY
Rotary Connection, organized by Loring Randolph, Casey Kaplan, New York, NY
Four Rooms, Centre for Contemporary Art – Ujazdowski Castle, Warsaw, Poland

2011
Four Rooms, Centre for Contemporary Art – Ujazdowski Castle, Warsaw, Poland
Eroi, GAM – Galleria d’Arte Moderna e Contemporanea, Torino, Italy
Proposal (a room, some things) for Rome., curated by Vincent Honoré, MONITOR, Rome, Italy
*Tableaux, MAGASIN – Centre National d’Art Contemporain, Grenoble, France

2010
*Scene Shifts, Bonniers Konsthall, Stockholm, Sweden
SI – Sindrome Italiana, Magasin – Centre National d’Art Contemporain, Grenoble, France
the hybrid fuels … suddenly this inside, Galerie der Stadt, Sindelfingen, Germany
More Pricks Than Kicks, David Roberts Art Foundation, London, England
*Il Museo Privato, GAMeC Galleria d’Arte Moderna e Contemporanea, Bergamo, Italy
Antidote 6, La Galerie des Galerie, Paris, France
Bagna Cauda, art : concept, Paris, France
*Ibrido. Genetica delle forme d’arte, PAC – Padiglione d’Arte Contemporanea, Milan, Italy

2009
This place you see has no size at all…, Kadist Art Foundation, Paris, France
*ITALICS. ARTE ITALIANA FRA TRADIZIONE E RIVOLUZIONE 1968-2008, Museum of Contemporary Art, Chicago, IL
*Guardami. Il volto e lo sguardo nell’arte 1969-2009, Museo Cantonale d’Arte, Lugano, Switzerland
1989-2009. Overview, Celebration, Critique, Galleria Civica, Trento, Italy
Sniper, Margret Biedermann, Munich, Germany
*Fare Mondi / Making Worlds, 53 Esposizione Internazionale d’Arte, Biennale di Venezia, Venice, Italy
Reframing, CCA Andratx Kunsthalle, Mallorca, Spain

2008
*50 lune di Saturno / 50 Moons of Saturn, T2 Torino Triennale, Turin, Italy
Samedi / Samedi, art : concept, Paris, France
Faces and Figures (Revisted), Marc Jancou Contemporary, New York, NY
*ITALICS. ARTE ITALIANA FRA TRADIZIONE E RIVOLUZIONE 1968-2008, Palazzo Grazzi, Venice, Italy
*Manifesta 7, European Biennial for Contemporary Art, Trentino – Südtirol/Alto Adige, Italy
Mediterraneo2008, Perna Foundation, Ravello, Italy
Zuordnungsprobleme, Johann König, Berlin, Germany
Selective Knowledge, MIET Cultural Center, Athens, Greece
*In Geneva No One Can Hear You Scream, Blondeau Fine Art Services, Geneva, Switzerland
*ITALIA ITALIE ITALIEN ITALY WLOSZKA, Ritti su la cima del mondo, noi scagliamo, una volta ancora, la nostra sfida alle stelle!…, ARCOS, Benvento, Italy
Cook, Edmundson, Hyldon, Perrone, Roccasalva, art : concept, Paris, France

2007
Solo24Ore, MUSEION – Museo d’Arte Moderna e Contemporanea, Bolzano, Italy
Senso Unico, MoMA PS1, Long Island City, NY
*A gap in keeping silent: noise, Poetry Summer Watou, Poëziezomer, Belgium
*Apocalittici e Integrati. Utopia nell’arte italiana di oggi, MAXXI Museo Nazionale delle Arti del XXI Secolo, Rome, Italy
*Camera con vista – arte e interni in Italia dal 1900 al 2000, Palazzo Reale, Milan, Italy
*Glocal and Outsiders: Connecting Cultures in Central Europe, Prague Biennale 3, Prague, Czech Republic

2006
partoftheprocess2, ZERO…, Milan, Italy
*PAINTING CODES: i codici della pittura, Galleria Comunale d’Arte Contemporanea, Monfalcone (GO), Italy
*La Città di Leonardo, L’arte Contemporanea, Milano e Leonardo, Fondazione delle Stelline, Milan, Italy

2005
*Follow my shadow, Premio Furla per l’Arte, Villa delle Rose, Bologna, Italy
Doppia Visione, Magazzino d’Arte Moderna, Rome, Italy
Strata. Difference and Repetition, Fondazione Davide Halevim, Milan, Italy
Changes of mind: Belief and Transformation, Haunch of Venison, London, England
*Generations of Art – 10 anni alla FAR, Fondazione Antonio Ratti, Como, Italy
*XVI Quadriennale di Roma, Galleria Nazionale d’Arte Moderna, Rome, Italy

2004
partoftheprocess, ZERO…, Milan, Italy
*Paradiso e Inferno, Fondazione Bevilacqua La Masa, Venice, Italy

2003
*La RiproRiduzione, Archivio di Stato, Turin, Italy
*Tracce di un seminario, Viafarini, Milan, Italy
Opening, Beaulieau Art Gallery, Gent, Belgium
*Il Tirana Biennale, National Gallery of Arts and National Fair Centre, Tirana, Albania
*Forse Italia, S.M.A.K. – Stedelijk Museum voor Actuele Kunst, Gent, Belgium
*Great Expectations!, Fuori Uso, Pescara, Italy
Uno Uno Prima, stage Europeo degli esordi, Lucca, Italy

2002
In Extremis, Advanced Course in Visual Arts (with Giulio Paolini), Fondazione Antonio Ratti, Como, Italy
La RiproRiduzione, Istituto Nazionale delle Calcografia, Rome, Italy


AWARDS

2005
Premio Furla per l’Arte


BIBLIOGRAPHY
(* indicates non-periodical book, catalog, or other publication)

2017
*Pietro Roccasalva, with texts by Yves Aupetitallot, Christian Rattemeyer, Moritz Wesseler, and Pietro Roccasalva with Daniel Birnbaum, Italy: Mousse, 2017
Varma, Avi, “‘Pietro Roccasalva, The Power Station, Dallas,” Flash Art, Reviews, January/February 2017, pp. 72 – 73

2016
“Pietro Roccasalva ‘Il Signor Beneventano’ at David Kordansky Gallery, Los Angeles,” MousseMagazine.it, November 22, 2016
Mason, Isabella, “Artist Pietro Roccasalva at David Kordansky Gallery, Los Angeles,” BlouinArtInfo.com, November 17, 2016
“Solo Exhibition, Pietro Roccasalva, David Kordansky Gallery,” artaddict.net, November 16, 2016
Kalsi, Jyoti, “Contemplations on the journey of life,” GulfNews.com, Arts, April 28, 2016

2015
Pass. Kunst in dorpen, Mullem, Huise, Wannagem, Lede, Gent: Borgerhoff & Lamberigts, 2015
Growing Roots, Palazzo Reale, Milan. Milan: Mousse Publishing, 2015
Mugnaini, Alberto, “Pietro Roccasalva”, Flash Art, Issue 321, May-June 2015, p. 78
Battaglia, Andy, “The Frieze Art Fair, Frame by Frame,” WSJ.com, May 15, 2015
“The Violet Crab,” Mousse, No. 47, February 2015, p. 288

2014
Pollack, Barbara, “Alden Pinnell: Powering Up The Dallas Art Scene,” ArtNews.com, August 6, 2014
Müller, Dominikus, “Pietro Roccasalva”,Frieze d/e, Issue 14, May 2014, pp. 125-126
Plevoets, Bie, and Koenraad Van Cleempoel, “‘Aemulatio’ and the Interior Approach of Adaptive Reuse,” Interiors, Volume 5, Issue 1, 2014, pp. 73

2013
*Vitamin D2: New Perspectives in Drawing, text by Michele Robecchi, London: Phaidon, 2013, pp. 242-243
Casavecchia, Barbara, “Pietro Roccasalva: The Unborn Museum,” Mousse, Agenda, Issue 39, Summer 2013, pp. 184-185
“Pietro Roccasalva: The Unborn Museum,” DromeMagazine.com, July 16, 2013

2012
Roccasalva, Pietro, “Artists’ Artists: 17 artists write about works of art that have influenced them: Pietro Roccasalva,” Frieze Masters, Issue 1, 2012, pp. 72-73
Tumlir, Jan, “Openings: Pietro Roccasalva,” Artforum, Summer 2012, pp. 296-299
Griffin, Jonathan, “Exhibition Reviews: Pietro Roccasalva,” ArtReview, Issue 58, April 2012, pp. 114-115
Shaw, Michael, “Pietro Roccasalva,” Visual Art Source, March 14, 2012
“Pietro Roccasalva ‘The Strange Young Neighbours’ at David Kordansky Gallery, Los Angeles,” MousseMagazine.it, March 13, 2012
Mizota, Sharon, “Art review: Pietro Roccasalva at David Kordansky Gallery,”Los Angeles Times, February 24, 2012, p. D18
Scoccimarro, Antonio, “Diary: Pietro Roccasalva,” Mousse, Issue 32, February-March 2012, p. 232
“David Kordansky Gallery in Los Angeles presents a solo exhibition by Pietro Roccasalva,” ArtDaily.org, February 12, 2012
“‘Rotary Connection’ at Casey Kaplan Gallery, New York,” MousseMagazine.it, January 18, 2012

2011
*Aupetitallot, Yves, Tableaux: MAGASIN – Centre National d’Art Contemporain 29.05 – 4.09.2011. Saint Etienne: XL imprimerie, 2011, p. 39

2010
*The Art of Tomorrow, edited by Laura Hoptman, Yilmaz Dziewior, Uta Grosenick. Berlin: Distanz Verlag, 2010
*Il Museo Privato – La passione per l’arte contemporanea nelle collezioni bergamasche, curated by Giacinto Di Pietrantonio and Maria Cristina Rodeschini. Bergamo: GAMeC Editions, 2010
*Ibrido. Genetica delle forme d’arte, curated by Giacino di Pietrantonio and Francesco Garutti. Milan: Silvana Editoriale, 2010
Rabottini, Alessandro, “Love like God,” Kaleidoscope, April 2010, pp. 70-72
Griffin, Jonathan, “Through the Looking Glass,” Frieze, February 2010, pp. 84-89

2009
*ITALICS. ARTE ITALIANA FRA TRADIZIONE E RIVOLUZIONE 1968-2008, Palazzo Grassi, Venice; Museum of Contemporary Art, Chicago. Milan: Electa, 2009
*Guardami. Il volto e lo sguardo nell’arte 1969-2009, Museo Cantonale d’Arte, Lugano, Switzerland. Milan: Silvana Editoriale, 2009
*Fare Mondi / Making Worlds, 53 Esposizione Internazionale d’Arte, Biennale di Venezia, Venice, Italy. Venice: Marsilio Editori, 2009
Daneri, Anna, “Skeletons in the Closet,” Mousse, Issue 17, February-March 2009, pp. 98-99
“Artists and Details Announced for 53rd Venice Biennale,” Artforum, March 2009
Allen, Jennifer, “International News Digest: Weighing in on the Venice Biennale,” Artforum, June 2009
Rabottini, Alessandro, “Pietro Roccasalva: Belief Systems,” MAP, Number 17, Spring 2009, pp. 68-73

2008
*Pietro Roccasalva, texts by Barry Schwabsky, Eduardo Gnemmi, edited by Alessandro Rabottini. Zurich: JRP|Ringier, 2008
*50 lune di Saturno / 50 Moons of Saturn, texts by D. Birnbaum, A. Lindsay, D. Gonzalez-Foerster, G. Baker, H. Fang, I. Calderoni, M. Vecellio, T2 Torino Triennale, Turin, Italy. Milan: Skira, 2008
*Manifesta 7, Trentino – Süditrol/Alto Adige, Italy. Milan: Silvana Editoriale, 2008
*In Geneva No One Can Hear You Scream, edited by Marc Jancou, Blondeau Fine Art Services, Geneva, Switzerland. Zurich: JRP|Ringier, 2008, pp. 116-125
*ITALIA ITALIE ITALIEN ITALY WLOSZKA, Ritta su la cima del mondo, noi scagliamo, una volta ancora, la nostra sfida!…, ARCOS, Benvento, Italy. Milan: Electa, 2008
Birnbaum, Daniel, “Best of 2008: Pietro Roccasalva,” Artforum, December 2008, p. 263
Viola, Eugenio, ” ‘ITALIA ITALIE ITALIEN ITALY WLOCHY,’ ” Artforum, July 2008
Cattelan, Maurizio (in conversation with Pietro Roccasalva), “BANG,” Work.Art In Progress, Number 22, Spring 2008
Pratesi, Ludovico, “Identita e Visioni,” Artkey, February 27, 2008
“Best in Show,” Artforum.com, February 24, 2008
Rosenberg, Karen, “Cheeky Hipsters in the Halls of Victorian Brigadiers,”NYTimes.com, February 22, 2008
Lauf, Cornelia, “Pietro Roccasalva at Galleria Civica d’Arte Contemporanea,”Art in America, February 2008
E. Vetrocq, Marcia, “The Italian Job,” Art in America, February 2008
“Extra Art at the ADAA’s Art Show,” Artforum.com, January 11, 2008

2007
*Apocalittici Integrati, text by Anna Maria Mattirolo. Milan: Electa, 2007
*Glocal and Outsiders: Connecting Cultures in Central Europe, Prague Biennale 3, Prague, Czech Republic. Milan: Giancarlo Politi Editore, 2007
*A gap in keeping silent: noise, Poëziezomer 07, Watou, Belgium
*Camera con vista, Palazzo Reale, Milan. Milan: Skira, 2007
Sansone, Valentina, “Pietro Roccasalva,” Flash Art, Number 265, August-September 2007
Daneri, Anna, “Pietro Roccasalva: Clearing the stage,” Work.Art In Progress, Number 17, Autumn 2007
Zanchetta, Alberto, “Pietro Roccasalva,” Arte e Critica, March-May 2007
Manfrin, Paola, “Roccasalva at GAMeC, Bergamo,” L’Uomo Vogue, Number 381, May-June 2007, p. 80
Savaris, Marta, “Pietro Roccasalva,” Flash Art, Number 262, February-March 2007, p. 127
Lissoni, Andrea, “Questione di fantasmi(ni),” Rolling Stone, Number 40, February 2007, p. 165
Hoet, Jan, “The Art of Pietro Roccasalva,” Janus, Number 21, January 2007, pp. 46-53
Bonvicini, Gyonata, “Pietro Roccasalva,” Flash Art International, Number 252, January-February 2007, p. 113

2006
*My Private #4 – Pietro Roccasalva, Turin, Italy, 2006
*La Città di Leonardo, L’arte Contemporanea, Milano e Leonardo, Fondazione delle Stelline, Milan, Italy. Milan: Silvana Editoriale, 2006
*Painting codes. I codici della pittura, edited by Andrea Bruciati and Alessandra Galasso. Monfalcone: Galleria Comunale d’Arte Contemporanea di Monfalcone, 2006
Gioni, Massimiliano, “On the Ground – Milan,” Artforum, Number 4, December 2006, pp. 259-261
Casavecchia, Barbara, “Pietro Roccasalva. Opera e fuori-opera,” Flash Art, Number 261, December 2006-January 2007, pp. 98-101
“Pietro Roccasalva,” curated by My Private, Mousse, Number 4, November 2006, p. 73
“My Private nº4: Pietro Roccasalva,” Flash Art, Number 260, October-November 2006, p. 66
Poli, Francesco, “Roccasalva in privato. A Torino,” Arte, Number 399, November 2006, p. 202
Rabottini, Alessandro, “Pietro Roccasalva,” Tema Celeste, Number 118, November-December 2006, p. 114
Della Casa, Bettina, “Pietro Roccasalva,” Temporale, Number 62-63, Eizioni Studio Dabbeni, pp. 34-39

2005
*Changes of Mind: Belief and Transformation, London: Haunch of Venison, 2005
*Follow my shadow, Premio Furla per l’Arte, Galleria d’Arte Moderna, Bologna, Fondazione Querini Stampalia, Venica. Milan: Charta, 2005, pp. 72-73
*Generations of Art – 10 anni alla FAR, Fondazione Antonio Ratti, Como. Milan: Charta, 2005
*XVI Quadriennale di Roma, Galleria Nazionale d’Arte Moderna, Rome, Italy. Milan: Electa, 2005
Tagliaferro, Marco, “Pietro Roccasalva si mette in scena,” La Repubblica, May 21, 2005
Del Prete, Elisa, “Premio Furla 2005 a Pietro Roccasalva,” Arte e Critica, Number 42, April-June 2005, p. 62
Lotta, Daniela, “Premio Furla per l’Arte,” Flash Art, Number 251, April-May 2005, p. 142

2004
*Paradiso e Inferno, Fondazione Bevilacqua La Masa, Venice, Italy. Bergamo: Lubrina Editore, 2004
Rabottini, Alessandro, “Ouverture-Pietro Roccasalva,” Flash Art, Number 247, August-September 2004, p. 116
Costa, Valentina, “Pietro Roccasalva,” Arte e Critica, Number 39

2003
*Laubard, Charlotte, “Dissoi Logoi,” Forse Italia, S.M.A.K. Stedelijk Museum voor Actuele Kunst, Gent, Belgium, pp. 54-56
*Great Expectations!, Fuori Uso, Pescara, Italy
*In Extremis, Advanced Course in Visual Arts (with Giulio Paolini), Fondazione Antonio Ratti, Como. Milan: Charta, 2003
*Il Tirana Biennale, National Gallery of Arts and National Fair Centre, Tirana, Albania

2002
*Rabottini, Alessandro, “Pietro Roccasalva,” La RiproRiduzione, Istituto Nazionale delle Calcografia, Rome; Archivio di Stato, Turin, Italy. Milan: Silvana Editoriale, 2002, pp. 88-90

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