David Kordansky Gallery

  • Equal Night, 2013, rice paper, dye, glass, wood, glue, 60 x 59 7/8 x 30 inches (152.4 x 152.1 x 76.2 cm)
  • Equal Night, 2013, (alternate view) rice paper, dye, glass, wood, glue, 60 x 59 7/8 x 30 inches (152.4 x 152.1 x 76.2 cm)
  • Equal Night, 2013, (detail) rice paper, dye, glass, wood, glue, 60 x 59 7/8 x 30 inches (152.4 x 152.1 x 76.2 cm)
  • Participation and Withdrawal, 2013, dye, concrete on wood panel and canvas, 30 x 30 inches (76.2 x 76.2 cm)
  • Portrait 4, 2012, dye and concrete on canvas, 14 x 11 inches (35.6 x 27.9 cm)
  • Untitled (Night and Day), 2011, concrete, dye, canvas, wood panel, 60 x 44 inches (152.4 x 111.8 cm)
  • Plié, 2011, wood, dye, white Carrara marble, 69 x 36 x 36 inches (175.3 x 91.4 x 91.4 cm)
  • Plié, 2011, (alternate view) wood, dye, white Carrara marble, 69 x 36 x 36 inches (175.3 x 91.4 x 91.4 cm)
  • Plié, 2011, (detail) wood, dye, white Carrara marble, 69 x 36 x 36 inches (175.3 x 91.4 x 91.4 cm)
  • Untitled (Sad Face), 2011, dye and concrete on canvas, 24 x 18 inches (61 x 45.7 cm)
  • Ripe, 2011, wood, rope, glass, glue, 48 x 48 x 42 inches (121.9 x 121.9 x 106.7 cm)
  • Ripe, 2011, (alternate view) wood, rope, glass, glue, 48 x 48 x 42 inches (121.9 x 121.9 x 106.7 cm)
  • Yellow Blue (Reuptake Inhibitor), 2011, concrete and dye on canvas, 16 x 12 inches (40.6 x 30.5 cm)
  • Esprit, 2011, glass, wood, marble, brass, dye, and ink, 48 x 28 x 8.75 inches (121.9 x 71.1 x 22.2 cm)
  • Esprit, 2011, (alternate view) glass, wood, marble, brass, dye, and ink, 48 x 28 x 8.75 inches (121.9 x 71.1 x 22.2 cm)
  • Esprit, 2011, (detail) glass, wood, marble, brass, dye, and ink, 48 x 28 x 8.75 inches (121.9 x 71.1 x 22.2 cm)
  • Falling Apart (Yellow), 2011, marble, steel, dye, glue, 42 x 23 x 1 inches (106.7 x 58.4 x 2.5 cm)
  • Wayfarer, 2011, wood, glass, steel, rope, glue, 58.25 x 72 x 72 inches (148 x 182.9 x 182.9 cm)
  • Wayfarer, 2011, (alternate view) wood, glass, steel, rope, glue, 58.25 x 72 x 72 inches (148 x 182.9 x 182.9 cm)
  • Lisas, 2011, wood, glass, canvas, dye, 55 3/4 x 52 x 42 inches (141.6 x 132.1 x 106.7 cm)
  • Lisas, 2011, (detail) wood, glass, canvas, dye, 55 3/4 x 52 x 42 inches (141.6 x 132.1 x 106.7 cm)
  • Lisas, 2011, (detail) wood, glass, canvas, dye, 55 3/4 x 52 x 42 inches (141.6 x 132.1 x 106.7 cm)
  • Lindsey (Watering), 2010, newsprint, dye, white Carrera Marble, steel, glue, 18 x 21 x 3/4 inches (45.7 x 53.3 x 1.9 cm)
  • Lindsey (Watering), 2010, (alternate view) newsprint, dye, white Carrera Marble, steel, glue, 18 x 21 x 3/4 inches (45.7 x 53.3 x 1.9 cm)
  • Lindsey (Watering), 2010, (detail) newsprint, dye, white Carrera Marble, steel, glue, 18 x 21 x 3/4 inches (45.7 x 53.3 x 1.9 cm)
  • Calender, 2010, newspaper, dye, white carrera marble, steel, glue, 32 x 22 x 3 inches (81.3 x 55.9 x 7.6 cm)
  • Calender, 2010, (alternate view) newspaper, dye, white carrera marble, steel, glue, 32 x 22 x 3 inches (81.3 x 55.9 x 7.6 cm)
  • Calender, 2010, (detail) newspaper, dye, white carrera marble, steel, glue, 32 x 22 x 3 inches (81.3 x 55.9 x 7.6 cm)
  • Dancers, 2010, newsprint, dye, white Carrera Marble, steel, glue, 21 x 17 x 1.5 inches (53.3 x 43.2 x 3.8 cm)
  • Dancers, 2010, (alternate view) newsprint, dye, white Carrera Marble, steel, glue, 21 x 17 x 1.5 inches (53.3 x 43.2 x 3.8 cm)
  • Dancers, 2010, (detail) newsprint, dye, white Carrera Marble, steel, glue, 21 x 17 x 1.5 inches (53.3 x 43.2 x 3.8 cm)
  • Untitled (What We Do is Secret), 2009, wood, glass, aluminum, marble, steel, concrete, dye, ink, epoxy, 50 x 42 x 42 inches (127 x 106.7 x 106.7 cm)
  • Untitled (What We Do is Secret), 2009, (alternate view) wood, glass, aluminum, marble, steel, concrete, dye, ink, epoxy, 50 x 42 x 42 inches (127 x 106.7 x 106.7 cm)
  • Hollywood Forever, 2008, steel, canvas, dye, oil, bleach, concrete, glass, wood, 56 1/2 x 14 x 48 inches (143.5 x 35.6 x 121.9 cm)
  • Issues, 2008, concrete, dye, ink, acrylic paint, canvas, aluminum honeycomb and wood panel, staples, 56 x 44 inches (142.2 x 111.8 cm)
  • Issues, 2008, (detail) concrete, dye, ink, acrylic paint, canvas, aluminum honeycomb and wood panel, staples, 56 x 44 inches (142.2 x 111.8 cm)
  • Mirror Mirror, 2008, steel, concrete, glass, wood, fabric, dye, 66 x 29 x 29 inches (167.6 x 73.7 x 73.7 cm)
  • Mirror Mirror, 2008, (detail) steel, concrete, glass, wood, fabric, dye, 66 x 29 x 29 inches (167.6 x 73.7 x 73.7 cm)
  • Mirror Mirror, 2008, (detail) steel, concrete, glass, wood, fabric, dye, 66 x 29 x 29 inches (167.6 x 73.7 x 73.7 cm)
  • Obliterate, 2008, concrete, dye, ink, wine, acrylic paint, canvas, honeycomb and wood panel, 56 x 44 inches (142.2 x 111.8 cm)
  • Obliterate, 2008, (detail) concrete, dye, ink, wine, acrylic paint, canvas, honeycomb and wood panel, 56 x 44 inches (142.2 x 111.8 cm)
  • Ruins, 2008, wood, glass, marble, dye, ink, bleach, concrete, steel, 99.5 x 42 x 42 inches (252.7 x 106.7 x 106.7 cm)
  • Ruins, 2008, (alternate view) wood, glass, marble, dye, ink, bleach, concrete, steel, 99.5 x 42 x 42 inches (252.7 x 106.7 x 106.7 cm)
  • Ruins, 2008, (alternate view) wood, glass, marble, dye, ink, bleach, concrete, steel, 99.5 x 42 x 42 inches (252.7 x 106.7 x 106.7 cm)
  • Ruins, 2008, (alternate view) wood, glass, marble, dye, ink, bleach, concrete, steel, 99.5 x 42 x 42 inches (252.7 x 106.7 x 106.7 cm)
  • Untitled (Scars), 2008, concrete, dye, ink, hair, acrylic paint, linen, wood, staples, 17 x 14 inches (43.2 x 35.6 cm)
  • Untitled (Scars), 2008, (detail) concrete, dye, ink, hair, acrylic paint, linen, wood, staples, 17 x 14 inches (43.2 x 35.6 cm)
  • Double Negative, 2007, wood, granite, glass, mirror, ink , 72 x 36 x 72 inches (182.9 x 91.4 x 182.9 cm)
  • Double Negative, 2007, (alternate view) wood, granite, glass, mirror, ink , 72 x 36 x 72 inches (182.9 x 91.4 x 182.9 cm)
  • Double Negative, 2007, (alternate view) wood, granite, glass, mirror, ink , 72 x 36 x 72 inches (182.9 x 91.4 x 182.9 cm)
  • Butterfly Door, 2006, glass, wood, brass, canvas, dye, bleach, oil, 54 1/2 x 48 x 49 inches (138.4 x 121.9 x 124.5 cm)
  • Butterfly Door, 2006, (alternate view) glass, wood, brass, canvas, dye, bleach, oil, 54 1/2 x 48 x 49 inches (138.4 x 121.9 x 124.5 cm)
  • Butterfly Door, 2006, (alternate view) glass, wood, brass, canvas, dye, bleach, oil, 54 1/2 x 48 x 49 inches (138.4 x 121.9 x 124.5 cm)
  • County, 2006, wood, glass, canvas, ink, glue, 60 x 36 x 42 inches (152.4 x 91.4 x 106.7 cm)
  • County, 2006, (alternate view) wood, glass, canvas, ink, glue, 60 x 36 x 42 inches (152.4 x 91.4 x 106.7 cm)
  • Sex and Violence, 2006, wood, glass, canvas, dye, oil, glue, 42 1/2 x 36 x 48 inches (108 x 91.4 x 121.9 cm)
  • Sex and Violence, 2006, (detail) wood, glass, canvas, dye, oil, glue, 42 1/2 x 36 x 48 inches (108 x 91.4 x 121.9 cm)
  • Valley, 2006, wood, glass, brass, canvas, dye, oil, glue, syrup, bleach, 79 1/4 x 76 x 73 inches (201.3 x 193 x 185.4 cm)
  • Valley, 2006, (alternate view) wood, glass, brass, canvas, dye, oil, glue, syrup, bleach, 79 1/4 x 76 x 73 inches (201.3 x 193 x 185.4 cm)
  • Valley, 2006, (alternate view) wood, glass, brass, canvas, dye, oil, glue, syrup, bleach, 79 1/4 x 76 x 73 inches (201.3 x 193 x 185.4 cm)
  • Glass Carriages, 2005, glass, denim, canvas, dye, bleach, glue, 29 x 30 x 30 1/2 inches (73.7 x 76.2 x 77.5 cm)
  • Glass Carriages, 2005, (alternate view) glass, denim, canvas, dye, bleach, glue, 29 x 30 x 30 1/2 inches (73.7 x 76.2 x 77.5 cm)
  • For Billy, 2004, rice paper, davey board, glue, wood, glass, ribbon, acrylic and watercolor paint, diameter: 37 x 22 inches (94 x 55.9 cm)
  • Ann Arbor Is A Mother, 2003-2004, wood, canvas, wallpaper, dye, glue, acrylic glue, glass, 37 1/4 x 37 x 33 inches (94.6 x 94 x 83.8 cm)

Biography

born 1972, Royal Oak, MI
lives and works in Detroit, MI


EDUCATION

2000
MFA, Otis College of Art and Design, Los Angeles, CA

1996
BFA, University of Michigan School of Art and Design, Ann Arbor, MI


SELECTED SOLO EXHIBITIONS


2016
Drawings & Maquettes 2004-2016, Susanne Hilberry Gallery, Ferndale, MI

2014
New Sculptures, Mallorca Landings, Palma de Mallorca, Spain

2012
Curls, Kinks, and Waves, Galerie Almine Rech, Paris, France

2011
Clumsy Angels, Bortolami Gallery, New York, NY

2010
dirty little stones, Susanne Hilberry Gallery, Ferndale, MI
Hot and Dumb, JB Jurve, 2nd Cannons, Los Angeles, CA

2009
David Kordansky Gallery, Los Angeles, CA

2008
The Approach, London, England

2007
Forming, Bortolami, New York, NY

2006
Golden Syrup, The Approach (The Reliance), London, England

2005
Shane Campbell Gallery, Chicago, IL

2004
David Kordansky Gallery, Los Angeles, CA


SELECTED GROUP EXHIBITIONS
(* indicates a publication)

2017
DECKS, Pure Joy, Marfa, TX
Summer of Love, Wilding Cran Gallery, Los Angeles, CA
20 Years Show, The Approach Tavern, London, England

2016
It’s So Cold, Bahamas Biennale, Detroit, MI
Only Lovers, Le Coeur, Paris, France

2015
Thirty-nine Years: For Susanne Hilberry, Susanne Hilberry Gallery, Detroit, MI
The Cranbrook Hall of Wonders: Artworks, Objects, and Natural Curiosities, curated by Laura Mott and Shelley Selim, Cranbrook Art Museum, Bloomfield Hills, MI

2014
Platform, curated by Nicolas Trembley, Almine Rech Gallery, Brussels, Belgium
Screen Play, SWG3 Gallery, Glasgow, Scotland

2013
Objectified: Sculpture Today, Saatchi Gallery, London, England
Slip, The Approach, London, England
Real-Time and Outer Life, Part 2, Young Art, Los Angeles, CA

2012
*Across the Pacific: Young Artists from LA, 313 Art Project, Seoul, Korea

2011
*ESLOV WIDE SHUT, curated by Stefan Lundgren, organized by Eslövs Kommun and Mallorca Landings, Blomsterberg’s Warehouse, Eslöv, Sweden
Indeterminate Activity, Nicelle Beauchene Gallery, New York, NY
Greater L.A., curated by Benjamin Godsill, Eleanor Cayre and Joel Mesler, New York, NY
Powders, a Phial, and a Paper Book, Marlborough Gallery, Chelsea, NY
California Dreamin’ – Myths and Legends of Los Angeles, CA
Galerie Almine Rech, Paris, France
*The Shortest Distance Between 2 Points is often intolerable, Brand New Gallery, Milan, Italy

2010
Re-Dressing, Bortolami, New York, NY
Held Up By Columns, Renwick Gallery, New York, NY
The Secret (Still) Knows, LAND, Los Angeles, CA
The Mass Ornament, Gladstone Gallery, New York, NY
The Story of O, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, CA
Mostly Sculpture Show, Sea and Space Explorations, Los Angeles, CA
Light Breaks Where No Sun Shines, Bortolami Gallery, New York, NY
The Secret Knows, 508 House, Austin, TX
Leopards in the Temple, Sculpture Center, Long Island City, NY

2009
Play With Your Own Marbles (Walead Beshty, Karl Haendel & Patrick Hill), NOMA Gallery, San Francisco, CA
Abstract America: New Painting from the U.S., Saatchi Gallery, London, England
Geoplay (Part II), Pilar Parra & Romero, Madrid, Spain

2008
Base:Object, curated by Cory Nomura, Andrea Rosen Gallery, New York, NY
Pruesspress@Rental, Rental, New York, NY
*2008 Biennial Exhibition, Whitney Museum of American Art, New York, NY

2007
Uneasy Angel / Imagine Los Angeles, curated by Johannes Fricke Waldthausen, Galerie Sprüth Magers, Munich, Germany
Sculptors’ Drawings: Ideas, Studies, Sketches, Proposals, And More, Angles Gallery, Santa Monica, CA
*Exit Music (for a film), curated by Michelle Lopez, Grimm/Rosenfeld, Munich, Germany

2006
L.A. Trash & Treasure, Milliken Gallery, Stockholm, Sweden
Pure Land, Ratio 3, San Francisco, CA
Cloudbreak, organized by David Kordansky, Hiromi Yoshii, Tokyo, Japan
Patrick Hill, Eileen Quinlan, Florian Schmidt, Galerie Kosak Hall, Vienna, Austria
Matthew Brannon, Wade Guyton, Patrick Hill, United Artists, Ltd., Marfa, TX
*Symmetry, curated by Nizan Shaked and Kimberli Meyer, MAK Center at the Schindler House, Los Angeles, CA

2005
Shape Shifters, China Art Objects Galleries, Los Angeles, CA
Split, The Approach, London, England
Ask the Dust, D’Amelio Terras, New York, NY
Alpha Flight II, John Connelly Presents, New York, NY
L.A., Lucas Schoormans Gallery, New York, NY

2004
Tapestry From An Asteroid, David Kordansky Gallery, Los Angeles, CA
lumpen decadents (the lack of money is the root of all evil), curated by Gean Moreno, Ingalls and Associates, Miami, FL

2003
Inaugural Exhibition, Golinko Kordansky Gallery, Los Angeles, CA
Post It, Floating Ip Gallery, Manchester, England
*Ishtar, curated by Bruce Hainley, Midway Contemporary Art, Minneapolis, MN
The Distance Between My Apartment And The Beach, curated by Nizan Shaked, Occidental College, Los Angeles, CA

2002
Grey Gardens, curated by Bruce Hainley, Michael Kohn Gallery, Los Angeles, CA

2001
Boomerang: Collectors Curate, curated by Kenneth L. Freed, Exit Art, New York, NY
Selections, Bolsky Gallery, Otis College of Art and Design, Los Angeles, CA
Weak Architecture, Midway Contemporary Art, Minneapolis, MN
Mink Jazz, curated by Bruce Hainley, Marc Foxx, Los Angeles, CA

2000
Democracy, Bradbury Building, Los Angeles, CA



SELECTED BIBLIOGRAPHY

(* indicates non-periodical book, catalog, or other publication)

2016
Tarasoff, Sabrina, “An Essay On Dress-Up and Other Things,” Mousse, Issue 54, Summer 2016, pp. 228-293
DeGalan, Clara, “Patrick Hill @ Susanne Hilberry Gallery,” DetroitArtReview.com, April 30, 2016

2015
Hodges, Michael H., “Hilberry Gallery stages retrospective,” DetroitNews.com, December 24, 2015

2014
Griffin, Jonathan, “The New Dealer,” T Magazine, September 14, 2014, p. 124-128

2012
*Across the Pacific: Young Artists from LA, texts by Hervé Mikaeloff and Pierre Lefort, Seoul: 313 Art Project, 2012
Putnam, Kirk, in conversation with Patrick Hill, “Patrick Hill,” Annual, Issue 5, October 2012, pp. 200-203
Barachon, Charels, “Pacific Touch,” Technikart, Issue 159, February 2012, p. 107

2011
“Blog on Paper,” Double, Issue 22, Autumn-Winter 2011, p. 45
*ESLOV WIDE SHUT, edited by Pärnilla and Stefan Lundgren, text by Liv Stoltz. Malmö: Eslövs Kommun and Mallorca Landings, 2011, p. 64
Indrisek, Scott, “Business at Art Brussels Is a “Slow Burn,” as Thoughtful Connoisseurs Turn Out
for Edgy Art,” Artinfo.com, April 29, 2011
Johnson, Ken, “Patrick Hill: Clumsy Angels,” New York Times, January 27, 2010, p. C30
*The Shortest Distance Between 2 Points is Often Intolerable, text by Andrew Berardini, Milan: Brand New Gallery, 2011, p. 35-37

2010
Griffin, Jonathan, “Fluid Nature,” Mousse, Issue 25, September/October 2010, pp. 54-60
Johnson, Ken, “Tamer Cats at Modern Art’s High Gates,” New York Times, January 14, 2010
Russeth, Andrew, “The Mass Ornament,” Modern Painters, July 29, 2010, p. 9
Bartholomew, Ryan, “Leopards in the Temple,” Artforum, January 2010
Carlin, T.J., “Leopards in the Temple,” Time Out New York, March 3, 2010

2009
Baker, Kenneth, “‘Marbles’ at Noma,” SF Gate, September 29, 2009
Curcio, Seth, “Play With Your Own Marbles,” Daily Serving, September 27, 2009
Szupinska, Joanna, “Play With Your Own Marbles,” ArtSlant, September 14, 2009
Bromberg, Emilie, “Patrick Hill – Sculpture Associated,” META-magazine.com, Issue 2, August 2009
Schad, Ed, “Patrick Hill,” Art Review, May 2009, p. 119
Dault, Julia, “Patrick Hill,” Artforum.com, March 2009
Donohue, Marlena, “Patrick Hill,” Artscene, March 2009
Miles, Christopher, “Dangerous Geometry,” LA Weekly, February 18, 2009
Snellman, Natascha, “Patrick Hill at David Kordanksy Gallery,” Dossier.com, February 17, 2009
Pagel, David, “Review: Patrick Hill at David Kordansky,” Los Angeles Times,February 13, 2009
Verrecchia ,Vassili, “Patrick Hill,” L’Officiel Hommes, February 2009, pp. 177-180
Fiduccia, Joanna, “Patrick Hill,” Artforum, January 2009, p. 221
“Patrick Hill,” NY Arts Magazine, 2009, Vol 13, No. 11/12, p. 43

2008
Taft, Catherine, “Base:Object,” Artforum.com, November 2008
Smith, Roberta, “Pruesspress@Rental,” The New York Times, June 27, 2008, p. B25
Schambelan, Elizabeth, “Whitney Biennial,” Artforum, Summer 2008, p. 426-428
Stern, Steven, “Whitney Biennial 2008,” Frieze, Issue 115, May 2008, pp. 164-165
*Goergen, Stacey, Whitney Biennial 2008, New York: Whitney Museum of American Art and New Haven: Yale University Press, 2008, pp. 156-157
Cotter, Holland, “Art’s Economic Indicator,” New York Times, March 7, 2008
“Whitney’s snapshot of now,” ArtWorld, Issue 3, February/March 2008, p. 21

2007
Baker, R.C., “Recommendations from R.C. Baker,” Village Voice, October 2, 2007
Miles, Christopher, “Gallery Sprawl: City of Los Angeles,” Flaunt, Issue 87, pp. 106-113 (ill. p. 109)
*Exit Music (for a film), curated by Michelle Lopez, Grimm/Rosenfeld, Munich, Germany, 2007
Morton, Tom, “Patrick Hill,” Frieze, January – February 2007, p. 176

2006
Rochette, Anne and Wade Saunders, “Place Matters: Los Angeles Sculpture Today,” Art in America, November 2006, p. 174
Campagnola, Sonia, “Focus Los Angeles: A Survey of Contemporary Los Angeles Art,” Flash Art,Vol. XXXIX, No. 246, January – February 2006, p. 71
Morton, Tom, “Looking Back: Emerging Artists”, Frieze, January – February, 2006, p. 122
*”Symmetry,” MAK Center at the Schindler House, Los Angeles, CA

2005
DeRose, Jen, “More at MAK,” Interior Design, December 2005
Hainley, Bruce, “Patrick Hill (Openings),” Artforum, November 2005, pp. 242-243
Sholis, Brian, “Ask the Dust”, Artforum.com, September 2005
Smith, Roberta, “Ask the Dust,” New York Times (Art Listings), September 2005
*Ned Holte, Michael, “Ask the Dust: Jedediah Caesar, Case Calkins, Patrick Hill at D’Amelio Terras Gallery,” D’Amelio Terras, September 6, 2005
Grabner, Michelle, “Patrick Hill,” artUS, July – September 2005, p. 17
Nusser, Madeline, “Patrick Hill,” Time Out Chicago, April 14-21, 2005, Issue No. 7, p. 48
Cotter, Holland, “Dealers Gather at the River, Convenient to Lofts With Bare Walls,” The New York Times, March 11, 2005

2004
Hainley, Bruce, “Top Ten,” Artforum, December, 2004, pp. 164 – 165
Knight, Christopher, “Will it all come crashing down?,” LA Times, November 26, 2004, p. E18
Ruiz, Alma, “Dossier Los Angeles,” Carnet arte, Milan, May 2004

2003
*Hainley, Bruce and Siobhan McDevitt. “Camel Riding Nude, Backwards,”Ishtar, Minnesota: Midway Contemporary Art, 2003

2002
Hoffmann, Jens, “Cityscape: Los Angeles,” Flash Art, Milan, November – December 2002, pp. 53-56
Heikes, Jay, “The Waiting Room is Closed,” New Art Examiner, Chicago, January – February 2002, p. 49

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