David Kordansky Gallery

  • Whittier Blvd., 2016, Flashe and neon on linen, 93 x 79 x 1 1/2 inches (236.2 x 200.7 x 3.8 cm)
  • the River, 2015, Flashe and neon on linen 78 x 121 1/2 inches (198.1 x 308.6 cm)
  • The Forever Now: Contemporary Painting in an Atemporal World, 2014, Museum of Modern Art, New York, NY, Installation view
  • From the mountain to the sea, 2014, Flashe and neon on linen, 117 x 234 inches (297.2 x 594.4 cm)
  • ocean, 2014, shellac ink, ocean water and sand on Gampi Torinoko, 15 x 20 inches (38.1 x 50.8 cm), framed: 19 3/4 x 24 1/2 x 1 1/2 inches (50.2 x 62.2 x 3.8 cm)
  • canyon, 2014, Flashe and neon on linen, 112 x 99 inches (284.5 x 251.5 cm)
  • The Bakersfield Project, 2012, Todd Madigan Gallery, California State University at Bakersfield, Bakersfield, CA, Installation view
  • Coney Island II, 2012, Flashe and neon on linen, 103 x 83 inches (261.6 x 210.8 cm)
  • love forever (cave) for MW, 2012, Flashe on linen, 79 x 93 inches (200.7 x 236.2 cm)
  • vines, 2007, Flashe on linen, 37 x 44 inches (94 x 111.8 cm)
  • the spiritual in art, 2006, Flashe on linen, 44 x 48 inches (111.8 x 121.9 cm)
  • moonrise, 2004, Flashe on canvas, 66 x 58 inches (167.6 x 147.3 cm)
  • absorbent, 2000, Flashe and sponges on canvas, 66 x 82 inches (167.6 x 208.3 cm)
  • The Ocean is in the sky, 1994, starfish, Flashe, molding, and paste on jute, 39 x 54 inches (99.1 x 137.2 cm)
  • Third Riddle, 1991, acrylic and Flashe on canvas, 107 x 78 inches (271.8 x 198.1 cm)
  • Nagasaki, 1989, oil on canvas, 82 x 82 inches (208.3 x 208.3 cm)
  • Portrait of Orson Welles, 1988, enamel on canvas, 60 x 120 inches (152.4 x 304.8 cm)


born 1963, Ojai, CA
lives and works in Los Angeles, CA


MFA, Milton Avery School of the Arts, Bard College, Annendale-on-Hudson, NY

Whitney Independent Study Program, Helena Rubinstein Fellow, New York, NY

BA, Princeton University, Princeton, NJ

(* indicates a publication)

retrospective exhibition, organized by Bill Arning, Contemporary Arts Museum Houston, Houston, TX

like the land loves the sea, David Kordansky Gallery, Los Angeles, CA

Redhook, Brennan & Griffin, New York, NY

Marian Miner Cook Athenaeum, Claremont McKenna College, Claremont, CA
The Color of the Air, Careyes Art Space, Careyes, Mexico
Los Angeles, David Kordansky Gallery, Los Angeles, CA

*The Bakersfield Paintings, LAXArt, Los Angeles, CA
Manhattan, Brennan & Griffin, New York, NY
The Bakersfield Project, Todd Madigan Gallery, California State University at Bakersfield, Bakersfield, CA

Cave at Pismo, Brennan & Griffin, New York, NY

The Cave, John Tevis Gallery, Paris, France

vines, Sister, Los Angeles, CA
Brick Walls and Sea Life, Cottage Home, Los Angeles, CA

Paintings of a Cave, Sister, Los Angeles, CA

Shane Campbell Gallery, Oak Park, IL
Sister, Los Angeles, CA

Shane Campbell Gallery, Oak Park, IL

Debs & Co., New York, NY

*Easter, Debs & Co., New York, NY
Photographs, Thomas Korzelius Fine Art, New York, NY

I Never Promised You A Rose Garden, BlumHelman Warehouse, New York, NY

Swan Lake, Marc Jancou Gallery, Zurich, Switzerland

Diane Brown Gallery, New York, NY

P.S. 1, Institute for Art and Urban Resources, Long Island City, NY

(* indicates a publication)

Between Two Worlds: Art of California, San Francisco Museum of Modern Art, San Francisco, CA
Color People, curated by Rashid Johnson, Rental Gallery, East Hampton, NY
Between Two Worlds: Art of California, San Francisco Museum of Modern Art, San Francisco, CA
*Unpacking: The Marciano Collection, curated by Philipp Kaiser, Marciano Art Foundation, Los Angeles, CA
UNIQUE & SINGULAR, Cirrus, Los Angeles, CA

The Noise of Art, curated by Mari Eastman, Soccer Club Club, Chicago, IL
Accumulations: 5,000 Years of Objects, Fictions, and Conversations, Mead Art Museum, Amherst College, Amherst, MA
*NO MAN’S LAND: Women Artists from the Rubell Family Collection, organized by the Rubell Family Collection, National Museum of Women in the Arts, Washington, D.C.
NEON: The Charged Line, Grundy Art Gallery, Blackpool, England
End Of Semester, BBQLA, Los Angeles, CA
Grafforists, curated by Max Presneill, Torrance Art Museum, Torrance, CA
Nice Weather, curated by David Salle, Skarstedt Gallery, New York, NY

THE ANSWER. THE QUESTION.,, Artist Curated Projects, Los Angeles, CA
*NO MAN’S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL
Six Doors, curated by Rachel Foullon, The Other Room, Foundation for Contemporary Arts, New York, NY
*Pretty Raw: After and Around Helen Frankenthaler, curated by Katy Siegel, The Rose Art Museum, Brandeis University, Waltham, MA
Pure Paint for Now People, Mary Elizabeth Dee Shaw Gallery, Webster State University, Ogden, UT

*The Forever Now: Contemporary Painting in an Atemporal World, organized by Laura Hoptman, Museum of Modern Art, New York, NY
Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los Angeles, CA
Another Cats Show, 365 Mission, Los Angeles, CA
The White Album, organized by Gladys-Katherina Hernando, Richard Telles Fine Art, Los Angeles, CA
The Outlanders, The Pit, Los Angeles, CA
*Caught Looking: Simone Gad, Tracy Nakayama, Ruby Neri, Lauralee Pope, Mary Weatherford, Armory Center for the Arts, Pasadena, CA
The Moira Dryer Project, Eleven Rivington, New York, NY
California Landscape into Abstraction, Orange County Museum of Art, Newport Beach, CA

CULM, organized by Sayre Gomez and JPW3, Night Gallery, Los Angeles, CA

Sam Falls, Mark Hagen, James Hayward, Mary Weatherford, China Art Objects, Los Angeles, CA

A Painting Show, Harris Liebermann Gallery, New York, NY
Midnight in Malibu, organized by Zach Harris, Meulensteen Gallery, New York, NY

These Are a Few of My Favorite Things from LA, organized by Madeleine Hoffmann, JGM Galerie, Paris, France
The Noble Savage and the Little Tramp, organized by Hannah Whitaker, Mount Tremper Arts, New York, NY
The Ballad that Becomes an Anthem, organized by Stephen Westfall, ACME., Los Angeles, CA

*California Biennial 2008, organized by Lauri Firstenberg, Orange County Museum of Art, Newport Beach, CA

Something about Mary, Orange County Museum of Art, Newport Beach, CA

Hotel California, Glendale College Art Gallery, Glendale, CA
The Trace of a Trace of a Trace, Perry Rubenstein Gallery, New York, NY

Faure & Light Gallery, Santa Monica, CA

Where do we come from? What are we? Where are we going?, organized by Katherine Berhardt, Champion Fine Art, Los Angeles, CA
8 artists, organized by Shane Campbell, Acuna Hansen Gallery, Los Angeles, CA
Painting & Sculpture, Marc Moore Gallery, Santa Monica, CA
Eastman, Weatherford & Arnold, Daniel Hug Gallery, Los Angeles, CA

Still or Sparkling, organized by Nancy Chaikin for John Connelly Presents, New York, NY
The Cat Show, ACME., Los Angeles, CA

The Stray Show, boom, Chicago, IL
What a Painting Can Do, Hayworth, Los Angeles, CA
Artists at Work, Michael’s, Santa Monica, CA
Simmer, organized by Ciara Ennis, Echo Park Projects, Los Angeles, CA
New Angeles, The Ewing Gallery, The University of Tennessee, Knoxville, TN

New Angeles, organized by Bill Conger, University Galleries, Illinois State University, Normal, IL
Sharing Sunsets, organized by Julie Deamer, Museum of Contemporary Art, Tucson, AZ
Modern Art from the Collection of Steve M. Jacobson, Mead Art Museum, Amherst College, Amherst, MA
Bloodlines, Roberts & Tilton, Los Angeles, CA
Chicagoprojectroom and Laura Owens’ studio, organized by Laura Owens, Los Angeles, CA
Eugene Binder, Long Island City, New York, NY
People are (still) Animals, a Three Day Weekend event at Susanne Vielmetter Los Angeles Projects, Los Angeles, CA

Paintland, a project by Terry Meyers, lemon sky and Schmidt Contemporary Art of Los Angeles, Los Angeles, CA
as i love you you become more pretty, organized by Karin Gulbran, 937 N. Hudson, Los Angeles, CA
People are Animals, a Three Day Weekend event at ArtFrankfurt, Frankfurt, Germany

Drawing in the Present Tense, organized by George Negroponte and Roger Shepherd, Parsons School of Design, New York, NY
Love, Cynthia Broan Gallery, organized by Douglas Kelley with Michael St. John, New York, NY
Stars of Track and Field, Debs & Co., New York, NY
Life in Space, a Three Day Weekend event at CCAC, San Francisco, CA
a ball and a bat, organized by Michael St. John, Pacific Northwest College of Art, Portland, OR
*OM, organized by Joe Fyfe, Dorsky Gallery, New York, NY

Bowie, Rupert Goldsworthy Gallery, New York, NY
Little, Jeffrey Coploff Fine Art Ltd., New York, NY

Very Large Array, Debs & Co., New York, NY
Primarily Paint, Museum of Contemporary Art, San Diego, CA
What a Wonderful World, organized by Lithgow Osborne, Unfinished, Brooklyn, NY

Wall Street Walk, John Good, New York, NY
*A Vital Matrix, Domestic Setting, Los Angeles, CA

Whateva, Dru Arstark, New York, NY
Don’t Postpone Joy, or Collecting can be Fun, organized by Rudi Molacek, Neue Galerie am Landesmuseum Joanneum, Graz and The Austrian Institute, New York, NY

A Chicken in Every Pot, Fawbush Gallery, New York, NY
Aero, New York, NY
The Bestiary, BlumHelman Gallery, New York, NY
Cadavre Exquis, The Drawing Center, New York, NY
Contemporary Drawing, Arena Gallery, New York, NY
A Private View: Artists’Photographs, BlumHelman Gallery, New York, NY

*Postcards from Alphaville: Jean Luc Godard in Contemporary Art, 1963-1992, P.S. 1, Long Island City, NY
Painting Culture, University of California at Irvine Fine Arts Gallery, Irvine, CA
Ornament: Ho Hum All Ye Faithful, John Post Lee Gallery, New, NY
Paint, BlumHelman Gallery, New York, NY
Tattoo Collection, Andrea Rosen Gallery, New York, NY
Summer Show, BlumHelman Warehouse, New York, NY
*The Real Thing, organized by Eric Oppenheim, New York, NY
Contemporary Surfaces, organized by Rick Ward, Pamela Auchincloss Gallery, New York, NY
Abstraction, Betsy Senior Contemporary Prints, New York, NY

Synthesis, John Good Gallery, New York, NY
Hybrid Abstract, organized by Joshua Decter, Usdan Gallery, Bennington College, Bennington, VT
Lyric: Uses of Beauty at the End of the Century, White Columns, New York, NY
Painting Culture, organized by Deb Kass, fiction/nonfiction, New York, NY
Plastic Fantastic Lover (object a), BlumHelman Warehouse, New York, NY

*Emerging Art 1990: Commodities Corporation Collection, New Jersey State Art Museum, Trenton, NJ
To Know a Hawk from a Handsaw, Wolff Gallery, New York, NY
Collectors’ Choice of Emerging Artists, Vered Gallery, East Hampton, NY
*Stendahl Syndrome: The Cure, Andrea Rosen Gallery, New York, NY
*New Directions, organized by Sam Hunter, S. Bitter Larkin Gallery, New York, NY
Information, organized by Robert Nickas, Terrain Gallery, San Francisco, CA
About Round/Round About, Anders Tornberg Gallery, Lund, Sweden

Drawings, Wolff Gallery, New York, NY
Summer Show, Diane Brown Gallery, New York, NY

Indoor /Outdoor, El Bohio, New York, NY


Ruth Ann and Nathan Perlmutter Artist in Residence, Rose Art Museum, New York, NY

Artists’ Legacy Foundation Award
Artist in Residence, ?! Careyes Foundation, Careyes, Mexico

The Durfee Foundation ARC Grant

California Community Foundation Palevsky Fellowship for Visual Artists, Los Angeles, CA

(* indicates non-periodical book, catalog, or other publication)

Walsh, Brienne, “Calling An Art Exhibition ‘Color People,’ And Not Discussing Race, Is A Radical Gesture In 2017,” Forbes.com, June 29, 2017
Wander, Robin, “The Anderson Collection at Stanford University receives new gifts of art,” News.Stanford.edu, June 14, 2017
“Mary Weatherford ‘like the land loves the sea’ at David Kordansky Gallery, Los Angeles,” MousseMagazine.it, April 2017
Drohojowska-Philp, Hunter, “Mary Weatherford and new digs for Christies,” KCRW.com, April 21, 2017
“‘like the land loves the sea’ at David Kordansky Gallery, Los Angeles,” BlouinArtInfo.com, April 20, 2017
“Where to buy,” The Week, Arts, April 7, 2017
Miranda, Carolina A., “Artist’s noble pursuit,” Los Angeles Times, Arts & Books, April 2, 2017, pp. F6-F7
Miranda, Carolina A., “Newsletter: Essential Arts & Culture: Luminous canvases, a mirrored house and all the ‘Hamilton’ you can handle,” LATimes.com, April 1, 2017
Perry, Barlo, “Mary Weatherford at David Kordansky Gallery,” Paris-LA.com, April 1, 2017
McCarthy, Fiona, “Fashion Forward,” Vogue Living Australia, March/April 2017, pp. 136-145
Dama, Francesco, “Collector Valeria Napoleone on the Need to Support Women Artists,” HyperAllergic.com, February 27, 2017
Wagley, Catherine, “5 Art Shows to See in L.A. This Week,” LAWeekly.com, March 29, 2017
Knight, Christopher, “Watercolors in sensuous form,” Los Angeles Times, March 28, 2017, p. E2
“Mary Weatherford, ‘like the land loves the sea’,” DailyArtFair.com, March 24, 2017
Guadagnino, Kate, “Bright Spot,” T Magazine, March 5, 2017, p. 58

*Mary Weatherford: The Neon Paintings, texts by Katy Siegel, Jennifer Peterson, and Mary Weatherford with Robert Faggen, Claremont and New York: Claremont McKenna College and DelMonico Books/Prestel, 2016
*“Mary Weatherford,” written by Rochelle Steiner, Vitamin P3: New Perspective in Painting, London and New York: Phaidon, 2016, pp. 320-323
*How To See: Looking talking and thinking about Art, text by David Salle, New York: W.W. Norton & Company, 2016
“Mary Weatherford on Goya’s ‘Manual Osorio Manrique de Zuñiga,” ArtistProject.MetMuseum.org, 2016
Crow, Kelly, “The Artful Lodger,” The Wall Street Journal Magazine, December 2016/January 2017, pp. 140-147
Colacello, Bob, “The Lure of LACMA,” Vanity Fair, December 2016, pp. 138-139
“‘The Noise of Art’ at Soccer Club,” ContemporaryArtDaily.com, December 18, 2016
Lynch, Elizabeth, “NO MAN’S LAND: Unexpected Materials,” NMWA.org, November 22, 2016
Pfarrer, Steve, “A fresh start: Mead Art Museum updates gallery and collections,” Recorder.com, Arts, October 26, 2016
Freeman, Nate, “Rashid Johnson: ‘I’m With Her’,” ArtNews.com, November 8, 2016
Dafoe, Taylor, “Video: 10 Years of the Artists’ Legacy Foundation’s Artist Award,” BlouinArtInfo.com, October 21, 2016
Garner, Dwight, “Review: David Salle’s ‘How to See,’ a Painter’s Guide to Looking at and Discussing Art,” The New York Times, October 19, 2016, p. C4
Forbes, Alexander, “What Sold at Frieze London and Frieze Masters,” Artsy.net, October 8, 2016
Muñoz-Alonso, Lorena, “Dealers Report a Flurry of Sales at Frieze London 2016,” Artnet.com, October 7, 2016
Freeman, Nate, “Carnegie Museum Sets Its Sights On $1 Million Kerry James Marshall Painting As Frieze Opens, Collectors Capitalize On Weak Pound,” ArtNews.com, October 5, 2016
Forrest, Nicholas, “Frieze London and Frieze Masters Report Strong Preview Sales,” BlouinArtInfo.com, October 5, 2016
Muñoz-Alonso, Lorena, “See What Dealers Are Bringing to Frieze London,” Artnet.com, Art Fairs, September 29, 2016
Spivack, Emily, “Irene Neuwirth on the Significance of a Childhood Painting,” NYTimes.com, T Magazine, Fashion & Beauty, September 26, 2016
Buck, Louisa, “Blackpool’s artistic illuminations light up the Grundy Gallery,” Telegraph.co.uk, Luxury, Art, September 9, 2016
Wagley, Catherine, “The Female Cool School,” carla, Issue 6, Fall 2016, pp. 12-17
Pener, Degen, “Nomadic Tendencies”, Cultured, April/May 2016, p. 162
Indrisek, Scott, “David Salle Tests the Weather at Skarstedt Gallery,” BlouinArtInfo.com, April 14, 2016
“JJ PEET Receives Rose Art Museum’s 2016 Artist-in-Residence Award,” Artforum.com, April 5, 2016
McMahon, Katherine, “L.A. Habitat: Mary Weatherford,” ArtNews.com, April 1, 2016
Forbes, Alexander, “Art Basel in Hong Kong Show the Art Market What It Can Learn from the Chinese Economy,” Artsy.net, March 25, 2016
Forrest, Nicholas, “Live Sales Report: Art Basel in Hong Kong 2016,” HK.BlouinArtInfo.com, March 22, 2016
Lesser, Casey and Alexxa Gotthardt, “The L.A. Artist-Run Galleries You Need to Know,” Artsy.net, February 12, 2016

*“The heroine Paint” After Frankenthaler, edited by Katy Siegel, New York: Gagosian Gallery, 2015, pp. 242-243
“Mary Weatherford,” Artforum, The Artists’ Artists, December 2015, p. 105
van Straaten, Laura, “7 Artists on Being In the Rubell Family Collection’s All-Female Show, “No Man’s Land”, artnet.com, December 2, 2015
Korody, Nicholas, “Art + Architecture: Swipes and Changeups with Mike Nesbit,” Archinect.com, November 25, 2015
Williams, Maxwell, “L.A. Art Organization Celebrates 10 Years with Auction Fundraiser,” HollywoodReporter.com, November 17, 2015
Lan, Aliza, “Frieze London 2015,” Art Investment, November 2015, p. 185
Greenberger, Alex, “Mary Weatherford”, Reviews: New York, ArtNews, November 2015, p. 98
Williams, Maxwell, “There’s Something About Mary,” Cultured Magazine, Fall 2015, Contents, p. 170-173
“Le Paradox at Frieze 2015,” LeParadox.com, October 28, 2015
Marfil, Lorelei, “Frieze London Sees Strong Sales, So Far, in an Uneasy Economic Climate,” WWD.com, October 19, 2015
Borcherdt, Gesine, “Aus und vorbei!”, Welt.de, October 18, 2015
“8 of the Most Buzzed-About Names at Frieze London”, Paddle8.com, October 16, 2015
Muñoz-Alonso, Lorena, “What Sold on Day On Day One at Frieze London 2015,” Artnet News, October 15, 2015
Gottschalk, Molly, “The 15 Best Booths at Frieze London,” Artsy.net, October 15, 2015
McGarry, Kevin, “As Frieze Kicks Off, Everything New Is Old Again,” NYTimes.com, T Magazine, October 14, 2015
Kazakina, Katya, “Billionaires Shrug Off Volatile Markets for Art Shopping Spree,” Bloomberg.com, October 14, 2015
Goldstein, Andrew M., “Shoppers, Rejoice! 50 Paintings at Frieze London to Please Stylish Collectors (and Their Discerning Decorators),” Artspace.com, October 14, 2015
“Highlights from Richard Serra to Tania Bruguera at Frieze London,” Artfixdaily.com, October 13, 2015
“AO Preview – London: Frieze Art Fair at Regent’s Park, October 14 – 17, 2015,” ArtObserved.com, October 12, 2015
“The insider guide to Frieze week, London,” Christies.com, October 8, 2015
Ebony, David, “Mary Weatherford,” Art in America, October 2015, p. 155
Forrest, Nicholas, “Sneak Peek: What to See at Frieze London 2015,” BlouinArtInfo.com, September 30, 2015
Griffin, Nora, “Mary Weatherford: Red Hook,” The Brooklyn Rail, July/August 2015, p. 65
Swenson, Eric Minh, “Joe Sola’s Kingdom For a Painted Horse,” HuffingtonPost.com, July 24, 2015
“Mary Weatherford: Red Hook,” TimeOut.com, July 13, 2015
Boucher, Brian, “What to See and Buy at Art Basel 2015: Read Our Sneak Preview,” Artnet.com, June 5, 2015
Smith, Roberta, “Review: ‘Pretty Raw’ Recounts Helen Frankenthaler’s Influence on the Art World,” The New York Times, June 3, 2015
“3 Must See Shows,” Medium.com, June 2, 2015
Vankin, Deborah, “Janelle Monae rocks MOCA gala honoring John Baldessari,” LATimes.com, May 31, 2015
Buskirk, Martha, “Subveresive Color at the Rose Art Museum,” HyperAllergic.com, May 30, 2015
Chu, Christie, “Jasper John’s Non-Profit Creates Space Dedicated Exclusively to Artist-Curated Shows,” Artnet.com, May 28, 2015
“Jasper Johns Behind New Exhibition Space in NY’s Meatpacking District,” ArtFixDaily.com, May 28, 2015
Schachter, Kenny, “Kenny Schachter’s New York Auctions Diary: Big-Game Hunters, Flipping In-N-Outers, and Passionistas,” Vulture.com, May 18, 2015
Steadman, Ryan, “Artists: Will Early Auction Success Catapult–or Curse–Your Career”, Observer.com, May 5, 2015
Damara, Keely, “Students learn at lunch with influential LA-based abstract painter,” PCCCourier.com, April 16, 2015
Wallach, Amei, “‘The Forever Now’ vs. Recombinant DNA,” The Brooklyn Rail, March 5, 2015
“Hagarty’s painting featured in Utah exhibition,” HuntingtonNews.net, March 3, 2015
Zwick, Tracy, “Present Tense,” Cultured, February/March 2015, pp. 170-173
Salle, David, “Structure Rising: David Salle On ‘The Forever Now’ At MoMA,” ArtNews.com, February 23, 2015
“‘Pretty Raw: After and Around Helen Frankenthaler’ Opens Today at The Rose Art Museum,” BroadwayWorld.com, February 10, 2015
“Brandeis art museum presents ‘Pretty Raw: After and Around Helen Frankenthaler’,” Waltham.WickedLocal.com, February 4, 2015
Esplund, Lance, “Reshuffling, Not Reinventing,” WSJ.com, January 27, 2015
Smart, Lauren, “Dispatch from New York: Visual Art Is an Overcrowded Cocktail Party,” DallasObserver.com, January 15, 2015
Slenske, Michael, “LAXART’s Next Phase,” WMagazine.com, January 14, 2015
Wyrick, Christopher, “LAXART Opens In New Hollywood Gallery Corridor,” HollywoodReporter.com, January 12, 2015
“’Pretty Raw: After and Around Helen Frankenthaler’ Opens 2/10 at The Rose Art Museum,” BroadwayWorld.com, January 12, 2015

Salle, David, “Structure Rising: David Salle On ‘The Forever Now’ At MoMA,” ArtNews.com, February 23, 2015
*Forever Now: Painting in the New Millennium, text by Laura Hoptman, New York: The Museum of Modern Art, 2014
Solway, Diane and Fan Zhong, “Brushes with Greatness,” W Art, December 2014/January 2015, pp. 90, 92
Saltz, Jerry, “‘The Forever Now’ Is MoMA’s Market Moment,” Vulture.com, December 12, 2014
Waters, Florence, “10 questions about contemporary painting,” Christies.com, December 12, 2014
Venugopal, Nikhita, “Lower East Side Gallery Expands to Red Hook,” DNAinfo.com, December 11, 2014
Russeth, Andrew, “Lower East Side’s Brennan & Griffin Gallery Will Expand To Red Hook,” Artnews.com, December 9, 2014
Indrisek, Scott, “At MoMA, 17 Painters of Our “Forever Now”,” BlouinArtInfo.com, December 9, 2014
Pener, Degen, “Who Are LA’s Top Philanthropists?” LAConfidentialMagazine.com, December 5, 2014
Chandler, Elizabeth Khuri, “The Originals,” C Magazine, October 2014, pp. 128-135
“UCLA Hammer Museum’s annual Gala in the Garden raises a record $2.5 million,” Newsroom.UCLA.edu, October 22, 2014
Menkes, Suzy, “Friezing out Prada,” Vogue.com.au, October 15, 2014
“50 Women Artists Worth Watching,” Art+Auction, September 2014
Meyer, Megan, “Light and Space,” C Magazine, September 2014
“Mary Weatherford awarded Artists’ Legacy Foundation Award 2014,” ArtMediaAgency.com, September 25, 2014
“Mary Weatherford Receives Artists’ Legacy Foundation’s 2014 Artist Award,” Artforum.com, September 23, 2014
Williams, Maxwell, “Jack Black, Diane Keaton, Marisa Tomei and a Host of Artists Turn Out in L.A. to Support Reproductive Rights,” TMagazine.com, September 22, 2014
Gelt, Jessica, “”Mary Weatherford receives Artists’ Legacy Foundation Artist Award,” LATimes.com, September 18, 2014
Griffin, Jonathan, “The New Dealer,” T Magazine, September 14, 2014
Korek, Bettina, “Behind the New Art Talk Show,” HuffingtonPost.com, July 16, 2014
West, Kevin, “L.A.’s Art Insider: Bettina Korek,” WSJ.com, August 11, 2014
“Mary Weatherford: ‘Los Angeles’,” Art + Auction, July/August 2014
Wagley, Catherine, “L.A. Salons Bring Together Art World Novices and Insiders,” LAWeekly.com, July 31, 2014
Rector, Chelsea, “The Myth of Solid Ground,” ArtSlant, July 29, 2014
“Mary Weatherford ‘Los Angeles’ at David Kordansky Gallery, Los Angeles,”MousseMagazine.it, June 11, 2014
Florian, Federico, “Los Angeles. Mary Weatherford,” CuraMagazine.com, May 29, 2014
Williams, Maxwell, “Mary Weatherford: L.A. Confidential,” ArtinAmerica.com, May 19, 2014
Wood, Eve, “Killer Pick of the Week: Mary Weatherford,” ArtilleryMag.com, May 17, 2014
Cha, Olivian, “Critics’ Picks: Mary Weatherford,” Artforum.com, May 6, 2014
Knight, Christopher, “Review: Mary Weatherford’s seductive paintings marvels of abstraction,” Los Angeles Times, May 1, 2014, pp. D1, D3
Drohojowska-Philp, Hunter, “Mary Weatherford at David Kordansky Gallery,”KCRW.com, May 1, 2014
Zimskind, Lyle, “Framed: Oxnard Ventura, Abstract and Illuminated,”LAMag.com, April 25, 2014
Wagley, Catherine, “5 Artsy Things to Do in L.A. This Week, Including a Rooster in Uniform,” LAWeekly.com, April 16, 2014
Russeth, Andrew, “David Kordansky Will Move to 20,000-Square-Foot Space in Los Angeles’s South La Brea Corridor,” GalleristNY.com, April 15, 2014
Saltz, Jerry, “Seeing Out Loud: Jerry Saltz on the Brief, Great Career of Moira Dryer,” Vulture.com, January 30, 2014
“Moira Dryer Project,” The New Yorker, Goings on About Town: Art, January 27, 2014
Smith, Roberta, “Moira Dryer Project,” The New York Times, January 16, 2014

Solway, Diane, “Site Unseen,” WMagazine.com, Culture, Travel, December 13, 2013
Wyrick, Chris, “L.A.’s Hottest Artists Right Now,” The Hollywood Reporter, November 8, 2013, p. 54
“Mary Weatherford,” Paper Monument, Portfolio, Number 4, Summer 2013
Markopoulos, Leigh, “Painting Expanded,” ArtPractical.com, April 15, 2013

*Mary Weatherford: Bakersfield Paintings, edited by Matthew Schum, Los Angeles: LAXART, 2012
Halperin, Julia, “Mary Weatherford’s ‘Manhattan’ at Brennan & Griffin,”Artinfo.com, Year in Review, December 21, 2013
Peetz, John Arthur, “Mary Weatherford,” Artforum.com, Critics’ Picks, September 28, 2012
Schwabsky, Barry, “Mary Weatherford,” Artforum, Reviews, December 2012, p. 277
Higgs, Matthew, “David Korty and Mary Weatherford,” Artforum, Best of 2012, December 2012, p. 237
Mizota, Sharon, “A poetic mood captured in neon,” Los Angeles Times, Around the Galleries, October 12, 2012, p. D14
Smith, Roberta, “Mary Weatherford,” The New York Times, Art in Review, September 14, 2012, p. C27
Willhite, Brian N., “Bakersfield streets glow under neon lights of artist Mary Weatherford,” The Runner, California State University Bakersfield, Entertainment, February 15, 2012, p. 5

Robinson, Walter, “Weekend Update,” Artnet.com, June 25, 2011

Walquist, Grant, “The Ballad that Becomes an Anthem,” ArtLTDMag.com, May 2009
Erenberg, Sam, “The Ballad that Becomes an Anthem,” TheMagLA.com, 2009
Kushner, Rachel, “The New Blue Chips,” C Magazine, March 2009
*Common Threads, Shared Spaces: Five Years of Fellowships for Visual Artists from the California Community Foundation, 2004-2008, text by Irene Tsatsos, Los Angeles: California Community Foundation, 2009

Knight, Christopher, “Flourishing on their vines,” Los Angeles Times, November 14, 2008, p. E19
Knight, Christopher, “Don’t take it lying down: 2008 California Biennial,” Los Angeles Times, November 4, 2008, p. E1
Sharon Mizota, “Eureka moments: California Biennial,” Los Angeles Times, October 19, 2008, p. F1
*2008 California Biennial, texts by Joshua Decter, Lauri Firstenberg, Rene Peralta, Newport Beach: Orange County Museum of Art, 2008

Knight, Christpher, “45 Painters under 45,” Los Angeles Times, December 2, 2007, p. F1
Brooks, Amra, “Must See Art,” LA Weekly, May 18-24, 2007, p. 68

Sholis, Brian, “Mary Weatherford,” Artforum.com, June 19, 2006
Brooks, Amra, “Los Angeles Round Up: Mary Weatherford,” Artinfo.com, January 2006

Smith, Roberta, “Girls Gone Wild,” The New York Times, July 4, 2004, p. B29
“Girls Gone Wild,” The New Yorker, June 30, 2003, p. 24

Deamer, Julie, “Sharing Sunsets,” Cherry-Art.com, 2002

Ise, Claudine, “Couglan, Reeder, Root, Weatherford, chicagoprojectroom, Los Angeles,” Tema Celeste, September-October, 2001
Mahoney, Robert, “Mary Weatherford,” Time Out New York, January 4-11, 2001, p. 46
Zinsser, John, “Painter’s Journal,” Artnet.com, June 16, 2001
“Mary Weatherford,” The New Yorker, December 25, 2000 – January 1, 2001, p. 33

Johnson, Ken, “Mary Weatherford,” The New York Times, Galleries: Chelsea, December 22, 2000, p. B43

*Fye, Joe, OM, New York: Dorsky Gallery, 1999
Row, D.K., “Painter’s Paradise,” The Oregonian, February 3, 1999, p. E1
Schwabsky, Barry, “Mary Weatherford: Works on Paper, Thomas Korzelius Fine Art, New York,” Art on Paper, March-April 1999, p. 64

Princenthal, Nancy, “Mary Weatherford at Debs & Co.,” Art in America, July 1998, p. 92
*Peck, Dale, Easter, New York: Debs & Co., 1998

Goldfarb, Brad, “Stop and Smell the Roses,” Interview, May 1997
Kendricks, Neil, “Primarily Paint,” The San Diego Union Tribune, February 6, 1997
Pincus, Robert L., “Many Movements Render ‘Paint’ Lively but Random,” The San Diego Union Tribune, March 2, 1997

*Crockett, Toby, A Vital Matrix, Los Angeles: Domestic Setting, 1995
*Time Capsule: A Concise Encyclopedia by Women Artists, New York: Creative Time and SOS International, 1995

*Cottingham, Laura, “The Feminist Continuum: Art after 1970,” The Power of Feminist Art: The American Movement of the 1970s, History and Impact, edited by Norma Broude and Mary D. Garrard, New York: Harry N. Abrams, 1994

Haase, Amine, “Liebe hinter der Pansertur,” Kolner Stadt Anzeiger, November 11, 1993
Hoberman, J., “Jean Luc Godard: Picasso, Marx and Coca Cola,” ARTnews, February 1993

*Rubenstein, Meyer Raphael, Postcards from Alphaville: Jean-Luc Godard in Contemporary Art 1963-1992, P.S. 1, New York: Institute for Contemporary Art, 1992
Cameron, Dan, “Don’t Look Now,” Frieze, Issue 3, 1992
Johnson, Ken, “Mary Weatherford at BlumHelman Warehouse,” Art in America, May 1992
Kalin, Tom, “Plastic Fantastic Lover (object a),” Artforum, January 1992
Weatherford, Mary, “Fleur du Mal,” Tema Celeste, November 1992
*Oppenheim, Eric, The Real Thing, New York, 1992
Wu, Timothy C., “A Rose Garden in New York City,” Princeton Alumni Weekly, April 5, 1992
“Mary Weatherford,” The Print Collector’s Newsletter, January 1992
Dubin, Zan, “Painting Themselves Out of a Corner,” Los Angeles Times, October 10, 1992
Curtis, Cathy, “Women’s Work: Rich, Shocking,” Los Angeles Times, October 16, 1992.
Liberio, Lydia, “What if Andy Warhol and Roy Lichtenstein had been Women?,” The Irvine World News, October 15, 1992

*Liu, Catherine, Plastic Fantastic Lover (object a), New York: BlumHelman Warehouse, 1991
Zinsser, John, “Geometry and its discontents,” Tema Celeste, Autumn 1991, pp. 72-76
Evans, Steven, “Painting Culture,” NYQ, November 10, 1991
Kimmelman, Michael, “Painting Culture,” The New York Times, November 1, 1991
Hess, Elizabeth, “Death to the Masters,” The Village Voice, October 22, 1991
Kozik, K.K., “Lyric,” Cover, May 1991

Henry, Gerrit, “Stendahl Syndrome: The Cure at Andrea Rosen Gallery,”Contemporanea, November 1990
*Hunter, Sam, Emerging Art 1990, Trenton: New Jersey State Art Museum, 1990
Braff, Phyliss, “Collectors’ Diversified Choices,” The New York Times, September 9, 1990
Gordon, Alastair, “11 Artists ‘Emerge’ at Gallery in East Hampton,” Newsday, August 31, 1990
Sica, Connie, “Collectors’ Choice in the Art Dance,” The Sag Harbor Express, August 30, 1990
*Stendahl Syndrome: The Cure, New York: Andrea Rosen Gallery, 1990
Wei, Lilly, “Making Art, Making Money,” Art in America, July 1990
Mahoney, Robert, “New York in Review,” Arts Magazine, April 1990, p. 108
*Sam Hunter, New Directions, New York: S. Bitter Larkin Gallery, 1990
Anderson, Alexandra, “Mary Weatherford at Diane Brown Gallery,” ARTNOW, 1990
Smith, Roberta, “Fresh, Hot and Headed for Fame,” The New York Times, January 5, 1990

Anderson, Alexandra, “The Next Generation,” Smart Magazine, September-October, 1989
Auriti, Sandy, “New York,” Cento Cose, November 1989

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