David Kordansky Gallery

  • Whittier Blvd., 2016, Flashe and neon on linen, 93 x 79 x 1 1/2 inches (236.2 x 200.7 x 3.8 cm)
  • the River, 2015, Flashe and neon on linen 78 x 121 1/2 inches (198.1 x 308.6 cm)
  • The Forever Now: Contemporary Painting in an Atemporal World, 2014, Museum of Modern Art, New York, NY, Installation view
  • From the mountain to the sea, 2014, Flashe and neon on linen, 117 x 234 inches (297.2 x 594.4 cm)
  • ocean, 2014, shellac ink, ocean water and sand on Gampi Torinoko, 15 x 20 inches (38.1 x 50.8 cm), framed: 19 3/4 x 24 1/2 x 1 1/2 inches (50.2 x 62.2 x 3.8 cm)
  • canyon, 2014, Flashe and neon on linen, 112 x 99 inches (284.5 x 251.5 cm)

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    The Bakersfield Project, 2012, Todd Madigan Gallery, California State University at Bakersfield, Bakersfield, CA, Installation view
  • Coney Island II, 2012, Flashe and neon on linen, 103 x 83 inches (261.6 x 210.8 cm)
  • love forever (cave) for MW, 2012, Flashe on linen, 79 x 93 inches (200.7 x 236.2 cm)
  • vines, 2007, Flashe on linen, 37 x 44 inches (94 x 111.8 cm)
  • the spiritual in art, 2006, Flashe on linen, 44 x 48 inches (111.8 x 121.9 cm)
  • moonrise, 2004, Flashe on canvas, 66 x 58 inches (167.6 x 147.3 cm)
  • absorbent, 2000, Flashe and sponges on canvas, 66 x 82 inches (167.6 x 208.3 cm)
  • The Ocean is in the sky, 1994, starfish, Flashe, molding, and paste on jute, 39 x 54 inches (99.1 x 137.2 cm)
  • Third Riddle, 1991, acrylic and Flashe on canvas, 107 x 78 inches (271.8 x 198.1 cm)
  • Nagasaki, 1989, oil on canvas, 82 x 82 inches (208.3 x 208.3 cm)
  • Portrait of Orson Welles, 1988, enamel on canvas, 60 x 120 inches (152.4 x 304.8 cm)

Biography

born 1963, Ojai, CA
lives and works in Los Angeles, CA


EDUCATION

2006
MFA, Milton Avery School of the Arts, Bard College, Annendale-on-Hudson, NY

1985
Whitney Independent Study Program, Helena Rubinstein Fellow, New York, NY

1984
BA, Princeton University, Princeton, NJ


SELECTED SOLO EXHIBITIONS
(* indicates a publication)

2018
Survey exhibition, co-organized by Bill Arning and Ian Berry, Contemporary Arts Museum Houston, Houston, TX; Frances Young Tang Teaching Museum and Art Gallery at Skidmore College

2017
*like the land loves the sea, David Kordansky Gallery, Los Angeles, CA

2015
Red Hook, Brennan & Griffin, New York, NY

2014
Los Angeles, David Kordansky Gallery, Los Angeles, CA

2012
*The Bakersfield Paintings, LAXART, Los Angeles, CA
Manhattan, Brennan & Griffin, New York, NY
The Bakersfield Project, Todd Madigan Gallery, California State University at Bakersfield, Bakersfield, CA

2011
Cave at Pismo, Brennan & Griffin, New York, NY

2010
The Cave, John Tevis Gallery, Paris, France

2008
Vines, Sister, Los Angeles, CA
Brick Walls and Sea Life, Cottage Home, Los Angeles, CA

2007
Paintings of a Cave, Sister, Los Angeles, CA

2006
Shane Campbell Gallery, Oak Park, IL
Sister, Los Angeles, CA

2003
Shane Campbell Gallery, Oak Park, IL

2000
Debs & Co., New York, NY

1998
*Easter, Debs & Co., New York, NY
1992
I Never Promised You A Rose Garden, BlumHelman Warehouse, New York, NY

1991
Swan Lake, Marc Jancou Gallery, Zurich, Switzerland

1990
Diane Brown Gallery, New York, NY



SELECTED GROUP EXHIBITIONS 
(* indicates a publication)

2017
LA Invitational, Gagosian Gallery, New York, NY
Pivotal: Highlights from the Collection, Orange County Museum of Art, Newport Beach, CA
Between Two Worlds: Art of California, San Francisco Museum of Modern Art, San Francisco, CA
Color People, curated by Rashid Johnson, Rental Gallery, East Hampton, NY
*Unpacking: The Marciano Collection, curated by Philipp Kaiser, Marciano Art Foundation, Los Angeles, CA
UNIQUE & SINGULAR, Cirrus, Los Angeles, CA

2016
The Noise of Art, curated by Mari Eastman, Soccer Club Club, Chicago, IL
Accumulations: 5,000 Years of Objects, Fictions, and Conversations, Mead Art Museum, Amherst College, Amherst, MA
*NO MAN’S LAND: Women Artists from the Rubell Family Collection, organized by the Rubell Family Collection, National Museum of Women in the Arts, Washington, D.C.
NEON: The Charged Line, Grundy Art Gallery, Blackpool, England
End Of Semester, BBQLA, Los Angeles, CA
Grafforists, curated by Max Presneill, Torrance Art Museum, Torrance, CA
Nice Weather, curated by David Salle, Skarstedt Gallery, New York, NY

2015
THE ANSWER. THE QUESTION.,, Artist Curated Projects, Los Angeles, CA
MEAT RAFFLE, BBQLA, Los Angeles, CA
*NO MAN’S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL
Six Doors, curated by Rachel Foullon, The Other Room, Foundation for Contemporary Arts, New York, NY
*Pretty Raw: After and Around Helen Frankenthaler, curated by Katy Siegel, The Rose Art Museum, Brandeis University, Waltham, MA
Pure Paint for Now People, Mary Elizabeth Dee Shaw Gallery, Webster State University, Ogden, UT

2014
*The Forever Now: Contemporary Painting in an Atemporal World, organized by Laura Hoptman, Museum of Modern Art, New York, NY
Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los Angeles, CA
*Caught Looking: Simone Gad, Tracy Nakayama, Ruby Neri, Lauralee Pope, Mary Weatherford, Armory Center for the Arts, Pasadena, CA
The Moira Dryer Project, Eleven Rivington, New York, NY
California Landscape into Abstraction, Orange County Museum of Art, Newport Beach, CA

2013
Selections from the Grunwald Center and the Hammer Contemporary Collection, Hammer Museum, Los Angeles, CA
CULM, organized by Sayre Gomez and JPW3, Night Gallery, Los Angeles, CA

2012
Sam Falls, Mark Hagen, James Hayward, Mary Weatherford, China Art Objects, Los Angeles, CA
Take Shelter In The World, Boston University Art Gallery, Boston MA

2011
A Painting Show, Harris Liebermann Gallery, New York, NY

2010
Last Show, Cottage Home, Los Angeles, CA
Artificial Paradise, ACME., Los Angeles, CA

2009
These Are a Few, organized by Madeleine Hoffmann, JGM Galerie, Paris, France
The Ballad that Becomes an Anthem, organized by Stephen Westfall, ACME., Los Angeles, CA

2008
*California Biennial 2008, organized by Lauri Firstenberg, Orange County Museum of Art, Newport Beach, CA

2007
Something about Mary, Orange County Museum of Art, Newport Beach, CA

2006
Hotel California, Glendale College Art Gallery, Glendale, CA
The Trace of a Trace of a Trace, Perry Rubenstein Gallery, New York, NY

2004
Where do we come from? What are we? Where are we going?, organized by Katherine Berhardt, Champion Fine Art, Los Angeles, CA
Eastman, Weatherford & Arnold, Daniel Hug Gallery, Los Angeles, CA

2003
Still or Sparkling, organized by Nancy Chaikin, John Connelly Presents, New York, NY

2002
Simmer, organized by Ciara Ennis, Echo Park Projects, Los Angeles, CA
New Angeles, The Ewing Gallery, The University of Tennessee, Knoxville, TN

2001
New Angeles, organized by Bill Conger, University Galleries, Illinois State University, Normal, IL
Sharing Sunsets, organized by Julie Deamer, Museum of Contemporary Art, Tucson, AZ
Chicagoprojectroom and Laura Owens’ studio, organized by Laura Owens, Los Angeles, CA
Eugene Binder, Long Island City, New York, NY

2000
as i love you you become more pretty, organized by Karin Gulbran, 937 N. Hudson, Los Angeles, CA

1999
Stars of Track and Field, Debs & Co., New York, NY
Life in Space, a Three Day Weekend event at CCAC, San Francisco, CA
a ball and a bat, organized by Michael St. John, Pacific Northwest College of Art, Portland, OR
*OM, organized by Joe Fyfe, Dorsky Gallery, New York, NY

1998
Bowie, Rupert Goldsworthy Gallery, New York, NY
Little, Jeffrey Coploff Fine Art Ltd., New York, NY

1997
Very Large Array, Debs & Co., New York, NY
Primarily Paint, Museum of Contemporary Art, San Diego, CA

1994
Don’t Postpone Joy, or Collecting can be Fun, organized by Rudi Molacek, Neue Galerie am Landesmuseum Joanneum, Graz and The Austrian Institute, New York, NY

1993
Cadavre Exquis, The Drawing Center, New York, NY

1992
*Postcards from Alphaville: Jean Luc Godard in Contemporary Art, 1963-1992, P.S. 1, Long Island City, NY
Painting Culture, University of California at Irvine Fine Arts Gallery, Irvine, CA
*The Real Thing, organized by Eric Oppenheim, New York, NY
Contemporary Surfaces, organized by Rick Ward, Pamela Auchincloss Gallery, New York, NY
Abstraction, Betsy Senior Contemporary Prints, New York, NY

1991
Synthesis, John Good Gallery, New York, NY
Hybrid Abstract, organized by Joshua Decter, Usdan Gallery, Bennington College, Bennington, VT
Lyric: Uses of Beauty at the End of the Century, White Columns, New York, NY
Painting Culture, organized by Deb Kass, fiction/nonfiction, New York, NY
Plastic Fantastic Lover (object a), BlumHelman Warehouse, New York, NY

1990
*Emerging Art 1990: Commodities Corporation Collection, New Jersey State Art Museum, Trenton, NJ
To Know a Hawk from a Handsaw, Wolff Gallery, New York, NY
Collectors’ Choice of Emerging Artists, Vered Gallery, East Hampton, NY
*Stendahl Syndrome: The Cure, Andrea Rosen Gallery, New York, NY
*New Directions, organized by Sam Hunter, S. Bitter Larkin Gallery, New York, NY
Information, organized by Robert Nickas, Terrain Gallery, San Francisco, CA
About Round/Round About, Anders Tornberg Gallery, Lund, Sweden

1989
Drawings, Wolff Gallery, New York, NY
Special Projects, P.S.1. Institute for Art and Urban Resources, Long Island City, NY
1988
Indoor/Outdoor, El Bohio, New York, NY


GRANTS AND AWARDS

2015
Ruth Ann and Nathan Perlmutter Artist in Residence, Rose Art Museum, New York, NY

2014
Artists’ Legacy Foundation Award
Artist in Residence, ?! Careyes Foundation, Careyes, Mexico

2009
The Durfee Foundation ARC Grant

2008
California Community Foundation Palevsky Fellowship for Visual Artists, Los Angeles, CA


BIBLIOGRAPHY
(* indicates non-periodical book, catalog, or other publication)

2017
“‘LA Invitational’ at Gagosian West 24th Street New York,” CA.BlouinArtInfo.com, November 5, 2017
Muñoz-Alonso, Lorena, “Electrified by the ‘Macron Effect,’ FIAC Surges With Sales and Art-Market Confidence in Paris,” Artnet.com, October 19, 2017
Walsh, Brienne, “Calling An Art Exhibition ‘Color People,’ And Not Discussing Race, Is A Radical Gesture In 2017,” Forbes.com, June 29, 2017
Wander, Robin, “The Anderson Collection at Stanford University receives new gifts of art,” News.Stanford.edu, June 14, 2017
“Spring Shows,” Whitewall, News, Spring 2017, p. 16
“Mary Weatherford ‘like the land loves the sea’ at David Kordansky Gallery, Los Angeles,” MousseMagazine.it, April 2017
Drohojowska-Philp, Hunter, “Mary Weatherford and new digs for Christies,” KCRW.com, April 21, 2017
“‘like the land loves the sea’ at David Kordansky Gallery, Los Angeles,” BlouinArtInfo.com, April 20, 2017
“Where to buy,” The Week, Arts, April 7, 2017
Miranda, Carolina A., “Artist’s noble pursuit,” Los Angeles Times, Arts & Books, April 2, 2017, pp. F6-F7
Miranda, Carolina A., “Newsletter: Essential Arts & Culture: Luminous canvases, a mirrored house and all the ‘Hamilton’ you can handle,” LATimes.com, April 1, 2017
Perry, Barlo, “Mary Weatherford at David Kordansky Gallery,” Paris-LA.com, April 1, 2017
McCarthy, Fiona, “Fashion Forward,” Vogue Living Australia, March/April 2017, pp. 136-145
Dama, Francesco, “Collector Valeria Napoleone on the Need to Support Women Artists,” HyperAllergic.com, February 27, 2017
Wagley, Catherine, “5 Art Shows to See in L.A. This Week,” LAWeekly.com, March 29, 2017
Knight, Christopher, “Watercolors in sensuous form,” Los Angeles Times, March 28, 2017, p. E2
“Mary Weatherford, ‘like the land loves the sea’,” DailyArtFair.com, March 24, 2017
Guadagnino, Kate, “Bright Spot,” T Magazine, March 5, 2017, p. 58

2016
*Mary Weatherford: The Neon Paintings, texts by Katy Siegel, Jennifer Peterson, and Mary Weatherford with Robert Faggen, Claremont and New York: Claremont McKenna College and DelMonico Books/Prestel, 2016
*Steiner, Rochelle, “Mary Weatherford,” Vitamin P3: New Perspective in Painting, London and New York: Phaidon, 2016, pp. 320-323
*How To See: Looking talking and thinking about Art, text by David Salle, New York: W.W. Norton & Company, 2016
“Mary Weatherford on Goya’s ‘Manual Osorio Manrique de Zuñiga,” ArtistProject.MetMuseum.org, 2016
Crow, Kelly, “The Artful Lodger,” The Wall Street Journal Magazine, December 2016/January 2017, pp. 140-147
Colacello, Bob, “The Lure of LACMA,” Vanity Fair, December 2016, pp. 138-139
“‘The Noise of Art’ at Soccer Club,” ContemporaryArtDaily.com, December 18, 2016
Lynch, Elizabeth, “NO MAN’S LAND: Unexpected Materials,” NMWA.org, November 22, 2016
Freeman, Nate, “Rashid Johnson: ‘I’m With Her’,” ArtNews.com, November 8, 2016
Pfarrer, Steve, “A fresh start: Mead Art Museum updates gallery and collections,” Recorder.com, Arts, October 26, 2016
Dafoe, Taylor, “Video: 10 Years of the Artists’ Legacy Foundation’s Artist Award,” BlouinArtInfo.com, October 21, 2016
Garner, Dwight, “Review: David Salle’s ‘How to See,’ a Painter’s Guide to Looking at and Discussing Art,” The New York Times, October 19, 2016, p. C4
Forbes, Alexander, “What Sold at Frieze London and Frieze Masters,” Artsy.net, October 8, 2016
Muñoz-Alonso, Lorena, “Dealers Report a Flurry of Sales at Frieze London 2016,” Artnet.com, October 7, 2016
Freeman, Nate, “Carnegie Museum Sets Its Sights On $1 Million Kerry James Marshall Painting As Frieze Opens, Collectors Capitalize On Weak Pound,” ArtNews.com, October 5, 2016
Forrest, Nicholas, “Frieze London and Frieze Masters Report Strong Preview Sales,” BlouinArtInfo.com, October 5, 2016
Muñoz-Alonso, Lorena, “See What Dealers Are Bringing to Frieze London,” Artnet.com, Art Fairs, September 29, 2016
Spivack, Emily, “Irene Neuwirth on the Significance of a Childhood Painting,” NYTimes.com, T Magazine, Fashion & Beauty, September 26, 2016
Buck, Louisa, “Blackpool’s artistic illuminations light up the Grundy Gallery,” Telegraph.co.uk, Luxury, Art, September 9, 2016
Wagley, Catherine, “The Female Cool School,” carla, Issue 6, Fall 2016, pp. 12-17
Pener, Degen, “Nomadic Tendencies”, Cultured, April/May 2016, p. 162
Indrisek, Scott, “David Salle Tests the Weather at Skarstedt Gallery,” BlouinArtInfo.com, April 14, 2016
“JJ PEET Receives Rose Art Museum’s 2016 Artist-in-Residence Award,” Artforum.com, April 5, 2016
McMahon, Katherine, “L.A. Habitat: Mary Weatherford,” ArtNews.com, April 1, 2016
Forbes, Alexander, “Art Basel in Hong Kong Show the Art Market What It Can Learn from the Chinese Economy,” Artsy.net, March 25, 2016
Forrest, Nicholas, “Live Sales Report: Art Basel in Hong Kong 2016,” HK.BlouinArtInfo.com, March 22, 2016
Lesser, Casey and Alexxa Gotthardt, “The L.A. Artist-Run Galleries You Need to Know,” Artsy.net, February 12, 2016

2015
*“The heroine Paint” After Frankenthaler, edited by Katy Siegel, New York: Gagosian Gallery, 2015, pp. 242-243
“Mary Weatherford,” Artforum, The Artists’ Artists, December 2015, p. 105
van Straaten, Laura, “7 Artists on Being In the Rubell Family Collection’s All-Female Show, “No Man’s Land”, artnet.com, December 2, 2015
Williams, Maxwell, “There’s Something About Mary,” Cultured Magazine, Fall 2015, Contents, p. 170-173
Greenberger, Alex, “Mary Weatherford”, Reviews: New York, ArtNews, November 2015, p. 98
Lan, Aliza, “Frieze London 2015,” Art Investment, November 2015, p. 185
Korody, Nicholas, “Art + Architecture: Swipes and Changeups with Mike Nesbit,” Archinect.com, November 25, 2015
Williams, Maxwell, “L.A. Art Organization Celebrates 10 Years with Auction Fundraiser,” HollywoodReporter.com, November 17, 2015
Ebony, David, “Mary Weatherford,” Art in America, October 2015, p. 155
“Le Paradox at Frieze 2015,” LeParadox.com, October 28, 2015
Marfil, Lorelei, “Frieze London Sees Strong Sales, So Far, in an Uneasy Economic Climate,” WWD.com, October 19, 2015
Borcherdt, Gesine, “Aus und vorbei!”, Welt.de, October 18, 2015
“8 of the Most Buzzed-About Names at Frieze London”, Paddle8.com, October 16, 2015
Muñoz-Alonso, Lorena, “What Sold on Day On Day One at Frieze London 2015,” Artnet News, October 15, 2015
Gottschalk, Molly, “The 15 Best Booths at Frieze London,” Artsy.net, October 15, 2015
McGarry, Kevin, “As Frieze Kicks Off, Everything New Is Old Again,” NYTimes.com, T Magazine, October 14, 2015
Kazakina, Katya, “Billionaires Shrug Off Volatile Markets for Art Shopping Spree,” Bloomberg.com, October 14, 2015
Goldstein, Andrew M., “Shoppers, Rejoice! 50 Paintings at Frieze London to Please Stylish Collectors (and Their Discerning Decorators),” Artspace.com, October 14, 2015
“Highlights from Richard Serra to Tania Bruguera at Frieze London,” Artfixdaily.com, October 13, 2015
“AO Preview – London: Frieze Art Fair at Regent’s Park, October 14 – 17, 2015,” ArtObserved.com, October 12, 2015
“The insider guide to Frieze week, London,” Christies.com, October 8, 2015
Forrest, Nicholas, “Sneak Peek: What to See at Frieze London 2015,” BlouinArtInfo.com, September 30, 2015
Griffin, Nora, “Mary Weatherford: Red Hook,” The Brooklyn Rail, July/August 2015, p. 65
Swenson, Eric Minh, “Joe Sola’s Kingdom For a Painted Horse,” HuffingtonPost.com, July 24, 2015
“Mary Weatherford: Red Hook,” TimeOut.com, July 13, 2015
Boucher, Brian, “What to See and Buy at Art Basel 2015: Read Our Sneak Preview,” Artnet.com, June 5, 2015
Smith, Roberta, “Review: ‘Pretty Raw’ Recounts Helen Frankenthaler’s Influence on the Art World,” The New York Times, June 3, 2015
“3 Must See Shows,” Medium.com, June 2, 2015
Vankin, Deborah, “Janelle Monae rocks MOCA gala honoring John Baldessari,” LATimes.com, May 31, 2015
Buskirk, Martha, “Subveresive Color at the Rose Art Museum,” HyperAllergic.com, May 30, 2015
Chu, Christie, “Jasper John’s Non-Profit Creates Space Dedicated Exclusively to Artist-Curated Shows,” Artnet.com, May 28, 2015
“Jasper Johns Behind New Exhibition Space in NY’s Meatpacking District,” ArtFixDaily.com, May 28, 2015
Schachter, Kenny, “Kenny Schachter’s New York Auctions Diary: Big-Game Hunters, Flipping In-N-Outers, and Passionistas,” Vulture.com, May 18, 2015
Steadman, Ryan, “Artists: Will Early Auction Success Catapult–or Curse–Your Career”, Observer.com, May 5, 2015
Damara, Keely, “Students learn at lunch with influential LA-based abstract painter,” PCCCourier.com, April 16, 2015
Wallach, Amei, “‘The Forever Now’ vs. Recombinant DNA,” The Brooklyn Rail, March 5, 2015
“Hagarty’s painting featured in Utah exhibition,” HuntingtonNews.net, March 3, 2015
Zwick, Tracy, “Present Tense,” Cultured, February/March 2015, pp. 170-173
Salle, David, “Structure Rising: David Salle On ‘The Forever Now’ At MoMA,” ArtNews.com, February 23, 2015
“‘Pretty Raw: After and Around Helen Frankenthaler’ Opens Today at The Rose Art Museum,” BroadwayWorld.com, February 10, 2015
“Brandeis art museum presents ‘Pretty Raw: After and Around Helen Frankenthaler’,” Waltham.WickedLocal.com, February 4, 2015
Esplund, Lance, “Reshuffling, Not Reinventing,” WSJ.com, January 27, 2015
Smart, Lauren, “Dispatch from New York: Visual Art Is an Overcrowded Cocktail Party,” DallasObserver.com, January 15, 2015
Slenske, Michael, “LAXART’s Next Phase,” WMagazine.com, January 14, 2015
Wyrick, Christopher, “LAXART Opens In New Hollywood Gallery Corridor,” HollywoodReporter.com, January 12, 2015
“’Pretty Raw: After and Around Helen Frankenthaler’ Opens 2/10 at The Rose Art Museum,” BroadwayWorld.com, January 12, 2015

2014
*The Forever Now: Painting in an Atemporal World, text by Laura Hoptman, New York: The Museum of Modern Art, 2014
Solway, Diane and Fan Zhong, “Brushes with Greatness,” W Art, December 2014/January 2015, pp. 90, 92
Saltz, Jerry, “‘The Forever Now’ Is MoMA’s Market Moment,” Vulture.com, December 12, 2014
Chandler, Elizabeth Khuri, “The Originals,” C Magazine, October 2014, pp. 128-135
“50 Women Artists Worth Watching,” Art+Auction, September 2014
Meyer, Megan, “Light and Space,” C Magazine, September 2014
“Mary Weatherford Receives Artists’ Legacy Foundation’s 2014 Artist Award,” Artforum.com, September 23, 2014
Griffin, Jonathan, “The New Dealer,” T Magazine, September 14, 2014
“Mary Weatherford: ‘Los Angeles’,” Art + Auction, July/August 2014
“Mary Weatherford ‘Los Angeles’ at David Kordansky Gallery, Los Angeles,”MousseMagazine.it, June 11, 2014
Williams, Maxwell, “Mary Weatherford: L.A. Confidential,” ArtinAmerica.com, May 19, 2014
Wood, Eve, “Killer Pick of the Week: Mary Weatherford,” ArtilleryMag.com, May 17, 2014
Cha, Olivian, “Critics’ Picks: Mary Weatherford,” Artforum.com, May 6, 2014
Knight, Christopher, “Review: Mary Weatherford’s seductive paintings marvels of abstraction,” Los Angeles Times, May 1, 2014, pp. D1, D3
Zimskind, Lyle, “Framed: Oxnard Ventura, Abstract and Illuminated,”LAMag.com, April 25, 2014
Saltz, Jerry, “Seeing Out Loud: Jerry Saltz on the Brief, Great Career of Moira Dryer,” Vulture.com, January 30, 2014

2013
Wyrick, Chris, “L.A.’s Hottest Artists Right Now,” The Hollywood Reporter, November 8, 2013, p. 54
“Mary Weatherford,” Paper Monument, Portfolio, Number 4, Summer 2013

2012
*Mary Weatherford: Bakersfield Paintings, edited by Matthew Schum, Los Angeles: LAXART, 2012
Halperin, Julia, “Mary Weatherford’s ‘Manhattan’ at Brennan & Griffin,”Artinfo.com, Year in Review, December 21, 2013
Peetz, John Arthur, “Mary Weatherford,” Artforum.com, Critics’ Picks, September 28, 2012
Schwabsky, Barry, “Mary Weatherford,” Artforum, Reviews, December 2012, p. 277
Higgs, Matthew, “David Korty and Mary Weatherford,” Artforum, Best of 2012, December 2012, p. 237
Mizota, Sharon, “A poetic mood captured in neon,” Los Angeles Times, Around the Galleries, October 12, 2012, p. D14
Smith, Roberta, “Mary Weatherford,” The New York Times, Art in Review, September 14, 2012, p. C27
“50 Next Most Collectible Artists: Mary Weatherford,” Art+Auction, June 2012, pp. 98-99, 113
“Ten X Ten: 10 Extraordinary People, 10 Random Questions,” Malibu Magazine, October/November 2012, p. 74
Willhite, Brian N., “Bakersfield streets glow under neon lights of artist Mary Weatherford,” The Runner, California State University Bakersfield, Entertainment, February 15, 2012, p. 5

2011
Robinson, Walter, “Weekend Update,” Artnet.com, June 25, 2011

2009
*Common Threads, Shared Spaces: Five Years of Fellowships for Visual Artists from the California Community Foundation, 2004-2008, text by Irene Tsatsos, Los Angeles: California Community Foundation, 2009
Walquist, Grant, “The Ballad that Becomes an Anthem,” ArtLTDMag.com, May 2009
Kushner, Rachel, “The New Blue Chips,” C Magazine, March 2009

2008
*2008 California Biennial, texts by Joshua Decter, Lauri Firstenberg, Rene Peralta, Newport Beach: Orange County Museum of Art, 2008
Knight, Christopher, “Flourishing on their vines,” Los Angeles Times, November 14, 2008, p. E19
Knight, Christopher, “Don’t take it lying down: 2008 California Biennial,” Los Angeles Times, November 4, 2008, p. E1

2007
Knight, Christpher, “45 Painters under 45,” Los Angeles Times, December 2, 2007, p. F1

2006
Sholis, Brian, “Mary Weatherford,” Artforum.com, June 19, 2006
Brooks, Amra, “Los Angeles Round Up: Mary Weatherford,” Artinfo.com, January 2006

2003
Smith, Roberta, “Girls Gone Wild,” The New York Times, July 4, 2004, p. B29
“Girls Gone Wild,” The New Yorker, June 30, 2003, p. 24

2002
Deamer, Julie, “Sharing Sunsets,” Cherry-Art.com, 2002

2001
Ise, Claudine, “Couglan, Reeder, Root, Weatherford, chicagoprojectroom, Los Angeles,” Tema Celeste, September-October, 2001
Mahoney, Robert, “Mary Weatherford,” Time Out New York, January 4-11, 2001, p. 46
Zinsser, John, “Painter’s Journal,” Artnet.com, June 16, 2001
“Mary Weatherford,” The New Yorker, December 25, 2000 – January 1, 2001, p. 33

2000
Johnson, Ken, “Mary Weatherford,” The New York Times, Galleries: Chelsea, December 22, 2000, p. B43

1999
*Fye, Joe, OM, New York: Dorsky Gallery, 1999
Row, D.K., “Painter’s Paradise,” The Oregonian, February 3, 1999, p. E1
Schwabsky, Barry, “Mary Weatherford: Works on Paper, Thomas Korzelius Fine Art, New York,” Art on Paper, March-April 1999, p. 64

1998
*Peck, Dale, Easter, New York: Debs & Co., 1998
*Weatherford, Margaret, Miniatures, 1998
Princenthal, Nancy, “Mary Weatherford at Debs & Co.,” Art in America, July 1998, p. 92


1997
Goldfarb, Brad, “Stop and Smell the Roses,” Interview, May 1997
Kendricks, Neil, “Primarily Paint,” The San Diego Union Tribune, February 6, 1997

1995
*Crockett, Toby, A Vital Matrix, Los Angeles: Domestic Setting, 1995
*Time Capsule: A Concise Encyclopedia by Women Artists, New York: Creative Time and SOS International, 1995

1994
*Cottingham, Laura, “The Feminist Continuum: Art after 1970,” The Power of Feminist Art: The American Movement of the 1970s, History and Impact, edited by Norma Broude and Mary D. Garrard, New York: Harry N. Abrams, 1994

1993
Hoberman, J., “Jean Luc Godard: Picasso, Marx and Coca Cola,” ARTnews, February 1993

1992
*Rubenstein, Meyer Raphael, Postcards from Alphaville: Jean-Luc Godard in Contemporary Art 1963-1992, P.S. 1, New York: Institute for Contemporary Art, 1992
Cameron, Dan, “Don’t Look Now,” Frieze, Issue 3, 1992
Johnson, Ken, “Mary Weatherford at BlumHelman Warehouse,” Art in America, May 1992
Kalin, Tom, “Plastic Fantastic Lover (object a),” Artforum, January 1992
Weatherford, Mary, “Fleur du Mal,” Tema Celeste, November 1992
*Oppenheim, Eric, The Real Thing, New York, 1992
Dubin, Zan, “Painting Themselves Out of a Corner,” Los Angeles Times, October 10, 1992
Curtis, Cathy, “Women’s Work: Rich, Shocking,” Los Angeles Times, October 16, 1992.
Liberio, Lydia, “What if Andy Warhol and Roy Lichtenstein had been Women?,” The Irvine World News, October 15, 1992

1991
*Liu, Catherine, Plastic Fantastic Lover (object a), New York: BlumHelman Warehouse, 1991
Zinsser, John, “Geometry and its discontents,” Tema Celeste, Autumn 1991, pp. 72-76
Evans, Steven, “Painting Culture,” NYQ, November 10, 1991
Kimmelman, Michael, “Painting Culture,” The New York Times, November 1, 1991
Hess, Elizabeth, “Death to the Masters,” The Village Voice, October 22, 1991
Kozik, K.K., “Lyric,” Cover, May 1991

1990
Henry, Gerrit, “Stendahl Syndrome: The Cure at Andrea Rosen Gallery,”Contemporanea, November 1990
*Hunter, Sam, Emerging Art 1990, Trenton: New Jersey State Art Museum, 1990
Braff, Phyliss, “Collectors’ Diversified Choices,” The New York Times, September 9, 1990
Gordon, Alastair, “11 Artists ‘Emerge’ at Gallery in East Hampton,” Newsday, August 31, 1990
*Stendahl Syndrome: The Cure, New York: Andrea Rosen Gallery, 1990
Wei, Lilly, “Making Art, Making Money,” Art in America, July 1990
Mahoney, Robert, “New York in Review,” Arts Magazine, April 1990, p. 108
*Sam Hunter, New Directions, New York: S. Bitter Larkin Gallery, 1990
Anderson, Alexandra, “Mary Weatherford at Diane Brown Gallery,” ARTNOW, 1990
Smith, Roberta, “Fresh, Hot and Headed for Fame,” The New York Times, January 5, 1990

1989
Anderson, Alexandra, “The Next Generation,” Smart Magazine, September-October, 1989
Auriti, Sandy, “New York,” Cento Cose, November 1989

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