David Kordansky Gallery

  • On the coral pillow, two streams of tears. Half longing for you, half resenting you, 2016, glazed ceramic, 20 1/8 x 15 3/8 x 4 inches (51 x 39 x 10 cm)
  • Agoraphobia VI, 2016, acrylic paint on synthetic carpet, 94 1/2 x 71 1/2 x 1 inches (240 x 181.6 x 2.5 cm)
  • Sightings: Mai-Thu Perret, 2016, Nasher Sculpture Center, Dallas, TX, Installation view
  • Sightings: Mai-Thu Perret, 2016, Nasher Sculpture Center, Dallas, TX, Installation view
  • If you do not throw yourself into the breakers, how will you ever meet the one who frolics in the waves?, 2014, glazed ceramic, 20 x 17 x 4 inches (50.8 x 43.2 x 10.2 cm)
  • Figures, 2014, Biennal of Moving Images, Centre d’Art Contemporain, Geneva, Switzerland, Performance view
  • Much too meticulous, 2014, glazed ceramic, 18 3/4 x 14 1/4 x 1 7/8 inches (47.6 x 36.2 x 4.8 cm)
  • Melancholia VIII, 2013, acrylic on carpet, mounted on board, 82 11/16 x 63 inches (210 x 160 cm)
  • Black Balthazar, 2013, birch plywood, rattan core, and water-based paint, 48 7/16 x 45 1/4 x 11 13/16 inches (123 x 115 x 30 cm)
  • Where the sun and shade do not reach, there is marvelous scenery indeed, 2013, glazed ceramic, 41 x 26 1/2 x 2 1/4 inches (104.1 x 67.3 x 5.7 cm)
  • The Adding Machine, 2012, Le Magasin, Grenoble, France, Installation view
  • Thought after thought, the flow never ends, 2012, glazed ceramic, 32 1/2 x 32 1/2 x 1 3/4 inches (82.6 x 82.6 x 4.4 cm)
  • Using a finger to indicate that a finger is not a finger is not as good as using a non-finger to indicate that a finger is not a finger, 2012, glazed ceramic, 14 1/2 x 19 x 2 inches (37 x 48 x 5 cm)
  • The Adding Machine, 2011, Aargauer Kunsthaus, Aarau, Switzerland, Installation view
  • Melancholia III, 2011, acrylic on carpet, mounted on board 97 5/8 x 74 inches (248 x 188 cm)
  • Flow My Tears I, 2011, foam mannequin, blown glass head, replica of Schiaparelli silk dress, 69 x 27 1/2 x 27 1/2 inches (175 x 70 x 70 cm), ILLUMInations, 2011, International Pavilion, 54th Venice Biennale, Venice, Italy, Installation view
  • 2016, 2011, neon, 108 x 106 x 3 1/2 inches (274.3 x 269.2 x 8.9 cm)
  • Goldene Zeiten, 2010, Haus der Kunst, Munich, Germany, Installation view
  • Goldene Zeiten, 2010, Haus der Kunst, Munich, Germany, Installation view
  • An Evening of the Book and Other Stories, 2008, The Kitchen, New York, NY, Installation view
  • An Evening of the Book and Other Stories, 2008, The Kitchen, New York, NY, Installation view
  • Heart and Soul III, 2007, glazed ceramic, 26 1/4 x 19 1/4 x 2 inches (66.7 x 48.9 x 5.1 cm)
  • Land of Crystal, 2007, Bonnefanten Museum, Maastricht, Netherlands, Installation view
  • Heart and Soul XV, 2007, glazed ceramic, 26 x 19 3/8 x 1 3/4 inches (66 x 49.2 x 4.4 cm)
  • And Every Woman Will Be A Walking Synthesis Of The Universe, 2006, The Renaissance Society at The University of Chicago, Chicago, IL, Installation view

Biography

born 1976, Geneva, Switzerland
lives and works in Geneva, Switzerland


EDUCATION

2002-2003
Whitney Independent Study Program, Whitney Museum of American Art, New York, NY

1997
BA, English Literature, Cambridge University, Cambridge, England


SELECTED SOLO EXHIBITIONS
(* indicates a publication)

2017
Galerie Francesca Pia, Zurich, Switzerland
Go and become the incense burner in the old shrine, NICC, Brussels, Belgium
Féminaire, David Kordansky Gallery, Los Angeles, CA

2016
Zone, Simon Lee Gallery, London, England
Sightings, Nasher Sculpture Center, Dallas, TX

2015
Balthazar, with Oliver Mosset, VNH Gallery, Paris, France
Kilims & Commas, 8 Rue St Bon, Paris, France
Flow my Tears, Galerie Joy de Rouvre, Geneva, Switzerland
Moon Palace, Blondeau & Cie, Geneva, Switzerland

2014
Slow Wave, Simon Lee Gallery, Hong Kong
Martine Bedin and Mai-Thu Perret, Week-end á Rome, Fondation Speerstra, Apples, Switzerland
Astral Plane, David Kordansky Gallery, Los Angeles, CA
Queen of the Black Black, with Louise Nevelson, Vistamare, Pescara, Italy

2013
The Prairie, Galerie Francesca Pia, Zurich, Switzerland

2012
Beast of Burden, Galerie Barbara Weiss, Berlin, Germany
*The Adding Machine, Le Magasin, Grenoble, France

2011
*The Adding Machine, Aargauer Kunsthaus, Aarau, Switzerland
Mai-Thu Perret, Spectra in Cycle L’éternel détour, séquence d’été 2011, Musée d’art moderne et contemporain, Geneva, Switzerland
Winner of the “Zurich Art Prize” 2011: Mai-Thu Perret “I dream of the code of the west”, Haus Konstruktiv, Zurich, Switzerland
Love Letters in Ancient Brick, Theatre de l’Usine, Geneva, Switzerland; Swiss Institute – Contemporary Art, New York, NY
Octopus, Hard Hat, Geneva, Switzerland
Le Magasin, Grenoble, France
Migraine, David Kordansky Gallery, Los Angeles, CA

2010
Parade, Timothy Taylor Gallery, London, England
*An Ideal for Living, University of Michigan Museum of Art, Ann Arbor, MI
The Viewing Room, Timothy Taylor Gallery, London, England
Flag, Swiss Institute – Contemporary Art, New York, NY

2009
Alphabet: Paintings and Text Works 2004-2009, Galerie Francesca Pia, Zurich, Switzerland
*2013, The Aspen Art Museum, Aspen, CO
The Crack-Up, Praz-Delavallade, Paris, France
Aluminum Cities on a Lead Planet II, Art Unlimited, Art Basel 40, Basel, Switzerland

2008
*New Work, San Francisco Museum of Modern Art, San Francisco, CA
*2012, Timothy Taylor Gallery, London, England
Bikini, Galerie Barbara Weiss, Berlin, Germany
*Land of Crystal, Kunst Halle Sankt Gallen, St. Gallen, Switzerland
An Evening of the Book and Other Stories, The Kitchen, New York, NY

2007
Crab Nebula, Galerie Francesca Pia, Zurich, Switzerland
Das Kunstwerk und sein Ort, Atelier Amden, Amden, Switzerland
*Land of Crystal, Bonnefanten Museum, Maastricht, Netherlands

2006
An Evening of the Book – Oeuvres imprimées 2000-2006, Hard Hat, Geneva, Switzerland
*And Every Woman Will Be A Walking Synthesis Of The Universe, The Renaissance Society at The University of Chicago, Chicago, IL
Apocalypse Ballet, Galerie Barbara Weiss, Berlin, Germany
*Solid Objects: Valentin Carron vs. Mai-Thu Perret, Chisenhale Gallery, London, England

2005
Heroine of the People, Praz-Delavallade, Paris, France
*Solid Objects: Valentin Carron vs. Mai-Thu Perret, Centre d’art contemporain, Geneva, Switzerland

2004
Statements, Galerie Francesca Pia, Art Basel 35, Basel, Switzerland
Love Thy Sister Like Thyself, Centre d’édition contemporaine, Geneva, Switzerland

2003
Pure self-expression x25, Galerie Francesca Pia, Bern, Switzerland

2002
The Modern Institute, Glasgow, Scotland
We Close Our Eyes In order To See, Glassbox, Paris, France

2001
*Land of Crystal, Le Studio, CAN, Neuchâtel, Switzerland

2000
What if I get up in the morning and I’m not the center of attention anymore, In Vitro, Geneva, Switzerland


SELECTED GROUP EXHIBITIONS
(* indicates a publication)

2017
1107 Manhattan Ave Pt.II, curated by Olivier Mosset, Spencer Brownstone Gallery, New York, NY
Scripts as Afaka, curated by Sumesh Sharma and Joud Halwani Al Tamimi, Galerie Anders Hus, Paris, France
PLURIVERS – 4 études d’ethnologies imaginaires, La Panacée, Centre d’art Contemporian, Montpellier, France
Age of Terror: Art Since 9/11, Imperial War Museums, London, England
Le Grand Détournement: Design Collection of the Centre National des Arts Plastiques, curated by David des Moutis, Juliette Pollet, and Charles Villeneuve de Sant, Galerie Poirel, Nancy, France
The Body in Color, Met Breuer, New York, NY
La Cabale du cheval Pégase, Hard Hat, Geneva, Switzerland
The Leftovers, Simon Lee Gallery, New York, NY
Objects Like Us, curated by Amy Smith-Stewart and David Adamo, The Aldrich Contemporary Art Museum, Ridgefield, CT
Medusa, organzied by Anne Dressen, Musée d’Art Moderne de la Ville de Paris, France
Zeitgeist, organized by Paul Bernard, Lionel Bovier, and Fabrice Stroun, Musée d’art moderne et Contemporain, Geneva, Switzerland
age of terror, Imperial War Museum, London, England
Print! Les premieres pages d’une révolution, Musée International de la Réforme, Geneva, Switzerland
The Corner Piece N°1, Independent Brussels, Belgium
Black’n’White, Galerie Andrea Caratsch, Saint-Moritz, Switzerland
A Slow Succession with Many Interruptions, San Francisco Museum of Modern Art, San Francisco, CA

2016
*Let There Be (More) Light, curated by Jens Hoffman, Jessica Silverman Gallery, San Francisco, CA
Flatland/Narrative Abstractions #1, Musée Régional d’Art Contemporain Languedoc Roussillon Midi Pyrénées, Sérignan, France
Charles Blanc-Gatti–Hypothèse d’une généalogie, Musée d’Art de Pully, Pully, Switzerland
The Hellstrom Chronicle, Galerie Barbara Weiss, Berlin, Germany
NEON: The Charged Line, Grundy Art Gallery, Blackpool, England
Going Public: The Napoleone Collection, Graves Gallery, Sheffield, England; Touchstones Art Gallery, Rochdale, England
GVA ← → JFK, Musée d’art moderne et contemporain, Geneva, Switzerland
*India’s Search for Power 1966 – 1982 (Indhira Gandhi’s Foreign Policy), curated by Sumesh Sharma, Dak’Art 2016, Biennale de l’Art Africain Contemporain, Dakar, Senegal
Pièces meublées–Vingt ans après, curated by Bob Nickas, Galerie Patrick Seguin, Paris
All Over, curated by Samuel Gross, Galerie des Galeries, Paris, France
Untitled, Project Space, Beijing, China
Ceramix: Ceramic Art from Rodin to Schütte, La Maison Rouge and Cité de la Céramique, Sevres, France

2015
Algus Greenspon, New York, NY
Môtiers 2015 – Art en Plein air, outdoor location, Môtiers, France
*NO MAN’S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL
*CERAMIX, curated by Camille Morineau and Lucia Pesapane, Bonnefantenmuseum, Maastricht, Netherlands
RESET 1, Priska Pasquerr, Cologne, Germany
8th Triennial of Contemporary Prints, Musée des beaux-arts, Le Locle, Switzerland
Angelic Sisters, organized by the 186f Kepler Institute, Chiesa di San Paolo Converso, Piazza Sant’Eufemia, Milan, Italy
Group Show, Galerie Francesca Pia, Zurich, Switzerland
Public Goods, organized by Musée d’art moderne et contemporain, Musée Rath, Geneva, Switzerland
Collection on Display: Experimental Arrangements, Migros Museum für Gegenwartskunst, Zurich, Switzerland
Kilims & Commas, Espace 8, Paris, France
John Armleder, Stéphane Kropf, John Tremblay, with guests Mai-Thu Perret and Blair Thurman, David Kordansky Gallery, Los Angeles, CA
Work Hard, curated by Valentin Carron, Swiss Institute Contemporary Art New York, New York, NY

2014
Le fil des possibles, Espace de L’art Concret, Mousans-Sartoux, France
The moving Museum, Istanbul, Turkey
Yvonne Rainer Project, Centre d’art contemporain de La Ferme du buisson, Marne-la-Vallée, France
Smoking up Ambition, Pavillon Sicli, Geneva, Switzerland
Beating around the bush, Episode #3, Bonnefanten Museum, Maastricht, Netherlands
Gastspiel, Contemporary Swiss Art at Museum Rietberg, Museum Rietberg, Zurich
The Optical Unconscious, Gebert Stiftung Für Kultur, Rapperswill-Jona, Switzerland
Bash 1, Kleinert/James Gallery, Woodstock Byrdcliffe Guild, Woodstock, NY
Decorum-Carpets & Tapestries by Artists, Power Station of Art, Shanghai, China
La Vérité avant-derniere, Galerie de Multiples, Paris, France
Desiderata: Neu in der Sammlung, Aargauer Kunsthaus Aarau, Aarau, Switzerland
Lives of Performers, La Ferme Du Buisson, Marne-La-Vallée, France
Forms of Distancing: Representative Politics and the Politics of Representation, curated by Stefano Collicelli and Luigi Fassi, Steirischer Herbst, Graz, Austria
Biennale of Moving Images 2014, Centre d’Art Contemporain Genève, Geneva, Switzerland
queen of the black black, Vistamare, Pescara, Italy
B/W, Timothy Taylor Gallery, London, England
Caste Aside, Clark House Initiative, Colaba, Bombay, India
BASH An Exhibition in Two Parts, Woodstock Byrdcliffe Guild, Woodstock, NY
Week-End Á Rome, Fondation Speerstra, Apples Switzerland
Biennial of Moving Images, Center d’art Contemporain, Geneva, Switzerland
INSERT2014, Mati Ghar, Indira Gandhi National Centre for the Arts, New Dheli, India
Olivier Mosset—Collaborations, Centre Culturel Suisse, Paris France
Zelda Zonk, Préface, Paris, France
*Decorum, Musée D’Art Moderne de la Ville de Paris, Paris, France
Mingei: Are You Here?, curated by Nicolas Trembley, Pace Gallery, New York, NY
Elevation 1049: Between Heaven and Hell, LUMA& Foundation, Gstaad, Switzerland

2013
Bekleidung, The New Institute, Rotterdamn, Netherlands
Ways of working: The Incidental Object, Fondazione Merz, Turin, Italy
Island, Dairy Art Center, London, England
Decorum-Tapis et tapisseries d’artistes, Musée d’art moderne de la Ville de Paris, Paris, France
Holes in the walls, Early Works 1948-2013, Fri-Art, Fribourg, Switzerland
Giant Ice Cream Cones, 1m3, Lausanne, Switzerland
Oasis Mini Gym, Oasis Hotel, Angeles City, Philippines
Pro-Choice, Fri-Art, Fribourg, Switzerland
Electric Fields, collaboration with Oliver Mosset, Live in your head, Geneva, Switzerland
At Work, Museum of Contemporary Art, Siegen, Germany
Mingei: Are You Here?, curated by Nicolas Trembley, Pace Gallery, London, England
gemini, Galerie Francesca Pia, Zurich, Switzerland
Female Power, Museum voor Moderne Kunst Arnhem, Arnhem, The Netherlands
Pattern: Follow the Rules, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI; Museum of Contemporary Art, Denver, CO

2012
Cosmic Laughter-Timewave Zero then what?, Ursula Blickle Stiftung, Kraichtal, Germany
Changing States of Matter, Brand New Gallery, Milan, Italy
Panegyric, Forde, Geneva, Switzerland
Tell the Children, La salle de bains, Lyon, France
Le Nouveau Festival du Centre Pompidou, Centre Georges Pompidou, Paris, France
Neon: Who’s afraid of red, yellow and blue?, La maison rouge, Paris, France
Eorum Sanai (Ice Man), Arario Gallery, Cheoanan, Korea
La Demeure Joyeuse II, Galerie Francesca Pia, Zurich, Switzerland
Parque Industrial, curated by Julieta González, Galeria Luisa Strina, São Paulo, Brazil
*La jeunesse est un art, Jubiläum Manor Kunstpreis 2012, Aargauer Kunsthaus, Aarau, Switzerland
Brot und Salz, Sommer & Kohl, Berlin, Germany
Cluster, Galerie 1m³, Lausanne, Switzerland
Reflecting Fashion: Kunst und Mode seit der Moderne, curated by Susanne Neuburger in collaboration with Barbara Rüdiger, MUMOK – Museum moderner Kunst Stiftung Ludwig Wien, Vienna, Austria
Marcher dans la couleur, curated by Hélène Audiffren, Musée régional d’art contemporain Languedoc-Roussillon, Sérignan, France
Le Confort Moderne, curated by Mathieu Copeland, Le Confort Moderne, Poitiers, France
Pure Perception, curated by Margherita Artoni, Galleria Monica De Cardenas, Milan, Italy
Anti-Establishment, CCS Bard Hessel Museum, Annandale-on-Hudson, NY
TEXT TEXTILE TEXTURE, Galerie Barbara Weiss, Berlin, Germany
Le Monde Comme Volonte Et Comme Papier Peint, Le Consortium, Dijon, France
New Sculpture?, curated by Maria Brewińska, Zachęta Narodowa Galeria Sztuki, Warsaw, Poland
The Old, the New, the Different, Kunsthalle Bern, Bern, Switzerland
The Devil’s Fidelity, Marian Goodman Gallery, Paris, France
Shake ‘N’ Bake, A Group Show Curated by Hard Hat, Praz-Delavallade, Paris, France
*Abstract Possible: The Stockholm Synergies, Tensta Konsthall, Stockholm, Sweden
EXAMPLE: SWITZERLAND. Unbounding and Crossing Over as Art, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein

2011
Danser sa Vie, Centre Pompidou, Paris, France
EXAMPLE: SWITZERLAND. Unbounding and Crossing Over as Art, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
Cosima von Bonin, Natacha Lesueur, Mai-Thu Perret, Markus Raetz, Musée d’art moderne et contemporain, Geneva, Switzerland
Helvetii Vulcans, MUDAC – Musée de design et d’arts appliqués contemporains, Lausanne, Switzerland
2011 Bridgehampton Biennial, Martos Gallery, Bridgehampton, NY
*ILLUMInations, curated by Bice Curiger, International Pavilion, 54th Venice Biennale, Venice, Italy
Flags for Venice, Instituto Svizzero, Rome and Swiss Institute – Contemporary Art, New York, Venice, Italy
*Abstract Possible: The Tamayo Take, Rufino Tamayo Museum, Mexico City, Mexico
Multiples & co, Villa du Parc, Annemasse, France
The Hidden Life of Things – Panta Rhei, Bonnefanten Museum at the Grand, Maastricht, Netherlands
How not to become an artist, Sudsudvestur, Keflavik, Iceland

2010
*Abstract Possible, Malmö Konsthall, Malmö, Sweden
Edition 5 Erstfeld, Haus für Kunst Uri, Altdorf, Switzerland
Anonymous Materials, Stiftung Binz39, Zurich, Switzerland
Close Your Eyes in Order to See, Praz-Delavallade, Paris, France
High Ideals & Crazy Dreams, Galerie Vera Munro, Hamburg, Germany
Borderlines, Cabinet des arts graphiques, Musée d’art et d’histoire, Genève, Switzerland
Yellow Box, video program by bdv, Restaurant Georges, Paris, France
*From Dusk Till Dawn: If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, video program by Yann Chateigné, Van Abbemuseum, Eindhoven, Netherlands
A New Stance for Tomorrow, Part 3, Sketch, London, England
*Charles Fourier – L’écart absolu, Musée des Beaux-Arts et d’archéologie de Besançon, France
*Born Under a Bad Sign, Power House Art Center, Memphis, TN
Goldene Zeiten, Haus der Kunst, Munich, Germany
While Bodies Get Mirrored. An Exhibition about Movement, Formalism and Space, MigrosMuseum, Zurich, Switzerland
Chartreuse jeune: An intervention by Olaf Nicolai at the Casa Taberelli, Casa Tabarelli, Cornaiano, Italy
SENT BY MAIL, Galerie Barbara Weiss, Berlin, Germany
Die Grosse Inventur, 20 years Galerie Francesca Pia, Galerie Francesca Pia, Zurich, Switzerland
Die Nase de Michelangelo, Galerie Peter Kilchmann, Zurich, Switzerland
Face au Mur-papiers peints contemporains, Mudac Lausanne and Musée de Pully, Pully, France
Go West, Salt Lake Art Center, Salt Lake City, UT

2009
Editions vs. Objets, Centre d’édition contemporaine, Geneva, Switzerland
I am by birth a Genevese, Forde, Geneva, Switzerland
Top 10 Allegories, Galerie Francesca Pia, Zurich, Switzerland
*Anabasis – On Rituals of Homecoming, Festival of Dialogue of Four Cultures, Łódź, Poland
*Utopics, 11th Swiss Sculpture Exhibition, Biel/Bienne, Switzerland
Abstraktionen, Kunsthaus Aarau, Aarau, Switzerland
*Born to Be Wild – An Homage to Steven Parrino, Kunstmuseum St. Gallen, St. Gallen, Switzerland
*Heaven – Splendid Isolation, 2nd Athens Biennial, Athens, Greece
*Living Together, MARCO, Vigo, Spain
*Curated by_ Gianni Jetzer: Beginnings, Middles and Ends, Galerie Christine König, Vienna, Austria
Revolver, COCO, Vienna, Austria
*Shifting Identities – (Swiss) Art Today, Contemporary Art Center, Vilnius, Lithuania
Prose pour des Esseintes, Karma International, Zurich, Switzerland
Ventriloquist, Timothy Taylor Gallery, London, England
A Spoken Word Exhibition, Baltic Center for Contemporary Art, Gateshead, England
Regift, Swiss Institute – Contemporary Art, New York, NY
Living Together, Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain
Fax, Drawing Center, New York, NY
The Anniversary Show, SFMOMA, San Francisco, CA

2008
The Line is a Lonely Hunter – Drawings in New Jerseyy, New Jerseyy, Basel, Switzerland
Le spectrarium, Pavillon Suisse de la Cité Internationale Universitaire de Paris, Paris, France
*Champion Zero, Champion Fine Arts at Rental Gallery, New York, NY
Standort Alltag – Everyday Ideologies, Kunstmuseum Magdeburg, Magdeburg, Germany
*Aurum, L’or dans l’art contemporain, Centre PasquArt, Biel/Bienne, Switzerland
*Mémoires d’objets, Galerie Lionel Latham, Geneva, Switzerland
*Shifting Identities – (Swiss) Art Today, Kunsthaus Zurich, Zurich, Switzerland
*Abstraction Extension, curated by Christian Besson, Julien Fronsacq and Samuel Gross, La Fondation pour l’art contemporain Claudine et Jean-Marc Salomon, Alex, France
*There is no story to tell, Tang Contemporary Art, Beijing, China
Art Dubai, Dubai, United Arab Emirates; Chelsea Art Museum, New York, NY; E-Werk, Berlin, Germany; Center for Contemporary Art, Moscow, Russia; Centre d’art contemporain, Geneva, Switzerland; Superstudio Piu, Milan, Italy; Phillips de Pury & Company, London, England
The Saints, and music & films by Amy Granat, with Fia Backstrom, Jutta Koether, Amy O’Neill, Mai-Thu Perret, Angel Turner, Emily Sundblad & Stefan Tcherepnin, Sketch, London, England
A Spoken Word, curated by Mathieu Copeland, Tranzitdisplay, Praha, Czech Republic
*Black Noise: A Tribute to Steven Parrino, Centre National de l’Estampe et de l’Art Imprimé, Chatou, France
*Abstraction étendue: Une scène romande et ses connexions, Espace de l’Art Concret, Mouans-Sartoux, France
Dadadandy Boutique, Artprojx Space, London, England

2007
Ballet mécanique, Timothy Taylor Gallery, London, England
A Spoken Word, curated by Mathieu Copeland, Performa, Swis Institute, New York, NY
*Euro-Centric, Part 1: New European Art from the Rubell Family Collection, The Rubell Family Collection, Miami, FL
*Black Noise: A Tribute to Steven Parrino, Musée d’art moderne et contemporain, Geneva, Switzerland
Les artistes de la collection cahiers d’artistes, Série VI + VII, Fri-Art, Fribourg, Switzerland
Introvert, Extrovert, Makes No Difference, Galerie Catherine Issert, Saint Paul de Vence, France
*An Altas of Events, Calouste Gulbenkian Foundation, Lisbonne, Portugal
Open and Shut, Skestos Gabriele Gallery, Chicago, IL
*00 – L’histoire d’une décennie qui n’est pas encore nommée, Biennale de Lyon, Lyon, France
*Tomorrow, Sonjeart Center and Kumho Art Museum, Seoul, South Korea
*Anyang Public Art Project, Anyang, South Korea
Radiant City, Cherry and Martin, Los Angeles, CA
Pure Self Expression, Kölnischer Kunstverein, Cologne, Germany
*In The Poem About Love, You Don’t Write The Word Love, Midway Contemporary Art, Minneapolis, MN; Overgaden Institut For Samtidskunst, Copenhagen, Denmark
At Home in the Universe, curated by John Armleder, Mongin Art Center, Seoul, South Korea
*Art en plein air – Motiers 2007, Val de Travers, Motiers, Switzerland
Tension; Sex; Despair-Who/So-What, curated by Christian Egger, Kunsthalle Exnergasse, Wien, Austria
*Half Square Half Crazy, La Villa Arson, Nice, France
Worker Drone Queen, Centre Culturel Suisse, Paris, France
Space is the Place, a project presented by DADADANDY, Ritter/Zamet, London, England
Etats (faites-le vous-même)/Grown Your Own, a project by Peter Coffin, Palais de Tokyo, Paris, France
Bastard Creatures, Palais de Tokyo, Paris, France

2006
*Madame la baronne était plutôt maniérée, assez roccoco et totalement baroque – Volume 3, Centre d’art Mira Phalaina, Maison Populaire, Montreuil, France
Piani Sospetti: Carsten Nicolai, Federico Pietrella, Mai-Thu Perret, Marcello Simeone, Mark Manders, Via Nuova Arte Contemporanea, Firenze, Italy
Interstellar Low Ways, Hyde Park Art Center, Chicago, IL
The Gold Standard, MoMA PS1, Long Island City, NY
*Lovely Shanghai Music, Team 404, Zendai Museum of Modern Art, Shanghai, China
Conversation Pieces – Regard sur la collection du Fonds d’art contemporain de la Ville de Genève (Fmac), Centre d’Art Contemporain, Geneva, Switzerland
*Shiny, Wexner Center for the Arts, Columbus, OH
*Modus, Neue Kunst Halle St. Gallen, St. Gallen, Switzerland
*Unter 30 IV Kiefer Hablitzel, Centre Pasquart, Biel/Bienne, Switzerland
*Bring the War Home, curated by Drew Heitzler, Elizabeth Dee, New York, NY; QUED, Los Angeles, CA
*Visioni del paradiso, Istituto Svizzero di Roma, Rome, Italy
The Endless Summer, West London Projects, London, England
Objets d’hier et d’aujourd’hui, Galerie Edouard Manet, Gennevilliers, France
*Again for Tomorrow, Royal College of Art Galleries, London, England
Hradacany, La Générale, Paris, France
*Sublime Part II, Usine, Atelier 3ème étage, Geneva, Switzerland
Madame la baronne était assez grotesque, plutôt rococo et totalement baroque – Acte I, Centre d’Art Mira Phalaina, Maison Populaire de Montreuil, Montreuil, France
*Eine Person allein in einem Raum mit Coca-Cola-farbenden Wänden, Grazer Kunstverein, Graz, Austria
Nouvelles Collections: Edition 5, Centre PasquArt, Biel/Bienne, Switzerland
*Goshka Macuga: Sleep of Ulro, A-Foundation, Greenland Street, Liverpool Biennial, Liverpool, England
*In The Poem About Love, You Don’t Write The Word Love, Artists Space, New York, NY
Tbilissi 3: Let’s Stay Alive Till Monday, Children National Gallery, Tbilisi, Georgia

2005
Geneve, artistes et créateurs d’aujourd’hui, Centre d’Art contemporain, Geneva, Switzlerland
*In The Poem About Love, You Don’t Write The Word Love, CCA, Glasgow, Scotland
*Parallel Life (Paralleles Leben), Frankfurter Kunstverein, Frankfurt, Germany
Tbilisi 2, Wednesday calls the future, National Arts Center, Tbilisi, Georgia
*NY TWICE, curated by Fabrice Stroun, Air de Paris, Paris, France
*Model Modernisms, curated by Christian Rattemeyer, Artists Space, New York, NY
Situational Prosthetics, New Langton Arts Center, San Francisco, CA

2004
None of the above, Swiss Institute – Contemporary Art, New York, NY
*YellowPages, Musée d’art moderne et contemporain, Geneva, Switzerland
Tuesday is gone, Tbilisi, Georgia
*Fürchte Dich, Helmhaus, Zurich, Switzerland
Leviathan under moon’s influence, Champion Fine Arts, Brooklyn, NY
Archives. Generation Upon Generation, Year, Brooklyn, NY
The Age of Optimism, curated by Fabrice Stroun, Kilchmann Galerie, Zurich, Switzerland

2003
*Form/Kontext/Troja, Secession, Vienna, Austria
Socialism – A love letter, Fia Backström Productions, Brooklyn, NY
*Fink Forward – The Collection/ Connection, Kunsthaus Glarus, Glarus, Switzerland
*YellowPages, Turm Gallery, Helmstedt, Germany; Kunsthalle Palazzo, Liestal, Switzerland
The return of the creature, Künstlerhaus Thurn + Taxis, Bregenz, Austria

2001
Rock Paper Scissors, Galerie Francesca Pia, Bern, Switzerland
*Get Angry – Perspectives romandes 3, Espace Arlaud, Musée des Beaux-Arts de Lausanne, Lausanne, Switzerland
Wahrscheinlich (vraisemblablement), Alimentation Générale Art Contemporain, Luxembourg, Luxembourg
The New Domestic Landscape, Galeria Javier Lopez, Madrid, Spain

2000
Dr Wings, Air de Paris, Paris, France
Why can’t monsters get along with other monsters, Galerie Francesca Pia, Bern, Switzerland
Etat des lieux #2, Préfiguration du Museum of Contemporary Art, Tucson, AZ; Fri-Art, Fribourg, Switzerland


MONOGRAPHS / ARTIST BOOKS / DVD
(* indicates a non-periodical book, catalog, or other publication)

2011
*Mai-Thu Perret, (texts by Elisabeth Lebovici and Diedrich Diederichsen). Zurich: JRP|Ringier, 2011

2008
*2012, (text by Carissa Rodriguez). London: Timothy Taylor Gallery, 2008
*Mai-Thu Perret: Land of Crystal, (edited by Christophe Keller, texts by Fabrice Stroun, Hamza Walker, interview by Paula van den Bosch and Giovanni Carmine). Zurich: JRP|Ringier, 2008
An Evening of the Book, Mathieu Copeland Presents, London, DVD, 2008
*Black Noise, A Tribute to the Late Steven Parreno, Artist Book, Number 32, (edited by John Armleder, Mai-Thu Perret and Amy Granat, texts by Christian Marclay and Kim Gordon). Zurich: JRP|Ringier, 2008
*Kim Soeb Boninsegni: Mining For Pearls, (texts by Liam Gillick, Sarina Basta, Daniel Baunmann, Giovanni Carmine, Piero Golia, Dominique Gonzalez-Foerster, Pierre Joseph, Justin Liberman, Tobias Madison, Elli Medeiros, Damián Navarro, Mai-Thu Perret, Guillaume Pilet, Emmanuel Rossetti, Wolf Günter Theil). Berlin: Atelier Schönhauser, 2008

2006
Brumaire, magazine concept, distributed as supplement of Parabol AM, Number 1, Vienna, March 2006
*Mai-Thu Perret, (text by Lionel Bovier), Collection Cahiers d’Artistes, Pro Helvetia. Zurich: Pro Helvetia, 2006


BIBLIOGRAPHY
(* indicates non-periodical book, catalog, or other publication)

2017
*Vitamin C: Clay and Ceramic in Contemporary Art, London and New York: Phaidon, 2017
Wagley, Catherine, “Women on the Plinth,” Carla, Fall 2017, pp. 6-10
“Mai-Thu Perret at David Kordansky,” ContemporaryArtDaily.com, June 29, 2017
Zellen, Jody, “Mai-Thu Perret ‘Féminaire’ at David Kordansky Gallery,” ArtAndCakeLA.com, June 22, 2017
Wagley, Catherine, “5 Free Art Shows to See in L.A. This Week,” LAWeekly.com, June 21, 2017
“Mai-Thu Perret, ‘Féminaire’,” 2-Times.com, June 14, 2017
Campbell, Andy, “Mai-Thu Perret,” Artforum.com, Critics’ Picks, June 9, 2017
“‘Féminaire’ by Mai-Thu Perret at David Kordansky Gallery, Los Angeles,” BlouinArtInfo.com, May 31, 2017
Phongsirivech, Pimploy, “Mai-Thu Perret’s Militia,” InterviewMagazine.com, May 19, 2017
Escobedo, Lee, “She runs horses in lightning,” Patron, April/May 2017, cover, pp. 78-81
Dama, Francesco, “Collector Valeria Napoleone on the Need to Support Women Artists,” HyperAllergic.com, February 27, 2017
Millar, Jeremy, “Mai-Thu Perret’s ‘Zone’,” Art-Agenda.com, January 31, 2017
Perret, Mai-Thu, “Barbara Weiss (1960-2016),” frieze.com, January 11, 2017

2016
Morin, Justin, “Secret Constellation,” Revue, Number two, 2016, pp. 72-79
Crow, Kelly, “The Artful Lodger,” The Wall Street Journal Magazine, December 2016/January 2017, pp. 140-147
Avery, Amanda, “Mai-Thu Perret’s ‘Zone’ at the Simon Lee Gallery, London,” UK.BlouinArtInfo.com, December 5, 2016
Spence, Rachel, “Collections: Private loot for the public gaze,” FT.com, October 30, 2016
Buck, Louisa, “Blackpool’s artistic illuminations light up the Grundy Gallery,” Telegraph.co.uk, Luxury, Art, September 9, 2016
Spencer, Samuel, “Grundy Gallery Brings a Brief History of Neon in Art to Blackpool,” BlouinArtInfo.com, September 3, 2016
Parsons, Elly, “Night vision: Tracey Emin and Joseph Kosuth light up Blackpool’s Grundy Art Gallery,” Wallpaper.com, September 2, 2016
Locke, Suzanne, “UAE businesses show off their artistic licence,” TheNational.ae, July 25, 2016
“Women’s champion,” SheffieldTelegraph.co.uk, July 21, 2016
Buffenstein, Alyssa, “At Barbara Weiss, The Hellstrom Chronicle Pits Man Against Nature,” Artnet.com, July 20, 2016
“Mai-Thu Perret at Nasher Sculpture Center,” ContemporaryArtDaily.com, July 15, 2016
Steffen, Patrick, “Mai-Thu Perret, Nasher Sculpture Center / Dallas,” FlashArtOnline.com, Reviews, July 12, 2016
Cohen, Alina, “Bringing a Sculptural Platoon of Female Soldiers to Life,” Hyperallergic.com, Museums, June 20, 2016
Lehrer, Adam, “Working In Real time: An Interview With Multi-Disciplinary Artist Mai-Thu Perret,” PasunAutre.com, June 7, 2016
Avram, Danielle, “Women at arms,” The Dallas Morning News, June 2, 2016, Arts & Life cover, pp. 1E, 8E
Simek, Peter, “5 Art Events for Your Weekend,” DMagazine.com, June 1, 2016
Lehrer, Adam, “The 8 Best Things at Frieze New York and Why Frieze Art Fair Matters,” Forbes.com, May 9, 2016
Tarmy, James, “This Spring, the $50,000 Painting Is King,” Bloomberg.com, April 29, 2016
Yablonsky, Linda, “A Moment Like This,” Artforum.com, April 4, 2016
Zotos, John, “Mai-Thu Perret at the Nasher,” ArtsandCultureTX.com, March 24, 2016
Bently, Alex, “These are the best 8 things to do in Dallas this weekend,” Dallas.CultureMap.com, March 10, 2016

2015
Bovier, Lionel and Dirié, Clément, 8, rue Saint-Bon (Paris), “Mai-Thu Perret,” 1st edition, Zurich: JRP Ringier Kunstverlag, 2015, pp. 12-13
*Rubell Family Collection: Highlights & Artists Writings, Volume 1, Miami: Rubell Family Collection, 2015, p. 510
Rodgers, Bill, “Exhibition | Mai-Thu Perret and Olivier Mosset Dialogue at VNH Gallery, Paris,” cfileonline.org, December 16, 2015
Swanson, Carl, “The Exhibit ‘No Man’s Land’ IS Recent Art History, If You Filter Out the Men,” NYMag.com, December 15, 2015
van Straaten, Laura, “7 Artists on Being In the Rubell Family Collection’s All-Female Show, “No Man’s Land”, artnet.com, December 2, 2015
Forrest, Nicholas, “Interview: Co-Founders of Paris’s New VNH Gallery,” BlouinArtInfo.com, August 10, 2015
“Group Show and Francesca Pia,” ContemporaryArtDaily.com, July 13, 2015
Ellwood, Mark, “Meet the Art Museum That Will Follow You Around the Internet,” Bloomberg.com, May 5, 2015
“Work Hard: Selections by Valentin Carron,” The New Yorker, March 2015
“’John Armleder, Stéphane Kropf, John Tremblay, with guests Mai-Thu Perret and Blair Thurman’ at David Kordansky Gallery, Los Angeles,” ArtNews.com, March 30, 2015
“purple DIARY – John Armleder, Stéphane Kropf, John Tremblay, Mai-Thu Perret and Blair Thurman at David Kordansky Gallery, Los Angeles,” Purple.fr, March 22, 2015
Ebony, David, “David Ebony’s Top 10 New York Gallery Shows for March,” Artnet.com, March 19, 2015
“John Armleder, Stéphane Kropf, John Tremblay with guests Mai-Thu Perret and Blair Thurman, David Kordansky Gallery,” ArtAddict.net, March 14, 2015
Indrisek, Scott, “5 Must-See Gallery Shows in New York: Victor Moscoso, Tamar Halpern, and More,” BlouinArtInfo.com, March 13, 2015

2014
Milliard, Coline, “The Moving Museum Tears Down Tired Institutional Conventions,” Artnet.com, December 8, 2014
Griffin, Jonathan, “The New Dealer,” T Magazine, September 14, 2014, p. 124-128
Baumgardner, Julie, “A Nomadic Museum Takes Up Temporary Residence in Istanbul,” TMagazine.com, August 6, 2014
Tsai, Sylvia, “A League Of Their Own: Conversation with Mai-Thu Perret,” ArtAsiaPacific, August 5, 2014
“Louise Nevelson and Mai-Thu Perret ‘Queen of the black black’ at Galleria Vistamare, Pescara,” Contemporary Art Daily, August 3, 2014
“Louise Nevelson and Mai-Thu Perret ‘Queen of the black black’ at Galleria Vistamare, Pescara,” Mousse, August 3, 2014
“Interview with Artist Mai-Thu Perret: Switzerland’s Utopian Feminist,TheCultureTrip.com, July 21, 2014
“Simon Lee Gallery Presents Mai-Thu Perret’s Solo Exhibition: Slow Wave,” CoverMagazine.HK, July 16, 2014
Cheung, Ysabelle, “Mai-Thu Perret: Slow Wave,” TimeOut.com, July 9, 2014
“Martine Bedin, Mai-Thu Perret at Fondation Speerstra,” Contemporary Art Daily, June 24, 2014
Halperin, Julia, “Perfectly unfashionable to be fashionable again,” TheArtNewspaper.com, June 18, 2014
Harris, Gareth, ” Coming soon to Istanbul, 40 international artists’ residencies,”TheArtNewspaper.com, June 9, 2014
Gehi, Reema, “Lost and foundry,” MumbaiMirror.com, May 10, 2014
“Say You Want a Revolution,” Artforum.com, February 20, 2014
Bajaj, Kriti “INSERT2014: Re-imagining Delhi as a cultural space,”ArtRadarJournal.com, February 14, 2014
Mizota, Sharon, “Art Review: The dynamics of feminism,” Los Angeles Times, February 5, 2014, p. D3
Wagley, Catherine, “5 Artsy Things to Do in L.A. This Week, Including Christopher Columbus’ Shipwreck,” LAWeekly.com, February 5, 2014

2013
*Decorum: Tapis & tapisseries d’artistes, Paris: Musée D’Art Moderne de la Ville de Paris, 2013
“Mai-Thu Perret at Francesca Pia,” Contemporary Art Daily, October 1, 2013
Armleder, John M., in conversation with Mai-Thu Perret, “Dressing, no Salad,”Frieze d/e, Number 10, June – August 2013, pp. 72-85
Chaillou, Timothée, in conversation with Mai-Thu Perret, “Interview with Mai-Thu Perret,” TheWhiteReview.org, April 1, 2013
*Lund, Maria, ed., Abstraction, London and Cambridge: Whitechapel Gallery and The MIT Press, 2013

2012
*La jeunesse est un art, edited by Madeleine Schuppli, texts by Jean-Paul Felley / Olivier Käser, Daniel Morganthaler and Bice Curiger, Aargauer Kunsthaus, Lucerne: Verlag Edizioni Periferia, 2012
“Miami: David Kordansky at Art Basel Miami Beach,” Contemporary Art Daily, December 10, 2012
Cohen, Patricia, “A Guided Tour for a Wannabe Collector at Art Basel Miami,”The New York Times, December 6, 2012
“‘La Demeure Joyeuse II’ at Francesca Pia,” Contemporary Art Daily, December 2, 2012
Rosenmeyer, Aoife, “La Demeure Joyeuse II,” Art-Agenda.com, October 22, 2012
Menetrey, Sylvain, “Macréativité en pilote automatique,” Swissquote, Number 4, September 2012, p. 96
“Mai-Thu Perret at Barbara Weiss,” Contemporary Art Daily, October 18, 2012
Hartvig, Nicolai, “Big Spaces for Big Art at the Edges of Paris,” International Herald Tribune, October 8, 2012
Teixeira Pinto, Ana, “Mai-Thu Perret at Galerie Barbara Weiss, and Berlin Art Week Highlights,” Art-Agenda.com, September 18, 2012
Botz, Anneli, “Art Week Berlin: Bread & Salt,” artfridge.de, September 12, 2012
“‘Cluster’ at 1m3,” Contemporary Art Daily, September 10, 2012
van Tilburg, Merel, “Artists’ wallpapers,” TATE ETC., Issue 26, 2012
Moratto, Rossella, (translated from Italian by Lucy Rees), “Pure Perception: Monica De Cardenas – Milan,” Flash Art, July-September 2012, p. 106
Bourriaud, Nicolas, “Hétérochronie,” L’Officiel Art, Number 1, April-June 2012, pp. 98-107, 287
“Mai-Thu Perret,” ten songs that saved your life, July 29, 2012
“‘Changing States of Matter’ at Brand New Gallery, Milan,” Mousse, July 6, 2012
“Le Confort Moderne with Francis Baudevin, Philippe Decrauzat, Olivier Mosset, Mai-Thu Perret,” NovembreMagazine.com, May 30, 2012
“‘Pure Perception’ at Monica De Cardenas, Milan,” MousseMagazine.it, May 26, 2012
“‘TEXT TEXTILE TEXTURE’ at Barbara Weiss,” Contemporary Art Daily, April 20, 2012
Schwarzbart, Judith, “Abstract Possible: The Stockholm Synergies,” Art-Agenda.com, April 3, 2012
Dagen, Philippe, “L’héritage décalé de Vasarely,” Le Monde, March 24, 2012, p. 3
“Group Show at Kunsthalle Bern,” Contemporary Art Daily, March 23, 2012
“The Devil’s Fidelity,” TheLoveMagazine.co.uk, January 26, 2012
“‘Example Switzerland’ at Kunstmuseum Liechtenstein,” Contemporary Art Daily, January 5, 2012

2011
Briggs, Louise, “Visit: Mai-Thu Perret’s retrospective,” Kaleidoscope, Issue 13, Winter 2011/12, p. 94
“Mai-Thu Perret at Le Magasin,” Contemporary Art Daily, November 12, 2011
Tippapart, Tida, “Mai-Thu Perret Channels ‘Krazy Kat’ – Review,” Performa Magazine, November 12, 2011
Sulcas, Roslyn, “Mai-Thu Perret / Laurence Yadi,” The New York Times, October 28, 2011
Sherwin, Skye, “10 Artists to Meet: Mai-Thu Perret,” Ten Men, Issue 27, Autumn/Winter 2011, p. 87
Bregman, A., “AO on Site (with Photoset) – London: Frieze Art Fair Final Summary, October 16, 2011,” ArtObserved.com, October 17, 2011
Caille, Laurence, “La Fabuleuse Année de Mai-Thu Perret,” Migros Magazine, Issue 41, October 10, 2011
“Exhibition at Haus der Kunst reflects the versatility of Italian architect Carlo Mollino’s oeuvre,” ArtDaily.org, September 17, 2011
Diehl, Travis, “Los Angeles: Mai-Thu Perret,” Modern Painters, September 2011, p. 91
Moulène, Claire, “Science de la Fiction,” Les Inrockuptibles, August 24-30, 2011, pp. 112-113
Rosenberg, Karen, “All Nooks, Crannies, Bedrooms and Trees Are Backdrops for Art,” The New York Times, August 8, 2011, p. C5
Maneker, Marion, “Crushing It in Aspen,” Art Market Monitor, August 2, 2011
Gygax, Raphael, “Mai-Thu Perret: Hyper Ballads,” Flash Art, July-September 2011, pp. 42-43
“Kunsthalle Bern Appoints New Director,” MuseumPublicity.com, July 9, 2011
Baur, Simon, “Konstruktive Kristallkugel,” Neue Zürcher Zeitung, July 9, 2011, p. 54
Perret, Mai-Thu, “Mai-Thu Perret,” ThisLongCentury.com, June 27, 2011
Velasco, David, “Plug ‘n’ Play,” Artforum.com, June 18, 2011
Goldstein, Andrew M., “Light Show: Searching for Substance in the Venice Biennale’s ‘ILLUMInations’ Exhibition,” Artinfo.com, June 17, 2011
Kunitz, Daniel, “Texting: The Artist as Writer as Artist,” Modern Painters, Summer 2011, pp. 48-53
Garrett, Craig, “An illuminating tour around the 54th Venice Biennale,”Phaidon.com, June 7, 2011
Adam, Georgina and Morris, Jane, “First impressions of ‘Illuminazioni’ exhibition at Venice Biennale,” The Art Newspaper, June 3, 2011
“Flags for Venice,” prohelvetia.ch, June 3, 2011
“Venice: Mai-Thu Perret at the Arsenale,” Contemporary Art Daily, June 2, 2011
*Mai-Thu Perret – The Adding Machine, edited by Madeleine Schuppli. Aarau: Aargauer Kunsthaus, June 2011
“54th Venice Biennale: Bice Curiger (Artistic Director),” ART-iT.asia, May 25, 2011
Rattemeyer, Christian, “Mai-Thu Perret: Aargauer Kunsthaus,” Artforum, June 2011
Bordignon, Elena, “Mai Thu Perret,” L’Uomo Vogue, Number 421, May-June 2011, p. 155
Moser, Kati, “Meteoric Rise,” Schweizer Illustrierte, Issue 21, May 23, 2011, pp. 86-87
Lawson, Laura, “Art News Headlines: May 23, 2011,” EscapeIntoLife.com, May 23, 2011
“Major Solo Exhibition of Swiss Artist Mai-Thu Perret at Aargauer Kunsthaus,”ArtDaily.org, May 24, 2011
*ILLUMInations: 54th International Art Exhibition La Biennale Di Venezia, edited by Bice Curiger and Giovanni Carmine, Venice: Marsilio Editori, May 2011
Rattemeyer, Christian, “Previews: Mai-Thu Perret,” Artforum, May 2011, p. 163
Lehrer-Graiwer, Sarah, “Critics’ Picks: Mai-Thu Perret,” Artforum.com, April 2011
*Microhistorias y macromundos, Volume 3, edited by Maria Lind. Mexico: Instituto Nacional de Bellas Artes y Literatura-Fundación Olga y Rufino Tamayo, A.C., 2011
Scoccimarro, Antonio, “Diary: Mai-Thu Perret,” Mousse, Issue 28, April-May 2011, p. 213
Wagley, Catherine, “Migraines over Blue Shag Rugs,” DailyServing.com, April 15, 2011
Knight, Christopher, “Expectations go upside down,” Los Angeles Times, April 15, 2011, pp. D20-D21
Pollack, Barbara, “Talking with Bice Curiger VENI, VIDI, VICI, VENICE: An Inside Look at the Venice Biennale,” artnet.com, April 1, 2011
“Let There Be Light,” OtherEdition.com, March 30, 2011
“Curator Bice Curiger announces Venice artists,” ArtReview.com, March 12, 2011
Davis, Ben, “Venice Biennale Releases Artist List for 2011 ‘ILLUMInations’ Exhibition,” Artinfo.com, March 11, 2011
“Mai-Thu Perret,” Monopol, March 2011, p. 46

2010
*Bernard Sopie, “Dialogues croisés de l’attraction passionnée à ‘Land of Crystal’ harmonies, féminismes et nouveaux mondes,” Charles Fourier – L’écart absolu, Musée des Beaux-Arts et d’archéologie de Besançon, France. Dijon: Les presses du réel, 2010
*Beckstette, Sven, “Mai-Thu Perret,” The Art of Tomorrow. Berlin: Distanz Verlag, 2010, pp. 242-245
*Van Tilburg, Merel, “Mai-Thu Perret,” Artistes à Genève. Geneva: Editions Notari, 2010
Brenan, Mike, “Nutilitarianism: a rise in multi-functional art?,”ModernEdition.com, 2010
Descombes, Mireille, “Mai-Thu Perret,” Art contemporain en Suisse – Le Guide 2010 (Hors série L’Hebdo), 2010, p. 57
Kurzmeyer, Roman, “Angewandter Modernismus,” Art Collector, Number 1, 2010, pp. 18-25
Kai-Hwa Wang, Frances, “‘Mai-Thu Perret: An Ideal for Living’ exhibit opening at U of M Museum of Art (UMMA),” annarbor.com, December 16, 2010
Stunda, Hilary, “Disappearing into Your Work – A Conversation with Mai-Thu Perret,” Sculpture, Volume 29, Number 5, June 2010, pp. 48-51
Keller, Pierre, “Mai-Thu Perret – L’artiste d’une communauté imaginaire,”L’Hebdo, Number 20, May 20, 2010, p. 167
Beckstette, Sven, “Wenn der Korken der Geschichte knallt,” artnet.de, February 24, 2010

2009
*Kopp, Céline, “Mai-Thu Perret,” Vitamin 3D. London: Phaidon Press, 2009: 224-227
Grandjean, Emmanuel, “Mai-Thu Perret – Retour à New Ponderosa,” Kunst Bulletin, Number 10, 2009, pp. 42-45
Renninger, Suzann-Viola, “Immer im Kristall – Die Künstlerin Mai-Thu Perret,”Schweizer Monatshefte, Number 970, July 2009, pp. 4-5
Herbert, Martin, “Sifting Defunct Modernity in Search of Something Useful,”Tate Etc., Issue 15, Spring 2009, pp. 62-69
Pratt, Ken, “Telling Tales,” Wound, Number 6, Spring 2009, pp. 254-260
Moisdon, Stéphanie, “Utopies narratives,” Beaux Arts Magazine, Number 296, February 2009, p. 54
“Top 20 der jungen Schweizer Kreativen,” Bolero, January/February 2009, p. 33
Lyons, Matthew, “Six Sides, Topologically Distinct: Black Box/White Cube,”Movement Research Performance Journal, Number 34, January 2009, pp. 26-29
Henchoz, Murielle, “Mai-Thu Perret,” Sikart, 2009

2008
*Fronsacq, Julien, “Medium-Message,” Parkett No. 84. Zurich: Parkett-Verlag AG, 2008, pp. 118-131
*Gough, Maria, “Crystal Futures,” Parkett No. 84. Zurich: Parkett-Verlag AG, 2008, pp. 104-117
*Miller, John, “For a Set of abandoned Futures,” Parkett No. 84. Zurich: Parkett-Verlag AG, 2008, pp. 132-143
*Monvoisin, Alain, “Mai-Thu Perret,” Dictionnaire International de la Sculpture Moderne & Contemporaine. Paris: Éditions du Regard, 2008, p. 426
Ebner, Jörg, “Über die Wahrheit eine Farbige Lasur,” Frankfurter Allgemeine Zeitung, October 4, 2008, p. 42
Dexter, Emma, “Crystal Relics,” NY Arts Magazine, September-October 2008
Müller, Dominikus, “Dominikus Müller schaut sich in den Galerien von Berlin um,” TAZ Berlin, June 18, 2008, p. 27
Rehme, Sandra, “Mai-Thu Perret – Timothy Taylor Gallery,” TAZ Berlin, June, 18, 2008, p. 27
Montreuil, Grégory, “Mai-Thu Perret at The Kitchen,” Flash Art, Number 260, Reviews, May-June 2008, pp. 151-152
Bauman, Daniel, “Land of Languages,” Spike, Number 15, Spring 2008, p. 125
Burton, Johanna, “Mai-Thu Perret – The Kitchen,” Artforum, April 2008, pp. 367-368
Tremblay, Nicolas, “Réparatrice de rêves,” Numéro, Issue 92, April 2008, pp. 48-50
Badrutt Schoch, Ursula, “St Gallen. Mai-Thu Perret in der Kunsthalle”, Kunst Bulletin, Number 3, March 2008, p. 57
Bonacina, Andrew, Revolutions, “Radical women and the shifting function of objects,” Frieze, Issue 113, March 2008, pp. 156-157
Kerr, Merrily, “Mai-Thu Perret, An Evening of the Book and Other Stories,” Time Out New York, Number 648, February 27-March 4, 2008
Ulmer, Brigitte, “Flucht vor dem Kapital,” Bilanz, Number 4, February 22-March 6, 2008, pp. 88-89
Kaufmann, Dorothee, “Kunst der Utopie,” Regioartline Kunstmagazin, February 2008, p. 10
IT, “Mai-Thu Perret, Minimalistisch,” Schweizer Illustrierte, February 11, 2008
Badrutt Schoch, Ursula, “Die Schöne Form der Utopie,” St. Galler Tagblatt, Number 23, January 29, 2008
PD, “Mai-Thu Perret in der Kunsthalle,” St. Galler Tagblatt, Number 20, January 25, 2008
ADR, “Mai-Thu Perret,” VOZ Die Wochenzeitung, Number 4, January 24, 2008

2007
*Anyang Public Art Project 2007, curated by Sung Won Kim. Anyang: Anyang Public Art Project Foundation, 2007
*Copeland, Mathieu, Mai-Thu Perret, Lyon Biennale 2007. Zurich: JRP|Ringier, 2007
*Sholis, Brian, An Atlas of Events, Calouste Gulbenkian Foundation, The State of the World Cultural Forum. Lisbon: Calouste Gulbenkian Foundation, 2007, p. 54
*”And Every Woman Will Be A Walking Synthesis Of The Universe,” Annual Report 2005-2006, The Renaissance Society, University of Chicago. Chicago: The Renaissance Society, 2007, pp. 41-43
Bonacina, Andrew, “Slouching towards utopia. An interview with Mai-Thu Perret by Andrew Bonacina,” UOVO, Issue 12, 2007, pp. 200-230
Baumann, Daniel, “Mai-Thu Perret,” Artforum, September 2007
Villeneuve, Mathilde, “Tatiana Trouvé / Mai-Thu Perret – Systémes en dérive,”Mouvement, Number 44, July-September 2007, pp. 116-121
Roeschmann, Dietrich, “Schweizer Meister. Top 20,” Annabelle, 11/07, June 2007, p. 56
“Mai-Thu Perret, New Baroque,” Spike, Number 11, Spring 2007
Boukobza, Julie, “En utopie,” L’Officiel, Number 915, May 2007
Moulène, Claire, “Reines de l’utopie,” Les Inrockuptibles, Number 594, April 2007
Becher, Jörg, “Die 50 wichtigsten Künstler der Schweiz,” Echtzeit Verlag, Basel, 2007, pp. 109-111

2006
*Swiss Art Award 2006. Zurich: Schweizerischer Kunstverein, 2006: 13-14, 129
*Bonacina, Andrew, “Mai-Thu Perret,” Again for Tomorrow. London: Royal College of Art, London, 2006
*Morrison, Alex, “Interview with Mai-Thu Perret,” Again for Tomorrow. London: Royal College of Art, London, 2006
*Eine Person allein in einem Raum mit Coca-Cola-farbenden Wänden, edited by Søren Grammel, Grazer Kunstverein, Graz. Berlin: Verlag, 2006
*Modus, edited by Marina Leuenberger. St. Gallen: Neue Kunst Halle St. Gallen, 2006
*In The Poem About Love You Don’t Write The Word Love, edited by Tanya Leighton, Artists Space, New York. New York: Sternberg Press, 2007
*Shiny, Wexner Center for the Arts. Columbus: Wexner Center for the Arts, 2006
Chateigné, Yann, “One more Time,” Trouble, Number 6, 2006
*Thibo, Nina, “Licht, lucht, liefde – en paracetamol,” Mister Motley, Number 12, pp. 37-39
Orden, Abraham, “The Windy Apple,” artnet.com, 2006
Egger, Christian, “Klaus Theweleit: Male Fantasies, Mai-Thu Perret in an interview with Christian Egger,” Spike, Issue 10, Winter 2006, pp. 118-121
Feldman, Hannah, “Desert of the Real,” Artforum, Summer 2006, pp. 332-335
“Olympiade der Kunst//Olympian hights of Art,” Lufthansa magazin, June 2006
Sahakian, Marlyne, “One to Watch: Mai-Thu Perret,” artkrush.com, Issue 34, June 2006
Mojica, Jason, “The Crystal Frontier, the Rennaissance Society,” Time Out Chicago, Issue 66, June 1-June 8, 2006
Verhagen, Marcus, “Valentin Carron Mai-Thu Perret Chisenhale Gallery London,” Art Monthly, May 2006, pp. 296-297.
Moulène, Claire, “Mai-Thu Perret,” Les Inrockuptibles, April 25-May 1, 2006
Lapp, Axel, “Mai-Thu Perret,” Art Review, April 2006
Allen, Jennifer, “Mai-Thu Perret at Galerie Barbara Weiss,” Artforum, April 2006
Nielsen, Henrikke, “Mai-Thu Perret,” Flash Art International, Number 247, March/April 2006
Hüster, Wiebke, “Pappmaché-Kameradinnen,” Frankfurter Allgemeine Sonntagszeitung, February 19, 2006
Renard, Emilie, “A l’ombre de Jeanne d’Arc – Entretien avec John Armleder et Mai-Thu Perret,” Trouble, Number 6, 2006

2005
Notter, Eveline, “Valentin Carron, Mai-Thu Perret,” artpress, Number 317, November 2005, pp. 78-80
*Sung Won, Kim, “Interview with Mai-Thu Perret,” Paralleles Leben, Frankfurter Kunstverein. Frankfurt: Lukas & Sternberg, 2005
Reynaud-Dewar, Lily, “Guest: Figures spéciales,” 02 Revue d’art contemporain, Number 38, Summer 2005
Menz, Marguerite, “Genève: Valentin Carron versus Mai-Thu Perret,” Kunst Bulletin, July/August 2005
Schellenberg, Samuel, “Deux artistes se la jouent ‘Kramer contre Kramer’,” Le Courrier, May 19, 2005

2004
Stroun, Fabrice, “Ouverture, Mai-Thu Perret,” Flash Art International, Number 236, May-June, 2004
Notter, Eveline, “Love the sister like thyself,” Kunst Bulletin, May 2004
Schellenberg, Samuel, “Mai-Thu Perret, à l’aise entre mots et forme,” Le Courrier, April 17, 2004
Steiner, Urs, “Heiter? Bewölkt? – Grosswetterlage der Befindlichkeit im Hemhaus,” Neue Zürcher Zeitung, February 17, 2004

2003
*Fink Forward – The Collection/ Connection, Kunsthaus Glarus. Zurich: Edition Fink, 2003
Gerber, Elisabeth, “Mai-Thu Perret im Galerie Francesca Pia,” Kunst Bulletin, October 2003
*”Kontext, Form, Troja,” Helvetica. Vienna: Secession, 2003


2002
Stroun, Fabrice, “Fabrice Stroun talks with Mai-Thu Perret,” CAN, Neuchâtel, 2002

2001
Julliard, Nicolas, “La colère maîtrisée de jeunes artistes,” Le Temps, December 11, 2001
D’Alimonte, Valério, “La fuite en arrière,” La Voix du Luxembourg, November 1, 2001
Bohm, Alexander, “Utopire,” D’Lëtzebuerger Land, October 19, 2001
“Highlist,” Casa Vogue Brazil, Number 192, 2001

2000
Bauman, Daniel, “Etat des lieux #2,” Kunst Bulletin, May 2000
*Michèle, Nicol, “The Now Idea: Embroidery,” Parkett, Number 59. Zurich: Parkett, 2000


TEXTS BY THE ARTIST
(* indicates a non-periodical book, catalog, or other publication)

2009
“Without a Filter,” Texte zur Kunst, September 2009, p. 129
“Maria Eichhorn / Swantje Hielscher – Questions to Pedro de Llano, Sarat Marhaj, Peer Golo Wili, Mai-Thu Perret,” Inaesthetik, Number 1, June 2009

2005
*”Crystal Frontier: A Short Lexicon,” Again For Tomorrow, Royal College of Art, London, 2006
“Dear Friend,” Univers, Number 9, Vienna/Berlin, September 2005
“Lee Lozano,” Metropolis M, Amsterdam, January 2005

2003
*La Rayon Noir, (curated with Fabrice Stroun). Lausanne: Circuit, April 2003
*”Exhibit A,” Inside the White Cube. London: White Cube, 2003

2001
*Timewave Zero: A Psychedelic Reader, (anthology edited in collaboration with Lionel Bovier). Geneva and Frankfurt: JRP Editions and Verlag, 2001

2000
*Xn Hétérotopies. Geneva: JRP Editions, 2000
“New Ponderosa Year Zero,” Valdez, Bogotà, Number 3, September 2000, pp. 96-98
“The Crystal Frontier,” airdeparis.com/guest, 2000-2003

1998
“Run Abstraction,” Purple Prose, Number 13, Winter 1998, Text 17
“Up in the mountains,” Purple Fiction, Number 4, Winter 1998, Text 08


CURATORIAL PROJECTS
(* indicates a publication)

2009
*Voids: A Retrospective, in collaboration with John Armleder, Laurent LeBon, Mathieu Copeland, Gustav Metzeger, Philippe Pirotte and Clive Philpot, Centre Georges Pompidou, Paris, France; Kunsthalle Bern, Bern, Switzerland

2008
*Black Noise – A Tribute to Steven Parrino, in collaboration with John Armleder and Jérôme Massard, Cneai, Chatou, France

2007
*Black Noise – A Tribute to Steven Parrino, in collaboration with John Armleder and and Jérôme Massard, Musée d’art moderne et contemporain, Geneva, Switzerland

2004
*Homosocial, Champion Fine Arts, New York, NY
*Boys Keep Swinging, Champion Fine Arts, New York, NY

2003
*Le Rayon Noir, in collaboration with Fabrice Stroun, Circuit, Lausanne, Switzerland
Love in a battlefield, in collaboration with Daniel Baumann and Fabrice Stroun, 27 Canal, New York, NY

2002
*Le Jardin de la Violence / Der Garten der Gewalt, in collaboration with Daniel Baumann, Johannes Gachnang and Fabrice Stroun, Expo.02: Swiss National Exhibition, Historical Museum, Morat, Switzerland

2001
All work and no play makes Jack a dull boy, in collaboration with Fabrice Stroun, Galerie Francesca Pia, Bern, Switzerland

1999-2001
Collaboration with Fabrice Stroun, Forde Independent Space for Contemporary Art, Geneva, Switzerland



GRANTS / AWARDS / RESIDENCIES


2014
Artist in Residence, The Moving Museum, Istanbul, Turkey

2012-2013
The Zuger Kulturstiftung Landis & Gir, London, England

2011
Zurich Art Prize, Switzerland
Manor Cultural Prize, Switzerland

2010
Video Art Priza, IDHEAP, Lausanne, Switzerland

2008
Prize of the Swiss Foundation for Graphic Arts, Switzerland

2006
Studio Grant, Maison des Arts du Grütli, City of Geneva, Switzerland

Kiefer-Hablitzel Prize, Switzerland
Swiss Federal Prize for Fine Arts, Switzerland

2004
Swiss Federal Prize for Fine Arts, Switzerland

For inquiries regarding Mai-Thu Perret, please complete this form

Name*

Email*

Comments