David Kordansky Gallery

Biography

born 1956, San Diego, CA
lives and works in Los Angeles, CA


EDUCATION

1985
MFA, University of California, Irvine, CA

1978
BA, University of California, Davis, CA


SELECTED SOLO / TWO PERSON EXHIBITIONS
(* indicates a publication)

2017
Painted Ladies, Jenny’s, Los Angeles, CA

2013
Linda Stark / MATRIX 250, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, CA

2011
Adorned Paintings (and more), Angles Gallery, Los Angeles, CA

2007
Potion Paintings and Drawings, Angles Gallery, Santa Monica, CA

2006
Oracles, Pyramids and Rotations, Angles Gallery, Santa Monica, CA

2002
*Linda Stark: Runaway Love, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA

1999
Jesus, Ophelia, The Black Widow and Curtains, Angles Gallery, Santa Monica, CA

1998
Angles Gallery, Santa Monica, CA

1997
Jack Shainman Gallery, New York, NY

1996
Runaway Love, Jack Shainman Gallery, New York, NY

1995
Be The Rainbow, Marc Foxx, Santa Monica, California
Feigen Incorporated, Chicago, IL

1994
Jack Shainman Gallery, New York, NY

1993
Cirrus, Los Angeles, CA

1991
Cirrus, Los Angeles, CA

1990
Cirrus, Los Angeles, CA

1985
Fine Arts Gallery, UC Irvine, Irvine, CA

1984
Fine Arts Gallery, UC Irvine, Irvine, CA


SELECTED GROUP EXHIBITIONS
(* indicates a publication)

2019
*Dreamhouse VS. Punk House (plus Cat House), Serious Topics, Los Angeles, CA
*Re-Verb, Baik Art, Los Angeles, CA
B.A.T. State II, SoLa Gallery, Los Angeles, CA

2018
My Most Striking Feature Is My Fist, Karma International, Los Angeles, CA
Painting: Now and Forever – Part III, Matthew Marks Gallery & Green Naftali Gallery, New York, NY
*Made in L.A. 2018, Hammer Museum, Los Angeles, CA
Collapsing Stage, The Todd Madigan Gallery, California State University, Bakersfield, CA

2017
Transborder traces/Communicating lines – 25 years of El Nopal Press, Consulado General de Mexico en Los Angeles, Los Angeles, CA
Prick Up Your Ears, Karma International LA, Los Angeles, CA
The Coffins of Paa Joe and the Pursuit of Happiness, The School/Jack Shainman Gallery, Kinderhook, New York
*COLA 20 Anniversary Exhibition, Los Angeles Municipal Art Gallery, Los Angeles, CA
Forms of Identity: Women Artists in the 90s, Orange County Museum of Art, Newport Beach, CA

2016
The Ocular Bowl, Kayne Griffin Corcoran, Los Angeles, CA
Urbanature, Williamson Gallery, ArtCenter College of Design, Pasadena, CA

2015
Calisthenics, Thomas Duncan Gallery, Los Angeles, CA
Space Invasion, 978 Chung King Rd. Los Angeles, CA

2014
HIDDEN AND REVEALED: Representations of Women by Women, Angles Gallery, Los Angeles, CA
Another Cats Show, 356 Mission, Los Angeles, CA

2013
B.A.T (Bon a Tirer / Good to go), Offramp Gallery, Pasadena, CA
Faculty Exhibition, Weingart Gallery, Occidental College, Los Angeles, CA
Tapping the Third Realm, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, CA
Serious Play, Caelum Gallery, New York, NY
From the Desert, Hudson/Linc, Pacific Design Center, West Hollywood, CA
Sanctified, Vincent Price Art Museum, East Los Angeles College, Los Angeles, CA

2012
Deep Paint, Hudson/Linc, Pacific Design Center, West Hollywood, CA
Viva la Raspberries, Harris Lieberman Gallery, New York, NY
*Meticulosity, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, CA
*FINDS! The Unusual Object, FOCA Curator’s Lab, Los Angeles, CA

2011
Unfinished Paintings, Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA
One Night Stand, Beacon Arts Building, Los Angeles, CA
*GOLDMINE, University Art Museum California State Long Beach, Long Beach, CA

2010
Desire: Six Los Angeles Artists, Pasadena Museum of California Art, Pasadena, CA

2009
Small Paintings do Mighty Daggers Throw, Angles Gallery, Santa Monica, CA
Seduction of a Blossom, Long Beach City College Art Gallery, Long Beach, CA

2008
*LA Paint, Oakland Museum of California, Oakland, CA
*Mel’s Hole, California State Fullerton Grand Central Arts Center, Santa Ana, CA
El Nopal Press, Carl Berg Gallery, Los Angeles, CA
Some Paintings, Track 16 Gallery, Santa Monica, CA

2007
COLA, 10th Anniversary Exhibition, Tom Bradley International Terminal, Los Angeles, CA

2006
COLA, 10th Anniversary Exhibition, Los Angeles Municipal Art Gallery, , Los Angeles, CA
New and Almost New, Angles Gallery, Santa Monica, CA

2005
*Extreme Abstraction, Albright-Knox Art Gallery, Buffalo, New York

2003
Omnivores, Michael's, Santa Monica, CA
intimates, Angles Gallery, Santa Monica, CA
Los Angeles Printmaking Society 17th Annual Exhibition, Center for the Arts, Pasadena, CA

2002
Faculty Exhibition, Weingart Gallery, Occidental College, Los Angeles, CA
prima facie New Abstract Painting, Angles Gallery, Santa Monica, CA
*COLA 2002, Japanese American National Museum, Los Angeles, CA

2001
*The Myth and Madness of Ophelia, Mead Art Museum, Amherst College, Amherst, MA

2000
*Made in California: Art, Image, and Identity, 1900-2000, Los Angeles County Museum of Art, Los Angeles, CA
Group Painting Show, Angles Gallery, Santa Monica, CA
Radar Love, Galleria Marabini, Bologna, Italy
Pop and After: 1965-2000, Beth Urdang Gallery, Boston, MA

1999
Beyond The Facade, Freddie Fong Contemporary Art, San Francisco, CA
*POSTMARK: An Abstract Effect, Site Santa Fe, Santa Fe, NM

1998
Ecstasy, Jack Shainman Gallery, New York, NY
Precious, Jan Baum Gallery, Santa Monica, CA
*Pop Surrealism, The Aldrich Museum of Contemporary Art, Ridgefield, CT

1997
In Touch With..., Galerie + Edition Renate Schroder, Koln, Germany
Beau Geste, Angles Gallery, Santa Monica, CA
The Curiosity Room, Jack Shainman Gallery, New York, NY

1996
Recent Acquisitions, Los Angeles County Museum of Art, Los Angeles, CA
Codpiece, Griffin Linton Gallery, Venice, CA
Untitled, Jack Shainman Gallery, New York, NY

1995
And the Verdict is..., Jack Shainman Gallery, New York, NY
Sexy: Sensual Abstraction in California Art, 1960's-1990's, Temporary Contemporary, Las Vegas, NV
Skew: The Unruly Grid, Gallery 400, School of Art and Design, University of Illinois, Chicago, IL

1994
*Promising Suspects, The Aldrich Museum of Contemporary Art, Ridgefield, CT
*In Plain Sight: Abstract Painting in Los Angeles, Blue Star Art Space, San Antonio, TX
Collector's Choice: Homage to Paint, Surface: A Step Beyond, Charlotte Jackson Fine Art, Santa Fe, NM
Some Like It Hot, Jack Shainman Gallery, New York, NY
Paintings, Rhona Hoffman Gallery, Chicago, IL
*Current Abstractions, Los Angeles Municipal Art Gallery, Barnsdall Art Park, Los Angeles, CA
Sourball, Sue Spaid Fine Art, Los Angeles, CA
Damned: Life, Death and Surface, John Thomas Gallery, Santa Monica, CA

1993
Peculiar Paintings, The Momentary Contemporary, Los Angeles, CA
Peculiar Paintings, Woodbury University Art Gallery, Burbank, CA
Beau Dommage, Jack Shainman Gallery, New York, NY
Mimosa, Food House, Santa Monica, CA

1992
Abstraction for the Information Age, The Works Gallery, Costa Mesa, CA
I to Eye 2, Cirrus, Los Angeles, CA
Not Men, TRI Gallery, Los Angeles, CA
Cruciforms, Susan Landau, Los Angeles, CA
Feminine Ascension, Momentum Gallery, Ventura, CA

1990
Matthew Scott Fine Art, Los Angeles, CA

1987
Variations III, Northridge State University, Northridge, CA

1986
Variations III, Fine Arts Gallery, University of California, Irvine, CA
*catalVariations III, Los Angeles Contemporary Exhibitions, Los Angeles, CA
Staff Show, Newport Harbor Art Museum, Newport Beach, CA

1985
East and West Galleries, Claremont Graduate School, Claremont, CA
Fine Arts Gallery, University of California, Irvine, CA

1984
Irvine Fine Arts Center, Irvine, CA
East and West Galleries, Claremont Graduate School, Claremont, CA
Fine Arts Gallery, University of California, Irvine, CA


GRANTS / AWARDS / RESIDENCIES

2018
Artist’s Acquisition Club Recipient

2008
California Community Foundation Artist Fellowship

2001
Visual Artist Fellowship, COLA, Los Angeles, CA

1998
Visual Artist Fellowship, California Arts Council, Sacramento, CA
Cleveland Art Institute, Cleveland, OH

1995
Visual Artist Fellowship, National Endowment for the Arts

1992
Regional Fellowship, Western States Arts Federation/National Endowment for the Arts

1983
Regents Fellowship, University of California, Irvine, CA


SELECTED BIBLIOGRAPHY
(* indicates non-periodical book, catalogue, or other publication)

2019
Agnes Pelton, Desert Transcendentalist, Phoenix: Phoenix Art Museum, 2019
Armstrong, Annie, “David Kordansky Gallery Now Represents Linda Stark,” ARTnews.com, April 30, 2019

2018
*Made in L.A. 2018, Los Angeles: Hammer Museum, 2018
Cooper, Ashton, “My most striking Feature is my Fist,” Artforum.com, Critics’ Pick, October 2018
Cheng, Scarlet, “Hammer’s Made in L.A. Comes of Age,” Artillery Magazine, September 4, 2018, pp. 32-33
Kerr, Merrily, “Linda Stark in ‘Painting Now and Forever, part III’ at Matthew Marks Gallery,” NewYorkArTtours.com, August 17, 2018
Melrod, George, “Made in L.A. 2018: A Provocative ‘Woke’ Biennial for Los Angeles,” ArtCritical.com, August 16, 2018
Yerebakan, Osman Can, “New York – ‘Painting: Now and Forever, part III’ at Matthew Marks Gallery and Greene Naftali through August 17, 2018,” ArtObserved.com, July 20, 2018
Mallinson, Constance, “Art in the Age of Trump,” TimesQuotidian.com, July 27, 2019
King, John Paul, “Queer voices find inclusion at Hammer Museum’s ‘Made in LA 2018’,” Blade.com, July 18, 2018
Sealove, Eva, “Erin Christovale and the Future of LA Art,” TheStandardHotels.com, July 5, 2018
Griffin, Jonathan, “Made in L.A. 2018,” ArtAgenda.com, July 2, 2018
Diehl, Travis, “Opinion: ‘Made in L.A. 2018’: Widely Inclusive and Brimming with Community Spirit, But Is It Too Earnest?” Frieze.com, June 27, 2018
Fleishman, Jeffrey, “Ann Philbin and the art of the provocative are thriving at the Hammer Museum,” LATimes.com, June 15, 2018
Wagley, Catherine, “The Hammer’s ‘Made in LA’ Avoids Common Biennial Pitfalls to Paint a Compelling Portrait of a Vibrant Art Community,” Artnet.com, June 11, 2018
Riefe, Jordan, “Ambitious, Diverse and Topical: ‘Made in L.A. 2018’ Is the Biennial We Need Right Now,” LAWeekly.com, June 8, 2018
Miranda, Carolina, “Datebook: A beguiling biennial, photos of life near LAX and tributes to a female ruler,” LATimes.com, June 7, 2018
Knight, Christopher, “Made in L.A. 2018: Why the Hammer biennial is the right show for disturbing times,” LATimes.com, June 5, 2018
Poundstone, William, “Made in L.A. 2018,” LACMAOnFire.blogspot.com, June 4, 2018
Stromberg, Matt, “Resolutely Political LA Artists Focus on the Body in the City’s Latest Biennial,” Hyperallergic.com, June 4, 2018
Griffin, Jonathan, “The Soft and The Hard,” Frieze, June/July/August 2018, pp. 160-165
Sorkin, Jenni, “Previews: Made in L.A. 2018,” Artforum.com, May 2018
Cascone, Sarah, “From 200 Studio Visits to 32 Names: Curator Anne Ellegood on Choosing Artists for the Hammer’s ‘Made in LA’ Biennial,” Artnet.com, February 15, 2018
Vankin, Deborah, “Hammer Museum announces artists for ‘Made in L.A. 2018’; expect the biennial to get political,” LATimes.com, February 13, 2018

2017
Zappas, Lindsay Preston, “Object Project,” ContemporaryArtReview.la, October 10, 2017
Wagley, Catherine, “5 Free Art Shows to See in L.A. This Week,” LAWeekly.com, February 8, 2017
Pagel, David, “What do you see? The curious allure of Linda Stark’s playful imagery,” The Los Angeles Times, January 29, 2018, p. F2
Diner, Eli, “Critic’s Guide: Los Angeles,” Frieze.com, January 26, 2017

2016
Griffin, Jonathan, “2016 Highlights: Jonathan Griffin,” Frieze.com, December 14, 2016
Griffin, Jonathan, “Review: The Ocular Bowl, Kayne Griffin Corcoran," Frieze, June/July/August 2019, p. 189
Hudson, Suzanne, “The Ocular Bowl at Kayne Griffin Corcoran,” Artforum, June 2016
Osberg, Annabel, “Kayne Griffin Corcoran: The Ocular Bowl,” ArtilleryMagazine.com, May 19, 2016
Wagley, Catherine, “A Maniacal Cartoon Cobra Slithers into a Mid-Wilshire Gallery,” LAWeekly.com, May 18, 2016
Muenzer, David, “Critics’ Pick: The Ocular Bowl at Kayne Griffin Corcoran,” Artforum.com, April 22, 2019
Pagel, David, “Critics’ Choice: Group Show at Kayne Griffin Corcoran Delivers Beauty with an Occasional Bite,” LATimes.com, April 16, 2016

2015
Martens, Anne, "Space Invasion, Painting's Sculptural Presence," Artillery, March-April 2015, pp. 40-45

2014
Berens, Stephen and Jan Tumlir, “In and Out of the Studio: Conversation with Michelle Grabner,” Xtra, Vol. 16, number 2, 2014
Fecteau, Vincent, "Best of 2014 Artists' Artists, Linda Stark, UC Berkeley Art Museum/Pacific Film Archive, Berkeley, CA,” Artforum, December 2014, p. 130
Triliegi, Joshua, "The Linda Stark Interview," Bureau of Arts and Culture Magazine, December 2014/January 2015, pp. 152-153
Wood, Eve, “Killer Pick of the Week,” Artillery.com, January 10, 2014

2013
DiQuinzio, Apsara, “Linda Stark Matrix 250,” exhibition brochure, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA, 2013
“SFAQ International Arts and Culture, SFAQ Pick: ‘MATRIX 250’ featuring Linda Stark at the Berkeley Art Museum/Pacific Film Archive (BAM/PFA),” SFAQ.us, November 22, 2013

2012
*Linton, Meg, Meticulosity, Ben Maltz Gallery, Los Angeles: Otis College of Art and Design, 2012
*Calibrace, Kristin, FINDS! the Unusual Object, Los Angeles: FOCA Gallery, 2012
Johnson, Ken, “Viva la Raspberries,” The New York Times, August 2, 2012
Ollman, Leah, “Intricate Meldings of Mind and Spirit,” The Los Angeles Times, April 29, 2012, p. E6
Harvey, Doug, “Linda Stark at Angles Gallery,” Modern Painters, March 2012, p. 80
Frank, Peter, “From Vivaldi To Vivid Pop Art,” HuffingtonPost.com, January 6, 2012

2011
*Scoates, Christopher, GOLDMINE, Long Beach: University Art Museum, 2011
Pagel, David, “Disquieting Emblems of Time,” The Los Angeles Times, November 18, 2011, p. D21
Cheh, Carol, “LACE’s ‘Unfinished Paintings’ Show Asks the Question: What Makes a Painting Unfinished?,” LAWeekly.com, June 2011

2010
Vista, Sandra, “Desire: Six Los Angeles Artists,” ARTslant.com, October 2010
Enholm, Molly, ”PASADENA The City of Roses boasts a longstanding tradition of innovation,” art ltd, September/October 2010, pp. 50-52
Mallinson, Constance, “Urbanature,” TimesQuotidian.com, December 2010-January 2011

2009
*Tsatsos, Irene, “Common Threads, Shared Spaces,” Five Years of Fellowships for the California Community Foundation, California: California Community Foundation, 2009, pp. 50-51
Van Proyen, Mark, “LA Paint” at the Oakland Museum, art ltd, January/February 2009, p. 20

2008
*Linhares, Phil, LA Paint, Oakland: Oakland Museum of California, 2008
*Aspects of Mel’s Hole: Artists Respond to a Paranormal Land Event Occuring in Radiospace, Santa Ana: CSUF Grand Central Art Center, 2008
Frank, Peter, “Linda Stark: Potion Paintings and Drawings,” art ltd, January 2008, pp. 17-18
Harvey, Doug, “Some Paintings: The artists in the third L.A. Weekly Annual Biennial,” LA Weekly, January 11-17, pp. 30-33, 48

2007
Harvey, Doug, “Stark Shadows,” LA Weekly, November 23-29, p. 62
Pagel, David, “Critics’ Choices,” The Los Angeles Times, November 11, 2007
Pagel, David, “Taking viewers out on a limb,” The Los Angeles Times, October 26, p. E22
Myers, Holly, “Disruptive Influences,” LA Weekly, April 27- May 3, p. 62

2006
Mallinson, Constance, “Linda Stark at Angles Gallery,” Art in America, September 2006, pp. 172-173
Wood, Eve, "Linda Stark," ArtUS, May - June 2006, p. 8
Harvey, Doug, "Glossolalia for dummies MOCA's Painting in Tongues," LA Weekly, February 24 - March 2, 2006, pp. 50-51
Frank, Peter, "Hilary Baker/Amir Fallah, Linda Stark," LA Weekly, February 17-23, 2006, p. 56

2005
*Grachos, Louis, Extreme Abstraction, Buffalo: Albright-Knox Art Gallery, 2005
Moos, David, "Extreme Abstraction," ArtUS, November 2005, pp. 4-5
Hirsch, Faye, "Abstract Generations," Art in America, October 2005, pp. 122-129
Gaasch, Cynnie, "Juicy Cool," Artvoice 21, July 2005, pp. 18, 19
Huntington, Richard, "To the extreme," The Buffalo News, July 15, pp. 20-21

2003
Pagel, David, “Family, friends, other 'Intimates',” The Los Angeles Times, August 29, pp. E18-E19
Vanderpool, Jennifer, Art Papers, January/February 2003, pp. 50-51

2002
*RIBoT 8: the right to be lazy, Los Angeles: Otis College of Art and Design, 2002
*Korten, Noel, COLA 2002 Individual Artist Fellowships, Los Angeles: City of Los Angeles Cultural Affairs Department, 2002
*Linton, Meg and Colin Gardiner, Linda Stark: Runaway Love, Santa Barbara: Santa Barbara Contemporary Arts Forum, 2002
Palladino, D.J., "Flesh and Paint," The Santa Barbara Independent, October 24, 2002, p. 54
Woodard, Josef, "Darkly sexy abstraction," Scene 13-19, September 2002, pp. 12, 14
Knight, Christopher, "Surface and Color in Abstract Group Show," The Los Angeles Times, August 9, pp. F28-F29
Pagel, David, "Pop: The Next Wave," The Los Angeles Times, June 8, 2002, pp. F1, F13
“Museums: COLA 2002: Individual Artist Fellowships,” The Los Angeles Times, May 16, 2002, p. 51

2001
*Kiefer, Carol Solomon, The Myth and Madness of Ophelia, Amherst: Mead Art Museum, Amherst College, 2001, pp. 36-37, 68
*Zoo 08, London: Purple House Ltd., 2001
Franceschetti, Roberta, "Arte & Mercado: Bologna," ARTE, January 2001, p. 210

2000
*Grachos, Louis, Postmark: An Abstract Effect, Santa Fe: SITE Santa Fe, 2000
*California Arts Council, Twenty Five artists, Sacramento, CA, 2000
Galletta, Alessandra, "Ritorno Alla Pittura?," KULT, December 2000, p. 145
C. B., "Kamasutra a Ritmo di Rock," Gulliver, December 2000, p. 336
Harvey, Doug, "LACMA Soup," L.A. Weekly, December 15 - 20, pp. 43-44
"California Dream," Flash Art, Italy, October - November, 2000, p. 65
Pagel, David, "Linda Stark at Angles," Art Issues, March - April 2000, p. 50
Miles, Christopher, "Linda Stark at Angles Gallery," Artforum, February 2000, pp. 124-125

1999
Molinari, Guido, "Radar Love," Flash Art, December 1999 - January 2000, p. 122
Harvey, Doug, "Holiday Trimmings," L.A. Weekly, December 24-30, p. 48
Lopez, Ruth, "Material Witness," Postiempo, March 26 - April 1, pp. 16, 49

1998
*Philbrick, Harry, Pop Surrealism, Ridgefield: The Aldrich Museum of Contemporary Art, 1998
Frank, Peter, "Art Picks of the Week," L.A. Weekly, May 22-28, p. 146

1997
Miles, Christopher, "Things in the Making," Art/Text, November 1997-January 1998, pp. 41-43
Johnson, Ken, "Art Guide," The New York Times, October 31, 1997
Maslon, Laura, "Art Chatter About Art Matters...," Art-Talk, October 1997, pp. 42, 44

1996
McClure, Lisa, "Linda Stark at Jack Shainman," Review 1, April 1996
Castle, Frederick Ted, "Linda Stark at Jack Shainman," Review 1, April 1996
Cohen, Michael, "Linda Stark at Marc Foxx," Flash Art January-February 1996
Kimmelman, Michael, "In Los Angeles, the Makings of a Better Mood," The New York Times, January 14, 1996

1995
Pagel, David, "Stark Paints a Sumptuous, Labor-Intensive Rainbow," The Los Angeles Times, October 26, 1995, p. F12
Brunetti, John, "ON VIEW (Chicago)," New Art Examiner, May 1995, pp. 42-43
O'Brien, Draza Fratto, "Art View - Do You Think It's Sexy?" Las Vegas Weekly, April 25, p. 4, 15
Adelman, Jan Ernst, "Report From Santa Fe: Going Mainstream," Art in America, January 1995, p. 53

1994
*Rosenberg, Barry, Promising Suspects, Ridgefield: The Aldrich Museum of Contemporary Art, 1994
*Colpitt, Francis, In Plain Sight: Abstract Painting in Los Angeles, San Antonio: Blue Star Art Space, 1994
*Darling, Michael, Current Abstractions, Los Angeles: Los Angeles Municipal Art Gallery, 1994
Clothier, Peter, "Linda Stark: Visual Gymnastics," ART news, December 1994, p. 89
Goddard, Dan R, "L.A. Abstract Artists Show View from the Void, Plainly," San Antonio Express-News, October 9, 1994
Van de Walle, Mark, "Collector's Choice: Homage to Paint, Surface: A Step Beyond," THE Magazine, July 1994
Wilson, Malin, "Collector's Choice: Study on Minimalism," Journal North, June 23, 1994
Kandel, Susan, "Current Abstractions," Art Issues, May-June 1994
Wilson, William, "These Works Aren't Always What They Appear to Be," The Los Angeles Times, March 18, 1994
Greene, David, "Virtual Reality: The Pleasure Principle of Current Abstractions," Los Angeles Reader, March 25, 1994
Darling, Michael, "Skin Deep," Artweek 3, February 1994
Bergoffen, Celia, “Careful drips give her paintings added dimension,” The Villager NY, 1994

1993
Anderson, Michael, "Linda Stark at Cirrus," Art in America, October 1993
Crowder, Joan, "Feminine Ascension," Visions Spring, 1993
Pagel, David, "Messing with Minds," The Los Angeles Times, February 4, 1993
Curtis, Cathy, "Open to Interpretations," The Los Angeles Times, January 14, 1993

1992
*Nakashima, Thomas, Paintings, Santa Fe: Works on Paper Western States Arts Federation, 1992
Snow, Shauna, “Show and Sell,” The Los Angeles Times, September 24, 1992
Mason, Dave, "Feminine Ascension," Press Courier, August 13, 1992
Woodard, Josef, "Women's Works," The Los Angeles Times, July 23, 1992
McKinnon, Lisa, "Beyond Anger," Ventura County Star, July 17, 1992

1991
Anderson, Michael, Art issues, September-October 1991
Frank, Peter, "Art Pick of the Week," L.A. Weekly, April 26, 1991
Soderberg, Paul, "Artists Worth Watching," Art-Talk, March 1991

1990
Curtis, Cathy, "A Language of Symbols," The Los Angeles Times, February 9, 1990, p. F22

1987
*Wortz, Melinda, Variations III, Irvine: Fine Arts Gallery, University of California, 1987
Tuchman, Laura, The Orange County Register, October 16, 1987
Cooper, Bernard, "Emerging from the South's Ferment," Artweek 23, May 1987
Muchnic, Suzanne, "Variations III Charts a Gallery's Growth," The Los Angeles Times, May 4, 1987

1986
Campbell, Jenny, "Behind the Scenes of Art," The Orange County Register, April 4, 1986



For inquiries regarding Linda Stark, please complete this form

Name*

Email*

Comments