David Kordansky Gallery

  • Black Bars: Déjeuner No. 11 (Girl with Sunflowers, Lilies, and Dice), 2017, aluminum, Plexiglas, ink, paint, 92 x 73 1/4 x 4 1/2 inches (233.7 x 186.1 x 11.4 cm)
  • Black Bars: Déjeuner No. 20 (Girl with Dice, Water Gun, Basketball, Mitten, Eight Ball and Thermos), 2017, aluminum, Plexiglas, ink, paint, 83 1/2 x 68 x 4 inches (212.1 x 172.7 x 10.2 cm)
  • Sunbathers II, 2016, anodized aluminum, ink, paint, stainless steel, aluminum, motor, 87 x 150 x 18 inches (221 x 381 x 45.7 cm), High Line, New York, NY, Installation view
  • Sunbathers II, 2016, (detail) anodized aluminum, ink, paint, stainless steel, aluminum, motor, 87 x 150 x 18 inches (221 x 381 x 45.7 cm), High Line, New York, NY, Installation view
  • Kathryn Andrews: Run for President, 2015, Museum of Contemporary Art, Chicago, IL, Installation view
  • Cinco de Mayo, 2015, aluminum, Plexiglas and archival pigment print, 84 x 36 x 4 inches (213.4 x 91.4 x 10.2 cm)
  • Hobo (Re-elect the President), 2014, ink on paper and plexiglas, aluminum, paint, mixed media, 43.75 x 37 x 2.25 inches (111.1 x 94 x 5.7 cm)
  • Special Meat Occasional Drink, 2013, Museum Ludwig, Cologne, Germany, Installation view
  • Coming to America (Filet-O-Fish), 2013, stainless steel, paint, found object and certified film props, 104 1/4 x 54 x 43 inches (264.8 x 137.2 x 109.2 cm)
  • Coming to America (Filet-O-Fish), 2013, (detail) stainless steel, paint, found object and certified film props, 104 1/4 x 54 x 43 inches (264.8 x 137.2 x 109.2 cm)
  • First Among Equals, 2012, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, Installation view
  • October 16, 2012, chromed steel, balloons, magnets, metal component: 66 x 56 1/2 x 10 inches (167.6 x 143.5 x 25.4 cm), balloons: dimensions variable
  • John Hancock, 2011, aluminum, pigment print on vinyl, 138 x 174 x 28 inches (350.5 x 442 x 71.1 cm)
  • Baldessari, 2010, mirror, steel, and reflection of Goya Series: The Same Elsewhere, 1997 by John Baldessari, 75 x 60 inches (190.5 x 152.4 cm)

Biography

born 1973, Mobile, AL
lives and works in Los Angeles, CA


EDUCATION

2003
MFA, Art Center College of Design, Pasadena, CA

1995
BFA, Duke University, Durham, NC


SELECTED SOLO / TWO PERSON EXHIBITIONS
(* indicates a publication)

2017
Black Bars, König Galerie, Berlin, Germany
Field Station: Kathryn Andrews, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI

2016
Black Bars, David Kordansky Gallery, Los Angeles, CA
*Kathryn Andrews: Run for President, organized by Julie Rodrigues Widholm and Museum of Contemporary Art, Chicago, Nasher Sculpture Center, Dallas
Sunbathers I & II, The High Line, New York, NY

2015
*Kathryn Andrews: Run for President, organized by Julie Rodrigues Widholm, Museum of Contemporary Art, Chicago, IL
Trinity and Powers: In Search of Breadfruit, Gladstone Gallery, Brussels, Belgium

2014
Kathryn Andrews, TC: Temporary Contemporary, Bass Museum of Art, Miami, FL
Kathryn Andrews | Alex Israel, Gagosian Gallery, Rome, Italy

2013
*Special Meat Occasional Drink, Museum Ludwig, Cologne, Germany

2012
David Kordansky Gallery, Los Angeles, CA

2011
*Art 42 Basel: Statements, David Kordansky Gallery, Basel, Switzerland

2009
Frankie Goes to Bollywood, Galerie Christian Nagel, Berlin, Germany
Cats and Dogs: Catalog, curated by Olivian Cha for “Works Cited” exhibition series, Los Angeles Central Library, Los Angeles, CA
Your Husband, Your Face Hole – Stephanie Taylor and Kathryn Andrews, Galerie Christian Nagel, Cologne, Germany


SELECTED GROUP EXHIBITIONS
(* indicates a publication)

2017
Force and Form, de la Cruz Collection, Miami, FL
Hill People, curated by Benjamin Godsill, Performance Ski, Aspen, CO
Reconstitution, organized by Catherine Taft and Hamza Walker, LAXART, Los Angeles, CA
Fond Illusions, Galerie Perrotin, New York, NY
Please fasten your seat belt as we are experiencing some turbulence, Leo Xu Projects, Shanghai, China
March Madness, organized by Hank Willis Thomas and Adam Shopkorn, Fort Gansevoort, New York, NY
Wasser, organized by Mandla Reuter, Fitzpatrick-Leland House, Los Angeles, CA
*99 Cents or Less, organized by Jens Hoffman, Museum of Contemporary Art Detroit, Detroit, MI

2016
High Anxiety: New Acquisitions, Rubell Family Collection, Miami, FL
Progressive Praxis, de la Cruz Collection Contemporary Art Space, Miami, FL
Fractured, Simon Lee, Hong Kong
*Good Dreams, Bad Dreams: American Mythologies, curated by Massimiliano Gioni, Aïshti Foundation, Beirut, Lebanon
Idealogue, Utah Museum of Contemporary Art, Salt Lake City, UT
The Fleeting Image: Four Contemporary Artists, organized by Marshall N. Price and Nancy Hanks, Nasher Museum of Art at Duke University, Durham, NC

2015
The Extreme Present, curated by Jeffrey Deitch, Metropolitan Art Society, Beirut, Lebanon
*NO MAN’S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL
Collecting Lines: Drawings from the Ringier Collection, curated by Arthur Fink and Beatrix Ruf, Villa Flora Winterthur, Winterthur, Switzerland
Palm Capsule, conceived and compiled by Christian Mayer, Mackey Garage Top, Los Angeles, CA
Selections from the de la Cruz Collection, de la Cruz Collection Contemporary Art Space, Miami, FL; The Adolfo & Marisela Cotilla Gallery, Nova Southeastern University, Fort Lauderdale, FL
Works on Paper, Galerie Eva Presenhuber, Zurich, Switzerland
Teen Paranormal Romance, curated by Hamza Walker, Santa Barbara Museum of Art, Santa Barbara, CA

2014
*Passions Secrètes, Tripostal, Lille, France
*The Los Angeles Project, Ullens Center for Contemporary Art, Beijing, China
do it, curated by Hans Ulrich Obrist, Musée de la danse, Rennes, France; Michaelis School of Fine Art, University of Cape Town, Cape Town, South Africa
The Husk, Untitled, New York, NY
Screen Play, SWG3 Gallery, Glasgow, Scotland
Teen Paranormal Romance, curated by Hamza Walker, The Renaissance Society at The University of Chicago, Chicago, IL; Atlanta Contemporary Art Center, Atlanta, GA; Atlanta Contemporary Art Center, Atlanta, GA

2013
Station to Station, A Doug Aitken Project, New York, NY; Pittsburgh, PA; Chicago, IL; Minneapolis / St. Paul, MN; Santa Fe / Lamy, NM; Winslow, AZ; Barstow, CA; Los Angeles, CA; Oakland / San Francisco, CA
do it, curated by Hans Ulrich Obrist, Manchester Art Gallery, Manchester, England; Handwerker Gallery, Ithaca College, Ithaca, NY; Stacion-Center for Contemporary Art Prishtina, Prishtina, Kosovo
Works Sited, reprised, curated by Olivian Cha, Cleopatra’s, Brooklyn, NY
*In the Good Name of the Company, curated by Jan Tumlir, with Christopher Michlig and Brian Roettinger, Colby Poster Printing Company, ForYourArt, Los Angeles, CA; See.Me. Gallery, Long Island City, NY
*When Attitudes Became Form Become Attitudes, curated Jens Hoffmann, Museum of Contemporary Art Detroit, Detroit, MI
Set Pieces, curated by Andrew Berardini and Lauren Mackler, Cardi Black Box, Milan, Italy

2012
*From the Collection: 2012 Exhibition, de la Cruz Collection Contemporary Art Space, Miami, FL
*When Attitudes Became Form Become Attitudes, curated by Jens Hoffmann, CCA Wattis Institute for Contemporary Arts, San Francisco, CA
*Made in L.A. 2012, organized by the Hammer Museum and LAXART, Hammer Museum, Los Angeles, CA
Kathryn Andrews, Darren Bader, Karl Haendel, United Artists, Ltd., Marfa, TX
*First Among Equals, ICA: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
Candor: In honor of Mike Kelley, Long Beach City College Art Gallery, Long Beach, CA

2011
*American Exuberance, Rubell Family Collection, Miami, FL
2011 – 2012 Art Basel Exhibition: Works from the Collection, de la Cruz Collection Contemporary Art Space, Miami, FL
No Color In Your Cheeks Unless The Wind Lashes Your Face, curated by Timothée Chaillou, itsourplayground.com
Seven Los Angeles Artists, curated by Scott Benzel, The Fellows of Contemporary Art, Los Angeles, CA
Grandmother Bodhisattva, Galerie Seiler, Munich, Germany
Gaylen Gerber, Renwick Gallery, New York, NY
Modify, As Needed, MOCA, North Miami, FL
George Herms: Xenophilia (Love of the Unknown), MOCA, Los Angeles, CA
On Forgery: Is One Thing Better Than Another?, LAXART, Los Angeles, CA
Greater L.A., curated by Benjamin Godsill, Eleanor Cayre and Joel Mesler, New York, NY
Offset Summary, Rachel Uffner Gallery, New York, NY

2010
*How Soon Now, Rubell Family Collection, Miami, FL
*Transzendenz, Inc., Autocenter, Berlin, Germany
Session_7_Words, Four Boxes Gallery, Skive, Denmark
Best of Invites, Wonderland-Kellerloch, Berlin, Germany
*Transzendenz Inc., curated by Heike Kelter and René Luckhart,
Autocenter, Berlin, Germany
Real Summer, ZERO, Milan, Italy
Support Group: Kathryn Andrews, Gaylen Gerber, Mateo Tannatt/Pauline, curated by Michael Ned Holte, Tom Solomon Gallery at Cottage Home, Los Angeles, CA
Mostly Sculpture Show, curated by Alice Clements, Sea and Space Gallery, Los Angeles, CA
Kathryn Andrews, Heather Cook, Lesley Vance, Lisa Williamson, David Kordansky Gallery, Los Angeles, CA

2009
Session_7_Words, Am Nuden Da, London, England
Galerie Christian Nagel at Galerie Kunstbuero, Galerie Kunstbuero, Vienna, Austria
Bitch is the New Black, curated by Emma Gray, Honor Fraser Gallery, Los Angeles, CA
Float Like a Butterfly, Sting Like a Bee, curated by Yunhee Min, Artist Curated Projects, Los Angeles, CA
Video Journeys, Sister Gallery at Cottage Home, Los Angeles, CA
The May Show, curated by Chris Lipomi, 5200 Block of Olympic Boulevard, Los Angeles, CA
3616 West Washington Blvd., curated by Ben Pruskin, 3616 West Washington Boulevard, Los Angeles, CA
Boofthle Booth-Booth:Deux Doox-Hollywood Biennial, curated by Mateo Tannatt, Pauline Gallery, Hollywood, CA

2008
Group Show with Andre Butzer, 1711 North Spring Street, Los Angeles, CA
There is No There There, curated by Ben Provo, Rivington Arms, New York, NY
Betwixt and Between, ACME Gallery, Los Angeles, CA
Circle Jerks, Monte Vista Projects, Los Angeles, CA
Comfort Bucket: Christie Frields’ Open Studio, 5679 York Boulevard, Los Angeles, CA

2007
Abstraction, curated by Nancy Meyer, Michael Kohn Gallery, Los Angeles, CA
Hug Fu, Dan Hug Gallery, Los Angeles, CA
Mongrel, 16:1 Gallery, Santa Monica, CA
Cock, Courtyard Gallery Project, Beijing, China
Modern Lovers, Glendale Community College Art Gallery, Glendale, CA
Paper Bombs, curated by Bart Exposito, Jack Hanley Gallery, Los Angeles, CA
W.O.P., curated by Christina Valentine, The Brewery Project, Los Angeles, CA

2006
Chain Letter, High Energy Constructs, Los Angeles, CA
Summer Suite, Glendale College Art Gallery, Glendale, CA
Many, Many Guys and Girls, All Real Beauties, curated by Julian Hoeber, Circus of Books, Los Angeles, CA
Delusionarium III, curated by Jesse Benson, California State University at Fullerton, Grand Central Art Center, Santa Ana, CA

2005
The Meeting, curated by Mindy Shapero, Eagle Rock Center for the Arts, Los Angeles, CA
The February Show, curated by Chris Lipomi, 1103 La Brea, Los Angeles, CA

2004
Four Color Pen Show, General Store at Locust Projects, Miami, FL; Van Harrison Gallery, Chicago, IL

2003
Free Roaming, curated by Charles Long, 4F Gallery, Los Angeles, CA


PERFORMANCES

2016
Felonious Munk, Write-in, Museum of Contemporary Art, Chicago, IL

2015
Four Score (Remix), Egg, Chicago, IL

2014
Split Chorale for Viljo Revell, with Scott Benzel, curated by Heather Pesanti, Scotiabank Nuit Blanche, Toronto, Canada
Santa Claus Conquers the Martians (Continuous Roll), curated by Summer Guthery, Disjecta, Portland, OR

2013
Audio Description #5: W. G. Heirens (November 15, 1928 – March 5, 2012), 2013, collaboration with Christian Mayer, Ve.Sch, Vienna, Austria

2012
Still Life (Woman with Fruit), David Kordanksy Gallery, Los Angeles, CA
Voix de Ville, Art 43 Basel, Art Parcours, Basel, Switzerland
Opus 1 for Crude Instruments (Summons to GLIESE-581D, GLIESE-581G, KEPLER-22B, OGLE-2005-BLG-390LB, GJ-667Cc, HD-85512B, and EUROPA), with composer Scott Benzel, Ballroom Marfa 2012 Benefit Weekend, Hip-O Ranch, Marfa, TX
Serial Killer, in conjunction with First Among Equals, ICA: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
Fork HuntThe Ball of Artists, organized by LAXART, Greystone Mansion, Beverly Hills, CA

2009
Creative Visualization Works Only for Good (for Karl Erickson), Sea and Space Gallery, Los Angeles, CA

2008
Liquors and Baldassari with the Occasional Presence of Influence, as part of A Live Reading/Performance of the Texts of Lawrence Weiner, Beyond Baroque Literary Arts Center, Los Angeles, CA


SHOWS CURATED

2016
Nasher Graphic, Nasher Sculpture Center, Dallas, TX

2014
Photo by Fredrik Nilsen, Downtown Photoroom, Los Angeles, CA
2007
Mongrel, 16:1 Gallery, Santa Monica, CA
Modern Lovers, Glendale Community College Art Gallery, Glendale, CA

2005
The Meeting, Part II, co-curated with Chris Nichols, Evelyn Serrano, Eagle Rock Center for the Arts, Los Angeles, CA

2002
Paperworks, Big Gallery, Art Center College of Design, Pasadena, CA


INTERVIEWS

2016
Hegert, Natalie, “Kathryn Andrews: Menace in the Details”, The Seen, Issue 02, May 2016, pp. 72-77
*“A Conversation: Hamza Walker with Kathryn Andrews,” Kathryn Andrews: Run For President, texts by Madeleine Grynsztejn, Julie Rodrigues Widholm, and Kristine Stiles, Chicago: Museum of Contemporary Art, 2015, pp. 80-97

2014
*Bechtler, Cristina, and Dora Imhof, in conversation with Kathryn Andrews, Museum of the Future, edited by Cristina Bechtler and Dora Imhof, texts by John Baldessari, Bice Curiger, Chris Dercon, Liam Gillick, Jacques Herzog, Thomas Hirschhorn, Rem Koolhaas, Ernesto Neto, Lars Nittve, and Hans Ulrich Obrist, Zurich: JRP|Ringier, 2014

2013
*”Conversation: Kathryn Andrews, Gaylen Gerber, Alex Klein,” First Among Equals, Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2013
*Kaiser, Philipp, in conversation with Kathryn Andrews, “Special Meat Occasional Drink,” Kathryn Andrews: Special Meat Occasional Drink, Cologne: Verlag der Buchhandlung Walther König, 2013, pp. 122-125

2012
Chaillou, Timothée, in conversation with Kathryn Andrews, “ABC: Hier & Demain: A – Kathryn Andrews,” Double, Issue 23, Spring/Summer 2012, pp. 98-103

2011
Holte, Michael Ned, “Slight of Hand,” Kaleidoscope, Issue 10, Spring 2011, pp. 58-65

2009
*”Kathryn Andrews,” The Beat and the Buzz: Inside the L.A. Art World, edited by Richard Hertz, Ojai: First Minneola Press, 2009, pp. 211-217

2008
“Conversations…with Kathryn Andrews,” New York Foundation for the Arts Current Magazine, January 9, 2008


WRITINGS / PUBLISHED WORKS
(* indicates non-periodical book, catalog, or other publication)

2014
*Kathryn Andrews: Strip, Beijing and London: Ullens Center for Contemporary Art and Koenig Books, 2014

2013
*Kathryn Andrews: Special Meat Occasional Drink, texts by Michael Ned Holte, Tim Griffin, Kathryn Andrews and Philipp Kaiser, Cologne: Verlag der Buchhandlung Walther König, 2013
“Project: Kathryn Andrews,” Art in America, January 2013, pp. 84-89

2011
*”On the Limits of Exuberance: Return to Sender / Toward a Collective Author / Starts and Stoppages Not Standard, Becoming Standard, Already Standard,”American Exuberance. Miami: Rubell Family Collection, 2011, pp. 10-15

2010
*Between the Lines, Volume 2, New York: RxArt, 2010, pp. 6-7
Cooperation with Gaylen Gerber, Trixie, September 2010, Double-sided insert between pp. 28-29

2008
“Artists on Artists: Chris Lipomi,” Bomb Magazine, Fall Issue 2008, p. 66
“Interview with Stephanie Taylor,” Co-conducted with Michael Ned Holte, Area Sneaks Magazine, Issue 1, 2008, pp. 8-29


RESIDENCIES

2007
Tong Xian Art Center Residency, Beijing, China


BIBLIOGRAPHY
(* indicates non-periodical book, catalog, or other publication)

2017
Comer, Colleen, “A Closer Look,” MobileBayMag.com, September 2017
Nesvet, Nancy, “Art Basel 2017, We Are The (Art) World,” Artscope, July/August 2017, pp. 11-13
“‘Fond Illusions’ at Galerie Perrotin, New York,” BlouinArtInfo.com, July 17, 2017
“Spotlight: Momus,” DailyServing.com, June 26, 2017
Public Art, April 2017, cover
“2017: Robert Grosvenor @ Renaissance Society,” ChicagoArtWorld.blogspot.com, April 5, 2017
Wagley, Catherine, “Activists round on artists in Los Angeles’ Boyle Heights,” Apollo-Magazine.com, March 30, 2017
Hudson, Suzanne, “Kathryn Andrews: David Kordansky Gallery,” Artforum, Reviews, Vol. 55, No. 6, February 2017, pp. 221-222
Emory, Sami, “6 Tips for Fighting Gender Inequality While Starting Your Own Art Collection,” Creators.Vice.com, January 3, 2017

2016
*Good Dreams, Bad Dreams: American Mythologies, Milan and Beirut: Skira editore and Aïshti Foundation, 2016
Slenske Michael, “I’m With Her,” Cultured, Fall 2016, pp.176-187
Cochran, Sam, “Look Again,” Architectural Digest, December 2016, p. 64
Goodden, Sky, “Grieving in L.A.,” Momus.CA, December 22, 2016
“Kathryn Andrews at David Kordansky,” contemporaryartdaily.com, December 13, 2016
“Kathryn Andrews @ David Kordansky,” 2-Times.com, December 8, 2016
Campbell, Andy, “Kathryn Andrews,” Artforum.com, Critics’ Picks, December 5, 2016
Griffin, Jonathan, “Kathryn Andrews,” art ltd., November/December 2016, pp. 64-68
Solway, Diane, “The Art of Politics,” W, November 2016, pp. 125-135
“Kathryn Andrews ‘Black Bars’ at David Kordansky Gallery,” ArtAddict.net, November 29, 2016
Pini, Gary, “Mega Guide To Art Basel Miami Beach 2016: Part 4,” PaperMag.com, November 18, 2016
Mason, Isabella, “Exhibition ‘Black Bars’ by Kathryn Andrews at David Kordansky Gallery, Los Angeles,” BlouinArtInfo.com, November 17, 2016
“Solo Exhibition, Kathryn Andrews, David Kordansky Gallery,” artaddict.net, November 16, 2016
Giddins, Tom, “10 Art Exhibitions You Need to Check Out This Month,” HighSnobiety.com, November 9, 2016
Rossitto, Erin, “Artist Kathryn Andrews Proves Elections Are Circus Like,” MandVMag.com, November 7, 2016
Simek, Peter, “The Nasher Puts Political Absurdity on Exhibit,” DMagazine.com, Arts & Entertainment, November 1, 2016
Embuscado, Rain, “This Is How Maruizio Cattelan, Nicole Eisenman, and Hank Willis Thomas See the Election,” Artnet.com, October 27, 2016
Smart, Jennifer, “Michael Dean’s Sculpture at the Nasher Asks Why You Want to Understand It So Badly,” DallasObserver.com, October 27, 2016
“Pop postures: Kathryn Andrews,” L’Officiel Art, No. 19, October-November 2016, pp. 98-103
Mathern, Caleb, “Bitter Pill: Kathryn Andrews at the Nasher Sculpture Center,” GlassTire.com, October 17, 2016
Forbes, Alexander, “What Sold at Frieze London and Frieze Masters,” Artsy.net, October 8, 2016
Muñoz-Alonso, Lorena, “Dealers Report a Flurry of Sales at Frieze London 2016,” Artnet.com, October 7, 2016
Freeman, Nate, “Carnegie Museum Sets Its Sights On $1 Million Kerry James Marshall Painting As Frieze Opens, Collectors Capitalize On Weak Pound,” ArtNews.com, October 5, 2016
Forrest, Nicholas, “Frieze London and Frieze Masters Report Strong Preview Sales,” BlouinArtInfo.com, October 5, 2016
Durón, Maximilíano, “Preview Frieze London 2016,” Artnews.com, October 5, 2016
Avram, Danielle, “Not politics as usual,” The Dallas Morning News, Arts & Life, Art Review, September 12, 2016, p. 2E, 6E
Weeks, Jerome, “Review: Kathryn Andrews ‘Run for President’ At The Nasher,” ArtandSeek.org, September 10, 2016
Macon, Alex, “Things To Do In Dallas This Weekend,” DMagazine.com, September 9, 2016
Dluzen, Rogin, “NFL Biennial 2016: Matching teams up with modern artists,” SI.com, August 30, 2016
Cascone, Sarah, “Don’t Miss New York’s 20 Hottest Public Artworks This Summer,” Artnet.com, On View, August 18, 2016
Granberry, Michael, “ART NOTES: The Nasher seizes the political moment, while Dali shines,” DallasNews.com, Visual Arts, July 9, 2016
“Art Basel 2016: skyscrapers and spacemen in pictures,” TheGuardian.com, June 18, 2016
Goldstein, Andrew M., “10 of the Best Artworks at Art Basel 2016,” Artspace.com, June 15, 2016
McGarry, Kevin, “Kathryn Andrews,” Interview, Art, May 2016, pp. 22-23
Hegert, Natalie, “Kathryn Andrews: Menace in the Details”, The Seen, Issue 02, May 2016, pp. 72-77
P., Silka, “Simon Lee Gallery Gathers Prominent Names Around The Fracture Between Figurative and Abstract Art,” Widewalls.ch, May 26, 2016
“Kathryn Andrews at Museum of Contemporary Art Chicago,” ContemporaryArtDaily.com, May 9, 2016
Uyeda, Gan, “Kathryn Andrews: Museum of Contemporary Art Chicago,” Frieze, No. 178, April 2016, p. 157
Johnson, Steve, “The 2016 campaign and the arts: more action, less talk,” ChicagoTribune.com, March 14, 2016
Cristello, Stephanie, “Behind the Grin: Unmasking the Political Aesthetic in Kathryn Andrews’ Run for President,” ArtSlant.com, Chicago, March 1, 2016
Gregg, Samantha, “Kathryn Andrews,” Kaleidoscope, #26, March 2016, p. 45
Casadio, Mariuccia, “Funny Smiling Faces,” Vogue Italy, n. 786, February 2016, p. 142
Hill, Scotti, “Utah Museum of Contemporary Art tackles politics, immigration in new exhibits,”
DeseretNews.com, February 7, 2016
Firunts, Mashinka, “Kathryn Andrews: Chicago, at Museum of Contemporary Art,”
ArtInAmericaMagazine.com, Reviews, February 3, 2016
Kinsella, Eileen, “Is Art Los Angeles Contemporary the West Coast’s ‘It’ Fair?” Artnet.com, January 26, 2016

2015
Hunter Fashion Magazine, Issue 27, Winter 2015-2016
*Kathryn Andrews: Run For President, texts by Madeleine Grynsztejn, Julie Rodrigues Widholm, and Kristine Stiles, Chicago: Museum of Contemporary Art, 2015
*Rubell Family Collection: Highlights & Artists Writings, Volume 1, Miami: Rubell Family Collection, 2015, p. 60
Stockholder, Jessica, “Best of 2015, Chicago,” ArtInAmericaMagazine.com, December 18, 2015
Mikula, Jeremy, “Chicago book news: New Eli’s Cheesecake cookbook released,” ChicagoTribune.com, December 17, 2015
Johnson, Steve, “‘Pop Art’ at the MCA showcases plastic, whimsy, commercialism,” ChicagoTribune.com, December 16, 2015
“Miami: Art Basel Miami Beach Selected Works Part 9,” ContemporaryArtDaily.com, December 9, 2015
“Kathryn Andrews, Run for President, MCA Chicago,” AestheticaMagazine.com, December 6, 2015
Jacobs, Jodie, “‘Run for President’ at MCA is a sure conversation starter”, Examiner.com, November 28, 2015
McGarry, Kevin, “At Tony Salamé’s Aishti Foundation Art and Commerce Get Too Close for Comfort,” Artnet.com, Art World, November 2, 2015
“Kathryn Andrews”, Art in America, The Brief, November 2015, p. 29
“Political Animals,” W Magazine, November 2015, p. 50
“Kathryn Andrews: Run for President”, Editors’ Picks, Artnews, November 2015
Gesine, Borcherdt, “Petit Sablon Brüssel,” Blau Magazine, November 2015, p. 30-32
Bagley, Chrisopher, “Art and Commerce,” WMagazine.com, October 26, 2015
Tarmy, James, “The 10 Gallery Shows You Need to Pay Attention to This Fall,” Bloomberg.com, September 11, 2015
“Kathryn Andrews,” Art in America, August 2015, p. 42
Berardini, Andrew, “Different Strokes,” Artforum.com, June 5, 2015
Steadman, Ryan, “Life Is a Tasty Box of Chocolates for US Dealers Showing at Art Brussels,” Observer.com, April 27, 2015
Steadman, Ryan, “Battle of the Belge: Art Brussels Opens With an Onslaught of Openings,” Observer.com, April 24, 2015
“WUM NEWS BRUSSELS: Gladstone Gallery To Present a Group Show by 13 Artists at Art Brussels 2015,” WhatsUpMiami.blogspot.com, April 23, 2015
Donelan, Charles, “Teen Paranormal Romance at MCASB,” Independent.com, April 21, 2015
Slenske, Michael, “Sonic Highways: Scott Benzel’s Mythical, Musical Journey Into The Heart Of The American West,” Modern Painters, March 2014, pp. 46 – 51
Valys, Phillip, “Biting into the de la Cruz Collection,” SouthFlorida.com, March 24, 2015
Goldstein, Andrew M., “Gallerist David Kordansky on the Explosion of the L.A. Art Scene,” Artspace.com, January 28, 2015

2014
*Passions Secrètes: Collections Privées Flamandes, texts by Martine Aubry and Caroline David, Harrisonburg: Vision Publishers, 2014, p. 13
Weiskopf, Dan, “Teen Paranormal Romance,” Artforum.com, Critics’ Picks, December, 2014
“Rubell Recollections,” Art + Auction, December 2014, p. 70
“Miami: Art Basel Miami Beach Selected Works Part 11,” Contemporary Art Daily, December 10, 2014
Lampe, Lilly, “Teen Paranormal Romance,” TheParisReview.org, November 20, 2014
“Philip Tinari talks about the group show ‘The Los Angeles Project’ at UCCA,” Flash Art, Volume 47, October 2014, pp. 37-38
Rutland, Beau, “Soft Touch: Beau Rutland on the Art of Gaylen Gerber,” Artforum, October 2014, p. 240
Adam, Georgina, “Theo Danjuma’s art collection at Frieze London,” FinancialTimes.com, October 10, 2014
Dabkowski, Colin, “13 highlights from Nuit Blanche,” Buffalo.com, October 6, 2014
Soloman, Deborah, “Bye, Hornet’s Nest: It’s Back to New York: Jeffrey Deitch Has Big Plans Now That He’s Left Los Angeles,” The New York Times, October 5, 2014, p. AR23
Wilde, Jamie, “Location, Location, La Brea!,” Los Angeles Confidential, Issue 5, September 2014, p. 98
“50 Women Artists Worth Watching,” Art+Auction, September 2014
Peckham, Robin, “Finding the desert in the desert: The Los Angeles Project at UCCA, Beijing,” Ocula.com, September 30, 2014
Jing, Li, “Beijing center hosts art exhibition inspired by Los Angeles,” ChinaDaily.com, September 19, 2014
Makinen, Julie, “Beijing gets a taste of L.A.’s art world in ‘The Los Angeles Project’,” LATimes.com, September 18, 2014
Bruno, Debra, “Los Angeles, in Art Form, Comes to Beijing,” WSJ.com, September 15, 2014
Griffin, Jonathan, “The New Dealer,” T Magazine, September 14, 2014, p. 124-128
Zhong, Fan, “Supersize It: Gallerist David Kordansky upgrades to a big new space.,” W, September 2014, p. 248
“City of Toronto Announces Full Program for Scotiabank Nuit Blanche 2014,” MarketWired.com, August 27, 2014
Khorramian, Avid, and Amanda Bercovitch, “David Kordansky Gallery’s New Digs on La Brea; LA Phil Opening Night,” Los Angeles Confidential, August 18, 2014
Crisell, Luke, “‘The Los Angeles Project’ Brings Local Art to Beijing,” LA-Confidential-Magazine.com, June 27, 2014
“Next In Line: Meet the new guard of film, fashion, art, music, beauty, and design,” W Magazine, April 2014, p. 69
“‘Teen Paranormal Romance’ at The Renaissance Society,” Contemporary Art Daily, April 6, 2014
Waxman, Lori, “The new abjection: Art about teenagers at the Ren,”ChicagoTribune.com, March 28, 2014
Mayo, Amanda Roscoe, “‘Teen Paranormal Romance’ curated by Hamza Walker at The Renaissance Society, Chicago,” SFAQonline.com, March 21, 2014
Cristello, Stephanie, “Our Love is a Cage Match,” ArtSlant.com, March 2014
“Kathryn Andrews and Alex Israel,” CuraMagazine.com, March 14, 2014
Berlatsky, Noah, “Appropriating Lesser Humans,” SpliceToday.com, March 12, 2014
Lipstein, Emily, “Assemblage of the Paranormal,” SouthsideWeekly.com, March 12, 2014
MacMillan, Kyle, “The surreal side of ‘Twilight,’ ‘Divergent,’ etc.,”ChicagoSuntimes.com, March 6, 2014
Gianni, Ilaria, “Kathryn Andrews and Alex Israel,” Artforum.com, March 5, 2014
Mouat, Lauren, “LA’s Kathryn Andrews, Alex Israel, rock Gagosian,”ItalianInsider.it, February 16, 2014
Ochi, Pauli, “Kathryn Andrews: High Art Meets The Readymade,”BeautifulDecay.com, February 11, 2014
Mazzola, Alberta, “Kathryn Andrews | Alex Israel,” Cuspidemagazine.com, January 29, 2014
Tripepi, Laura, “Gagosian Rome: Sculpture Exhibition by Kathryn Andrews and Alex Israel,” MuseMagazine.it, January 20, 2014
“Interview with Alex Israel – Gagosian Gallery, Rome,” ATPDiary.com, January 18, 2014
Colonnelli, Lauretta, “La riscoperta del ‘readymade’,” Corriere Della Sera Roma, January 17, 2014, p. 16
Di Forti, Massimo, “I cimeli di Cinecitta diventano opera d’arte,” Il Messaggero Cronaca di Roma, January 16, 2014
“Alex Israel and Kathryn Andrews at the Gagosian Gallery in Rome,” Vogue.it, January 16, 2014
Carlino, Alessia, “Sognando Hollywood,” InsideArt.eu, January 16, 2014

2013
*In the Good Name of the Company: Artworks and ephemera produced by or in tandem with the Colby Poster Printing Company, edited by Christopher Michlig, Brian Roettinger, and Jan Tumlir, Brooklyn and Los Angeles: PictureBox and ForYourArt, November 2013
Ashby, Chloë, “The 15 Best Things to See at Frieze Art Fair London 2013,” The Daily Beast, October 17, 2013
“Frieze Art Fair in London,” Vogue.it, October 17, 2013
“Frieze Art Fair 2013,” HungerTV.com, Art & Culture, October 17, 2013
“Merrill Lynch + MOCA,” Los Angeles Confidential, Invited, Issue 6, October 2013, p. 42
“Doug Aitken’s Nomadic Extravaganza ‘Station To Station’ Kicks Off,”HuffingtonPost.com, September 7, 2013
Shaw, Kurt, “‘Station to Station’ mobile art event rolling into town,”TribLive.com, September 4, 2013
Jacquin, Courtney, “Thurston Moore, White Mystery, Theaster Gates and more to perform at Union Station,” RedEyeChicago.com, September 4, 2013
“Doug Aitkin: All Aboard the Art Train,” HuffingtonPost.com, September 3, 2013
“Kathryn Andrews at Museum Ludwig,” Contemporary Art Daily, August 26, 2013
Murphy, Kara, “Musicians and artists will wow fans from coast to coast with Station to Station,” Examiner.com, August 19, 2013
Kor, Linda, “Station To Station To Bring Artistic Expression Via Rail,”AzJournal.com, August 14, 2013
Parker-McClain, Dana, “All Aboard Station To Station,” Pollstar.com, August 9, 2013
“Museum Ludwig, Köln: Kathryn Andrews,” Sculpture Magazine, Itinerary, Volume 32, Number 6, July/August 2013, p. 16
“Museum Ludwig präsentiert Arbeiten von Kathryn Andrews,” epd.de, Kultur, May 27, 2013
Kliemann, Thomas, “Ausstellung im Kölner Museum Ludwig: Schockmomente im Aquarium,” General-Anzeiger-Bonn.de, May 24, 2013
Kohler, Michael, “Museum Ludwig: Minimalismus mit Baer und Andrews,”Kölner Stadt-Anzeiger, Kultur, May 23, 2013
Haridi, Pamela, “Lokales – Jo Baer & Kathryn Andrews im Museum Ludwig,”Kölner News Journal, May 23, 2013
Roux, Caroline, “Public display of connection,” Financial Times, Collecting, June 8, 2013, pp. 2-3
*When Attitudes Became Form Become Attitudes, texts by Jens Hoffmann, Julian Myers-Szupinska, Constance Lewallen and Christian Rattemeyer, San Francisco: CCA Wattis Institute, 2013
Stoilas, Helen, “The present and future of the Jewish Museum: The deputy director, Jens Hoffmann, on Jack Goldstein and beyond,” The Art Newspaper, Frieze New York Daily Edition, May 11-13, 2013, p. 15
Miller, Leigh Anne, “Frieze New York’s Sophomore Outing: A Preview,”ArtinAmerica.com, May 8, 2013
Kaiser, Philipp, “Kathryn Andrews,” Artinvestor, March 2013, p. 35
Scoccimarro, Antonio, “Diary: Set Pieces,” Mousse, Issue 37, February – March 2013, p. 251
Shaw, Michael, “Continuing and Recommended,” ArtScene, February 2013, p. 24
Tuck, Geoff, “Review: Kathryn Andrews D.O.A./D.O.B. at David Kordansky Gallery,” NotesonLooking.com, January 24, 2013
“Ito, Gregory, “Kathryn Andrews at David Kordansky, Los Angeles,”SFAQonline.com, January 15, 2013
“Must See Los Angeles: Kathryn Andrews,” Artforum.com, January 1, 2013

2012
Fiduccia, Joanna, “All Together Now,” Spike, Issue 34, Winter 2012, pp. 36-43
Scoccimarro, Antonio, “Diary: Kathryn Andrews,” Mousse, Issue 36, December 2012 – January 2013, p. 240
“Datebook: December Exhibitions: Kathryn Andrews,” Art+Auction, December 2012, p. 64
Fiduccia, Joanna, “Chronique de Los Angeles no.1: Les Fabricateurs d’Art,” Novo, Number 22, December 2012, p. 96
Gaytán, Noé, “Kathryn Andrews @ David Kordansky Gallery,”PlatinumCheese.com, December 29, 2012
Wagley, Catherine, “Looking at Los Angeles | Natural Born, Dead on Arrival,”Art21 Blog, December 27, 2012
Wagley, Catherine, “Five Artsy Things to Do This Week, Including an Octopus With a Heart-Shaped Head,” LA Weekly, December 26, 2012
“Solo exhibition of new work by Kathryn Andrews opens at David Kordansky Gallery,” ArtDaily.org, December 16, 2012
Koester, Megan, “Kathryn Andrews: D.O.A. | D.O.B. at David Kordansky Gallery,” Fabrik.la, December 13, 2012
“Miami: David Kordansky at Art Basel Miami Beach,” Contemporary Art Daily, December 10, 2012
DiMeo, Mia, “Private Miami: the Margulies, Rubell, de la Cruz, Fontanals-Cisneros, and Scholl Collections,” ArtSlant.com, December 5, 2012
David, Ben, and Benjamin Sutton, “Highlights from ABMB’s VIP Day, From Kruger and Holzer to Acconci and Murakami,” Artinfo.com, December 5, 2012
“Philipp Kaiser wants to show collection of the Museum Ludwig in a new context,” DAPD Nachrichtenagentur, November 9, 2012
“Museum Ludwig: Kaiser will junge Künstler präsentieren,” Die Welt, September 11, 2012
J.S., “New head of the Ludwig Muesuem presents himself,” Ihr Startplatz in die Online-Welt, September 11, 2012
Buckley, Annie, “Made in L.A.,” Art in America, September 2012, p. 151
Nikolopoulos, Daphne, “Miami for All: Culture Vultures,”PalmBeachIllustrated.com, August 24, 2012
Rochester, Katherine, “‘First Among Equals’ Masters the Fine Art of Collaboration,” Philadelphia Weekly, August 8, 2012
Epstein, Edward, “First Among Equals, Philadelphia,” Art Papers, July/August 2012, p. 59
Howden Chapman, Amy, “Amy’s Column 06 – MADE in LA review,”Chartwell.org, July 18, 2012
Myers, Terry R., “Made in L.A. 2012,” The Brooklyn Rail, July-August 2012
Nathan, Emily, “Art Basel: Watch Where You Step,” Artnet.com, June 20, 2012
Bonnet, Frédéric, “Art Basel: Reason over passion,” LeJournaldesArts.fr, June 20, 2012
Art 43 Basel 2012: Art Parcours Night. Basel: VernissageTV art tv, June 18, 2012. Film.
Marsova, L., “AO on Site – Art 43 Basel Final Photoset and AO News Wrapup,”ArtObserved.com, June 18, 2012
“Art 43 Basel: Extraordinary quality translates into strong sales; attracts more than 65,000 visitors,” ArtDaily.org, June 18, 2012
Yablonsky, Linda, “Basel: Portrait of a Lady,” Artforum.com, Scene & Herd, June 16, 2012
Fuller, Gabriella, “Franc Art: Cash and Creativity at Basel 43,”TravelandLeisure.com, June 15, 2012
Art Parcours Night. Basel: Telebasel.ch/WasLauft, June 14, 2012. Film.
“All the antics of a fun fair,” The Art Newspaper, In the Frame, June 14, 2012
Cheh, Carol, “Hammer Museum’s ‘Made in L.A.,’ the City’s First Biennial, Is a Winner, Despite its Vastness,” LAWeekly.com, June 13, 2012
Ruiz, Cristina, “Curators turn East but Art Basel looks to the US,” The Art Newspaper, Art Basel daily edition, June 12, 2012
Marsova, L., “AO Onsite – Basel: Art 43 Basel 2012 Set to Begin,”ArtObserved.com, June 12, 2012
“The Art Basel Agenda: 10 Can’t-Miss Events During the European Mega-Fair,”Artinfo.com, June 11, 2012
Berardini, Andrew, “Obstacle Course with Occasional Clowns: Kathryn Andrews at Art Parcours, Art Basel,” ArtSlant.com, June 10, 2012
Huang, Yanyan, “Happening now: Art 43 Basel,” HauteLiving.com, June 10, 2012
*Ellegood, Anne, Lauri Firstenberg, Malik Gaines, Cesar Garcia, and Ali Subotnick, Made in L.A. 2012. Los Angeles: Hammer Museum, University of California, 2012, pp. 165, 179-182
Knight, Christopher, “Art review: The Hammer biennial ‘Made in L.A. 2012′ succeeds,” Los Angeles Times, June 8, 2012
Adler, Alexander, “Marfa ’12, A Trip to the Moon: A Weekend of Aliens and Astronauts,” HuffingtonPost.com, June 6, 2012
Blodgett, Lucy, “Made in LA: The Hammer Museum Presents The Firest LA Biennial,” HuffingtonPost.com, June 4, 2012
Hodge, Shelby, “With dancing nudes summoning aliens and tequila flowing, Ballroom Marfa benefit rocked,” Culture Map Houston, June 2, 2012
Drohojowska-Philp, Hunter, “‘Made in L.A.’ New Art Now in Los Angeles,”Artnet.com, June 1, 2012
O’Neill-Butler, Lauren, in conversation with Kathryn Andrews, “Kathryn Andrews,” Artforum.com, June 1, 2012
Shatkin, Elina, “Do: Piece by Piece,” Los Angeles Magazine, June 2012, pp. 55-56
Pastan, Rachel, “Stuff to Art: A Conversation with Alex Da Corte,”ICAphila.org/miranda, April 20, 2012
Fitzpatrick, Kyle, “Made in L.A.: Kathryn Andrews, 2/60,” Los Angeles I’m Yours, April 3, 2012
Pastan, Rachel, “The Golden Jester: A performance/sculpture in First Among Equals,” ICAphila.org/miranda, March 30, 2012
“United Artists exhibit features work of Andrews, Badder, Haendel,” Big Bend Now, March 22, 2012
Finkel, Jori, “Hammer announces $100,000 prize for new biennial; 60 artists chosen,” Los Angeles Times, March 14, 2012
Tschida, Anne, “Contemporary vision, de la Cruz-style,” The Miami Herald, February 26, 2012, p. 3M
Pastan, Rachel, “Out of Hollywood: Bennett Simpson on William Leavitt and Kathryn Andrews on Herself,” ICAphila.org/miranda, February 10, 2012
Lehrer-Graiwer, Sarah, and Jeff Hassay, “Ball of Confusion,” Artforum.com, February 5, 2012
Batet, Janet, “De la Cruz Collection,” el Nuevo Herald, February 5, 2012, p. D1
Brobeck, Catherine, “Ball of Artists Celebrates the Closing of the Pacific Standard Time Performance and Public Art Festival,” PaperMag.com, February 1, 2012
“Artists clown around in LA mansion,” Phaidon.com, January 31, 2012
Tschorn, Adam, “Fantastical art and fashion abound at LAXART Ball,” Los Angeles Times, January 30, 2012
Bronner, Sasha, “Ball of Artists: Los Angeles Flocks to Greystone Mansion for LAXART’s Eye-Popping Gala,” HuffingtonPost.com, January 30, 2012

2011
Nowikovsky, Jacqueline, “Kunstvoll Schenken: Die Kunst zu schenken oder: Wie man Kunst schenkt,” Die Presse Schaufenster, December 20, 2011
*American Exuberance. Miami: Rubell Family Collection, 2011
Montreuil, Gregory, “Reviews: Gaylen Gerber: Renwick – New York,” Flash Art, Number 281, November-December 2011, p. 98
Harper, Dave, “The Other Art Basel,” Art Agenda, December 1-4, 2011
“Art Basel – Miami, Inspiration for an Artistic Celebration,” BibandSola.com, December 1, 2011
Alvarez, Lizette, and Jordan Melnick, “Miami, City of Sun And Beaches, Is Now About Art,” The New York Times, November 30, 2011, p. C1
Sjostrom, Jan, “Private collector spaces a good bet during Art Basel Miami Beach,” PalmBeachDailyNews.com, November 29, 2011
Fernandez, Barbara P., “Miami’s Still-Maturing Art Scene,” The New York Times, November 30, 2011
Suarez De Jesus, Carlos, “Rubell Collection’s ‘American Exuberance’ Explores U.S. Society Through 64 Artists,” MiamiNewTimes.com, November 15, 2011
“Matthew Day Jackson and R.H. Quaytman are Big Draws in this Year’s RxArt Coloring Book,” Artinfo.com, November 15, 2011
Griffin, Jonathan, “George Herms: Xenophilia: Museum of Contemporary Art at the Pacific Design Center, Los Angeles,” Frieze, Issue 142, October 2011, p. 254
Moret, A., “Los Angeles: George Herms: ‘Xenophilia (Love of the Unknown)’ at MOCA Pacific Design Center,” art ltd, September / October 2011, p. 35
“‘Modify as Needed,’ at the Museum of Contemporary Art, North Miami,ArtDaily.org, September 25, 2011
Suarez De Jesus, Carlos, “‘Modify, As Needed,’ a new exhibit at MOCA, showcases artists who use found materials,” MiamiNewTimes.com, September 22, 2011
“This Weekend: Structural Scatter,” TheRundown.com, September 22, 2011
Duvernoy, Sophie, “George Herms, Beat Artist, on His New MOCA Show ‘Xenophilia’,” LAWeekly.com, July 11, 2011
“Museum of Contemporary Art, Los Angeles Presents George Herms: Xenophilia,” ArtDaily.org, July 10, 2011
Velasco, David, “Plug ‘n’ Play,” Artforum.com, June 18, 2011
Latimer, Quinn, “Art Basel,” art-agenda.com, June 17, 2011
*Art|42|Basel Catalog, Ostfildern: Hatje Cantz Verlag, 2011
“Art 42 Basel Announces Art Statements: Spotlighting Solo Shows by Emerging Artists,” ChinaArtNetworks.com, June 13, 2011
Douglas, Sarah, “The Grand Tour: Art Basel,” Art+Auction, June 2011, p. 87
Hastreiter, Kim, “A Week in Culture: Kim Hastreiter, Editor,” The Paris Review, April 6, 2011
Berardini, Andrew, “Party Favors: The Work of Kathryn Andrews,” Mousse, Issue 28, April 2011, pp. 130-136
Nadel, Dan, and Rachel Uffner, “Kathryn Andrews,” Paper, Spring 2011, pp. 62-63
Barliant, Claire “Offset Summary,” The New Yorker, February 7, 2011

2010
*How Soon Now, edited by Juan Roselione-Valadex. Miami: Rubell Family Collection, 2010, p. 1
*Transzendenz Inc., Transzendenz Inc., Berlin: AutoCenter
Yablonsky, Linda, “Scene and Herd: Intimate Strangers,” Artforum.com, December 5, 2010
Carfello, Anthony, “Support Group: Kathryn Andrews, Gaylen Gerber, Mateo Tannatt/Pauline,” X-Tra Magazine, December 2010
Griffin, Jonathan, “Support Group,” Frieze.com, July 2010
Wagley, Catherine, “Support Group,” Art:21 Blog, June 10, 2010
Moshayedi, Aram, “Support Group,” Artforum.com, June 2010
Shaw, Michael, “Continuous and Recommended Exhibition,” ArtScene, Vol. 29, No.7, March 2010, p. 20
Miles, Christopher, “Kathryn Andrews, Heather Cook, Lesley Vance, Lisa Williamson at David Kordansky Gallery,” LA Weekly, February 18, 2010

2009
Lewis, David, “‘Words’ at Am Nuden Da,” Artforum.com, December 2009
Hafner, Hans-Jurgen, “Junk Store Dream Factory,” Artnet, November 29, 2009
Miles, Christopher, “‘Bitch is the New Black’ at Honor Fraser,” LA Weekly, August 6, 2009
Myers, Holly, “Attitude and Talent to Spare,” Los Angeles Times, August 21, 2009
Myers, Holly, “‘Video Journeys’ at Sister Gallery at Cottage Home,” Los Angeles Times, June 19, 2009
Holte, Michael Ned, “Boofthle Booth-Booth:Deux Doox – The Hollywood Biennale,” Artforum, April 2009, p. 196
Kushner, Rachel, “The Next Blue Chips,” C Magazine, March 2009, p. 86-87, 132-133

2008
Holte, Michael Ned, “Top Ten,” Artforum, December 2008, pp. 278-279
Latimer, Quinn, “There Is No There There,” Modern Painters, October 2008
Berardini, Andrew, “Sketches: Notes from the Underground,” LACityBeat, September 18, 2008
Ward, Rachel K., “Retro-Glorified:History Today in New York,” ArtReview.com, August 2008

2007
Holte, Michael Ned, “Mongrel,” Artforum, November 2007, p. 376
Pagel, David, “No Distinguishing Traits on Display,” Los Angeles Times, August 31, 2007

2006
“Scene and Herd,” Artforum.com, July 30, 2006

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