David Kordansky Gallery


born 1962, Karachi, Pakistan
lives and works in Poughkeepsie, NY


MFA, Columbia University, New York, NY
BFA, Rhode Island School of Design, Providence, RI

(* indicates a publication)

*They Live, curated by Eva Respini, The Institute of Contemporary Art Boston, Boston, MA

Huma Bhabha: Other Forms of Life, The Contemporary Austin, Austin, TX
Revengers, Contemporary Fine Arts, Berlin, Germany
With a Trace, Salon 94, New York, NY
Huma Bhabha, C L E A R I N G, New York, NY
We Come in Peace, Roof Garden Commission, Metropolitan Museum of Art, New York, NY

What is Love, David Roberts Art Foundation, London, England
Huma Bhabha, Stephen Friedman Gallery, London, England

Wages of Fear, C L E A R I N G, Brussels, Belgium
Huma Bhabha, Salon 94, New York, NY

VW (VeneKlasen Werner), Berlin, Germany

Unnatural Histories, MoMA PS1, Long Island City, NY
*Players, Collezione Maramotti, Reggio Emilia, Italy

Aspen Art Museum, Aspen, Colorado
Galerie Niels Borch Jensen, Berlin, Germany
Rhona Hoffman Gallery, Chicago, IL

*Huma Bhabha, Sculpture, Salon 94, New York, NY
*Huma Bhabha, Drawings, Peter Blum Gallery, New York, NY
Stephen Friedman Gallery, London, England

Galerie Nathalie Obadia, Paris, France
*Grimm Fine Art, Amsterdam, The Netherlands

Emerging Artist Award Exhibition, The Aldrich Contemporary Art Museum, Ridgefield, CT

Salon 94, New York, NY
ATM Gallery, New York, NY
Greener Pastures Contemporary Art, Toronto, Canada

Degraded, Mario Diacono Gallery, Boston, MA
ATM Gallery, New York, NY

ATM Gallery, New York, NY

A.N. Gallery, Karachi, Pakistan

Cokkie Snoei, Rotterdam, The Netherlands

Sculptures, Kim Light Gallery, Los Angeles, CA

(* indicates a publication)

NIRIN – Biennale of Sydney, curated by Brook Andrew, Art Gallery of NSW, Australia; Artspace, Campbelltown Art Centre, Cockatoo Island, Australia; Museum of Contemporary Art Australia; the National Art School of Sydney, Australia

L’ÂGE DE RAISON, C L E A R I N G, Brussels, Belgium
As If, Alternative Histories from Then to Now, curated by Giampaolo Biancon, The Drawing Center, New York, NY
Drawing Biennial 2019, Drawing Room, London, England
Samaritans, curated by Dan Nadel, Eva Presenhuber, New York, NY
Yorkshire Sculpture International, Henry Moore Institute, Leeds, England; Leeds Art Gallery, Leeds, England; The Hepworth Wakefield, Wakefield, England; Yorkshire Sculpture Park, Wakefield, England

DEATH IS IRRELEVANT, Selections from the Marc and Livia Straus Collection, 1975–2018, co-curated by Ken Tan, Tim Hawkinson, MARC STRAUS Gallery, in collaboration with the Marc and Livia Straus Family, Hudson Valley MOCA, Peekskill, NY
Generations Part 3, Female Artists in Dialogue, Sammlung Goetz, Munich, Germany
Taurus and the Awakener, David Kordansky Gallery, Los Angeles, CA
Carnegie International, 57th edition, Carnegie Museum of Art, Pittsburgh, PA
Keep Me Warm, C L E A R I N G, Brooklyn, NY
Give Up the Ghost, Baltic Triennial 13, Lithuania, Estonia and Latvia
The World to Come, Harn Museum of Art, University of Florida, Gainesville, FL
Zombies: Pay Attention!, curated by Heidi Zuckerman, Aspen Art Museum, Aspen, CO
The Biennial of Painting, On Landscapes, 6th edition, Museum Dhondt-Dhaenens, Deurle, Belgium

Outcasts: Women in the Wilderness, Wave Hill, Bronx, NY
*ISelf Collection, Whitechapel Gallery, London, England
Retour Sur Mulholland Drive, La Panacée, Montpellier, France
Fourth Plinth Shortlist Exhibition, The National Gallery, London, England
Home Room, The School, Jack Shainman Gallery, Kinderhook, NY

Paper in Practice, Moran Bondaroff, Los Angeles, CA
A Whisper of Where It Came From, curated by Erin Dziedzic Stranger, Kemper Museum of Contemporary, Kansas City, MO
Stragner, curated by Rose Bouthillier, Museum of Contemporary Art, Cleveland, Cleveland, OH
Beyond the Veil: Works from the Permanent Collection, The Bronx Museum of Art, Bronx, NY
Fétiche, Venus Over Manhattan, New York, NY

Greater New York, curated by Peter Eleey, Thomas J. Lax, and Mia Locks, MoMA PS1, Long Island City, NY
*All The Worlds Futures, curated by Okwui Enwezor, 56TH International Art Exhibition La Biennale di Venezia 2015, Venice, Italy
Wild Noise: Artwork from The Bronx Museum of the Arts, El Museo Nacional de Bellas Artes, Havana, Cuba
A Neon Foundation and Whitechapel Gallery collaboration, curated by Iwona Blazwick, Ecole Francaise d’Athens and Grounds, Athens, Greece
America is Hard to See, Inaugural exhibition of the new Whitney, Whitney Museum of American Art, New York, NY
Atopolis, curated by Dirk Snauwert, WIELS Contemporary Art Centre, Brussels, Belgium
Vis-a-Vis, curated by Michael Mahalchick, Andrew Edlin Gallery, New York, NY
Mending Wall, curated by Alexis Rose, The Pit, Glendale, CA
Community of Influence, curated by Chuck Webster, 30th Anniversary of Vermont Studio Center, Spencer Brownstone Gallery, New York, NY

*Trieste, curated by Jay Heikes, Grimm Fine art, Amsterdam, The Netherlands
Study From The Human Body, Stephen Friedman Gallery, London, England
Resonance(s), Maison Particuliere, Brussels, Belgium
*The Human Factor: Uses of the Figure in Contemporary Sculpture, Hayward Gallery, London, England
Traces, Peter Blum, New York, NY
Let’s Go Let Go, In Memoriam Hudson, 33 Orchard, New York, NY
Rockaway!, curated by Klaus Biesenbach, MoMA PS1, Fort Tilden and Rockaway Beach, NY
New Hells, curated by Isaac Lyles, Derek Eller Gallery, New York, NY
Amerika, David Castillo Gallery, Miami, FL

Social Animals, curated by Nicholas Baume, for Art Public as part of Art Basel Miami Beach 2013, Collins Park, Miami, FL
The Bronze Age, Massimo di Carlo, Milan, Italy
Show and Tell: Calder Jewelry and Mobiles, Salon 94, New York, NY
In God We Trust, curated by Maria Brewinska, Zachęta National Gallery of Art, Warsaw, Poland
LAT. 41° 7' N., LONG. 72° 19' W, Organized by Bob Nickas, Martos Gallery, New York, NY
*A Different Kind of Order: The ICP Triennial, International Center of Photography, New York, NY
Rien Faire et Laisser Rire, curated by Bob Nickas, Galerie Rodolphe Janssen, Brussels, Belgium
Land Marks, curated by Doug Eklund and Anne Strauss, The Metropolitan Museum of Art, New York, NY,
-1, La Collezione Olgiati, Lugano, Switzerland

To Hope, To Tremble, To Live; Works from the DRAF Collection, The Hepworth Wakefield, Yorkshire, England
Animal Spirits, Deste Foundation Project Space: Slaughterhouse, Hydra, Greece
Dusk to Dusk, curated by Richard Rienhardt, Samek Art Gallery, Bucknell University, Lewisburg, PA
Bhabha, Bradley & Fox, Bill Brady KC, Kansas City, MO
Theatre of the World, curated by Jean-Hubert Martin, Museum of Old and New Art, Mona, Tasmania, Australia
Peekskill Project V, HVCCA, Peekskill, NY
Heat Waves, Peter Blum, New York, NY
Pothole, Salon 94 Bowery, New York, NY
Sculptors on Paper Selections from the BNY Mellon Collection, Tampa Museum of Art, Tampa, FL
Contemporary Locus1, curated by Paola Tognon, Huma Bhabha-Francesco Carone, Luogo Pio della Pieta, Istituto Bartolomeo Colleoni, Bergamo, Italy
Figures from the New World, curated by Fabio Cavalluci, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
Intense Proximity La Triennale 2012, curated by Okwui Enwezor, Palais de Tokyo, Paris, France
Accelerating Toward Apocalypse, Works from the Doron Sebbag Art Collection, curated by Tal Yahas, Givon Art Forum, Tel Aviv, Israel
East West Shift to the Middle, Bill Brady/KC, Kansas City, MO
Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY
Hors Les Murs, Galerie Nathalie Obadia, Bruxelles, Belgium

Hunters and Gatherers, curated by Lisa Denison, Southebys S2, New York, NY
Contemporary Galleries 1980 - Now, curated by Ann Temkin, Museum of Modern Art, New York, NY
The Influentials, curated by Amy Smith Stewart, SVA Visual Arts Gallery, New York, NY
Free Soil, CANADA, New York, NY
Paul Clay, Salon 94 Bowery, New York, NY
*Lustwarande ’11—Raw, curated by Chris Driessen, Fundament Foundation, Park De Oude Warande, Tilburg, The Netherlands
Statuesque, curated by Nicholas Baume, Nasher Sculpture Center, Dallas, TX; Public Art Fund, New York, NY
Contemporary Magic: A Tarot Deck Art Project, Andy Warhol Museum, Pittsburgh, PA

La Route de la Soie, curated by the Saatchi Gallery and lille3000, Tri Postal, Lille, France
Hareng Saur: Ensor and Contemporary Art, The Museum of Contemporary Art (SMAK), Ghent, Belgium
Looking Back, curated by Bob Nickas, Fifth Annual White columns, White Columns, New York, NY
Art on Paper 2010, Weatherspoon Art Museum, Greensboro, NC
the hybrid fuels…, curated by Dr. Ingrid Burgbacher Krupka, Galerie der Stadt Sindelfingen, Sindelfingen, Germany
*2010 Whitney Biennial, curated by Francesco Bonami and Gary Carrion Murayari, Whitney Museum of American Art, NY
The Empire Strikes Back, Indian Art Today; Saatchi Gallery, London, England
Contemporary Magic: A Tarot Deck Art Project, curated by Stacy Engman, National Arts Club, New York, NY
*Statuesque, curated by Nicholas Baume, City Hall Park, Public Art Fund, New York, NY
In-between Things, curated by Kerstin Winking, Stedelijk Museum Bureau, Amsterdam, The Netherlands
*XIV Biennale Internazionale di Scultura di Carrara: Postmonument, curated by Fabio Cavalucci, Carrara, Italy
The Cannibal’s Muse, curated by Max Henry, Patricia Low Contemporary, Gstaad, Switzerland
Contemporary Art from the Collection, curated by Christophe Cherix and Kathy Halbreich, Museum of Modern Art, New York, NY
Daniel Hesidence Curates, Tracy Williams Ltd, New York, NY
Meet Me At The Bottom of the Pool, curated by Bob Nickas, Martos Gallery, Bridgehampton, NY

Every Revolution is a Roll of the Dice, Paula Cooper Gallery, New York, NY
Sites, curated by Carter Foster, Whitney Museum of American Art, New York, NY
Slough, curated by Steve Dibenedetto, David Nolan Gallery, New York, NY
Huma Bhabha, Joe Bradley, Jason Fox, Baker Overstreet, Aurel Schmidt, curated by Kineko Ivic, Galleria Paolo Curti /Annamaria Gambuzzi & Co., Milan, Italy
Pink Panther, curated by Amy Smith Stewart, Kumukumu Gallery, New York, NY
Truly Truthful, curated by Leeza Ahmady, ART ASIA, Soho Studios, Miami, FL
Drawn from Life: Drawing Form, Green Cardamom, London, England
Atlas Mountains, Jason Fox & Huma Bhabha, Andrea Rosen, New York, NY

*7th Gwangju Biennale 2008, curated by Okwui Enwezor, Gwangju, South Korea
*Excerpt: Selections from Jeanne Greenberg Rohatyn Collection, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY
After Nature, curated by Massimiliano Gioni, The New Museum, New York, NY
Nina In Position, curated by Jeffrey Uslip, Artists Space, New York, NY
Disarming Matter, curated by Erica Svec and Zachary Wollard, Larissa Goldston Gallery, New York, NY
Huma Bhabha, Andre Ethier, Jason Fox, Greener Pastures Contemporary Art, Toronto, Canada
Warlord, Smith-Stewart, New York, NY
Origins, Hudson Valley Center for Contemporary Art, Peekskill, NY
East Moves West, ATM Gallery, New York, NY
Critical Studio, curated by Maurizio Pellegrin and Razia Sadik, Macy Gallery, Teachers College, Columbia University, New York, NY

USA Today: New American Art from the Saatchi Gallery, State Hermitage Museum, St. Petersburg, Russia
Collezione Maramotti, curated by Mario Diacono, Inaugural Exhibition, Reggio Emilia, Italy
Every Revolution is a Roll of the Dice, curated by Bob Nickas, Ballroom Marfa, Marfa, TX
Trinchera, curated by Emanuel Tovar, Museo Raul Anguiano, Guadalajara, Mexico
Somewhere Over the Rainbow, Galleria Glance, Torino, Italy
Out of Nothing, curated by Daniel Heimbinder, 4Walls Fine Art, Austin, TX

*USA Today: New American Art from the Saatchi Gallery, Royal Academy of Arts, London, England
Remember Who You Are, curated by Amy Smith-Stewart, Mary Boone Gallery, New York, NY
Bortolami Dayan Gallery, curated by Clarissa Dalrymple, New York, NY
ATMArtFair, ATM Gallery, New York, NY
Exquisite Corpse, curated by Bob Nickas and Mitchell Algus, Cadavre Exquis, Mitchell Algus Gallery, New York, NY
Drawing III (Selected), g-module, Paris, France
Nerman Museum of Contemporary Art, Johnson County Community College, Overland Park, KS
Huma Bhabha and Matthew Day Jackson, Peter Blum, New York, NY

*Greater New York 2005, P.S.1/MoMA Contemporary Art Center, Long Island City, NY
Greener Pastures Contemporary Art, Toronto, Canada
Mystic Truths, curated by Simon Watson, Kavi Gupta Gallery, Chicago, IL
Drunk Vs Stoned 2, curated by Elysia Borowy, Gavin Brown’s Enterprise, New York, NY

beat the reaper, curated by Joe Bradley, Allston Skirt Gallery, Boston, MA
Grass and Honey, curated by David Shaw, Champion Fine Art, Brooklyn, NY
Radicales Libres, curated by Ruben Mendez, Central de Arte en WTC, Guadalajara, Mexico
Versus, Jason Fox & Huma Bhabha, Arena Mexico Arte Contemporaneo, Guadalajara, Mexico

2002 Collector’s Show, Arkansas Arts Center, Little Rock, AR
Guide to Trust 2, curated by ANP, Yerba Buena Center for the Arts, San Francisco, CA
The Empire Strikes Back, ATM Gallery, New York, NY; curated by Cannon Hudson & Jason Fox
Momenta Art, Brooklyn, NY

Wet, Louise Ross Gallery, New York, NY
Running in Flipflops, Feature, New York, NY
not a Lear, curated by ANP, Gracie Mansion, New York, NY

Back to Nature, Derek Eller Gallery, New York, NY
Grok Terence McKenna Dead, Feature, New York, NY
not a Lear, Torch Gallery, Amsterdam, The Netherlands; Art Process, Paris, France
anp city projects, Cokkie Snoei, Rotterdam, The Netherlands

LOAF, curated by Steve DiBenedetto, Baumgartner Galleries, New York, NY
Trippy World, Baron Boisante Gallery, New York, NY
M du B, F, H & G, Montreal, Canada

yoyogaga, Feature, New York, NY
WOp: works on/off paper, ANP, Antwerp, Belgium
Science, Feature, New York, NY

Microcosmic Cryptozoic, curated by Melissa Zexter, HERE, New York, NY

Technophobia, Things Change, Dooley LeCappellaine Virtual Gallery www.thing.net/dooley
Supastore de Lux, curated by Sarah Staton, Up & Co, New York, NY
White Columns, New York, NY

*Murder, curated by John Yau, Bergamot Station Arts Center, Santa Monica, CA; Thread Waxing Space, New York, NY
Smells like Vinyl, curated by Sarah Seager & Thaddeus Strode, Roger Meriens Gallery, New York, NY

Who killed Mr. Moonlight, curated by Charles Labelle, Exit Art, New York, NY
*MOCA Benefit, Museum of Contemporary Art, Los Angeles, CA
Lauren Wittels Gallery, New York, NY
White Columns, New York, NY

Four Walls Benefit, David Zwirner, New York, NY
Cartoonal Knowledge, Dooley LeCappellaine, New York, NY
Outside Possibilities, curated by Bill Arning, The Rushmore Festival, Woodbury, NY
Meat, White Columns, New York, NY
Interzone, curated by Karin Bravin, John Post Lee, New York, NY

Stand-Ins, curated by Craig Kalpakjian, P.S.1 Museum, Institute for Contemporary Art, Long Island City, NY
Kim Light Gallery, Los Angeles CA
The Red Light Show, curated by Jack Jaeger, Stitching CASCO, Utrecht, The Netherlands
*The Mud Club, curated by Hudson, Winchester Cathedral & Lake
Nairobi, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL
The Fate of the Earth, Ceres Gallery, New York, NY

Feature, New York, NY
Feature Office, New York, NY


Berlin Prize, Guna S. Mundheim Fellowship, The American Academy in Berlin, Germany

The Aldrich Contemporary Art Museum Emerging Artist Award, Ridgefield, CT

(* indicates non-periodical book, catalog, or other publication)

*They Live, with texts by Carter E. Foster, Ed Halter, Jessica Hong, Shanay Jhaveri and Eva Respini along with a conversation between Huma Bhabha and Sterling Ruby, Boston: Yale University Press and Institute of Contemporary Art/Boston, 2019
"Arts This Week: 'Avengers: Endgame,' The 2019 deCordova Biennial, And 'Huma Bhabha: They Live'," WGBH.org, April 25, 2019
"Open Studio With Jared Bowen: Huma Bhabha — They Live," WGBH.org, April 22, 2019
Plagens, Peter, "‘Huma Bhabha: They Live’ Review: Spooky Sci-Fi Sculpture," The Wall Street Journal, April 6, 2019, p. A13
Patterson, Kenneal, "Huma Bhabha’s supernatural creations exhibited at ICA," HuntNewsNU.com, March 27, 2019
Reynolds, Pamela, "In 'They Live,' Huma Bhabha Channels A Tragi-Comic View Of The Grotesque," Wbur.org, March 22, 2019
Whyte, Murray, “Violence and verve, on view at the ICA,” BostonGlobe.com, March 22, 2019
"Spring Preview: The Most Promising Museum Shows and Biennials Around the World," ARTnews.com, March 4, 2019
"The Twenty Five," Cultured, February/March 2019, p. 82
Finkel, Jori, “Kordansky’s artist roster on the rise,” The Art Newspaper, February 14-15, 2019, p.2
Cascone, Sarah and Caroline Goldstein, "22 Unmissable Museum Shows to See in the Americas, From a Mapplethrope Extravaganza to Joan Miró in New York," ArtNet.com, January 7, 2019

*Huma Bhabha, We Come in Peace, with texts by Shanay Jhaveri, Ed Halter, and Sheena Wagstaff, New York: The Metropolitan Museum of Art, 2018
Sharma, Meara, "The South Asian Artists Making Their Mark on the Western Scene," NYTimes.com, December 28, 2018
"Best Booths of Art Basel in Miami Beach 2018," Whitewall.art, December 6, 2018
Durón, Maximilíano, “David Kordansky Gallery Now Represents Huma Bhabha and Lauren Halsey,” ARTnews.com, November 7, 2018
Thurmond, Sarah, “30 Things You Must Do In Austin This November,” AustinMonthly.com, November 1, 2018
“Huma Bhabha,” BLAU, Nr. 31, October 2018, pp. cover, 40-51
Cascone, Sarah, "From a Naughty Koons (Kind of) to an Atavistic Huma Bhabha, Here Are 8 Standout Works at New York’s Fine Art Print Fair," Artnet.com, October 25, 2018
Lynne, Jessica, “Fertile Ground: Huma Bhabha, Joan Jonas, Maren Hassinger, and Naima Green in Parks and Art Spaces Around New York,” ARTnews.com, October 18, 2018
May, Dorian, “Portrait of an Artist: Huma Bhabha,” VanityFair.com, October 12, 2018
"Pittsburgh’s Carnegie International Opens," PittsburghCurrent.com, October 12, 2018
Harris, Gareth, “Huma Bhabha’s unsettling sculpture will be centrepiece of 2019 Yorkshire Sculpture International festival,” TheArtNewspaper.com, September 20, 2018
Malik, Sumaiya “‘Other Forms Of Life’ At The Contemporary Austin,” TheAustinChronicle.com, September 14, 2018
Scott, Andrea K., “Huma Bhabha: We Come in Peace,” The New Yorker, June 18, 2018, p. 5
Harris, Jane Ursula, “Monsters on the Roof of The Met? Huma Bhabha Explains it All,” GARAGE.com, June 15, 2018
“Huma Bhabha, Aliens from Earth,” ArtDrunk, Newsletter, May 31, 2018
Kotecha, Shiv, “Huma Bhabha’s Extraterrestrials Land In New York,” Frieze.com, May 30, 2018
Saltz, Jerry, “Huma Bhabha’s New Installation at the Met Brings You Into the Realm of Gods,” Vulture.com, May 18, 2018
Benenson, Elyse, “Huma Bhabha with Elyse Benenson,” TheBrooklynRail.org, May 1, 2018
Knodell, Kyle, “Raise The Roof,” Cultured, April/May 2018, pp. 200-203
Gould, Rachel, “The Met Unveils an Otherworldy Rooftop Commission in NYC”, CultureTrip.com, April 24, 2018
Olesen, Ivy, “Huma Bhabha’s Alien Visitors Land on the Met’s Roof,” TheArtNewspaper.com, April 18, 2018
Retamal, Hector, “Pakistani-American brings politics to NY’s Met rooftop”, AFP.com, April 18, 2018
Lynch, Scott, “The Met’s Rooftop’s New Installation, ‘We Come in Peace,’ Has Landed,” Gothamist, April 17, 2018
Cascone, Sarah, “They ‘Come in Peace’ But They’ve Been Through Hell: Huma Bhabha Brings Her Battle-Scarred Figures to the Met Rooftop,” Artnet.com, April 17, 2018
Oldweiler, Cory, “Met museum’s new rooftop exhibit ‘We Come in Peace’ opens,” AmNewYork.com, April 17, 2018
Kunitz, Daniel, “Huma Bhabha’s Alien Figures Land on the Roof of the Met,” Cultured Magazine, April 16, 2018
Schwendener, Martha, “A Sci-Fi Showdown at the Met Museum’s Rooftop Garden,” The New York Times, April 12, 2018
Loos, Ted, “Huma Bhabha Takes an Ax to Her Exhibit at the Met,” The New York Times, March 10, 2018
Pogrebin, Robin, “Met Selects Pakistani Artist for Roof Garden Commission,” NYTimes.com, February 1, 2018

Gallo, Rebecca, “Huma Bhabha: The Remains of the Day”, Vault, April 2017
Douglas, Caroline, “Huma Bhabha at Stephen Friedman Gallery, London,” Contemporary Art Society, January 13, 2017

Langley, Patrick, “Huma Bhabha,” Art Agenda, December 8, 2016
Buck, Louisa, “Huma Bhabha’s bizarre deities at Stephen Friedman,” The Telegraph, December 2, 2016
Gioni, Massimiliano, “Huma Bhabha,” Kaleidoscope, Summer 2016
Cotter, Holland, "Frieze New York, a Visual Circus Under the Big Top,” NYTimes.com, May 5, 2016

*Huma Bhabha, with texts by David Levi Strauss and Jeanne Greenberg Rohatyn, New York: Salon 94, 2015
Nathan, Emily, “Critics’ Picks: Huma Bhabha,” Artforum.com, October 26, 2015
“Goings on About Town,” The New Yorker, June 22, 2015
Indrisek, Scott, “5 Must See Gallery Shows,” BlouinArtInfo.com, June 22
Trigg, Sarah, “Canines to Cannabis in Artist Huma Bhabha’s New Show,” New York Magazine, May 26, 2015

Cotter, Holland, “Art in Review,” NYTimes.com, August 1, 2014
Heinrich, Will, The New York Observer/Gallerist, July 30, 2014
Lord, Christopher, “Body Shock, Interview with Huma Bhabha,” Harper’s Bazaar Art Arabia, July/August 2014, pp. 70-75
Evans, Matthew, “Huma Bhabha Shares the Cinematic Inspirations for her Monstrous Sculptures,” 032c.com, June 29, 2014
*Rugoff, Ralph (Ed.), The Human Factor: The Figure in Contemporary Sculpture, Southbank Center, London: Hayward Publishing, June 2014
Searle, Adrian, “The Human Factor review - hell is other’s people sculptures,” The Guardian, June 16, 2014
Perlson, Hili, “Her Dark Materials,” Sleek Magazine, #42, Summer 2014, pp. 62-64
Wagner, Michael, “Huma Bhabha,” tip Berlin, No. 12, June 2014, p. 69.
“Solo exhibition of art work by expatriate Pakistani opens in Berlin,” Pakistan News, May 18, 2014
“Art Guide,” Artforum, May 16, 2014
Woeller, Marcus, “Onwards into the Past,” Welt am Sonntag, May 11, 2014
Mohammad, Arsalan, Huma Bhabha, Harper’s Bazaar Art, May/June 2014
“Huma Bhabha at VeneKlasen/Werner, Berlin,” Mousse Magazine, May 8, 2014
“Huma Bhabha,” Wall Street International, May 7, 2014
Forbes, Alexander, “Berlin’s Gallery Weekend Forges Path to Success,” Artnet News, May 6, 2014
Harper’s Bazaar Art, May 2014
Ebbinghaus, Solveig Maria, “Gallery Weekend 2014,” Art Connect Berlin, May 5, 2014
Zachoval, Frantisek, "Huma Bhabha at VeneKlasen/Werner Gallery, Berlin," Vernissage TV, May 2, 2014
Huma Bhabha, Anti-Utopias, May 1, 2014
Schreier, Max, “Gallery Weekend Berlin: Huma Bhabha,” Artsy, May 1, 2014
Planitzer, Matthias, “Berlin Gallery Weekend 2014 - 7 Exhibitions not to miss,” Highsnobiety, April 30, 2014
“Gallery Weekend. Huma Bhabha,” Berliner Zeitung, April 30/May 1, 2014, p. 7
“Huma Bhabha,” Mousse Magazine, No. 43, April/May 2014, p. 270
“Gallery Weekend. Huma Bhabha,” Berliner Zeitung, April 30/May 1, 2014, p. 7
Nehb, Julika Luise, “Sieben aus fünfzig: Die besten Ausstellungen zum zehnjährigen Jubiläum, Welt am Sonntag,” Gallery Weekend Berlin 2014, April 27, p. 22

“Readings,” Harper’s Magazine, December 2013, p. 24
Aspen, Peter, Financial Times, December 14, 2013
Blouin Artinfo, November 14, 2013
Donoghue, Katy, Whitewall, December 2, 2013
Kobel Stefan, Artmagazine, December 5, 2013
Martin, Lydia, “Art Basel,” The Miami Herald, December 10, 2013
Tschisa, Anne, “Critics Pick,” The Miami Herald, December 6, 2013
Karafin, Amy, “Huma Bhabha’s Unnatural Creatures,” Art & Australia, Spring 2013
Schjeldahl, Peter, “Huma Bhabha Unnatural Histories,” The New Yorker, January 28, 2013
Ko, Hanae, “Unnatural Histories,” Art Asia Pacific, March/April 2013
Mosyanska, Anna, “World of Art, Sculpture Now,” Thames and Hudson Word of Art Press, 2013

“Standing Tall,” V Magazine, December 2012
Rosenberg, Karen, “Totems That Tell About the Past and the Future,” The New York Times, December 7, 2012
Viveros-Faune, Christian, “Huma Bhabha Does Rodin Meets Mad Max,” The Village Voice, December 5, 2012
Reddy, Sameer, “Reading Between the Lines of Time,” The Wall Street Journal, November 17, 2012
Thrun, Neil, “Visual Art Review,” The Kansas City Star, October 10, 2012
Schjeldahl, Peter, “Pothole,” The New Yorker, June 22, 2012
Cashdan, Marina, “Culture,” The New York Times T Magazine, June 13, 2012
Asfour, Nana, “Pothole,” Time Out New York, June 25, 2012

*Huma Bhabha, with texts by Thomas McEvilley and interview by Julie Mehretu, New York: Salon 94 and Peter Blum Gallery, 2011
Zuckerman Jacobson, Heidi, “Hopeful Disaster,” Modern Painters, Dec-Jan 2011, pp. 54-57
Smith, Roberta, “Paul Clay,” The New York Times, June 30, 2011
Rana, Junaid, “Terrifying Muslims,” Duke University Press, 2011, cover
"24 Questions for Artist Rob Pruitt," ARTINFO, March 29, 2011
"Bomb Specific/ Huma Bhabha with Jason Fox,” Bomb, Number 115, Spring 2011, pp. 55-59
"Huma Bhabha's Post Apocalyptic Sculpture at Beautiful Decay," Huffington Post, April 5,
“Review: Huma Bhabha/Rhona Hoffman Gallery," New City Art, April 11, 2011
Williams, Gilda, "Huma Bhabha,” Art Forum, March 2011, pp. 277-278
Weinberg, Lauren, "Huma Bhabha at Rhona Hoffman Gallery," Time Out Chicago, April 13, 2011
Masters, H.G., “Huma Bhabha,” Art Asia, 2011, pp. 230-231
“Huma Bhabha,” The New Yorker, January 17, 2011
Cotter, Holland, Review, The New York Times, January 14, 2011, p. C22
Adler, Alex, Drawing Center News Blog, January 7, 2011

“Mystic Truths,” Huma Bhabha interviewed by Matthew Day Jackson, Flash Art International, pp. 88-91
Sherwin, Skye, “Artist of the week 119: Huma Bhabha,” The Guardian, December 30, 2010
Herbert, Martin, “Huma Bhabha,” Time Out London, December 10, 2010
Stillman, Steel, "In the Studio: Huma Bhabha with Steel Stillman," Art in America, November 2010, pp. 84-93
Yu, David, ArtSlant, November 2010
Cotter, Holland, "1 Artist, 2 Shows, 2 Mediums, 1 Vision," The New York Times, December 17, 2010, pp. C1, C5
Smith, Roberta, "When the Art Stared Back and Other Trends,” The New York Times, December 16, 2010, p. AR24
Saltz, Jerry, "The Year in Art," New York Magazine, December 5, 2010
Smith, Roberta, “Art in Review,” The New York Times, December 17, 2010, p. C34
Heinrich, Will, "Art in the Age of Information Saturation,” The New York Observer, November 22, 2010
Laster, Paul, "Body of Work," The New York Observer, October 4, 2010, pp. 4-6
Johnson, Ken, “Art Review,” The New York Times, August 27, 2010, p. C21
Dost, Lennard, “De authentieke, inheemse culturen bestaan niet echt,” De Volkskrant, June 28, 2010
Sheets, Hilarie M., “Where Pharaohs Meet Mad Max,” ARTnews, Summer 2010, pp. 100–105
Rosenberg, Karen, “Commentary That’s Both Visual and Vocal,” The New York Times, July 1, 2010, p. C26
Halle, Howard, “Art Review: 2010 Whitney Biennial,” Time Out New York, Issue 753, March 2010, pp. 4-10
Schjeldahl, Peter, “No Offense,” The New Yorker, March 8, 2010, pp. 80 – 81
Saltz, Jerry, “Change We Can Believe In,” New York Magazine, March 8, 2010, pp. 62-63
Cotter, Holland, “At a Biennial on a Budget, Tweaking and Provoking,” The New York Times, February 25, 2010, pp. C21, C30
*Bonami, Francesco and Gary Carrion-Muryari, 2010 Whitney Biennial, The Whitney Museum of American Art, pp. 28-29
Fischer, Jonathan L. “The Nifty 50,” T – The New York Times, February 8, 2010,

*Vitamin 3-D: New Perspectives in Sculpture and Installation, London: Phaidon Press, 2009
Johnson, Ken, “Art in Review,” The New York Times, January 30, 2009
Rosenberg, Karen, “Art in Review,” The New York Times, October 16, 2009
Kerstin, Winking, “Reviews,” Flash Art International, October 2009, p. 95
Canning, Susan, Features, “Of Monument and Moment: Huma Bhabha’s Cinema of Decay,” Sculpture Magazine, November 2009, pp. 24-29

Cotter, Holland, “Art in Review,” The New York Times, January 15, 2008
Considine, Liam, “Reviews,” Museo, No. 8, 2008
Masters, H.G., “Reviews,” Art Asia Pacific, No. 57, March/April 2008, p. 146
Schjeldahl Peter, “The Critics,” The New Yorker, August 4, 2008, pp. 74-75
Thompson, Don, “The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art,” Palgrave Macmillon, 2008, p. 6
Luke, Ben, “Art World,” Interview, 2008
Casagrande, Reggie, Lipsticktracez, July 9, 2008
Lee, Sasha, “Interview: Huma Bhabha,” Beautiful Decay, September 16, 2008
Gennocchio, Benjamin, “Art Review,” The New York Times, October 19, 2008, p. CT10

Smith, Roberta, “War Stories,” The New York Times, December 30, 2007
Sholis, Brian, “Reviews”, Artforum, December 2007, pp. 354-355
Princenthal, Nancy, Art in America, December 2007, pp. 146-149
Saltz, Jerry, “Critics Pick,” New York Magazine, September 21, 2007
Smith, Roberta, “Art in Review,” The New York Times, October 5, 2007, p. E41
Kilston, Lyra Liberty, “Reviews,” Modern Painter, November 2007, p. 93
Mack, Joshua, “Art Review,” Time Out New York, Issue 628, October 11-17, 2007
Wolff, Rachel, “Young Masters,” New York Magazine, October 15, 2007, p.54
Kerr, Merrily, “Ouverture,” Flash Art, January-February 2007, p. 112
Dault, Gary Michael, “Visual Arts Review,” The Globe and Mail, May 2007, p. R16

Smith, Roberta, “Art in Review,” The New York Times, March 17, 2006, p. E37
Searle, Adrian, “Culture,” The Guardian, October 5, 2006, p. 20
Wullshlager, Jackie, The Financial Times, October 6, 2006
Guner, Fisun, Metro, October 10, 2006
Hubbard, Sue, The Independent, October 10, 2006
Ellis, Patricia, Flash Art, October 2006

Saltz, Jerry, “Art Review,” Village Voice, March 30, 2005, p. 77
Thorson, Alice, “Art Reviews,” The Kansas City Star, April 24, 2005
Kley, Elisabeth, ArtNews, May 2005, p. 139
Lemieux-Ruibal, Bruno, Lapiz Revista Internacional de Arte, 218, December 2005

Cotter, Holland, “Art in Review,” The New York Times, February 20, 2004, p. E34
“Critics Pick: Art Reviews,” Time Out NY, February 26, 2004, p. 65

Cotter, Holland, “Art in Review,” The New York Times, April 19, 2002, p. E42

Johnson, Ken, “Art in Review,” The New York Times, October 22, 1999, p. E41
Ivy, Angus, “Wop: ANP Antwerp, Belgium,” Zingmagazine, Vol. 3, Spring/Summer 1999, pp. 229-230

Cotter, Holland, “Art in Review,” The New York Times, November 20, 1998, p. E43
Ali, S. Amjad, Dawn Magazine Sunday, March 29, 1998, pp. 4-5
Ali, Amra, “Jargon, Identity and Space,” The News on Sunday, March 29, 1998, p. 32
Husain, Marjorie, “A Taste of the Big Apple,” The Review, March 26, 1998, p. 25

Lanz, Frank, ID Magazine, November 1996

Pagel, David, “Art Reviews,” Los Angeles Times, May 13, 1993, p. 5
Levin, Kim, “Art in Brief,” The Village Voice, January 1993
McConnaghy, Claire, Cover, March 1993

Hagemans, Arno, “Riskant Eritiek, Maars Geen Porno in The Red Light Show,” UtrechtsNieuwsblad, September 16, 1991
Hoenjet, Frank, “de Sinaasappelhuid van De Erotiek,” Universiteitsblad Utrechts,
September 24, 1991
“Feature Creatures,” Flash Art, November/December 1991, p.152

    Selected Press

  • Blau
    Huma Bhabha
  • The New Yorker
    Alien Resurrection
    Andrea Scott
  • NYTimes.com
    A Sci-Fi Showdown at the Met Museum’s Rooftop Garden
    Martha Schwendener
  • NYTimes.com
    Huma Bhabha Takes an Ax to Her Exhibit at the Met
    Ted Loos
  • Vault
    Huma Bhabha: The Remains of the Day
    Rebecca Gallo
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