David Kordansky Gallery

Biography

born 1941, Brooklyn, New York, NY
lives and works in Venice, CA and New York, NY


EDUCATION

1963
BS, Carnegie Mellon University (formerly the Carnegie Institute of Technology), Pittsburgh, PA


SELECTED SOLO EXHIBITIONS
(* indicates a publication)

2019
Chromospheres, David Kordansky Gallery, Los Angeles, CA

2017
*Fred Eversley, 50 Years An Artist: Light & Space & Energy, Muscarelle Museum of Art, The College of William & Mary, Williamsburg, VA
Rose Art Museum, Brandeis University, Waltham, MA

2016
Black, White, Gray, Art + Practice, Los Angeles, CA

2012
David Richard Gallery, Santa Fe, NM

2011
*William Turner Gallery, Santa Monica, CA

2010
LA Artcore Gallery, Los Angeles, CA

2008
Quandro Gallery, Dubai, United Arab Emirates

2004
*Osuna Gallery, Washington, D.C.
European Space Agency Gallery, The Hague, Netherlands

2003
Capa Esculturas, Brussels, Belgium

1991
Eve Cohon Gallery, Chicago, IL

1988
Hokin Gallery, Palm Beach & Bal Harbor, FL

1985
Loyola Marymount University, Los Angeles, CA

1984
Bacardi Art Gallery, Miami, FL

1983
Braunstein Gallery, San Francisco, CA

1982
Pepperdine University Art Gallery, Malibu, CA

1981
National Academy of Science, Washington, D.C.
American Institute of Architects, Washington, D.C.

1980
Artist in Residence Exhibition, National Air and Space Museum, Washington, D.C.

1978
Palm Springs Art Museum, Palm Springs, CA

1977
Oakland Museum of California, Oakland, CA
Quay Gallery, San Francisco, CA

1976
National Academy of Science, Washington, D.C.
Los Angeles Institute of Contemporary Art, Los Angeles, CA
*Santa Barbara Museum, Santa Barbara, CA
Orange County Museum of Art, Newport Beach, CA

1975
Andrew Crispo Gallery, New York, NY

1973
J.L. Hudson Gallery, Detroit, MI

1971
Morgan Gallery, Kansas City, MO
Quay Gallery, San Francisco, CA

1970
Whitney Museum of American Art, New York, NY
Phyllis Kind Gallery, Chicago, IL
0.K. Harris Gallery, New York, NY
Jack Glenn Gallery, Corona Del Mar, CA


SELECTED GROUP EXHIBITIONS
(* indicates a publication)

2018
Soul of A Nation: Art in The Age of Black Power, curated by Mark Godfrey, Zoe Whitley and Lauren Haynes, Brooklyn Museum, Brooklyn, NY
Radiant Space, Lesley University, VanDernoot Gallery, Cambridge, MA
*Space Shifters, curated by Cliff Lauson, Tarini Malik and Thomas Sutton, Hayward Gallery, London, England
Water & Power, The Underground Museum, Los Angeles, CA

2016
Work Over School: Art from Margins of the Inside, Craft and Folk Art Museum, Los Angeles, CA
Artworks by African Americans from the Collection, Smithsonian American Art Museum, Washington, DC
Georgia Museum of Art, Athens, GA

2015
Notations: Minimalism in Motion, Philadelphia Museum of Art, Phildelphia, PA
The Triumph of Love: Beth Rudin DeWoody Collects, Norton Museum of Art, FL
Plastic: Art in an Era of Material Innovation, Neuberger Museum of Art, Purchase, NY
Selections from the Permanent Collection of the Neubeger Museum of Art, Neubeger Museum of Art, Purchase, NY
Past Futures - Science Fiction, Space Travel, and Postwar Art of the Americas, Bowdoin College Museum of Art, Brunswick, ME
Selections from the Permanent Collection of the Orange County Museum of Art, Orange County Museum of Art, Newport Beach, CA
Ethereal, William Turner Gallery, Santa Monica, CA

2014
*African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, Everson Museum of Art, Syracuse, NY; Crocker Art Museum, Sacramento, CA; Hunter Museum of American Art, Chattanooga, TN
David Richard Gallery, Santa Fe, NM

2013
*African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, Albuquerque Museum, Albuquerque, NM; Peabody Essex Museum, Salem, MA; Menello Museum of american Art, Orlando, FL
*Now Dig This! Art and Black Los Angeles, 1960-1980, the Williams College Museum of Art, Williamstown, MA
*DYNAMO, A century of light and movement in art 1913-2013, Réunion des Musées Nationaux, Paris, France
COLORS AND OPTICS, David Richard Gallery, Santa Fe, NM

2012
For the Martian Chronicles, L&M Arts, Venice, CA
African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, Muscarelle Museum of Art, Williamsburg, VA; Smithsonian American Art Museum, Washington, D.C.
*Now Dig This! Art and Black Los Angeles, 1960-1980, MoMA PS1, Long Island City, NY
Smooth operations: Substance and Surface in Southern California Art, Lancaster’s Museum of Art and History (MOAH), Lancaster, CA
Rodin to Now: Modern Sculpture, Palm Springs Art Museum, Palm Desert, CA
Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970, The Getty Center, Los Angeles, CA; The Martin Gropius Bau Museum, Berlin, Germany
The Nelson-Atkins Museum of Art, Kansas City, MO

2011
The Gleam In The Young Bastards Eye, William Turner Gallery, Los Angeles, CA
Pacific Standard Time // Paris, California Light, Space and Surface, Galerie Dominique Fiat, Paris, France
Permanent Collection, Crystal Bridges Museum of American Art, Bentonville, AK
Greetings from LA: Artists and Publics 1945-1980, Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970, The Getty Center, Los Angeles, CA
Places of Validation, Art and Progression, The Museum of African American Art (MAAA), Los Angeles, CA
*Now Dig This! Art and Black Los Angeles, 1960-1980, Hammer Museum, Los Angeles, CA

2010
The Last Plastics Show, Carldwell Jimmerson Gallery, Culver City, CA
The Artist’s Museum, The Museum of Contemporary Art (MOCA), Los Angeles, CA
Some (Old School) South Coast Guys, Robert Berman Gallery, Los Angeles, CA

2009
Off the Wall, Manhattanville College Gallery of Fine Arts, Purchase, NY
Modern & Contemporary, Jack Rutberg Gallery, Los Angeles, CA

2007
American Sculpture, Art Pavillon-St-Urban, St Urban, Switzerland

2006
Energy/Experimentation: Black Artists and Abstraction 1964-1980, The Studio Museum in Harlem, New York, NY
Austrian Biennale – 2006, Klagenfurt, Austria

2005
Insatiable Desires, Fisher Gallery, University of Southern California, Los Angeles, CA
Biennale Internationale Dell’Arte Contemporanea, Florence, Italy
African American Artists in Los Angeles, A Survey Exhibition: Pathways (1966-1989), California African American Museum, Los Angeles, CA

2004
Monocromos: de Malevich al presente, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
Rhythm of Structure-Mathematic Aesthetic, Kenkeleba Gallery, New York, NY

2003
Selections of Permanent Collection, Chelsea Art and Design, Sarasota, Fl
Biennale Internationale Dell’Arte Contemporanea, Florence, Italy
Plastic Fantastic, Exhibit A Gallery, New York, NY

2002
Mathart/Artmath, Shelby Gallery, Ringling School of Art and Design, Sarasota, FL
Mono-Chrome, Paul Rogers/9W Gallery, New York, NY
Samadhi: The Contemplation of Space, Chelsea Art Museum, New York, NY
Rhythm of Structure, Fire Patrol No.5 Gallery, New York, NY

2000
Celebrating Modern Art: The Anderson Collection, San Francisco Museum of Modern Art, San Francisco, CA
Permanent Collection, Orange County Museum of Art, Newport Beach, CA
Sculpture Today 2000, Galerie Marie-Louise Wirth, Zurich, Switzerland
Summer Show, Chatauqua Ctr for the Visual Arts, Chatauqua, NY

1997
Feast On Art, Orange County Museum Of Art, Newport Beach, CA

1995
Free Within Ourselves, Smithsonian American Art Museum, Smithsonian Institution, Washington D.C.

1994
Highlights Of The Permanent Collection, Newport Harbor Art Museum, Newport Beach, CA

1992
Fusion ‘93, Pauline Hirsh Gallery, Los Angeles, CA
In Context, Boritzer/Gray Gallery, Santa Monica, CA

1991
ARCO, Galerie Lorenzelli Arte, Madrid, Spain
Art Miami, Eve Cohon Gallery, Miami, FL
Baker Jaffe Gallery, Boca Raton, FL
Finish Fetish, University of Southern California, Los Angeles, CA
Constructive Concepts, Ersgard Gallery, Santa Monica, CA

1990
Caro, Venet, Eversley, Elisabeth Franck Gallery, Knokke, Belgium
FIAC presentation, Galerie Denise Rene, Paris, France

1989
Celebrate Afro-American Art: Yesterday and Today, Connecticut Gallery of Marlborough, Hartfort, CT

1988
Orange County Museum of Art, Newport, CA
Highlights of the Simon Guggenheim Museum Collection, Columbia Museum of Art, Columbia, SC
Constructivist Art, Museum Ludwig, Cologne, Germany

1987
Artwalk ‘87 Salvo, Merging One Gallery, Santa Monica, CA
Juda-Rowan Gallery, London, England
Mathematik in der Kunst, Wilhelm-Hack Museum, Ludwigshafen, Germany

1985
Light Games, Angels Gate Cultural Center, San Pedro, CA

1984
Forgotten Dimension, Palo Alto Cultural Center, Palo Alto, CA
Nevelson, Stella, Eversley, Hokin Gallery, Bay Harbor Islands, FL
Forgotten Dimension, Visual Arts Gallery, Florida International University, Miami, FL
A Broad Spectrum: Contemporary Los Angeles Painters and Sculptors-84, Design Center of Los Angeles, Los Angeles, CA
East West, California Afro-American Museum, Los Angeles, CA
Juda Rowan Gallery, London, England
Reflections, Lonny Gans & Associates, Marina del Rey, CA

1983
An Artistic Conversation, Ulster Museum, Belfast, Ireland
Michael Lord Gallery, Milwaukee, WI
3-D Plus: Small Contemporary Sculpture, Braunstein Gallery, San Francisco, CA
An American Art: Post-World War II Painting and Sculpture, Birmingham Museum of Art, Birmingham, AL

1982
100 Years of California Sculpture, Oakland Museum of California, Oakland, CA
Une Expérience Museographique: Echange entre Artistes 1931-1982 Pologne - USA, Museum of Contemporary Art, Los Angeles, CA; Musée
d’Art Moderne de la Ville de Paris, Paris, France; The Museum of Modern Art, Lodz, Poland; the Ulster Museum, Belfast, Ireland
Forgotten Dimensions, Art Museum Association Traveling Exhibition, San Francisco, CA

1980
Artist in Residence Exhibition, National Air and Space Museum, Washington, D.C.

1978
Art of the Space Age, Huntsville Museum of Art, Huntsville, AL
Selected Acquisitions, Solomon R. Guggenheim Museum, New York, NY

1977
Painting & Sculpture in California - The Modern Era, National Collection of Fine Arts, Washington, D.C.
Inner Space, Mano Gallery, Chicago, IL
Contemporary Black Artists, Otis Art Institute, Los Angeles, CA
Contemporary Artists of the American West, Santa Fe Festival of the Arts, Santa Fe, NM
Inaugural Exhibition, Orange County Museum of Art, Newport Beach, CA
Materials of Art: Plastic, Joseloff Gallery, University of Hartford, West Hartford, CT
The Magic Circle, The Bronx Museum of the Arts, Bronx, NY

1976
A Tribute to Martin Luther King, Los Angeles Municipal Fine Arts, Los Angeles, CA
Painting & Sculpture in California - The Modern Era, San Francisco Museum of Art, San Francisco, CA
Carnegie-Mellon Alumni Exhibition, West Broadway Gallery, New York, NY
Painting and Sculpture Today - 1976, Indianapolis Museum of Art, Indianapolis, IN
Group Show, Lee Hoffman Gallery, Detroit, MI

1975
Monumental Sculpture Competition, Society of the Four Arts, Palm Beach, FL
Hard and Clear, Los Angeles County Museum of Art, Los Angeles, CA
Contemporary American Sculpture, Virginia Museum, Richmond, VA
*Creative America: forty-five American sculptures, Hong Kong Museum of Art, Hong Kong

1974
Directions in Afro-American Art, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY

1973
Six Sculptors, University of Colorado Art Museum, Boulder, CO
Blacks U.S.A. Now, New York Cultural Center, New York, NY
Soft and Light, Taft Museum of Art, Cincinnati, OH
Contemporary American Art, Andrew Crispo Gallery, New York, NY
Illuminations and Reflections, Whitney Museum of American Art, New York, NY

1972
Twentieth Century Sculpture From Southern California Collection, UCLA, Los Angeles, CA
Multi-Media, Richmond Art Center, Richmond, CA
The Last Plastics Show, California Institute of Arts, Valencia, CA
Group Show, Los Angeles County Museum of Art, Los Angeles, CA
10th Annual Southern California Exhibitions, Long Beach Museum of Art, Long Beach, CA
Group Show, Stanford University Museum of Art, Palo Alto, CA
Art For Your Collection, Rhode Island Museum of Art, Providence, RI
Act for McGovern, Pace Gallery, New York, NY
Sculpture Show, Annely Juda Fine Arts, London, England
Looking West, ACA Gallery, New York, NY
Whitney Annual, Whitney Museum of American Art, New York, NY

1971
Translucent and Transparent Art, Museum of Fine Arts, St. Petersburg, FL; Jacksonville Art Museum, Jacksonville, FL
Contemporary Black Artists in America, Whitney Museum of American Art, New York, NY
California Artists, Los Angeles County Museum of Art, Los Angeles, CA
Highlights of 1971 Season, Aldrich Museum of Contemporary Art, Ridgefield, CT
*Creative America: forty-five American sculptures, The American Center, Ankara, Turkey
Plastic Possibilities, Jr. Art Gallery, Louisville, KY
Afro-American Artists, Rath Museum, Geneva, Switzerland
American Kunst, 1959-1970, Louisiana Museum of Modern Art, Humleback, Denmark
73rd Western Annual, Denver Art Museum, Denver, CO

1970
A Decade of California Color 1960-1970, Pace Gallery, New York, NY
*Creative America: forty-five American sculptures, The American Center, Tokyo, Japan
Fourth Annual California Image Exhibition, CA
Plastic Presence, Milwaukee Art Museum, Milwaukee, WI; San Francisco Museum of Art, San Francisco, CA
Dimensions in Black, Museum of Contemporary Art, La Jolla, CA
Two Generations of Black Artists, California State College at Los Angeles, CA
Art and Technology, Los Angeles County Museum of Art, Los Angeles, CA
Permutations - Light and Color, Museum of Contemporary Art, Chicago, IL
New Acquisitions, Whitney Museum of American Art, New York, NY
Looking West, Joslyn Museum of Art, Omaha, NE
Pierres De Fantasie, Oakland Museum of California, Oakland, CA
Whitney Sculpture Annual, Whitney Museum of American Art, New York, NY
Sculpture, California State College at Long Beach, Long Beach, CA

1969
Point of View, California State College of Los Angeles Limited Editions Gallery, Los Angeles, CA
Plastic Art, San Pedro Municipal Gallery, San Pedro, CA
New Directions in Art, Westside Jewish Center, Los Angeles, CA
*Plastic Presence, Jewish Museum, New York, NY
Painting and Sculpture Today- 1969, Indianapolis Museum of Art, Indianapolis, IN

1968
Los Angeles Sculpture, Limited Editions Gallery, Los Angeles, CA


SELECTED PUBLIC COMMISSIONS

2003-2004
Katzen Center for the Arts, American University, Washington, D.C.

1999
Atelier sul Mae, Castel Di Tusa, Sicily, Italy
Rossini Sculpture Pak, Briosco (MI), Italy

1996
U.S. Internal Revenue Service Headquarters – Entrance Sculpture, New Carrollton, MD

1992
Pavillion of Saudi Arabia, Expo ’92, Sevilla, Spain

1987
Barton Plaza, Rancho Cucamonga, CA

1985
Rohm Corporation, Santa Clara, CA

1984
Edmund D. Brown State Office Building, San Francisco, CA
First Interstate Plaza, San Diego, CA

1983
Bank of America, San Francisco, CA
San Francisco International Airport, San Francisco, CA

1980
Armand Hammer Award, The Cultural Commission, Los Angeles, CA
Dade County International Airport, Miami, FL
Flour Corporation, Irvine, CA

1976
International Business Machines General Systems Division, Atlanta, GA

1975
Hyatt-Reunion Hotel, Dallas, TX

1972
Genstar Ltd., San Francisco, CA
Lenox Square, Atlanta, GA
Lloyds Bank of California, Los Angeles, CA


GRANTS, AWARDS AND RESIDENCIES

2018
Lifetime Achievement Award, James A. Porter Colloquium, Howard University, Washington DC

2010
Artist of The Year Award, LA Artcore, Los Angeles, CA

2003
City of Florence Award, Biennale Internationale Dell’ Arte Contemporanea Florence, Italy

2001
First Prize – Sculpture, Biennale Internationale Dell’ Arte Contemporanea Florence, Italy

1977-1980
First Artist in Residence, Smithsonian Institution, Washington, D. C.

1972
First Purchase Prize, Tenth Annual Southern California Exhibition, Long Beach Museum of Art, Long Beach, CA
Individual Artist Fellowship Grant, National Endowment for the Arts, Washington, D. C.

1970
First Purchase Prize, Fourth Annual California Small Images Exhibition, California State College at Los Angeles, Los Angeles, CA


SELECTED BIBLIOGRAPHY
(* indicates non-periodical book, catalog, or other publication)

2018
*Kerry James Marshall: A Creative Convening, Edited by Sandra Jackson-Dumont, New York: The Metropolitan Museum of Art, 2018
Harris, Gareth, "Blue-chip artists retain evergreen appeal at Art Basel Miami Beach," FT.com, December 6, 2018
Reyburn, Scott, “In Paris, the Art Scene Is Happening. London Had Better Look Out.,” NYTimes.com, October 19, 2018
Lesauvage, Magali, Eleonore Thery, and Marine Vazzoler, “A la Fiac, une pluie de ventes / At Fiac, une shower of sales,” L’Hebdo du Quotidien de l’Art, October 19, 2018, pp. 6-7
"Space Shifters review," TimeOut.com, September 2018
Luke, Ben, "Space Shifters review: Illusion-inducing art to make you gasp at the Hayward Gallery," Standard.co.uk, September 26, 2018
Durón, Maximilíano, “David Kordansky Now Reps Fred Eversley,” ArtNews.com, September 26, 2018

2017
*FRED EVERSLEY, 50 YEARS AN ARTIST: LIGHT & SPACE & ENERGY, Muscarelle Museum of Art, College of William & Mary, Williamsburg, VA, 2017
DeBerry, Linda, “Harmonic Convergence: An Interview (and more) with Fred Eversley,” C Magazine of Crystal Bridges Museum of American Art, V.6, No. 2, 2017
Carlock, Marty, “Waltham, Massachusetts: Fred Eversley,” Sculpture, Vol. 36, July/August 2017, pp. 73-74
Swenson, Kirsten, “Fred Eversley,” ArtinAmericaMagazine.com, May 26, 2017
Barliant, Claire, “Fred Eversley’s Black, White, Grey Cosmic Objects,” BombMagazine.org, March 28, 2017
McQuaid, Cate, “At the Rose, oracular sleekness and a very different Sahara,” The Boston Globe, March 8, 2017
Cook, Greg, “How Fred Eversley Went From NASA Engineer to Cosmic Artist In ‘60s LA,” Wbur.org, March 8, 2017
DeBerry, Linda, “Black History Month: Fred Eversley,” CrystalBridges.org, February 23, 2017
“Kerry James Marshall: A Creative Convening, Afternoon Session,” MetMuseum.org, January 20, 2017

2016
*1971: A Year in the Life of Color, with text by Darby English, Chicago: University of Chicago Press, 2016

2015
*Past Futures-Science Fiction, Space Travel, and Postwar Art of the Americas, with text by Sarah J. Montross, Cambridge: MIT Press, 2015

2014
Landi, Ann, "When Is an Artwork Finished?,” ARTnews, February 24, 2014

2012
*African American Art: Harlem Renaissance, The Civil Rights Movement, and Beyond, with text by Richard J. Powell and Virginia Mecklenburg, Seattle and New York: Smithsonian American Art Museum and Rizzoli, 2012

2011
*Pacific Standard Time, Los Angeles Art 1945-1980, with text by Rebecca Peabody, Andrew Perchuk, Glenn Phillips, Rani Singh, and Lucy Bradnock, Los Angeles: The Getty Foundation, 2011
*Now Dig This! Art & Black Los Angeles, 1960-1980, edited by Kellie Jones, Los Angeles and New York: The Hammer Museum and Prestel, 2011
*L.A. Rising SoCal Artists before 1980, with text by Lyn Kienholz, Los Angeles: California International Arts Foundation, 2011
Dawkins, Wayne, “Frederick Eversley-Art, Energy and Invention”, IRAAA, Vol. 23 No. 3, 2011

2007
*The Rediscovery Of The Function Of A Work Of Art, with text by Doris Von Drathen, Ithaca: Cornell University, 2007

2006
*Monochromes: From Malevich to the Present, with text by Barbara Rose, Gladys Fabre, Christopher K. Ho, and Vincenzo Trione, Berkeley: University of California Press, 2006
Cotter, Holland, “Energy And Abstraction At The Studio Museum In Harlem,” The New York Times, New York, April 7, 2006
Arakkal, Yusuf, “Master Of Aesthetic Energy,” New Indian Express, May 14, 2006

2005
Lewis, JoAnn, “A Dentist Who Put Teeth in AU’s Artistic Ambition”, The Washington Post, July 3, 2005
Cohen, Jean Lawlor, “Art By Appointment,” The Essential/Washington, November 2005
Faccenda, Giovanni, “Pittura e Scultura Sorprendono alla Biennale,” La Nazione, December 6, 2005

2004
Solana, Guillermo, “Monocromos – El Color Del Silencio,” Descubrir El Arte, Spain, Ano VI, No. 64, June 2004
Los Monocromos-Luz como Espacio-Tiempo o el Color como Devenir, with text by by Fabre Gladys, Spain: Museo Nacional Centro de Arte Reina Sofía Catalog, 2004
Vecchio, Paola Del, “Blanco Su Blanco-Artisti In Mostra Per Un Solo Colore,” IL Mattino-Online, June 15, 2004
Navarro, Mariano, “Desde El Silencio De La Pintura,” El Cultural, Madrid, June 17, 2004
Blanco, Miguel Angle, “Monocromas: La Expresion Mas Radical Del Atre,” Cultura, June 18, 2004
“El Arte De Un Solo Color Se Instala En El Museo Renia Sofia a Traves de 78 Artistas,” La Cultura, June 16, 2004

2003
*Fred Eversley – Energeia, with text by Barbara Rose, Brussels: Capa Esculturas, 2003
Watabe, Mika, “Fred Eversley,” Mono Magazine, November 2003
Gomez, Luis, “Capa Esculturas acoge la obra de Fred Eversley,” Ecos, December 2003
De Vresse, Yves, “Sculptor in Light,” Agenda Expo/Art Expo, December 2003
“Fred Eversley: Sculptures Optiques,” Artenews, December 2003
“Galerie Capa Esculturas,” Art Bruxelles, December, 2003
Marcucci, Raffaella, “L’arte contemporanea ‘invade’ la Fortezza,” La Nazione, December 6, 2003

2002
Vancelette, Rachel, “American Artists in Italy. The 2001 Biennale Internazionale dell’Arte Contemporanea, Florence, Italy,” NY Arts, January 2, 2002
Giulio, Braccini “And the Winner is…,” Art and Antiques, March 2002

2001
Giulio, Braccini, “La Biennale D’Arte Ecco Tutti I Premi,” Il Giornale Della Toscana, December 16, 2001

2000
Rose, Barbara, “C’È ma non si vede,” Arte In, Venezia, IT, anno XII, num. 64, December 1999 - January 2000
Kraft, Von Martin, “Weiss aufGrun,” Zuritipp, June 30, 2000
Leiby, Richard, “Sculptor Eversley,” The Chautauquan Daily, July 29-30, 2000

1999
Gallo, Cettina, “Arte Ed Energia - Frederick Eversley,” ECO ENEA - L’ARCA, 1999

1997
Leiby, Richard, “Conversation Pieces-When Art Goes Public,” The Washington Post, June 27,1997

1996
Madigan, Nick, “On The Trail of Art Walk,” The Outlook, May 20, 1996

1994
Riva, Ezio, “Interventi-Frederick John Eversley,” Letterna Pristem, June 12, 1994

1989
Raynor, Vivien, “Art: Black Artist, Past and Present,” New York Times, 1989

1988
Guderian, Dietmar, “Mathematick in der Kunst der letzten dreibig Jahre,” Germany, 1988

1987
Price, Susan, “Behind Studio Doors,” Los Angeles Times, Sunday Magazine, May 24, 1987

1985
McKenna, Kristine, “Eversley Revives The Finish Fetish Mode,” Los Angeles Times, October 2, 1985
Hugo, Joan, “Pick of The Week,” L.A. Weekly, October 4-10, 1985

1984
Ahlander, Leslie Judd, “Enjoy Two Vital Views,” The Miami News, February 10, 1984
Kohn, Helen L., “Celebrating Works of Black Artists,” The Miami Herald, February 10, 1984

1983
Atterbeny, Gisele, “Forgotten Dimension,” New Art Examiner, January 1983

1982
*California Artists Cookbook, with text by Ann Seymour and Chotsie Blank, New York and San Fransisco: Abbeville Press and the San Fransisco Museum of Modern Art, 1982
Weingarten, Toni, “Toys Just Waiting to be Discovered,” The Evening Outlook, March 13-14,1982

1980
Loar, Peggy, “Interview with Fred Eversley,” Ocular, Summer Quarter, Vol. 5, No. 2, 1980

1978
Kutner, Janet, “Art - If You Can Find It,” Dallas Morning News, August 10, 1978
Richard, Paul, “The Space Museum’s Latest Craft,” The Washington Post, December 8, 1978

1977
Glass, Laurie H., “Fred Eversley Retrospective,” Artweek, 1977
Neisser, Pat, “Eversley Exhibit Opens in Orange County,” Orange County Newport Life Magazine, January 1977, p. 45
Albright, Thomas, “Color, Optical Illusions in Eversley’s Sculptures,” San Francisco Chronicle, May 17, 1977
Frankenstein, Alfred, “Asian Treasures and Modern Sculpture,” San Francisco Examiner, March 6, 1977, p. 41
Glass, Laurie H., “Fred Eversley Retrospective,” Artweek, March 26, 1977, p. 16
Goldenthal, Jolene, “Plastics Show Versatility,” Hartford Times, January 1977
“U of H to Show Plastics,” The Hartford Courant, Sunday, January 30, 1977

1976
Forgery, Benjamin, “Polished Spheres Catch and Hurl Light,” The Washington Star, January 9, 1976, p. C-3
Seldis, Henry J., “Optical Magic Turns Us Inward as We Look Out,” Los Angeles Times, Calendar, May 23, 1976, pp. 76-78
Hyman, Jackie, “Reflective Sculptures in Newport,” Daily Pilot, December 10, 1976, p. Cl

1972
McCann, Cecile N., “Multi-Media Black Art,” Artweek, March 25, 1972
Seldis, Henry J., “UC Campuses Show Modern Sculpture,” Los Angeles Times, Calendar, March 12, 1972
“Small Sculpture,” Marzhaye Now, February 1971, Vol. XV-2, p. 20
“Black Art: The Mainstream and Beyond,” America, Russia, Issue No. 186, April 1972, p. 54

1971
“Pace Review,” Artforum, January 1971, p. 73
Jones, Donald, “Art in Mid-America,” Kansas City Star, March 7, 1971
Canaday, John, “Black Artists on View,” New York Times, April 7, 1971, p. 52
“Review of Whitney Sculpture Annual,” Art International, Vol. XV, February 1971
Masheck, Joseph, “Sorting Out the Whitney Annual,” Artforum, February 1971
Albright, Thomas, “A Concern for Abstract Form,” San Francisco Chronicle, December 2, 1971

1970
Gruen, John, New York Magazine, Art Critic, June 8, 1970
“Art News 'Eversley in New York’,” Los Angeles Times, May 31, 1970
Hayden, Harold, “Art,” Chicago Sun Times, May 31, 1970
“Art News,” Chicago Today, June 20, 1970, p. 111
Rose, Barbara, “Art,” Vogue Magazine, April 1970
Constance, Perkins, “Small Sculpture,” Al-Majal, Issue No. 27, 1970
Rose, Barbara, “Black Art in America,” Art in America, September - October 1970
Seldis, Henry J., “Eversley Show in New York”, Los Angeles Times, 1970


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