David Kordansky Gallery

  • Affluent Poet, 2016, powder coated aluminum, wiring, lighting controller, bulbs, 10 x 7 1/2 x 9 1/4 inches (25.4 x 19.1 x 23.5 cm)
  • Untitled, 2016, plaster, steel, spent batteries, 97 1/2 x 36 x 21 inches (247.7 x 91.4 x 53.3 cm)
  • Untitled, 2016, (detail) plaster, steel, spent batteries, 97 1/2 x 36 x 21 inches (247.7 x 91.4 x 53.3 cm)
  • Indoor Light, 2016, steel, cardboard, aqua-resin, celluclay, paint, 92 x 164 x 89 inches (233.7 x 416.6 x 226.1 cm)
  • Sport, 2015, bronze, oil paint, 96 x 22 x 34 inches (243.8 x 55.9 x 86.4 cm)
  • Aphorism, 2015, steel, Sculptamold, plaster, paint, graphite, 58 x 18 x 45 inches(147.3 x 45.7 x 114.3 cm)
  • Dodecastack, 2015, cast aluminum, powder coat, high-temp spray paint, lightbulbs and fixtures, wiring, lighting controller, 124 x 17 x 17 inches (315 x 43.2 x 43.2 cm)
  • Mobius band pierced by ball traveling in one direction, 2013, steel, Aqua-Resin, fiberglass, celluclay, fabric, polyester batting, water-based paint, lacquer, 80 x 103 1/8 x 27 inches (203.2 x 261.9 x 68.6 cm)
  • Double David, 2012, bronze, 98 1/2 x 19 x 16 inches (250.2 x 48.3 x 40.6 cm), Edition of 3, with 1 AP
  • All of this and nothing, 2011, Hammer Museum, Los Angeles, CA, Installation view
  • 51-55, 2009, steel, Sculptamold, lead, paint, each unit approximately 68 x 48 x 40 inches, (172.7 x 121.9 x 101.6 cm)
  • 51-55, 2009, (detail) steel, Sculptamold, lead, paint, each unit approximately 68 x 48 x 40 inches (172.7 x 121.9 x 101.6 cm)
  • Project Series #35, 2008, Pomona College Museum of Art, Claremont, CA, Installation view
  • Relative Frequency, 2008, inflated inner tube, painted concrete, steel, necklace chain, 76 x 44 inches (193 x 112 cm)
  • Dialectic, 2006, cinderblocks, plaster, steel, brass, lightbulbs and fixtures, lighting controller, 87 x 74 1/2 x 110 inches (221 x 189.2 x 279.4 cm)
  • Dialectic, 2006, (detail) cinderblocks, plaster, steel, brass, lightbulbs and fixtures, lighting controller, 87 x 74 1/2 x 110 inches (221 x 189.2 x 279.4 cm)
  • Despair, 2005, welded steel, steel ball, wood, 92.5 x 96.13 x 96.13 inches (235 x 244 x 244 cm)
  • Non-Alchemical Transmutation Model, 2005, steel, Cel-Vinyl-painted steel, plaster, papier mache, graphite, dyed sisal rope, 43 x 16 x 13 inches (109.2 x 40.6 x 33 cm)
  • Power, plaster, sisal, steel, batteries, fluorescent light, 39 x 33 x 18 inches (99.1 x 83.8 x 45.7 cm)
  • Sunflower, 2004, paint, dried sunflower, dried corn, welded steel, 52 x 24 x 14 inches (132.1 x 61 x 35.6 cm)
  • .001 Seconds, 2001, steel, aluminum, Styrofoam, papier mache, 106 x 105 x 72 inches, (269.2 x 266.7 x 185.4 cm)
  • Music of Chopin Performed on the Reversed Piano, 2001, audio recording on Compact Disc, 50 minutes 14 seconds, Edition of 1000
  • Incense Sculpture, 2001, steel, plaster, carpet, incense, 37 x 53 x 30 inches (94 x 134.6 x 76.2 cm)
  • The Interval, 2001, wood, plaster, metal, paint, Casio keyboard, 73 x 35 x 22 inches (185.4 x 88.9 x 55.9 cm)
  • Color Theory Stick, 2000, wood, acrylic paint, metal, 70 x 42 1/8 x 44 inches (177.8 x 107 x 111.8 cm)
  • Reverse Piano Drawing, 2000, ink on paper, 52 x 51 inches (132.1 x 129.5 cm
  • Left-Handed Guitartist, 1998, Styrofoam, plaster, paper, graphite, 63 x 61 x 52 in (160 x 154.9 x 132.1 cm)
  • Smell Oven, 1997, wood, FRP panel, hardware, glass, rubber glove, foam, hot plate, skillet, bacon, galvanized ducting, duct tape, dimensions variable, box dimensions: 48 x 36 x 36 inches (121.9 x 91.4 x 91.4 cm)


born 1967, Whittier, CA
lives and works in Los Angeles, CA


MFA, University of California, Los Angeles, CA

BA, University of California, Santa Cruz, CA

(* indicates a publication)

Outdoor Sculpture, David Kordansky Gallery, Los Angeles, CA

Xavier Hufkens, Brussels, Belgium

Paula Cooper Gallery, New York, NY

David Kordansky Gallery, Los Angeles, CA

California Ras Shamra, Xavier Hufkens, Brussels, Belgium

*Trees, Heads and Molds, Xavier Hufkens, Brussels, Belgium
Post-process plunk, The Approach, London, England

Experimental and Professional, Harris Lieberman, New York, NY

The Approach, London, England

Projects Series #35, Pomona College Museum of Art, Claremont, CA

Scripted and Scored, Raucci Santamaria, Naples, Italy

$ocial Epi$temology, Harris Lieberman Gallery, New York, NY

Analog Counterrevolution, The Approach, London, England
A Voyage to Laputa, Xavier Hufkens, Brussels, Belgium

I Donʼt Exist, Marc Foxx, Los Angeles, CA
Art Now, with Dave Muller, San Francisco Museum of Modern Art, San Francisco, CA

Evan Holloway, Gary Webb, The Approach, London, England
A White Hunter, Marc Foxx, Los Angeles, CA

Xavier Hufkens, Brussels, Belgium
Raucci/Santamaria Gallery, Naples, Italy

New Work, The Approach, London, England
Marc Foxx, Los Angeles, CA

Marc Foxx, Los Angeles, CA

Black Cabinet, Marc Foxx, Santa Monica, CA
Drum Box, Room 702, Los Angeles, CA

(* indicates a publication)

California Artists from the Marciano Collection, Marciano Art Foundation, Los Angeles, CA
People, Jeffrey Deitch, Los Angeles, CA

MORE / LESS, de la Cruz Collection, Miami, FL
Taurus and the Awakener, David Kordansky Gallery, Los Angeles, CA
Mad World, organized by Ali Subotnick, Marciano Art Foundation, Los Angeles, CA
An Homage to Hollis Benton, Over the Influence, Los Angeles, CA
Jing’an International Sculpture Project (JISP), organized by Jing’An International Sculpture Project and Purple Roof Gallery, Jing’an Sculpture Park, Shanghai, China

Inaugural exhibition: The Bunker, co-curated by Phillip Estlund, Laura Dvorkin and Maynard Monrow, The Bunker, West Palm Beach, FL
Force and Form, de la Cruz Collection, Miami, FL
The Sculpture Park, curated by Peter Nagy, Madhavendra Palace, Nahargarh Fort, Jaipur, India
20 Years Show, The Approach Tavern, London, England
Adult Swim, curated by Gerasimos Floratos, Pilar Corrias, London, England
botánica, organized by Todd von Ammon, John Berggruen Gallery, San Francisco, CA
Please fasten your seat belt as we are experiencing some turbulence, Leo Xu Projects, Shanghai, China
*Los Angeles - A Fiction, curated by Gunnar B. Kvaran, Thierry Raspail, and Nicolas Garait-Leavenworth, with advisory from Hans Ulrich Obrist, Ali Subotnick and Alex Israel, Musée d'art Contemporain de Lyon, Lyon, France

*Los Angeles - A Fiction, curated by Gunnar B. Kvaran, Thierry Raspail, and Nicolas Garait, Astrup Fearnley Museet, Olso, Norway
Progressive Praxis, de la Cruz Collection Contemporary Art Space, Miami, FL
Triples, The Approach, London, England
Don’t Look Back: The 1990s at MOCA, The Geffen Contemporary at MOCA, Los Angeles, CA

Still Life: Capturing the Moment, Palm Springs Art Museum, Palm Desert, CA
You’ve Got to Know the Rules … to Break Them, De La Cruz Collection,
Contemporary Art Space, Miami, FL

Another Cats Show, 365 Mission, Los Angeles, CA
The Fifth Wall, Armory Center for the Arts, Pasadena, CA

Theatrical Gestures, The Herzliya Museum of Contemporary Art, Herzliya, Israel
Lightness of Being, Public Art Fund, City Hall Park, New York, NY

Give me Head: Selected Paintings and Sculpture, James Harris Gallery, Seattle, WA
Viva la Raspberries, Harris Lieberman Gallery, New York, NY

*American Exuberance, Rubell Family Collection, Miami, FL
Knock, Knock! From the Collection of Paul and Sara Monroe, Anderson Gallery, Virginia
Commonwealth Gallery, Richmond, VA
There are two sides to every coin and two sides to your face, curated by Carlos Cadenas, Galerie Xippas, Paris, France
Group show with Rose Wylie, The Approach, London, England
*All of this and nothing, Hammer Museum, Los Angeles, CA
The Artistʼs Museum, The Museum of Contemporary Art, Los Angeles, CA
*Home Show, Revisited, Santa Barbara Contemporary Art Forum, Santa Barbara, CA

Kurt, Seattle Art Museum, Seattle, WA
Everynight, I go to sleep, Stuart Shave/Modern Art, London, England
HEAD, The Approach, London, England
*At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
The Secret Knows, LAND at The Virgin Mobile Freehouse, Austin, TX
Afterglow: Rethinking West Coast Light and Space Art, Wiegand Gallery, University of Notre Dame de Namur, Belmont, CA"
Multiple Pleasures: Functional Objects in Contemporary Art, curated by Nathalie
Karg/Cumulus Studios, Tanya Bonakdar Gallery, New York, NY

Play, Prakke Contemporary and Paradise Row, London, England
*Moby Dick, CCA Wattis Institute for Contemporary Arts, San Francisco, CA
Art of the Sea, Beaufort03, Ostend, Belgium
Second Nature: The Valentine-Adelson Collection, The Hammer Museum, Los Angeles, CA

*The Wizard of Oz, CCA Wattis Institute for Contemporary Arts, San Francisco, CA
Songs Informing a Sculpture of the Tin Man, (in conjunction with The Wizard of Oz at Wattis) Eric Bene Project Space, Hollywood, CA
The Impossible Prison, curated by Alex Farquharson, the Police Station at the Galleries of Justice, Nottingham, England
*2008 California Biennial, Orange County Museum of Art, Newport Beach, CA
Globetrotters, Sister Gallery, Los Angeles, CA

Ensemble, curated by Christian Marclay, Institute of Contemporary Art, Philadelphia, PA
For Ree, Marc Foxx, Los Angeles, CA
Sculptorsʼ Drawings: Ideas, Studies, Sketches, Proposals and More, Angles Gallery, Santa Monica, CA
Oliver Twist, Rental Gallery, New York, NY
My Flashing Laundrette, Raucci/Santamaria Gallery, Naples, Italy
Designomite, Black Dragon Society, Los Angeles, CA
Time Difference, Initial Access, Manchester, Englad

Street Signs and Solar Ovens: Socialcraft in Los Angeles, The Craft and Folk Art Museum, Los Angeles, CA
Trash + Treasure, Miliken Gallery, Stockholm, Sweden
FOCA Fellowship: Vincent Fecteau, Evan Holloway, Monica Majoli, The Armory Center for the Arts, Pasadena, CA
*The Uncertainty of Objects & Ideas, Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Gone Formalism, Institute of Contemporary Art, Philadelphia, PA

Drunk vs. Stoned II, Gavin Brownʼs enterprise, New York, NY
Think Blue, Blum & Poe, Los Angeles, CA
Sculptures dʼappartment, Musée départemental d'art contemporain de Rochechouart, Rochechouart, France
Gallery Artists, Marc Foxx, Los Angeles, CA
CA, curated by Max Henry, Art Athina, Helexpo Exhibition Centre, Maroussi, Greece
Rogue Wave, LA Louver, Los Angeles, CA
A Walk to Remember, organized by Jens Hoffmann, Los Angeles Contemporary Exhibitions, Los Angeles, CA
Paper, Nicole Klagsbrun, New York, NY
We Disagree, The Wrong Gallery at Andrew Kreps Gallery, New York, NY

Painting on Sculpture, Tanya Bonakdar Gallery, New York, NY
for nobody knows himself if he is only himself and not another at the same time, Marc Foxx, Los Angeles, CA
*Baja to Vancouver: The West Coast in Contemporary Art, Seattle Art Museum, Seattle, WA; Museum of Contemporary Art, San Diego, CA; Vancouver Art Gallery, Vancouver, Canada; CCA Wattis Institute for Contemporary Arts, San Francisco, CA
Warped Space, CCA Wattis Institute for Contemporary Arts, San Francisco, CA
Oases, Los Angeles, CA

Evan Holloway, Matthew Ronay, Hiroshi Sugito, Marc Foxx, Los Angeles, CA
*The Moderns, Castello di Rivoli, Turin, Italy
*Guided by Heroes, Z33, Hasselt, Belgium
Youngstars, Krinzinger Projekte, Vienna, Austria

*Whitney Biennial, Whitney Museum of American Art, New York, NY
A Show That Will Show That a Show Is Not Only a Show, The Project, Los Angeles, CA
My Head Is On Fire But My Heart Is Full Of Love, Charlottenborg Exhibition Hall, Copenhagen, Denmark
*California Biennial, Orange County Museum of Art, Newport Beach, CA
Rock My World, California College of the Arts, San Francisco, CA
Now is the Time, Dorsky Gallery Curatorial Programs, New York, NY
Officina America, Galleria DʼArte Moderna di Bologna, Bologna, Italy

*The Americans. New Art., Barbican, London, England
The Fact Show conceptual art today, Pittsburgh Center for the Arts, Pittsburgh, PA
FreeStanding, Beaver College Art Gallery, Glenside, PA
ROCK, Vilma Gold, London, England
*Mise-en-Scène: New LA Sculpture, CCA Wattis Institute for Contemporary Arts, San Francisco, CA

SHOCKWAVE, Raucci/Santamaria Gallery, Naples, Italy
extraextralarge; 3 day weekend, Kapinos Gallery, Berlin, Germany
I Can Live With That; 3 day weekend, The Approach, London, England
*Mise-en-Scène: New LA Sculpture, Santa Monica Museum of Art, Santa Monica, CA

Standing Still & Walking In Los Angeles, Gagosian Gallery, Los Angeles, CA
Caught, 303 Gallery, New York, NY
Play Mode, University of California, Irvine, CA; University of Michigan, Ann Arbor, MI

Plaats, W139, Amsterdam, The Netherlands
Brighten the Corners, curated by Dennis Cooper, Marianne Boesky, New York, NY
Low, Marc Foxx, Los Angeles, CA
Local Heroes, Beyond Baroque, Venice, CA

Malibu Sex Party, PURPLE, Los Angeles, CA
Work and Progress, Los Angeles Contemporary Exhibitions, Los Angeles, CA
5 Emerging Artists, Dan Bernier, Los Angeles, CA


FOCA Grant

Penny McCall Foundation Award

Louis Comfort Tiffany Foundation Award

(* indicates non-periodical book, catalog, or other publication)

Donoghue, Katy, “Evan Holloway’s Mission: Make Good Sculpture,” Whitewaller, February 2019, pp. 56-59
Harper, Lauralee, "Evan Holloway Clouds the Distinctions of The Natural and Manmade World," ArtofChoice.co, February 20, 2019
Osberg, Annabel, "Fred Eversley; Evan Holloway," ArtilleryMag.com, February 20, 2019
Jow, Tiffany, “L.A. Sculptor Evan Holloway Tackles a Fresh Medium in a New Studio,” ArchitecturalDigest.com, January 16, 2019
"Whitewaller Los Angeles 2019: What to See," Whitewall.art, February 13, 2019
"Your Must Do List for Frieze Los Angeles," Whitewall.art, February 11, 2019
Gerlis, Melanie, “City full of light and space,” Financial Times, February 9-10, 2019, pp. 1-2
Drohojowska-Philp, Hunter, “Evan Holloway and Fred Eversley at Kordansky Gallery,” KCRW.com, January 10, 2019
Gavin, Francesca, “Sculptor Evan Holloway’s outdoor artworks take centre stage,” FT.com, January 10, 2019
Miranda, Caroline, "Datebook: Los Angeles on canvas, neon installation and light-bending sculpture," LATimes.com, January 10, 2019
"ART NEWS:Jan.01," DreamIdeaMachine.com, January 1, 2019

Sibila, Helen, “Evan Holloway,” Flaunt, Issue 163, 2018, pp. 90-93
"Best Booths of Art Basel in Miami Beach 2018," Whitewall.art, December 6, 2018
Press, Clayton, "Romuald Hazoumè, Gagosian, Park & 75, New York," Forbes.com, September 23, 2018
Qian, Li, "Exhibition sculpts district's unique identity," Shine.cn, September 9, 2018
Miranda, Carolina A., "Datebook: A new performance festival, art about sound and a museum's Friday night party," LATimes.com, July 19, 2018
Nair, Uma, "AN INDIAN SUMMER FOR INDIAN ART," MillenniumPost.in, May 22, 2018
Brettell, Rick, "At Karpidas Collection, an ambitious art exhibition with a Jungian twist," DallasNews.com, April 15, 2018
Cascone, Sarah, "Collector Beth Rudin DeWoody Names 7 of the Most Dazzling Works to Grace Her New Florida Art Space," Artnet.com, March 16, 2018
Messina, Rab, "Evan Holloway’s West Coast Musings," TLmagazine.com, January 23, 2018
Dasgupta, Gaurab, “At Jaipur’s Nahargarh Fort, contemporary art marries historical architecture! Result is amazing,’ FinancialExpress.com, January 14, 2018
“Percept manages inaugural ceremony of 'Sculpture Park' in Nahargarh Fort, Jaipur,” EverythingExperiential.BusinessWorld.in, January 4, 2018

Thomas, Skye Arundhati, "India’s First Public Sculpture Park Opens in a Spectacular 18th-Century Fort," ArtNet.com, December 11, 2017
Wilson, Michael, “Evan Holloway: Paula Cooper Gallery,” Artforum, Vol. 55, No. 10, Reviews, Summer 2017, pp. 367-368
Muñoz-Alonso, Lorena, "Electrified by the ‘Macron Effect,’ FIAC Surges With Sales and Art-Market Confidence in Paris," Artnet.com, October 19, 2017
“‘Adult Swim’ at Pilar Corrias Gallery, London,” BlouinArtInfo.com, July 5, 2017
“Evan Holloway at Paula Cooper Gallery, New York,” BlouinArtInfo.com, April 10, 2017
Lesser, Casey, “The 15 New York Shows You Need to See This April,” Artsy.net, March 30, 2017
Eckardt, Stephanie, “Before Sterling Ruby There Was Evan Holloway, the First Artist Raf Simons Ever Fell For,” WMagazine.com, Culture, March 27, 2017

*Los Angeles: A Fiction, Astrup Fearnley Museet, 2016, p.238
Vilasco, Mathieu, “Never Good Enough,” Highsnobiety, Fall/Winter 2016, pp. 134-141
“Evan Holloway,” Artforum, The Artists’ Artists, December 2016, pp. 92-112
Neuendorf, Henri, “Gallerist David Kordansky on Today’s Market, and the LA Art Scene,” Artnet.com, People, October 26, 2016
Sawyer, Jonathan, “Vintage Raf Simons Takes Center Stage in Our ‘Never Good Enough’ Editorial,” HighSnobiety.com, October 13, 2016
Forbes, Alexander, “What Sold at Frieze London and Frieze Masters,” Artsy.net, October 8, 2016
Wright, Karen, “Frieze Art Fair and Frieze Masterpiece, Regent’s Park, review: ‘I loved the work of Istanbul artist Hüseyin Bahri Alptekin, who sadly died too young in 2007,” Independent.co.uk, October 7, 2016
Zappas, Lindsay Preston, “Evan Holloway at David Kordansky Gallery,” carla, Issue 4, Spring 2016, pp. 43-44
Griffin, Jonathan, “Evan Holloway: David Kordansky,” Art in America, April 2016, pp. 119-120
Fox, Dan, “Evan Holloway,” Frieze.com, Review, March 30, 2016
Shang, Danielle, “LA, the New Art Frontier,” Randian-Online.com, May 28, 2016
Stucker, Cecelia, “Evan Holloway Exhibition at David Kordansky Gallery, Los Angeles,” Purple.fr, March 23, 2016
"Evan Holloway," MousseMagazine.it, March 12, 2016
Schwendener, Martha, “A Bit More Conventional, but Eye-Catching Still,” The New York Times, March 5, 2016, pp. C1-C2
Tarmy, James, “Eight Artworks You Should Buy at New York’s Armory Arts Week,” Bloomberg.com, March 4, 2016
Gottschalk, Molly, “Independent Sheds Its Scrappy Image for a 2016 Edition That Puts the Emphasis on the Art,” Artsy.com, March 4, 2016
Pagel, David, “With these Evan Holloway sculptures the possibilities are almost infinite,” LATimes.com, Arts & Culture, February 24, 2016
Zellen, Jody, “David Kordansky: Evan Holloway,” ArtilleryMag.com, February 17, 2016
Wagley, Catherine, “5 Free Art Shows You Should See In L.A. This Week,” LAWeekly.com, February
17, 2016
Dethal, Lor, “Evan Holloway Sculptures On View At David Kordansky Gallery,” Widewalls.ch, February 16, 2016
Miranda, Carolina A., “Datebook: The art of rust, the gallery system deconstructed, art and the spiritual,” LATimes.com, Datebook, February 11, 2016
Miranda, Carolina A., “Datebook: An artist flea market, art of the noir and the iconic woodwork of Sam Maloof,” LATimes.com, Datebook, February 11, 2016
Khemsurov, Monica, “Saturday Selects: Week of February 1, 2016,” SightUnseen.com, February 6, 2016
Indrisek, Scott, "5 Must-See Shows in Los Angeles," BlouinArtInfo.com, February 3, 2016
Bradley, Paige K., “Ooh LA LA,” Artforum.com, Diary, February 3, 2016

*Rubell Family Collection: Highlights & Artists Writings, Volume 1, Miami: Rubell Family Collection, 2015, p. 450
Forrest, Nicholas, “Dealer’s Notebook: Q&A with Gallerist Xavier Hufkens,” enfr.BlouinArtInfo.com, October 19, 2015
Chu, Christie, “9 Important Fashion Designers With Incredible Art Collections,” Artnet.com, May 23, 2015
Goldstein, Andrew M., “Gallerist David Kordansky on the Explosion of the L.A. Art Scene,” Artspace.com, January 28, 2015

Sinclair, Julie, “Artful Living,” PalmSpringsLife.com, December 2014
McGivern, Hannah, “De la Cruz Collection: let’s get figurative,” TheArtNewspaper.com, December 4, 2015
Goldstein, Melissa, “Fair Grounds,” C Magazine, October 2014, pp. 52, 144
Marfil, Lorelei, “Frieze Art Fair Thrives Amid Slowdown,” WWD.com, October 21, 2014
Wagley, Catherine, "5 Artsy Things to Do in L.A. This Week, Including Kake, Kake, Kake," LAWeekly.com, August 27, 2014
“Project Series 35: Evan Holloway at the Pomona College Museum of Art,” ArtDaily.org, February 21, 2014

*Evan Holloway, texts by Bruce Hainley, Liz Kotz, and Ralph Rugoff, London: Ridinghouse, 2013

*Evan Holloway, Trees Heads Molds, texts by Mark Grotjahn and Michael Ned Holte, Brussels: Xavier Hufkens, 2012
“Evan Holloway: Post-Process Plunk,” Port-Magazine.com, October 26, 2012
“Evan Holloway. Post-process plunk,” WSIMagazine.com, October 24, 2012

*Ellegood, Anne, and Douglas Fogle, All of this and nothing, Hammer Museum, New York: Prestel Publishing, 2011
*Home Show, Revisited, Santa Barbara: Santa Barbara Contemporary Art Forum, 2011
Vargas, Whitney, “The Show of the Season: Raf Simons collection,” The Wall Street Journal, August 25, 2011
Knight, Christopher, “Itʼs all over the map: Traverse Santa Barbara during ʻHome Show, Revisitedʼ,” Los Angeles Times, June 23, 2011
Lehrer-Graiwer, Sarah, “All of This and Nothing,” Artforum, May 2011
Griffin, Jonathan, “All of This and Nothing,” Frieze, April 2011

*Collins, Judith, Sculpture Today, London: Phaidon, 2010
*Moby Dick, texts by Jens Hoffmann and Alexander Nemerov, San Francisco: CCA
Wattis Institute for Contemporary Arts, 2010
Malone, Micah, “Kurt”, Artforum.com, Criticsʼ Picks, May 2010

*The Wizard of Oz, texts by Jens Hoffmann and Rebecca Loncraine, San Francisco: CCA Wattis Institute for Contemporary Arts, 2009
*Vitamin 3-D: New Perspectives in Sculpture and Installation, London: Phaidon, 2009
“Evan Holloway,” ThisLongCentury.com, July 2009
Yu, David, “A Balancing Act,” ArtSlant.com, March 2009
Rappolt, Mark, “The Conservative Anarchist,” ArtReview, March 2009
Griffin, Jonathan, “The Impossible Prison,” Frieze, March 2009

*The Wizard of Oz, with texts by Jens Hoffmann, Rebecca Loncraine, Natalie Musteata, and Claire Fitzsimmons, San Francisco: California College of Arts, 2008
*2008 California Biennial, texts by Joshua Decter, Lauri Firstenberg, Rene Peralta, Newport Beach: Orange County Museum of Art, 2008
*Red Eye: L.A. Artists from the Rubell Family Collection, texts by Mark Coetzee, Michael
Darling, Michael Ned Holte, and Jason Rubell, Miami: Rubell Family Collection, 2008
Knight, Christopher, “Low-tech, yet high on wow,” Los Angeles Times, May 2, 2008
Grider, Nicholas, “In Between,” Artslant.com, January 20, 2008

*Ice Cream: Contemporary Art in Culture, texts by Midori Matsui, Philippe Vergne, and Jens Hoffmann, London: Phaidon, 2007
*The Uncertainty of Objects and Ideas: Recent Sculpture, texts by Anne Ellegood, Johanna Burton, and Olga Viso, Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 2007
Kuo, Michelle, “Review: The Uncertainty of Objects and Ideas,” Artforum, February 2007
Bellini, Andrea, “New York Tales,” Flash Art, January/February 2007

Stevens, Mark, and Karen Rosenberg, “Best of 2006: Art,” New York Magazine, December 18, 2006
Smith, Roberta, “Evan Holloway: Social Epistemology,” The New York Times, November 17, 2006
Kerr, Merrily, “Evan Holloway,” Time Out New York, November 16-22, 2006
Rappolt, Mark, “The Man Who Sold the World,” i-D, Issue No. 264, March 2006

*LA Artland: Contemporary Art From Los Angeles, texts by Chris Kraus, Jan Tumlir, and Jane McFadden, London: Black Dog Publishing, 2005
“100 Future Greats,” ArtReview, December 2005
Adler, Dan, “Evan Holloway at Marc Foxx,” Art in America, May 2005, p. 177

*Baja to Vancouver: The West Coast and Contemporary Art, edited by Ralph Rugoff, texts by Douglas Coupland, Lisa Robertson, and Matthew Stadler, San Francisco: CCA Wattis Institute for Contemporary Arts, 2004
Triming, Lee, and Dennis Cooper, “Evan Holloway: Third Space,” Flash Art, November / December 2004, pp. 102-104
Sholis, Brian, “Review at Marc Foxx, Los Angeles,” Artforum.com, November 5, 2004
Pagel, David, “A groups power to unsettle us,” Los Angeles Times, October 22, 2004, p. E20

*Guided by Heroes, Hasselt: Z33, 2003
*Intra, Giovanni, “When Bad Attitude Becomes Form,” The Moderns, Turin: Castello di Rivoli, 2003
Simons, Raf, “Another Thing I Wanted to Tell You: Evan Holloway,” Another Magazine, Spring/Summer 2003, p. 102
Sanders, Mark, “The American Dollar Bill,” Another Magazine, Curated Portfolio, Spring/Summer 2003
Pagel, David, “A video exhibit that mocks video,” Los Angeles Times, January 17, 2003, p. E34

*Rinder, Lawrence, “Evan Holloway,” Whitney Biennial 2002, New York: Whitney Museum of American Art, 2002, p. 107
Pontégnie, Anne, “Evan Holloway at Xavier Hufkens,” Artforum.com, Summer 2002
“JMB,” Brussel Deze Week, August 22-29, 2002
Wilson, Michael, “2002 Whitney Biennial,” Frieze, June-August 2002
Farquharson, Alex, “‘The Americans: New Art,” Artforum, March 2002, p. 136
OʼReilly, Sally, “Evan Holloway at The Approach,” Frieze, March 2002, pp. 88-89
Gellatly, Andrew, “2002 California Biennial,” Frieze, January / February 2002, pp. 99-100
Gellatly, Andrew, “the americans. new art,” Frieze, January-February 2002

*Sladen, Mark, "Evan Holloway, The Americans: New Art," texts by Bruce Hainley, Katy Siegel, Bennett Simpson, John Slyce, and Mark Sladen, London: Booth-Clibborn Eds, 2001, pp. 233-239
Hainley, Bruce, “Top 10,” Artforum, December 2001, p. 104
Marie, Annika, “Evan Holloway at Marc Foxx,” Art Issues, September / October 2001, p. 47
Harvey, Doug, “Snapshot: Multiple Exposures,” LA Weekly, June 22-28, 2001, p. 53
Pagel, David, “Evan Holloway at Marc Foxx: A Few Tests to See How Much Input the Brain Can Handle,” Los Angeles Times, June 8, 2001 , p. F2
Coles, Sadie, “Mario Testinoʼs Art Index,” V, May / June 2001
Intra, Giovanni, “Evan Holloway: When Bad Attitude Becomes Form,” Art/Text, No. 72, February / April 2001, pp. 52-53
Bonetti, David, “Bay City Best; Top Picks For The Coming Week,” San Francisco Chronicle Magazine, January 28, 2001, p. 4
Baker, Kenneth, “Just Look at the Sculpture and there is Los Angeles,” San Francisco Chronicle, January 27, 2001 , pp. B1, B10
Romeo, Filippo, “Shockwave,” Flash Art International, December/January 2001, p. 122

*Mise-en-Scène: New LA Sculpture, Santa Monica: Santa Monica Museum of Art, 2000
Blackwell, Josh, “Mise-en-Scène: New LA Sculpture,” Art Issues, September/October 2000, p. 56
Knight, Christopher, “Mise-en-Scène: A Web of Illusion,” Los Angeles Times, June 28, 2000, pp. F9-10
Hainley, Bruce, “Towards a Funner Laocoon,” Artforum, Summer 2000, pp. 166-173

*Play Mode, Irvine: University of California, Irvine, 1999
Schwabsky, Barry, “Suddenly This Summer,” Art in America, October 1999, pp. 33-37
Hainley, Bruce, “Infinity and Beyond,” Frieze, Issue 47, June / August 1999, p. 90

Meadows, Jason, and Evan Holloway, “Object Lesson,” Cakewalk, Fall 1998
Zyzzyva, Vol. XIV 1, Spring 1998, cover
Turner, Grady T., “Brighten the Corners,” New York Arts, May 1998, p. 25
Smith, Roberta, “Brighten the Corners: Five Artists from Los Angeles,” The New York Times, April 24, 1998
Isé, Claudine, “Group Show at Marc Foxx: Finding New Uses for Household Items,” Los Angeles Times, April 11, 1998
Hainley, Bruce, “Malibu Sex Party,” Artforum, February 1998, p. 98
Cooper, Jacqueline, “Review of Black Cabinet,” Chicago New Art Examiner, February 1998
Hainley, Bruce, “Evan Holloway at Marc Foxx,” Artforum, January 1998, p. 106

Wilson, William, “Progress Offers Likable Exercise in Sculpture,” Los Angeles Times, August 12, 1997, p. F6
Cooper, Dennis, “Too Cool for School,” SPIN, July 1997, pp. 86-94
Young, Paul, “An A for Art,” BUZZ, June / July 1997, p. 34
Kandel, Susan, “Group Show at Dan Bernier: Young Ideas,” Los Angeles Times, June 13, 1997 , p. F12

Cooper, Dennis, “Tots and Toys,” Artforum, December 1996, p. 13

    Selected Press

  • Flaunt
    Evan Holloway
    Helen Sibila
  • WMagazine.com
    Before Sterling Ruby There Was Evan Holloway, the First Artist Raf Simons Ever Fell For
    Stephanie Eckardt
  • Frieze
    Evan Holloway
    Dan Fox
  • Art in America
    Evan Holloway: David Kordansky
    Jonathan Griffin
  • LATimes.com
    With these Evan Holloway sculptures the possibilities are almost infinite
    David Pagel
  • Purple.fr
    Evan Holloway Exhibition at David Kordansky Gallery, Los Angeles
    Cecelia Stucker
  • Whitewall
    David Kordansky
    Katy Donoghue
  • Evan Holloway
    Evan Holloway's Analog Counterrevolution
    Ralph Rugoff
  • Evan Holloway
    Dark Rides
    Liz Kotz
  • Evan Holloway
    Rough Around the Edges: Evan Holloway in conversation with Bruce Hainley
    Bruce Hainley
  • Art in America
    Evan Holloway
    Dan Adler
  • The Moderns
    When Bad Attitude Becomes Form
    Giovanni Intra
  • Whitney Biennial 2002
    Evan Holloway
    Lawrence Rinder
  • Artforum
    Malibu Sex Party
    Bruce Hainley
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