David Kordansky Gallery

  • Untitled (Embedment), 2016, interlock-cotton embedded partially pigmented, hydrocal in lacquer coated walnut frame, 46 3/8 x 18 1/2 x 2 7/8 inche(117.8 x 47 x 7.3 cm), unique
  • Untitled (Embedment), 2016, (detail) interlock-cotton embedded partially pigmented, hydrocal in lacquer coated walnut frame, 46 3/8 x 18 1/2 x 2 7/8 inche(117.8 x 47 x 7.3 cm), unique
  • Untitled (Plaster Positive), 2016, pigmented hydrocal in walnut frame, 28 5/8 x 21 9/16 x 2 3/4 inches (72.7 x 54.8 x 7 cm), unique
  • Untitled (Plaster Positive), 2016, (alternate view) pigmented hydrocal in walnut frame, 28 5/8 x 21 9/16 x 2 3/4 inches (72.7 x 54.8 x 7 cm), unique
  • Untitled (Etched Plaster), 2016, medium coated pigmented hydrocal in walnut frame, 49 x 39 x 2 1/2 inches (124.5 x 99.1 x 6.4 cm), unique
  • Untitled (Etched Plaster), 2016, (alternate view) medium coated pigmented hydrocal in walnut frame, 49 x 39 x 2 1/2 inches (124.5 x 99.1 x 6.4 cm), unique
  • Untitled (Flora), 2016, silver gelatin photograph in artist frame, 17 x 12 x 3/4 inches (43.2 x 30.5 x 1.9 cm), unique
  • Untitled (Flora), 2016, silver gelatin photograph in artist frame, 17 x 12 x 3/4 inches (43.2 x 30.5 x 1.9 cm), unique
  • Untitled (Plaster Positive), 2015, pigmented hydrocal in walnut frame, 28 3/4 x 21 5/8 x 3 1/4 inches (73 x 54.9 x 8.3 cm), unique
  • Untitled (Plaster Positive), 2015, (alternate view) pigmented hydrocal in walnut frame, 28 3/4 x 21 5/8 x 3 1/4 inches (73 x 54.9 x 8.3 cm), unique
  • Untitled (Etched Plaster), 2015, pigmented hydrocal in walnut frame, 49 1/2 x 40 x 2 1/2 inches (125.7 x 101.6 x 6.4 cm), unique
  • Untitled (Etched Plaster), 2015, (detail) pigmented hydrocal in walnut frame, 49 1/2 x 40 x 2 1/2 inches (125.7 x 101.6 x 6.4 cm), unique
  • Untitled (Plaster Positive), 2015, pigmented hydrocal in walnut frame, 28 1/2 x 21 1/2 x 3 1/4 inches (72.4 x 54.6 x 8.3 cm) unique
  • Untitled (Plaster Positive), 2015, (alternate view) pigmented hydrocal in walnut frame, 28 1/2 x 21 1/2 x 3 1/4 inches (72.4 x 54.6 x 8.3 cm) unique
  • Untitled (Four Part Etched Plaster), 2015, pigmented hydrocal and medium coated pigmented hydrocal in walnut frames, each: 12 1/2 x 9 1/2 x 1 3/4 inches (31.8 x 24.1 x 4.4 cm), overall: 12 1/2 x 59 x 1 3/4 inches (31.8 x 149.9 x 4.4 cm), unique
  • Untitled (Four Part Etched Plaster), 2015, (alternate view) pigmented hydrocal and medium coated pigmented hydrocal in walnut frames, each: 12 1/2 x 9 1/2 x 1 3/4 inches (31.8 x 24.1 x 4.4 cm), overall: 12 1/2 x 59 x 1 3/4 inches (31.8 x 149.9 x 4.4 cm), unique
  • Untitled (Etched Plaster), 2014, hydrocal in walnut frame, 32 x 19 x 2 1/2 inches (81.3 x 48.3 x 6.4 cm), unique
  • Untitled (Etched Plaster), 2014, (detail) hydrocal in walnut frame, 32 x 19 x 2 1/2 inches (81.3 x 48.3 x 6.4 cm), unique
  • Untitled (Plaster Positive), 2015, pigmented hydrocal in walnut frame, 59 1/2 x 43 1/2 x 3 inches (151.1 x 110.5 x 7.6 cm), unique
  • Untitled (Plaster Positive), 2015, (alternate view) pigmented hydrocal in walnut frame, 59 1/2 x 43 1/2 x 3 inches (151.1 x 110.5 x 7.6 cm), unique
  • Untitled (Tablet), 2013, bronze relief with cobalt patina, 14.5 x 6 x 4 inches (36.8 x 15.2 x 10.2 cm), unique
  • Untitled (Solarization), 2013, solarized silver gelatin print in artist's frame, 17 x 12 x 0.75 inches (43.2 x 30.5 x 1.9 cm), unique
  • Untitled (Tablet), 2013, bronze relief with cobalt patina, 21.5 x 15 x 5 inches (54.6 x 38.1 x 12.7 cm), unique
  • Untitled (Plaster Positive), 2013, pigmented hydrocal in walnut frame, 24.5 x 18.5 x 2 inches (62.2 x 47 x 5.1 cm), unique
  • Untitled (Plaster Positive), 2013, (detail) pigmented hydrocal in walnut frame, 24.5 x 18.5 x 2 inches (62.2 x 47 x 5.1 cm), unique
  • Untitled (Plaster Positive), 2013, hydrocal in walnut frame, 43.5 x 31 x 3 inches (110.5 x 78.7 x 7.6 cm), unique
  • Untitled (Plaster Positive), 2013, (detail) hydrocal in walnut frame, 43.5 x 31 x 3 inches (110.5 x 78.7 x 7.6 cm), unique
  • Anthony Pearson, 2012, Contemporary Art Museum, St. Louis, MO, Installation view
  • Untitled (Tablet), 2012, bronze relief with silver nitrate patina, 86 x 4 x 1 inches (218.4 x 10.2 x 2.5 cm), unique
  • Untitled (Tablet), 2012, (detail) bronze relief with silver nitrate patina, 86 x 4 x 1 inches (218.4 x 10.2 x 2.5 cm), unique
  • Untitled (Transmission), 2011, steel, patina, sandblasted white Portland cement, 96.25 x 80 x 33.25 inches (244.5 x 203.2 x 84.5 cm), unique
  • Untitled (Transmission), 2011, (alternate view) steel, patina, sandblasted white Portland cement, 96.25 x 80 x 33.25 inches (244.5 x 203.2 x 84.5 cm), unique
  • Untitled (Plaster Positive), 2012, hydrocal and walnut, 59.75 x 43.75 x 3.5 inches (151.8 x 111.1 x 8.9 cm), unique
  • Untitled (Plaster Positive), 2012, (detail) hydrocal and walnut, 59.75 x 43.75 x 3.5 inches (151.8 x 111.1 x 8.9 cm), unique
  • Untitled (Tablet), 2012, bronze relief with cobalt patina, 88.5 x 5.75 x 1.5 inches (224.8 x 14.6 x 3.8 cm), unique
  • Untitled (Tablet), 2012, (detail) bronze relief with cobalt patina, 88.5 x 5.75 x 1.5 inches (224.8 x 14.6 x 3.8 cm), unique
  • Untitled (Flare), 2012, C-print in artist frame, 72 x 36 x 1.5 inches (182.9 x 91.4 x 3.8 cm), unique
  • Untitled (Transmission), 2011, steel, patina, sandblasted white Portland cement, 96.25 x 80 x 33.25 inches (244.5 x 203.2 x 84.5 cm), unique
  • Untitled (Transmission), 2011, (alternate view) steel, patina, sandblasted white Portland cement, 96.25 x 80 x 33.25 inches (244.5 x 203.2 x 84.5 cm), unique
  • Untitled (Tablet), 2011, bronze relief with cobalt patina, 6 x 5 x 1.75 inches (15.2 x 12.7 x 4.4 cm), unique
  • Untitled (Tablet), 2011, bronze relief with silver nitrate patina, 17.5 x 8 x 1 inches (44.5 x 20.3 x 2.5 cm), unique
  • Untitled (Pour Arrangement), 2011, bronze sculpture with silver nitrate patina, walnut base, pedestal, two framed solarized silver gelatin photographs, 58 x 47 x 13.5 inches (147.3 x 119.4 x 34.3 cm), unique
  • Untitled (Pour Arrangement), 2011, (detail) bronze sculpture with silver nitrate patina, walnut base, pedestal, two framed solarized silver gelatin photographs, 58 x 47 x 13.5 inches (147.3 x 119.4 x 34.3 cm), unique
  • Untitled (Pour Arrangement), 2011, (detail) bronze sculpture with silver nitrate patina, walnut base, pedestal, two framed solarized silver gelatin photographs, 58 x 47 x 13.5 inches (147.3 x 119.4 x 34.3 cm), unique
  • Untitled (Pour Arrangement), 2011, (detail) bronze sculpture with silver nitrate patina, walnut base, pedestal, two framed solarized silver gelatin photographs, 58 x 47 x 13.5 inches (147.3 x 119.4 x 34.3 cm), unique
  • Untitled (Flare Arrangement), 2011, bronze sculpture with cobalt patina, base, pedestal, C-print in artist's frame, 101 x 40 x 13 inches (256.5 x 101.6 x 33 cm), unique
  • Untitled (Flare Arrangement), 2011, (detail) bronze sculpture with cobalt patina, base, pedestal, C-print in artist's frame, 101 x 40 x 13 inches (256.5 x 101.6 x 33 cm), unique
  • Untitled (Arrangement), 2011, bronze sculpture with silver nitrate patina, base, pedestal, two framed solarized silver gelatin photographs, 59 x 43 x 12 inches (149.9 x 109.2 x 30.5 cm), unique
  • Untitled (Arrangement), 2011, (detail) bronze sculpture with silver nitrate patina, base, pedestal, two framed solarized silver gelatin photographs, 59 x 43 x 12 inches (149.9 x 109.2 x 30.5 cm), unique
  • Untitled (Arrangement), 2011, (detail) bronze sculpture with silver nitrate patina, base, pedestal, two framed solarized silver gelatin photographs, 59 x 43 x 12 inches (149.9 x 109.2 x 30.5 cm), unique
  • Untitled (Arrangement), 2011, (detail) bronze sculpture with silver nitrate patina, base, pedestal, two framed solarized silver gelatin photographs, 59 x 43 x 12 inches (149.9 x 109.2 x 30.5 cm), unique
  • Untitled (Solarization), 2008, solarized silver gelatin photograph in artist's frame, 19.5 x 16 inches (49.5 x 40.6 cm), unique
  • Untitled (Arrangement), 2007, two framed solarized gelatin silver prints, bronze sculpture, concrete base, wood pedestal, dimensions variable: sculpture, base, pedestal: 49.5 x 14 x 14 inches (125.7 x 35.6 x 35.6 cm), framed photographs: 16.5 x 14 inches (41.9 x 35.6 cm)
  • Untitled (Arrangement), 2007, (detail) two framed solarized gelatin silver prints, bronze sculpture, concrete base, wood pedestal, dimensions variable: sculpture, base, pedestal: 49.5 x 14 x 14 inches (125.7 x 35.6 x 35.6 cm), framed photographs: 16.5 x 14 inches (41.9 x 35.6 cm)
  • Untitled (Arrangement), 2007, (detail) two framed solarized gelatin silver prints, bronze sculpture, concrete base, wood pedestal, dimensions variable: sculpture, base, pedestal: 49.5 x 14 x 14 inches (125.7 x 35.6 x 35.6 cm), framed photographs: 16.5 x 14 inches (41.9 x 35.6 cm)

Biography

born 1969, Los Angeles, CA
lives and works in Los Angeles, CA


EDUCATION

1999
MFA, University of California, Los Angeles, Los Angeles, CA

1996
BFA, California College of the Arts, Oakland, CA


SELECTED SOLO / TWO PERSON EXHIBITIONS
(* indicates a publication)

2017
David Kordansky Gallery, Los Angeles, CA

2016
Shane Campbell Gallery, Chicago, IL

2015
Marianne Boesky Gallery, New York, NY
Jibade-Khalil Huffman and Anthony Pearson, Marianne Boesky Gallery, New York, NY

2014
David Kordansky Gallery, Los Angeles, CA
Shane Campbell Gallery, Chicago, IL

2013
Marianne Boesky Gallery, New York, NY

2012
*Contemporary Art Museum, St. Louis, MO
Julia Fish, Anthony Pearson, Shane Campbell Gallery, Lincoln Park, IL

2011
*Art Basel Miami Beach: Art Public, David Kordansky Gallery, Miami, FL
Anthony Pearson and Jonas Wood, UNTITLED, New York, NY

2010
*David Kordansky Gallery, Los Angeles, CA
Shane Campbell Gallery, Chicago, IL

2009
Marianne Boesky Gallery, New York, NY

2008
*Midway Contemporary Art, Minneapolis, MN

2007
David Kordansky Gallery, Los Angeles, CA
Anthony Pearson & William J. O’Brien, Marianne Boesky Gallery, New York, NY
Shane Campbell Gallery, Chicago, IL

2003
Wooden Glass, Shane Campbell Gallery, Oak Park, IL


SELECTED GROUP EXHIBITIONS
(* indicates a publication)

2017
Oliver Twist, Chapter 2: Dear Darren, Rental Gallery, East Hampton, NY
Thinking Tantra, curated by Rebecca Heald and Amrita Jhaveri, Peninsula Arts, Plymouth University, Plymouth, England

2016
Berggruen Gallery at Minnesota Street Project, Minnesota Street Project, San Francisco, CA
L.A. Exuberance: New Gifts by Artists, Los Angeles County Museum of Art, Los Angeles, CA
Thinking Tantra, curated by Rebecca Heald and Amrita Jhaveri, Drawing Room, London, England
*The Sun Placed in the Abyss, organized by Drew Sawyer, Columbus Museum of Art, Columbus, OH
Material Considerations, John Beggruen Gallery, San Francisco, CA

2015
Structural Emotion, Kimmerich, Berlin, Germany
Let There Be Light, Revisited, Gazelli Art House Ltd., London, England
Space and Matter, Sperone Westwater, New York, NY
Russian Doll, M+B, Los Angeles, CA
Small Sculpture, Shane Campbell Gallery, Chicago, IL
Organic Sculpture, Marianne Boesky Gallery, New York, NY
Alison Jacques Gallery, London, England
Crunchy, organized by Gregory Linn and Clayton Press, Marianne Boesky Gallery, New York, NY

2014
The Material Image, curated by Debra Singer, Marianne Boesky Gallery, New York, NY
Transmogrification of the Ordinary, Angles Gallery, Los Angeles, CA
(Nothing But) Flowers, Nathalie Karg Gallery, New York, NY
Variations: Conversations in and Around Abstract Paintings, Los Angeles County Museum of Art, Los Angeles, CA

2013
Loretta Howard Gallery, New York, NY
Suddenness + Certainty, Robert Miller Gallery, New York, NY
From where I come…maybe…I don’t know, Galleria Raucci/Santamaria, Naples, Italy

2012
Sculpted Matter, Paul Kasmin Gallery, New York, NY
second nature: abstract photography then and now, deCordova Sculpture Park and Museum, Lincoln, MA

2011
Sentimental Education, Gavlak Gallery, Palm Beach, FL
*Art Basel Miami Beach, Art Public, Miami, FL
Greater L.A., curated by Benjamin Godsill, Eleanor Cayre and Joel Mesler, New York, NY
*The Anxiety of Photography, Aspen Art Museum, Aspen, CO; Arthouse at the Jones Center, Austin, TX
*The Shortest Distance Between 2 Points is Often Intolerable, Brand New Gallery, Milan, Italy

2010
*At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
*Terminus Ante Quem, with Shane Huffman, Barbara Kasten, Anthony Pearson and Erin Shirreff, Shane Campbell Gallery, Chicago, IL

2009
Ostras Voces Otros Ámbitos: Fuss, Heikes, Lichtenstein, Pearson, Quaytman, Sparks, Gallería Marta Cervera, Madrid, Spain
Alex Hubbard, Charlemagne Palestine, Anthony Pearson, Jon Pestoni, China Art Objects Galleries, Los Angeles, CA
Xerox Prints, Shane Campbell Gallery, Oak Park, IL
A Twilight Art, Harris Lieberman, New York, NY
Constructivismes, Almine Rech Gallery, Brussels, Belgium
Mark Barrow, Blinky Palmero & Anthony Pearson, Lisa Cooley Fine Art, New York, NY

2008
*Truthiness: Photography as Sculpture, California Museum of Photography, Riverside, California
The Possible Document, Herald St, London, England

2007
Seriality, Shane Campbell Gallery, Chicago, IL
Mar Vista, Domestic Setting, Los Angeles, CA
One Foot High and Rising, The Balmoral, Venice, CA
Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art Detroit, Detroit. MI
Radiant City, Cherry and Martin, Los Angeles, CA
Distinctive Messengers, curated by Simon Watson and Craig Hensala of Scenic, West Hollywood, CA
Aspects, Forms, and Figures, curated by Joao Ribas, Bellwether Gallery, New York, NY

2006
Modern Primitivism, Shane Campbell Gallery, Chicago, IL

2005
The Disillusion of Illusion, curated by Shane Campbell, Paul Mesaros Gallery, West Virginia University, Morgantown, WV

2004
Mixture Contemporary Art, Houston, TX
Brown Constructions, organized by Amir Zaki, Lemon Sky Projects, Miami, FL
8 Artists, Acuna-Hansen Gallery, Los Angeles, CA

2001
A Show That Will Show That a Show Is Not Only a Show, curated by Jens Hoffman, The Project, Los Angeles, CA

1999
Bloodlines, Roberts & Tilton Gallery, Los Angeles, CA
Thesis Exhibition #2, New Wight Gallery UCLA, Los Angeles, CA

1996
Transfiction I, Charim Klocker Gallery, Vienna, Austria
The Face of Home, Oliver Art Center CCA, Oakland, CA


PROJECTS

2017
Ours is a City of Writers, Los Angeles Municipal Art Gallery, Los Angeles, CA

2010
Terminus Ante Quem, with Shane Huffman, Barbara Kasten, Anthony Pearson and Erin Shirreff, organized by Anthony Pearson, Shane Campbell Gallery, Chicago, IL

2007
Material Photographs, organized by Anthony Pearson, Shane Campbell Gallery, Oak Park, IL

2005
Artificial Collections, curated and organized by Anthony Pearson, Museum of Photography, Riverside, CA


BIBLIOGRAPHY
(* indicates a publication)

2017
“Anthony Pearson,” DailyArtFair.com, July 18, 2017
Lehrer, Adam, “Artist Anthony Pearson Creates An Art Sanctuary In New Exhibit At David Kordansky Gallery,” Forbes.com, July 15, 2017
“Artist Anthony Pearson,” WeandtheColor.com, Art, February 27, 2017

2016
*Griffin, Jonathan, “Anthony Pearson”, On Fire, New York: Paper Monument, 2016, pp. 30-37
Colacello, Bob, “The Lure of LACMA,” Vanity Fair, December 2016, pp. 138-139
Forrest, Nicholas, “Art Basel Reveals Details of 2016 Miami Beach Public Sector,” BlouinArtInfo.com, November 10, 2016
“Anthony Pearson,” Contemporary-Art-Blog.com, November 8, 2016
Pillai, Pooja, “Cosmic Art,” IndianExpress.com, March 4, 2016
Bogart, Aaron, “Anthony Pearson: Marianne Boesky/New York,” FlashArtOnline.com, Review, January 13, 2016
Biswas, Allie, “Anthony Pearson: ‘I am seeking an inventive form as opposed to a clearly conventional one’,” StudioInternational.com, January 7, 2016

2015
*Barbara Kasten: Stages, texts by Liz Deschenes, Alex Kitnick, Alex Klein, and Jenni Sorkin, Zürich and Philadelphia: Ringier and Institute of Contemporary Art, 2015
Williams, Maxwell, “Art That Blurs the Line Between Painting and Sculpture,” NYTimes.com, T Magazine, Art, November 17, 2015
Baharir, Ruth Pearl, “Strong Enough for a Man, Made for a Woman: Iconic Designer Presents First Women’s Fashion Line,” Haaretz.com, August 24, 2015
Pearson, Anthony, “Art for Art’s Sake: LA in the 1990’s,” CARLA, Issue 1, May 2015, pp. 9-11
Directo-Meston, Danielle, “Photos: Chanel’s Revamped South Coast Plaza Store Goes Under the Sea,” LA.Racked.com, April 24, 2015
Gardner, Chris, “UTA Celebrates Fine Arts Division With Beverly Hills Bash,” HollywoodReporter.com, April 9, 2015
Johnson, Grant, “Variations: Conversations in and around Abstract Painting,” Artforum.com, March 10, 2015
Piepenbring, Dan, “Crunchy Systems,” TheParisReview.org, January 22, 2015

2014
“Anthony Pearson,” The Front Room: Artists’ Projects at the Contemporary Art Museum St. Louis 2008-2013, St. Louis: Contemporary Art Museum St. Louis, 2014, p. 212
“The Most Admired Art Dealers of 2014,” Artnet.com, December 24, 2014
“Esoteric: Mix 3/3 by Anthony Pearson,” CaretsandSticks.com, October 27, 2014
Marfil, Lorelei, “Frieze Art Fair Thrives Amid Slowdown,” WWD.com, October 21, 2014
“Free Spirit by DJ in Residence Anthony Pearson,” CaretsandSticks.com, October 13, 2014
“Mellow by DJ in Residence Anthony Pearson,” CaretsandSticks.com, October 6, 2014
Griffin, Jonathan, “The New Dealer,” T Magazine, September 14, 2014
Provencal, Terri, “Long-Distance Relationship,” Patron, August/September 2014, pp. 37-39
Widholm, Julie Rodrigues, “What I’m Doing This Weekend,” ChicagoMag.com, April 30, 2014
Price, Courtney, “The Joule Hotel–A Dallas Destination That Will Ignite Your Creative Spirit,” HuffintonPost.com, April 7, 2014
“Anthony Pearson at David Kordansky,” Contemporary Art Daily, April 4, 2014
“Anthony Pearson at David Kordansky Gallery, Los Angeles,”MousseMagazine.it, April 1, 2014
Daunt, Tina, “Katy Perry, Pharrell Williams Help Raise $2.4 Million for MOCA,”TheHollywoodReporter.com, March 30, 2014
Berardini, Andrew, “Light Writer,” Artslant.com, March 25, 2014
“If You Don’t Hunt It Down and Kill It, It Will Hunt You Down and Kill You,”Flaunt.com, March 25, 2014
Williams, Maxwell, “Anthony Pearson’s Seriously Heavy and Sophisticated Etched Plasters,” WhitewallMag.com, March 21, 2014

2013
Bochicchio, Sarah, “Contemporary Art Checks in at the Joule Hotel, Dallas,”WhitewallMag.com, July 19, 2013
Roniger, Taney, “Anthony Pearson,” The Brooklyn Rail, Artseen, July 9, 2013
Hartman, Eviana, “Check In | A Hotel in Dallas Where the Art Is as Impressive as the Rooms,” T: The New York Times Style Magazine, June 2013
Griffin, Jonathan, “The Man Who Wasn’t There,” Frieze, Issue 153, March 2013, pp. 122-125

2012
*Anthony Pearson, text by Dominic Molon, St. Louis: Contemporary Art Museum St. Louis, 2012
McHargue, Keegan, “Insert: Drip!, a curated selection by Keegan McHargue,”Kaleidoscope, Issue 17, Winter 2012, pp. 104-105
“Exhibition at Paul Kasmin Gallery explores artists’ use of material in sculpture,”ArtDaily.org, June 30, 2012
Shaw, Michael, “Anthony Pearson’s Design for Living (and art), on The Conversation,” NotesonLooking.com, June 12, 2012
“DeCordova Sculpture Park and Museum presents second nature: abstract photography then and now,” ArtDaily.org, May 28, 2012
Halperin, Julia, “A Curator’s Diary: Armory Week With FLAG Director Stephanie Roach,” Artinfo.com, March 9, 2012
Michals, Susan, “They Love L.A.: Why New York Dealers Do an Art Fair in Tinseltown,” GalleristNY.com, January 20, 2012

2011
Sveen, S., “AO on Site Photoset – Art Basel Miami Beach 2011: Art Public Sculpture Part in Collins Park, December 1-4, 2011,” ArtObserved.com, December 6, 2011
“Art Basel – Miami, Inspiration for an Artistic Celebration,” BibandSola.com, December 1, 2011
Pearson, Anthony, “Set Pieces,” Frieze.com, October 24, 2011
Binlot, Ann, “Culture+Travel: When in London for the Frieze Art Fair,”Art+Auction, October 2011, pp. 92-93
Kleinman, Rebecca, “L.A. Rolls Out the Contemporary Art Welcome Mat,”Women’s Wear Daily, October 5, 2011
Maneker, Marion, “Crushing It in Aspen,” Art Market Monitor, August 2, 2011
*Contra Mundum I – VII, Oslo: Oslo Editions, 2011, p. 37-68
Trigg, Sarah, “Secrets of the Artist’s Studios: Unexpected Talismans of the Artistic Process, from Rashid Johnson’s Cup to Carol Bove’s Forbidden Fault,”Artinfo.com, July 19, 2011
Hewitt, Christopher, “The ‘Anxiety’ of Photography,” The Aspen Business Journal, May 30, 2011
Anspon, Catherine D., “Dallas Art Fair – The Experts Weigh In: Quotes and Quips from Fair Insiders,” PaperCityMag.com, May 27, 2011
Heinrich, Will, “Los Angeles’s Off-Center Art Scene Decentralizes Lower Broadway,” The New York Observer, May 24, 2011
Douglas, Sarah, “L.A. on the Hudson,” Modern Painters, May 2011, pp. 24-26
*The Anxiety of Photography, texts by Matthew Thompson, Anne Ellegood and Jenelle Porter, Aspen: D.A.P, 2011
Rosenberg, Karen, “Rising and Regrouping on Lower East Side,” The New York Times, April 22, 2011, p. C28
“Anthony Pearson and Jonas Wood at UNTITLED, New York,”MousseMagazine.it/blog, April 12, 2011
DiMichele, David, “ABEX Returns: The Sequel in LA – It’s Not Just About the Paint Anymore,” Artillery, Volume 5, Issue 4, March/April 2011
Miller, Leigh Anne, “California Dreams for Soho,” ArtinAmericaMagazine.com, March 7, 2011
Berardini, Andrew, “Anthony Pearson,” Art Review, Issue 48, March 2011, p. 130
*The Shortest Distance Between 2 Points is Often Intolerable, text by Andrew Berardini, Milan: Brand New Gallery, 2011

2010
*Anthony Pearson, text by Liz Kotz, Los Angeles: David Kordansky Gallery, 2010
*Art & Patronage: The Middle East, edited by Hossein Amirsadeghi and Maryam Homayoun Eisler, texts by Layla Diba, Anthony Downey, Hans Ulrich Obrist, London: TransGlobe Publishing, 2010
Golden-McNerney, Regan, “Anthony Pearson,” newcityart.com, October 4, 2010
Holte, Michael Ned, Looth Toose – Indefinitely Unfinished 2009, Issue 3, September 2010
*At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Annandale-on-Hudson: Center for Curatorial Studies, Bard College, 2010
*Klein, Alex and Owens, Mark, eds., Contra Mundum I-VII, Santa Monica: Oslo Editions, 2010
*Terminus Ante Quem, Chicago: Shane Campbell Gallery, 2010

2009
*Solarizations, edited by John Rasmussen, texts by Tim Griffin, Anthony Pearson, John Rasmussen, Minneapolis: Midway Contemporary Art, 2009
Kotz, Liz. “The Medium and the Messages,” Artforum, October, 2009, pp. 67-68
Coburn, Tyler, “Mark Barrow, Anthony Pearson, and Blinky Palermo”, Art Review, Issue 31, April 2009, p. 95
Words Without Pictures, edited by Alex Klein, Los Angeles: Los Angeles County Museum of Art, pp. 207-212, 333-335
Schwendener, Martha, “Paul Graham and Harris Lieberman’s ‘A Twilight Art’ Confront the Future,” The Village Voice, February 17, 2009
Rawls, Will, “Retooling,” Artslant.com, February 1, 2009
Gartenfeld, Alex, “In the Blink of an Eye: Mark Barrow and Anthony Pearson,”InterviewMagazine.com, January 15, 2009

2008
Briggs, Patricia, “The Thousandth Word: Viewing Midway Contemporary Art,”Secrets of the City.com, November 28, 2008
*Stallings, Tyler, Truthiness: Photography as Sculpture, Riverside: University of California Press, 2008
Bedford, Christopher, “Catherine Opie,” Frieze, Issue 14, September 2008, p. 189
Harvey, Nicola, “The Possible Document.” Frieze.com, March 2008
Bernadini, Andrew, “Critic’s Pick,” Artforum.com, January 2008

2007
Kessler, Sarah, “Critic’s Pick,” Artforum.com, November 2007
Burgher, Elijah, “Anthony Pearson,” Art US, Issue 18, May/June 2007
Cotter, Holland, “Art in Review: Aspects, Forms, and Figures,” The New York Times, E30, March 2, 2007
“Intangible Forms at NYC’s Bellwether,” Artinfo.com, February 16, 2007

2006
Anthony Elms, “Modern Primitivism”, Time Out Chicago, Issue 88, November 2, 2006

2003
Alan Artner, “Kay Rosen at the Suburban, Anthony Pearson at Shane Campbell,”Chicago Tribune, December 13, 2003

    Selected Press

  • FlashArtOnline.com
    2016
    Anthony Pearson
    Aaron Bogart
  • StudioInternational.com
    2016
    Anthony Pearson: ‘I am seeking an inventive form as opposed to a clearly conventional one'
    Allie Biswas
  • T Magazine
    2015
    Art That Blurs the Line Between Painting and Sculpture
    Maxwell Williams
  • Patron
    2014
    Long-Distance Relationship
    Terri Provencal
  • The Brooklyn Rail
    2013
    Anthony Pearson
    Taney Roniger
  • Frieze
    2013
    The Man Who Wasn't There
    Jonathan Griffin
  • Anthony Pearson
    2012
    Sculpture in a Contracted Field: Anthony Pearson's Tablets
    Dominic Molon
  • Contra Mundum I - VIII
    2011
    P.I.N.A. -- Private Issue New Age
    Anthony Pearson
  • Art Review
    2011
    Anthony Pearson
    Andrew Berardini
  • Anthony Pearson
    2010
    Between Object and Image
    Liz Kotz
  • Solarizations
    2008
    Anthony Pearson
    Tim Griffin
  • Artforum.com
    2008
    Critic's Pick
    Andrew Berardini
  • artUS
    2007
    Anthony Pearson
    Elijah Burgher
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