David Kordansky Gallery

  • Turner Prize 2017, 2017, Ferens Art Gallery, Hull, England, Installation view
  • Turner Prize 2017, 2017, Ferens Art Gallery, Hull, England, Installation view
  • Hammer Projects: Andrea Büttner, 2017, Hammer Museum, Los Angeles, CA, Installation view
  • Hammer Projects: Andrea Büttner, 2017, Hammer Museum, Los Angeles, CA, Installation view
  • Beggars and iPhones, 2016, Kunsthalle Wien, Vienna, Austria, Installation view
  • Andrea Büttner, 2015, Walker Art Center, Minneapolis, MN, Installation view
  • Bread Painting, 2016, reverse glass painting with found image, 21 3/4 x 17 7/8 x 1/8 inches (55 x 45.5 x .2 cm)
  • Fabric Painting (orange/green corner), 2015, stretched fabric, each panel: 37 3/8 x 29 1/2 x 1 inches (95 x 75 x 2.2 cm)
  • Duck and Daisy, 2015, woodcut, diptych, each: 70 7/8 x 48 7/16 inches (180 x 123 cm), unique
  • BP Spotlight: Andrea Büttner, 2014, Tate Britain, London, England, Installation view
  • BP Spotlight: Andrea Büttner, 2014, Tate Britain, London, England, Installation view
  • 2, 2014, Museum Ludwig, Cologne, Germany, Installation view
  • Piano Destructions, 2014, Walter Phillips Gallery, The Banff Centre, Banff, Canada, Installation view
  • Andrea Büttner: Hidden Marriage, 2014, National Museum Cardiff, Wales, Installation view
  • Images in Kant's Critique of the Power of Judgment, 2014, offset lithograph print, 66 15/16 x 47 1/4 inches (170 x 120 cm), Edition of 5
  • Piano, 2013, woodcut on paper, 57 1/4 x 88 3/16 inches (145.4 x 224 cm), unique
  • Oval (blue), 2013, reverse glass painting, 15 1/4 x 13 x 1/8 inches (38.7 x 33 x .3 cm)
  • Documenta 13, 2012, Kassel, Germany; Kabul, Afghanistan, Installation view
  • Documenta 13, 2012, Kassel, Germany; Kabul, Afghanistan, Installation view
  • Tent (igloo), 2012, woodcut on paper, 54 1/4 x 81 3/16 inches (137.8 x 206.2 cm), Edition of 10
  • Little Sisters: Lunapark Ostia, 2012, (clip) HD video, 42 minutes, looped
  • Vogelpredigt (sermon to the birds), 2010, woodcut on paper, diptych, 70 7/8 x 47 1/4 inches each (180 x 120 cm)
  • Nought to Sixty, 2008, Institute of Contemporary Arts, London, England, Installation view
  • I want to let the work fall down, 2005, woodcut on paper, 39 x 55 1/8 inches (99 x 140 cm)


born 1972, Stuttgart, Germany
lives and works in London, England and Frankfurt, Germany


PhD, Royal College of Art, London, England

MA, Art History and Philosophy, Humboldt University, Berlin, Germany

MA, Fine Art, University of the Arts, Berlin, Germany

(* indicates a publication)

Galerie Tschudi, Zuoz, Switzerland
Hollybush Gardens, London, England

Shepherds and Kings, Bergen Kunstall, Bergen, Norway
Jan Mot, Brussels, Belgium
Hollybush Gardens, London, England

Gesamtzusammenhang, Kunst Halle Sankt Gallen, Gallen, Switzerland
Hammer Projects: Andrea Büttner, organized by Aram Moshayedi with Ikechukwu Onyewuenyi, Hammer Museum, Los Angeles, CA
Galerie Tschudi, Zuoz, Switzerland

Andrea Büttner, curated by Céline Kopp, Musée régional d’art contemporain Languedoc-Roussillon Midi Pyrénées, Sérignan, France
David Kordansky Gallery, Los Angeles, CA
Looking at..., Staatsgalerie, Stuutgart, Germany
Beggars and iPhones, organized by Lucas Gehrmann, Kunsthalle Wien, Vienna, Austria

Andrea Büttner, organized by Fionn Meade, Walker Art Center, Minneapolis, MN
Moos / Moss: Andrea Büttner, Kestle Barton, Cornwall, England
Andrea Büttner and Brit Meyer, Piper Keys, London, England

Andrea Büttner, Hollybush Gardens, London, England
2, curated by Julia Friedrich, Museum Ludwig, Cologne, Germany
BP Spotlight: Andrea Büttner, Tate Britain, London, England
Piano Destructions, Walter Phillips Gallery, The Banff Centre, Banff, Canada, Goethe-Institut, Ireland, Dublin, Ireland
*Andrea Büttner: Hidden Marriage, National Museum Cardiff, Wales
*Andrea Büttner, Douglas Hyde Gallery, Dublin, Ireland

Andrea Büttner, Barbara Gross Galerie, Munich, Germany
Little Sisters: Lunapark Ostia, Tramway, Glasgow, Scotland
*Andrea Büttner, MMK Museum für Moderne Kunst, Frankfurt, Germany
*Andrea Büttner, MK Gallery, Milton Keynes, England

Moos/Moss, Hollybush Gardens, London, England
Andrea Büttner, International Project Space, Birmingham, England

*The Poverty of Riches, Whitechapel Gallery, London, England; The Maramotti Collection, Reggio Emilia, Italy
Three New Works, Artpace, San Antonio, TX

Andrea Büttner, Croy Nielsen, Berlin, Germany
Vertiefen und nicht Erweitern, SE8, London, England

*Nought to Sixty, Institute of Contemporary Arts, London, England
Itʼs so wonderful to be a woman and an artists in the 21st century, Crystal Palace, Stockholm, Sweden
Andrea Büttner, Hollybush Gardens, London, England

On the spot #1, Badischer Kunstverein, Karlsruhe, Germany

(* indicates a publication)

*On Vulnerability and Doubt, curated by Max Delany, Australian Centre for Contemporary Art (ACCA), Melbourne, Australia

REFLECTION about - about REFLECTION, Galerie Tschudi, Zuoz, Switzerland
TOUCH (AT), nGbK, Berlin, Germany
New Materialism, Bonniers Konsthall, Stockholm, Sweden
Cloudbusters: Intensity vs. Intention, 17th Tallinn Print Triennial, EKKM / Contemporary Art Museum of Estonia, Tallinn, Estonia
sentido/comum (common/sense), curated by Antonio Ballester Moreno, as part of Affective Affinities, the 33rd Bienal de São Paulo, the Pavilhão Ciccillo Matarazzo, at Ibirapuera Park, São Paulo, Brazil
Aos Nossos Pais (To Our Parents), curated by Alejandro Cesarco, as part of Affective Affinities, the 33rd Bienal de São Paulo, the Pavilhão Ciccillo Matarazzo, at Ibirapuera Park, São Paulo, Brazil
Don Quixote, Galerie Barbara Weiss, Berlin, Germany
Fillette, curated by Mai-Thu Perret and Fabrice Stroun, Galerie Francesca Pia, Zurich, Switzerland
*Stories of Almost Everyone, organized by Aram Moshayedi with Ikechukwu Onyewuenyi, Hammer Museum, Los Angeles, CA

Resonanzen. 40 Jahre Kunststiftung Baden-Württemberg, ZKM | Center for Art and Media, Karlsruhe, Germany
KölnSkulptur #9, curated by Chus Martínez, Stiftung Skulpturenpark Köln, Cologne, Germany
*La Vie simple - Simplement la vie / Songs of Alienation, curated by Bice Curiger in collaboration with Julia Marchand, Fondation Vincent Van Gogh Arles, Arles, France
Indexmaker, Le 19 Centre Régional d’Art Contemporain, Montéliard, France
Turner Prize 2017, Ferens Art Gallery, Hull, England
Please fasten your seat belt as we are experiencing some turbulence, Leo Xu Projects, Shanghai, China
*An Inventory of Shimmers: Objects of Intimacy in Contemporary Art, curated by Henriette Huldisch, MIT List Visual Arts Center, Cambridge, Massachusetts
Four Saints in Three Acts, DePaul Art Museum, DePaul University, Chicago, IL
WAGSTAFF'S, curated by Richard Cynan Jones, Jane Matthews, and Adam Carr, MOSTYN, Wales, England

Andrea Büttner, Alejandro Cessarco, Jason Dodge, Van Hanos, Tanya Leighton Gallery, New York, NY
Le Mérite. 2014-2016, Treize, Paris, France
Going Public: The Napoleone Collection, Graves Gallery, Sheffield, England
Broken White, curated by Mathieu Meijers, Jurgen Bey, Bas van Tol, and Thomas Widdershoven, Design Academy Eindhoven and Van Abbemuseum, Eindhoven, The Netherlands
Répétition, curated by Nicola Lees and Asad Raza, Boghossian Foundation, Brussels, Belgium
Life of Forms, organized by Piper Marshall, Mary Boone Gallery, New York, NY
Piano Destructions, Walker Art Center, Medtronic Gallery, Minneapolis, MN
FOOD - Ecologies of the Everyday, curated by Susanne Gaensheimer, 13th Fellbach Triennial of Small Scale Sculpture, Fellbach, Germany
The Practice of Theories, Wysing Arts Centre, Bourn, England
*British Art Show 8, curated by Anna Colin and Lydia Yee, Southampton City Art Gallery, Southampton, England

Prosu(u)mmer, Contemporary Art Museum Tallinn, Estonia
THE PROBLEM OF GOD, Kunstsammlung Nordrhein-Wesfalen, K21, Dusseldorf, Germany
I Got to Have One of Those: Contemporary Art Collections of the Lenbachhaus and Kico Art Foundation, curated by Eva Huttenlauch, Lenbachhaus, Munich, Germany
Over You / You: 31st Ljubljana Biennial of Graphic Arts, curated by Nicola Lees, Ljubljana, Slovenia
Contour 7: A Moving Image Biennale, curated by Nicola Setari, Mechelen, Belgium
*British Art Show 8, curated by Anna Colin and Lydia Yee, Leeds Art Gallery, Leeds, England; Scottish National Gallery of Modern Art, Edinburgh, Scotland; Norwich University of the Arts and Norwich Castle Museum and Art Gallery, Norwich, England; John Hansard Gallery
Individual Stories: Collecting as Portrait and Methodology, curated by Luca Lo Pinto, Nicolaus Schafhausen, and Anne-Claire Schmitz, Kunsthalle Wien, Vienna, Austria
Second Chances, Aspen Art Museum, Aspen, CO

Boom She Boom. Works from the MMK Collection, MMK 2, Frankfurt, Germany
*The Story Behind, NoguerasBlanchard, Barcelona, Spain
New Habits, curated by Binna Choi, Casco, Utrecht, The Netherlands
Glass Puzzle, curated by Mary Simpson, Simone Subal Gallery, New York, NY
Before Normal: Concept after Concept, Museum of Contemporary Art, Roskilde, Denmark
New Habits, Casco Office for Art, Design and Theory, Utrecht, The Netherlands
You Donʼt Need a Weather Man to Know Which Way the Wind Blows, Hollybush Gardens, London, England

No fear, No shame, No confusion, Triangle France, Marseille, France
Die Form ist uns Geheimnnis, Städtische Galerie Nordhorn, Germany
Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict, VW (VeneKlasen/Werner), Berlin, Germany
Etwas Eigenes, Barbara Gross Galerie, Munich, Germany
Vergüenza (Shame), La Casa Encendida, Madrid, Spain
Andrea Büttner / Joëlle de la Casinière / Gareth Moore, Catriona Jeffries, Vancouver, Canada
*The Assistants, curated by Fionn Meade, David Kordansky Gallery, Los Angeles, CA

Brot und Salz, Sommer & Kohl, Berlin, Germany
*Documenta 13, Kassel, Germany; Kabul, Afghanistan
Soundworks, Institute of Contemporary Arts, London, England
*Brannon, Büttner, Kierulf, Kierulf, Kilpper, Bergen Kunsthall, Bergen, Norway
Reversibility, curated by Pierre Bal-Blanc, Peep-Hole, Milan, Italy

When is a Human Being a Woman?, Hollybush Gardens, London, England
Independent Curators International presents FAX and Project 35, South London Gallery, London, England
*Heimatkunde: 30 Künstler blicken auf Deutschland, Jewish Museum Berlin, Berlin, Germany
If Itʼs Part Broke, Half Fix It, Contemporary Art Centre (CAC), Vilnius, Lithuania
Qui admirez-vous?, La Box, Bourges, France

An Affirmative Attitude, Hollybush Gardens, London, England
*Há sempre um copo de mar para um homem navegar (There is always a cup of sea to sail in), 29th São Paulo Biennial, São Paulo, Brazil
Unto This Last, Raven Row, London, England
Les compétences invisible, Centre d'art Mira Phalaina, Maison Populaire, Montreuil, France
Love Boat, Kunsthaus Essen, Essen, Germany
Andrea Büttner/Martin Pfeifle, Haus der Kunststiftung Baden-Württemberg, Stuttgart, Germany

The young people visiting our ruins see nothing but a style, curated by FormContent, London, GAM Galleria Civica DʼArte Moderna e Contemporanea, Torino, Italy
East International, selected by Art & Language and Raster, Norwich, England

No one needs the needy, Galerie Sandra Buergel, Berlin, Germany
X, Y, etc!, Videoprogramm Artissima, curated by Latitudes, Torino, Italy
Reversibility, The Fair Gallery, a project by Hollybush Gardens, GB Agency, Jan Mot, Raster; curated by Pierre Bal-Blanc, CAC Bretigny, Frieze Art Fair, London
Soft Shields of Pleasure, Den Frie Unstillingsbygning, Copenhagen, Denmark
Raster: Lʼartista nella rinunicia 2: Transfert, Instituto Polacco di Roma, Rome, Italy
Artist in Resignation, Raster, Warsaw

Body/City, Video Apartment, Docklands, Dublin, Ireland
Overtake – The Reinterpretation of Modern Art, Lewis Glucksman Gallery, Cork, Ireland
Pensée sauvage – On Freedom, Frankfurter Kuntsverein/Ursula Blickle Stiftung, Frankfurt, Germany
Species of Spaces and Other Pieces, Hollybush Gardens, London, England
Evangelisch / Katholisch VII Finale, Montgomery, Berlin, Germany

*Anxiety of Influence, The New Wight Biennial, UCLA, Los Angeles, CA
Bloomberg New Contemporaries, Coach Shed, Liverpool Biennial, Liverpool / Club Row, London, England
*Happy Believers, 7, Werkleitz Biennale, Halle, Germany
Too dark in the park, Cafe Gallery Projects, London, England The Secret
Theory of Drawing: Dislocation & Indirection in Contemporary

Arbeiten auf Papier, Villa Grisebach Gallery, Berlin, Germany
Research in progress, Cafe Gallery projects, London, England
*In erster Linie, Kunsthalle Fridericianum, Kassel, Germany

(* indicates non-periodical book, catalog, or other publication)

Williams, Gisela, "High Art," Departures, January 2019, pp. 53-57

Beggars, published by Koenig Books, designed by Quentin Walesch, with texts by Anne Carson and Linda Nochlin, 2018
Benoît, Loiseau, "The Handmade Takeover Miami Art Week 2018," Vogue.co.uk, December 13, 2018
"‘New Materialism’ at Bonniers Konsthall, Stockholm," ARTnews.com, October 23, 2018
Halpert, Juliana, “Andrea Büttner on her iconographies of poverty,” Artforum.com, October 23, 2018
Garner, Alex, “‘Cloudbusters: Intensity vs. Intention’,” Artforum.com, Critics’ Picks, July 2018
Evens, Revd Jonathan, "Jonathan Anderson: Religious Inspirations Behind Modernism – Interview Revd Jonathan Evens," Artlyst.com, March 30, 2018
Hontoria, Javier, “KölnSkulptur #9,” Artforum, February 2018, p. 202
Kay, Hannah Sage, "Stories of Almost Everyone," BrooklynRail.org, May 1, 2018
Griffin, Jonathan, “Stories of Almost Everyone,” frieze, Reviews, April 2018, p. 139
Jordan, Eliza, "The Hammer’s Aram Moshayedi on the Stories Art Can Tell," Whitewall.art, January 25, 2018

"'Stories of Almost Everyone' upcoming at Hammer Museum," BlouinArtInfo.com, December 23, 2017

“Of the Moment,” YorkshirePost.co.uk, October 6, 2017
Osbaldeston, David, “Shock of the old as revitalised Turner Prize sets its stage “, TheConversation.com, October 5, 2017
Searle, Adrian, “Turner prize 2017 exhibition review: a snake-infested garden and fat cats on horseback,” TheGuardian.com, September 25, 2017
Campbell, James, “Turner Prize is weeks away from coming to Hull - and the amount of work behind it is phenomenal,” HullDailyMail.co.uk, September 1, 2017
Cluitmans, Door Laurie, “Wat Zachtjes Fluistert,” Metropolis M, August/September 2017, pp. cover, 70-75
Rosenmeyer, Aoife, "Andrea Buttner: Gesamtzusammenhang With David Raymond Conroy and the Friedensbibliothek/Antikriegsmuseum Berlin," ArtReview, May 2017, p. 113
McQuaid, Cate, “Getting up close and personal at MIT,” BostonGlobe.com, Art Review, May 31, 2017
Osbaldeston, David, "Turner Prize shortlist finds purpose in uncertain times," TheConversation.com, May 8, 2017
Nayeri, Farah, “Turner Prize Shortlist Is Unveiled,” New York Times, May 4, 2017, p. C3
Forrest, Nicholas, “Tate Britain Announces Shortlist for Turner Prize 2017,” BlouinArtInfo.com, May 3, 2017
Searle, Adrian, "Turner prize 2017: a cosmopolitan rebuff to Brexit provincialism," TheGuardian.com, May 3, 2017
Muñoz-Alonso, Lorena, “The Turner Prize 2017 Shortlist Is Here, and It’s More Diverse (and Older) Than Ever,” Artnet.com, May 3, 2017
Hontoria, Javier, “Andrea Büttner, rigor y valor,” ElCultural.com, April 27, 2017
“Andrea Büttnter at Kunst Halle Sankt Gallen, St. Gallen, Switzerland,” ArtNews.com, March 23, 2017
“Kunst Halle Sankt Gallen,” E-Flux.com, March 14, 2017

“Andrea Büttner at the MRAC, Sérignan,” written by Paul Durand, enfr.BlouinartInfo.com, December 7, 2016
Spence, Rachel, “Collections: Private loot for the public gaze,” FT.com, October 30, 2016
Duncan, Thomas, “Andrea Büttner, David Kordansky Gallery/Los Angeles,” FlashArtOnline.com, October 4, 2016
Muñoz-Alonso, Lorena, “See What Dealers Are Bringing to Frieze London,” Artnet.com, Art Fairs, September 29, 2016
Mizota, Sharon, “The growing divide between wealth and poverty, as seen through one German artist’s eyes,” LATimes.com, Review, September 22, 2016
“Andrea Büttner at David Kordansky Gallery, Los Angeles,” Artnews.com, Pictures at an Exhibition, September 19, 2016
Yablonsky, Linda, “After Earth,” Artforum.com, September 17, 2016
“Andrea Büttner at Kunsthalle Wien,” ContemporaryArtDaily.com, September 16, 2016
“Andrea Büttner at Kunsthalle Wien,” ArtViewer.org, September 13, 2016
“Andrea Büttner, David Kordansky Gallery,” ArtAddict.net, September 9, 2016
“Datebook: Andrea Büttner Debutes at David Kordansky Gallery, Los Angeles,” BlouinArtInfo.com, September 7, 2016
“David Kordansky presents Andrea Büttner,” fabrik.la, September 2, 2016
Thalmair, Franz, “Andrea Büttner ‘Beggars and iPhones’,” KUNSTFORUM, August 2016, pp. 365-366
Gorodeisky, Keren, "Keren Gordoeisky on Andrea Büttner and Immanuel Kant's 'Critique of the Power of Judgment'," Blogs.WalkerArt.org, Remarks, August 15, 2016
Larsen, Lars Bang, "Lars Bang Larsen on Andrea Büttner (1 + 1: a simple premise, or idiotic riff)," Blogs.WalkerArt.org, Remarks, August 15, 2016
Meade, Fionn, "In Praise of 'JA!'," Blogs.WalkerArt.org, Remarks, August 15, 2016
Spencer, Samuel, “Swipe Through Andrea Büttner’s iPhone Etchings at Kunsthalle Vienna,” BlouinArtInfo.com, 20 June, 2016
Dillon, Brian, "Embarrassment of Riches," frieze, No. 180, June/July/August, pp. 154-159
"Andrea Büttner at Walker Art Center", ContemporaryArtDaily.com, April 21, 2016
Wright, Karen, “British Art Show 8: Computers and cameras dominate and leave painting and sculpture out in the cold,” Independent.co.uk, February 14, 2016
Meade, Fionn, “There Are Many Ways to Destroy a Piano,” WalkerArt.org, February 2016
“Andrea Büttner, Walker Art Center,” Artdependence.com, January 16, 2016

Colin, Anna and Lydia Yee, British Art Show 8, “Andrea Büttner,” & “Roundtable on Production,” Hay¬ward Gallery Touring, 2015, p. 36-37, 53-58
“Andrea Büttner, Walker Art Center, Minneapolis,” AestheticaMagazine.com, December 30, 2015
Abbe, Mary, “Andrea Büttner muses on art, science, religion and life in Walker Art Center show”, StarTribune.com, November 25, 2015
Abbe, Mary, “German-born artist Andrea Büttner comes to Walker Art Center,” StarTribune.com, November 19, 2015
“De Verrijzenis Van Thomas More Op Contour 7,” tento.be, November 11, 2015
“United States - Minneapolis: Walker Art Center,” Mousse, October-November 2015, Nº 50, Diary, p. 302
“Escapade culturelle en Terre flamande,” Luxe-magazine.com, October 21, 2015
Booms, Julie, “Biënnale voor Bewegend Beeld-Verschillende locaties in Mechelen,” enola.be, October 15, 2015
Hudson, Mark, “British Art Show 8, Leeds, review: ‘varied and entertaining’,” Telegraph.co.uk, October 9, 2015
Dalzell, Rebecca, “Explore Contemporary Art in Cornwall, NYMag.com, Travel, September 30, 2015
“British Art Show 8 Unveiled Today In Leeds,” Artlyst.com, September 10, 2015
Kuit, Lindy “Contour 7,” Metropolism.com, August 28, 2015
Van Mullem, Mark, “Contour 7 flirt en dolt met Utopia,” MechelenBlogt.be, August 27, 2015
“Andrea Büttner: Klavierzerstörungen,” Goethe.de, July 30, 2015
Franchini, Atillia Fattori, “Andrea Büttner and Brit Meyer,” Flash Art Magazine, no. 203, May-June 2015, p. 122-123
“Ljubljana Biennial of Graphic Arts,” ArtMediaAgency.com, May 11, 2015
Pechman, Ali, “Max Mara’s Legacy of Art Patronage,” WSJ.com, April 30, 2015
Herbert, Martin, "Angle of Repose: Martin Herbert on the Art of Andrea Büttner," Artforum, March 2015, pp. 264-269
Tarmy, James, “What You Need to Know About the Smaller Shows During New York’s Armory Week,” Bloomberg.com, March 31, 2015
Pithers, Ellie, “Here come the girls: Valeria Napoleone supports women war survivors,” Telegraph.co.uk, March 13, 2015
Weingarten, Lea, “Champagne, celebrity sightings and a big treasure hunt: Top picks from Armory Arts Week,” Houston.CultureMap.com, March 11, 2015
Gat, Ori, “Armory Show and Independent,” Art-Agenda.com, March 6, 2015
Munro, Cait, “32 Fabulous Armory Week Photographs from 6 Fairs,” Artnet.com, March 6, 2015
Akel, Joseph, “At the Independent Fair, Art Not Quite on the Margin,” TMagazine.com, March 6, 2015
Zimskind, Lyle, “Art Attack: L.A. Galleries are Invading New York,” LAMag.com, March 5, 2015
Boucher, Brian, “Independent Art Fair Offers a Stylish Chelsea Haven During Armory Week,” Artnet.com, March 4, 2015
“Andrea Büttner and Brit Meyer at Piper Keys, London,” ContemporaryArtSociety.org, February 28, 2015
Dama, Francesco, “Marlene Dumas Paints Ambiguity into a Black-and-White World,” Hyperallergic.com, February 12, 2015
Prodger, Michael, “Hip to be square: suprematism at the Whitechapel Gallery,” NewStatesman.com, January 29, 2015

*Andrea Büttner: Immanuel Kant. Kritik der Urteilskraft, artist’s book, edited by Museum Ludwig, Cologne, published by Felix Meiner Verlag, Hamburg, Germany, 2014.
*Andrea Büttner, Hidden Marriages: Gwen John and Moss, artist’s book with essays by Lily Foster and Ray Tangney, edited by Ben Borthwick, Koenig Books, London, UK, 2014.
*Andrea Büttner: Glass, catalogue, Douglas Hyde Gallery, Dublin, Ireland, 2014.
Müller, Dominikus, “Andrea Büttner,” review, frieze d/e, Issue 17, December 2014 – February 2015
Carwin, Stephanie, “Top 10 Emerging German Artists You Should,” TheCultureTrip.com, December 17, 2014
Herbert, Martin, “Previewed, ‘Andrea Büttner’, Museum Ludwig, Cologne,” ArtReview, Volume 66, Number 8, November 2014, p. 51
Rhodes, David, “Andrea Büttner, Hollybush Gardens, London,” BrooklynRail.org, November 5, 2014
Larsen, Lars Bang, "Andrea Büttner: 2," Artforum, September 2014
Williams, Hartmut, “Bilder vor Kants geistigem Auge,” review, Kölnische Rundschau, Kultur, September 4, 2014
O’Hare, Louise, “Not Quite Shame: Embarrassment an Andrea Büttner’s ‘Engel der Geschichte’,” Afterall, Summer 2014, pp. 104-113
“Glass Puzzle,” The New Yorker, Goings On About Town: Art, July 2013
Andrews, Max and Mariana Canepa Luna, “Andrea Büttner’s ‘Tische’,” review, Art Agenda, July 17, 2014
O’Haire, Louise, “Not Quite Shame: Embarrassment and Andrea Büttner’s ‘Engel der Geschichte’,” Afterall, Summer 2014, pp. 104-113
Rees, Kate, "What's on in Wales: 5 things to do today," WaleOnline.co.uk, May 16, 2014
Spence, Rachel, “Small galleries adjust as screw tightens,” FT.com, May 2, 2014
Cummings, Basia Lewandowska, “You Donʼt Need A Weatherman to Know Which Way the Wind Blows,” Frieze, no. 162, April 2014, p. 149
Dunne, Aidan, “When poverty is a virtue: ʻart is not a commodity for rich peopleʼ,” IrishTimes.com, February 3, 2014

*Meade, Fionn, ed., The Assistants, Milan: Mousse Publishing, 2013
*”Andrea Büttner,” interview by Nicolaus Schafhausen, Attention Economy, Jahresring #60: Jahrbuch für moderne Kunst, Berlin: Sternberg Press, 2013
Canziani, Cecilia, “Andrea Büttner, Through a Mirror, Dimly,” Cura, No. 15, Fall 2013
*Huther, Christian, “Andrea Büttner, Der leer Raum oder das Verschwinden der Dinge,” KUNSTFORUM International, Volume 221, May-June 2013
*Gaensheimer, Susanne, and Spira, Anthony, eds. Andrea Büttner, texts by Richard Birkett, Lars Bang Larsen, and Chus Martinez, interview by Nikolaus Hirsch and Hans Ulrich Obrist, London: Koenig Books, 2013
Staude, Sylvia, “Minerva an der Supermartkasse,” Frankfurter Rundschau, February 18, 2013
Hierholzer, Michael, “Tafel mit kargem Schmuck. Kartoffeln, Steine, Zebrakot: Arbeiten von Andrea Büttner im MMK Zollamt,” Frankfurter Allgemeine Zeitung, No. 40, February 2, 2013

*Christov-Bakargiev, Carolyn, Sharrer, Eva, et al., dOCUMENTA (13), Das Begleitbuch/The Guidebook, Hatje Cantz Verlag, Osfildern, Germany, 2012
*Sekkingstad, Steinar and Øvstebø, Solveig, eds., Matthew Brannon, Andrea Büttner, Annette Kierulf, Caroline Kierulf, Thomas Kilpper, texts by Solveig Øvstebø, Steinar Sekkingstad, and Lars Bang Larsen, Bergen Kunsthall, Bergen, Norway, 2012
Meade, Fionn, Reenchanted, Object-Oriented, Spike Art Quarterly, No. 33, Autumn, 2012
Watchlist: Künstlerin des Monats: Andrea Büttner, Monopol, August 2012
Bonham-Carter, Charlotte, “Andrea Büttner,” ArtinAmerica.com, May 15, 2012
McLean-Ferris, Laura, “Andrea Büttnerʼs ʻMoos/Moss,” ArtAgenda.com, February 16, 2012

Barnett, Laura, “Andrea Büttner: the habit of art,” TheGuardian.com, March 14, 2011
Larsen, Lars Bang, “Looking Back Looking Forward, Frieze, Issue 135, January 2011

Herbert, Martin, “Focus: Andrea Büttner. Camcorders, convents, collectivism and confession,” Frieze, Issue 133, September 2010, pp 118-119
Birkett, Richard, “Andrea Büttner,” MAP Magazine, Issue 23, October 2010, pp 44-49
Leung, Gil, “Andrea Büttner: Artists at Work,” Afterall.org, May 25, 2010
“Andrea Büttner Wins 2010 Max Mara Art Prize for Women,” Artforum.com, March 23, 2010

Kiaer, Ian, "Top Ten," Artforum International, October 2009
*Andrea Büttner, I believe every word you say, text by Dan Fox, Anja Casser / Badischer Kunstverein, Berlin: Argobooks, 2009
*Nought to Sixty, Institute of Contemporary Art, London 2009

*Bonacina, Andrew, Andrea Büttner, Institute of Contemporary Arts, London, 2008
Martinez, Chus, “Best of 2008,” Artforum International, December, 2008
“Artists Dictionary – Focus London,” Flash Art, No. 262, October, 2008
Punj, Rajesh, “Andrea Büttner,” Art Review, Issue 23, June 2008
Poellinger, Clemens, “Snitt från en sluten värld,” Svenska Dagbladet, Stockholm, August 5, 2008

Oʼ Sullivan, Elaine, “Overtake,” Circa Art Magazine, 2007
Hübl, Michael, “Was heist eigentlich Scham? Badischer Kunstverein startet mit Andrea Büttner neue Ausstellungsreihe,” Badische Neue Nachrichten, September 28, 2007
Martinez, Chus, “Andrea Büttner,” Pilot, Number 3, London, 2007
Danicke, Sandra, “Artenschutz: Die letzten ihrer Art,” Frankfurter Rundschau, June 11, 2007
“Frankfurter Kunstverein – Wildes Denken,” Frankfurter Allgemeine Zeitung, May 25, 2007
Martínez, Chus, “Pensée sauvage – Von Freiheit,” Frankfurter Kunstverein/Revolver, Frankfurt, 2007
*Les Formes du délai, catalogue, La Box Bourges, France, 2007

*Anxiety of Influence, The New Wight Biennial, UCLA, Los Angeles, 2006
Palmer, Judith, “Something to Brag About,” Printmaking Today, London, November, 2006
Bloomberg New Contemporaries 2006, London, 2006
Quest, “special issue #1: Widerstand,” Berlin, 2006
*Happy Believers, Werkleitz Biennale, Halle, 2006

Fronz, Hans-Dieter, “In erster Linie: Kunsthalle Fridericianum,” Kunstforum International 174, January-March, 2005

(*indicates a non-periodical book, catalog, or other publication)

“Re: Andachtzumkleinen”, The Assistants, Fionn Meade, ed., Mousse Publishing, Milan, 2013
“Ideal Syllabus: Andrea Büttner”, Frieze, Issue 152, Jan/Feb 2013

“Of this I would have been shy not a year ago”, Dieter Roth: Diaries, Fiona Bradley, ed., Yale University Press, New Haven 2012

“Inverted Interview #3” (with Lars Bang Larsen), The Responsive Subject: From OOOOOO to FFFFFF, FormContent, London, 2011

“Now I am Somebody,” Dieter Roth / Björn Roth, Worktables and Tischmatten, Yale University Press, New Haven, CT, 2010

“Inverted Interview # 1” (with Ben Borthwick), Soft Shields of Pleasure, Space Poetry, Copenhagen, 2008
“Do something that is easy to do,” Material, Los Angeles, 2008

“Texte über Kunst,” Inspirationen – Festschrift des Cusanuswerks, Paderborn, 2006

“Scham – Jedes Wort ist eine Blamage,” Sinn-haft, Vienna 2005


Turner Prize, Hull, England, Shortlisted
Fellowship with foundation of Murano glassblowers, Venice, Italy

1822-Kunstpreis, Frankfurt AM Main, Germany

Artpace, San Antonio, TX

Max Mara Prize in association with the Whitechapel Gallery American Academy, Rome

Maria Sibylla Merian-Prize, Ministerium für Wissenschaft und Kunst, Hessen, Germany

Doctoral Research Grant of the Cusanuswerks, Bonn Research Grant, Royal College of Art

Residency Bad Tölz

British Institution Award, London

Shortlisted for the GASAG Art Price, Berlin

Scholarship of the Cusanuswerk, Bonn

    Selected Press

  • frieze
    Embarrassment of Riches
    Brian Dillon
  • Artforum.com
    Minneapolis: Andrea Büttner
    Sheila Dickinson
  • WalkerArt.org
    There Are Many Ways to Destroy a Piano
    Fionn Meade
  • WalkerArt.org
    “Lars Bang Larsen on Andrea Büttner (1 + 1: a simple premise, or idiotic riff)
    Lars Bang Larsen
  • WalkerArt.org
    Keren Gordoeisky on Andrea Büttner and Immanuel Kant’s ‘Critique of the Power of Judgment
    Keren Gordoeisky
  • WalkerArt.org
    In Praise of ‘JA!’
    Fionn Meade
  • Parkett 97
    Andrea Büttner's Little Queer Things
    Julia Bryan-Wilson
  • Parkett 97
    Andrea Büttner's Aesthetics
    Christopher Menke
  • Parkett 97
    Andrea Büttner: The Woodcut Revisited
    Aram Moyashedi
  • Artforum
    Angle of Repose: Martin Herbert on the Art of Andrea Büttner
    Martin Herbert
  • Artforum
    Andrea Büttner: 2
    Lars Bang Larsen
  • BrooklynRail.org
    Andrea Büttner, Hollybush Gardens, London
    David Rhode
  • IrishTimes.com
    When poverty is a virtue: 'art is not a commodity for rich people'
    Aidan Dunne
  • Art in America
    Andrea Büttner
    Charlotte Bonham-Carter
  • The Guardian
    Andrea Büttner: the habit of art
    Laura Barnett
  • MAP Magazine
    Andrea Büttner
    Richard Birkett
  • frieze
    Focus: Andrea Büttner. Camcorders, convents, collectivism and confession
    Martin Herbert
  • Afterall.org
    Andrea Büttner: Artists at Work
    Gil Leung
  • Artforum
    Top Ten
    Ian Kiaer
  • Andrea Büttner
    Andrea Büttner
    Andrew Bonacina
  • Pensée Sauvage - Von Freiheit
    Andrea Büttner
    Chus Martinez
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