David Kordansky Gallery

  • Aaron Curry, Grove, 2017 - 2019, deCordova Sculpture Park and Museum, Lincoln, MA, Installation view
  • Brain Muscle in a Weird Headspace, 2016, painted aluminum, stainless steel, 85 x 42 x 20 inches (215.9 x 106.7 x 50.8 cm)
  • My Brain is an Antenna, 2016, acrylic gouache on canvas, 48 x 40 inches (122 x 101.5 cm)
  • Negative Creep, 2016, painted aluminum, stainless steel, 96 3/4 x 24 x 25 inches (245.7 x 61 x 63.5 cm)
  • UGLY MESS, 2013, painted aluminum, 217 x 59 1/2 x 95 3/4 inches (551.2 x 151.1 x 243.2 cm), Aaron Curry, 2015, Katonah Museum, New York, NY, Installation view
  • Bi-standard Bystander, 2015, collage, 34 x 41 x 1 1/2 inches (86.4 x 104.1 x 3.8 cm)
  • Untitled, 2015, acrylic gouache on canvas, 84 x 60 x 2 inches (213.4 x 152.4 x 5.1 cm), framed: 85 x 60 7/8 x 2 1/2 inches (215.9 x 154.6 x 6.4 cm)
  • Aaron Curry, Bad brain, curated by Alexis Vaillant, 2014, CAPC musée d'art contemporain, Bordeaux, France, Installation view
  • Untitled, 2014, paint on wood with painted aluminum base, 108 1/2 x 36 x 31 inches (275.6 x 91.4 x 78.7 cm)
  • Daft Dank Space, 2013, silkscreen on cardboard, wood frame panels, silkscreen and spray paint on wood and cardboard, 99 x 222 x 184 1/2 inches (251.5 x 564 x 468.5 cm), Unlimited, Art Basel, 2014, Basel, Switzerland, Installation view
  • Daft Dank Space, 2013, (detail) silkscreen on cardboard, wood frame panels, silkscreen and spray paint on wood and cardboard, 99 x 222 x 184 1/2 inches (251.5 x 564 x 468.5 cm), Unlimited, Art Basel, 2014, Basel, Switzerland, Installation view
  • Dirty Rat Treehouse, 2013, ink, silkscreen and spray paint on wood and cardboard with painted and silkscreened cardboard base, 95 1/2 x 22 1/2 x 31 inches (242.6 x 57.2 x 78.7 cm)
  • Aaron Curry, Melt to Earth, 2013, Lincoln Center for the Performing Arts, New York, NY, Installation view
  • Aaron Curry, Melt to Earth, 2013, Lincoln Center for the Performing Arts, New York, NY, Installation view
  • Summer 2013: Collected Works, 2013, Rennie Collection, Vancouver, B.C., Canada, Installation view
  • NEW GOD, 2013, gouache on printed canvas, 48 x 32 1/2 x 1 3/4 inches (121.9 x 82.6 x 4.4 cm)
  • Untitled, 2013, silkscreen, spray paint and enamel on wood with painted cardboard base, 122 x 42 x 45 inches (309.9 x 106.7 x 114.3 cm)
  • White A+, 2012, collage and gouache on board, 15 x 21 1/4 inches (38.1 x 54 cm), framed: 15 1/4 x 21 3/4 inches (38.7 x 55.2 cm)
  • Aaron Curry, 2012, High Museum of Art, Atlanta, GA, Installation view
  • Aaron Curry, 2012, High Museum of Art, Atlanta, GA, Installation view
  • Yellow Fig, 2012, painted aluminum, 101 3/8 x 40 3/4 x 25 15/16 inches (257.5 x 103.5 x 65.9 cm)
  • Aaron Curry, Buzz Kill, 2012, Michael Werner Gallery, New York, NY, Installation view
  • I C Through U (Dandy), 2012, ink, silkscreen and spray paint on wood with painted aluminum base, 124 x 37 x 35 inches (315 x 94 x 88.9 cm)
  • Statuesque, 2011, Nasher Sculpture Center, Dallas, TX, Installation view
  • Tableaux, 2011, Le Magasin, Grenoble, France, Installation view
  • Lustwarande '11 - Raw, 2011, park De Oude Warande, Tilburg, The Netherlands, Installation view
  • Snowblind, 2011, painted aluminum, silkscreen on wood, 120 1/2 x 92 3/4 x 45 inches (306 x 235.6 x 114.3 cm)
  • Aaron Curry and Richard Hawkins, Trophy, purple, 2011, (detail) acrylic on rubber mask with wire on board, silkscreen on cardboard, 36 1/4 x 33 3/4 x 2 3/4 inches (92.1 x 85.7 x 7 cm)
  • Aaron Curry and Richard Hawkins, Alistair McOdetoo #6, 2011, (detail) mixed media and silkscreen on cardboard, collage: 40 x 32 x 1/4 inches (101.6 x 81.3 x .6 cm), frame: 45 x 37 x 2 inches (114.3 x 94 x 5.1 cm)
  • Aaron Curry, Bad Dimension, 2010, Kestnergesellschaft, Hanover, Germany, Installation view
  • Untitled (Bad Dimension), 2010, collage, 18 1/4 x 14 inches (46.4 x 35.6 cm)
  • Untitled, 2010, silkscreen on wood, powder coated aluminum, 96 x 27 x 52 inches (243.8 x 68.6 x 132.1 cm)
  • Aaron Curry, Bad Dimension, 2009, Galleria d’Arte Moderna e Contemporanea, Bergamo, Italy, Installation view
  • Aaron Curry, Bad Dimension, 2009, Galleria d’Arte Moderna e Contemporanea, Bergamo, Italy, Installation view
  • This My Wish to Obtain the Strength of a Tiger, 2009, silkscreen on paper, 105 x 45 1/4 inches (266.7 x 114.9 cm)
  • Little Minator, 2009, painted wood, steel, 48 x 48 x 16 inches (121.9 x 121.9 x 40.6 cm)
  • Beg, Borrow and Steal, 2009, Rubell Family Collection, Miami, FL, Installation view
  • Soft Drill, 2009, painted aluminum, 88 x 32 x 1/2 inches (223.5 x 81.3 x 1.3 cm)
  • Ohnedaruth, 2009, steel, 99 1/4 x 42 1/2 x 48 inches (252 x 108 x 122 cm)
  • Untitled, 2009, silkscreen on paper, 110 x 82 1/2 inches (279.4 x 209.6 cm)
  • Invariant Mass (Hey Bulldog), 2009, painted wood, steel, 72 x 34 x 44 inches (182.9 x 86.4 x 111.8 cm)
  • Hammer Project: Aaron Curry, 2008, Hammer Museum, Los Angeles, CA, Installation view
  • Hammer Project: Aaron Curry, 2008, Hammer Museum, Los Angeles, CA, Installation view
  • G.O.W. (Bricklayer), 2008, acrylic, gouache, collage, 24 3/4 x 18 inches (62.9 x 45.7 cm)
  • Devil's Horseman / Frameless (White), 2008-2010, painted wood, powder coated aluminum, 103 1/2 x 33 x 46 inches (262.9 x 83.8 x 116.8 cm)
  • Infinite Mask / Perpetual Mash-up (Pink), 2008, leaning element: painted cardboard, tape, resin and ink, gouache, and acrylic on paper, paintings: 32 1/2 x 25 inches (82.6 x 63.5 cm), leaning element: 59 x 41 inches (149.9 x 104.1 cm)
  • Red Eye: Los Angeles Artists from the Rubell Family Collection, 2006, Rubell Family Collection, Miami, FL, Installation view
  • Model for the New Dark Age (reconfigured), 2007, painted wood, rope, poster, resin, 99 1/2 x 37 x 43 inches (252.7 x 94 x 109.2 cm)
  • Negative Pink, 2007, ink, acrylic and gouache on paper, diptych, left: 63 x 46 inches (160 x 116.8 cm), right: 69.5 x 46 inches (176.5 x 116.8 cm)
  • Tommy, 2007, painted wood, rope, posters and resin, sculpture: 102 x 62 x 24 inches (259.1 x 157.5 x 61 cm), leaning piece (back): 72 1/2 x 22 inches (184.2 x 55.9 cm), leaning piece (front): 62 x 45 1/2 inches (157.5 x 115.6 cm)
  • Tommy, 2007, (detail) painted wood, rope, posters and resin, sculpture: 102 x 62 x 24 inches (259.1 x 157.5 x 61 cm), leaning piece (back): 72 1/2 x 22 inches (184.2 x 55.9 cm), leaning piece (front): 62 x 45 1/2 inches (157.5 x 115.6 cm)
  • Model for the New Dark Age, 2006, 60 x 42 inches (152.4 x 106.7 cm), collage: 22 1/2 x 16 1/4 inches (57.2 x 41.3 cm)
  • Shack #6, 2006, collage, 11 1/8 x 14 1/4 x 1 1/2 inches (28.3 x 36.2 x 3.8 cm)
  • To Fold and Puncture, 2006, ink, acrylic, and gouache on paper, collage, painted cardboard, tape, resin, installation dimensions variable, painting: unframed: 30 x 22 inches (76.2 x 55.9 cm), framed: 33.375 x 25 1/2 inches (84.8 x 64.8 cm), collage: unframed: 11 1/2 x 8 1/4 inches (29.2 x 21 cm), framed: 14 3/4 x 11 inches (37.5 x 27.9 cm), leaning piece: 68 x 34 inches (172.7 x 86.4 cm)

Biography

born 1972, San Antonio, TX
lives and works in Los Angeles, CA

EDUCATION

2003-2005
MFA, Art Center College of Design, Pasadena, CA

2000-2002
BFA, School of the Art Institute of Chicago, Chicago, IL


SELECTED SOLO / TWO PERSON EXHIBITIONS
(* indicates a publication)

2017
Aaron Curry: Grove, deCordova Sculpture Park and Museum, Lincoln, MA
Tune Yer Head, Bass Museum of Art, Miami, FL

2016
*Headspace, Michael Werner, New York, NY

2015
Aaron Curry, Katonah Museum, New York
STARFUKER, David Kordansky Gallery, Los Angeles, CA

2014
Rubell Family Collection, Miami, FL
*Bad brain, CAPC Musée d’Art Contemporain de Bordeaux, Bordeaux, France
Paintings, Michael Werner Gallery, London England

2013
Melt to Earth, Lincoln Center for the Performing Arts, New York, NY
NEWDZ AND NEW GODZ, Almine Rech Gallery, Paris, France

2012
High Museum of Art, Atlanta, GA
White Out, Almine Rech Gallery, Brussels, Belgium
*Buzz Kill, Michael Werner Gallery, New York, NY

2011
*Cornfabulation, collaboration with Richard Hawkins, David Kordansky Gallery, Los Angeles, CA
Schinkel Pavillon, Berlin, Germany

2010
*MMNKTLPLKT, Michael Werner Gallery, Hoxton Square, London, England
Two Sheets Thick, David Kordansky Gallery, Los Angeles, CA
*Bad Dimension, Kestnergesellschaft, Hanover, Germany

2009
TWOFACETWO, with Thomas Houseago, VW, Berlin, Germany
*Bad Dimension, Galleria d’Arte Moderna e Contemporanea, Bergamo, Italy
*Two Face, with Thomas Houseago, Ballroom Marfa, Marfa, TX
*The Colour Out of Space, Michael Werner Gallery, New York, NY

2008
*Hammer Project: Aaron Curry, Hammer Museum, Los Angeles, CA
Another Language, Galerie Daniel Buchholz, Berlin, Germany
Galerie Daniel Buchholz, Cologne, Germany

2007
Michael Werner Gallery, London, England

2006
Bank Robber, David Kordansky Gallery, Los Angeles, CA


SELECTED GROUP EXHIBITIONS
(* indicates a publication)

2017
Hill People, curated by Benjamin Godsill, Performance Ski, Aspen, CO
Press your space face close to mine, curated by Aaron Curry, The Pit, Los Angeles, CA

2016
Progressive Praxis, de la Cruz Collection Contemporary Art Space, Miami, FL
On the Origin of Art, curated by Steven Pinker, Geoffrey Miller, Brian Boyd, and Mark Changizi, Museum of Old and New Art, Tasmania, Australia

2015
You’ve Got to Know the Rules … to Break Them, de la Cruz Collection,
Contemporary Art Space, Miami, FL
Surrealism: The Conjured Life, Museum of Contemporary Art, Chicago, IL
*After Picasso: 80 Contemporary Artists, Wexner Center for Contemporary Arts, Columbus, OH
Pom ‘po po pon pon pon pom pon, Middelheimmuseum, Antwerp, Belgium
8 Announcements, HVW8, Los Angeles, CA
COOL – As a State of Mind, MArseille MOdulor, Marseille, France

2014
*Beg, Borrow and Steal, Taubman Museum of Art, Roanoke, VA
*The Los Angeles Project, Ullens Center for Contemporary Art, Beijing, China
Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los Angeles, CA
Platform, curated by Nicolas Trembley, Almine Rech Gallery, Brussels, Belgium
CHERUB, 2nd Cannons project space, Los Angeles, CA

2013
Comic Future, Ballroom Marfa, Marfa, TX
Selections from the Permanent Collection, The Museum of Contemporary Art, Los Angeles, CA
Summer 2013: Collected Works, Rennie Collection, Vancouver, B.C., Canada
*Beg, Borrow and Steal, Palm Springs Art Museum, Palm Springs, CA
Set Pieces, curated by Andrew Berardini and Lauren Mackler, Cardi Black Box, Milan, Italy
19 rue de Saintonge, Almine Rech Gallery, Paris, France
A Bridge Too Far, Mottahedan Projects, Dubai, United Arab Emirates
Alone Together, Rubell Family Collection, Miami, FL

2012
*From the Collection: 2012 Exhibition, de la Cruz Collection Contemporary Art Space, Miami, FL
Crossing Mirrors, Rosenblum Collection & Friends, Paris, France
To Hope, To Tremble, To Live: Modern and Contemporary Works from the David Roberts Collection, The Hepworth Wakefield, England
Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art, Chicago, IL
Mash-Up: collage from 1930 to the present, L&M Arts, Los Angeles, CA
FIGURY, Centre for Contemporary Art Zamek Ujazdowski, Warsaw, Poland
*Across the Pacific: Young artists from LA, 313 Art Project, Seoul, Korea
*Alexander Calder and Contemporary Art: Form, Balance, Joy, The Nasher Museum of Art at Duke University, Durham, NC
*American Exuberance, Rubell Family Collection, Miami, FL

2011
WYSIWYG: What You(ngs) See Is What You Get, Rosenblum Collection & Friends, Paris, France
Ad Lib, Gagosian Gallery, Beverly Hills, CA
Flowers for Summer, Michael Werner Gallery, New York, NY
INTERNAL / EXTERNAL AFFAIRS, Residence of the Ambassador of the United States of America to Germany, Berlin, Germany
*We Will Live, We Will See, Zabludowicz Collection, London, England
*Tableaux, Le Magasin, Grenoble, France
*Statuesque, Nasher Sculpture Center, Dallas, TX
*Lustwarande ’11 – Raw, park De Oude Warande, Tilburg, The Netherlands
*Secret Societies. To Know, To Dare, To Will, To Keep Silence, Schirn Kunsthalle Frankfurt, Frankfurt, Germany; CAPC de Bordeaux, Bordeaux, France
California Dreamin’ – Myths and Legends of Los Angeles,Galerie Almine Rech, Paris, France
Seeing Is a Kind of Thinking: A Jim Nutt Companion, Museum of Contemporary Art, Chicago, IL
*Alexander Calder and Contemporary Art: Form, Balance, Joy, Nasher Sculpture Center, Dallas, Texas; Orange County Museum of Art, Newport Beach, CA

2010
*Alexander Calder and Contemporary Art: Form, Balance, Joy, Museum of Contemporary Art, Chicago, IL
THE PRIVATE MUSEUM. The passion for contemporary art in the collections in Bergamo, Galleria d’Arte Moderna e Contemporanea, Bergamo, Italy
Sweat, Patricia Low Contemporary, Gstaad, Switzerland
*Permanent Trouble, Kunstforum Ostdeutsche Galerie Regensburg, Regensburg, Germany
The Library of Babel / In and Out of Place, 176 / Zabludowicz Collection, London, England
*At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
*Statuesque, City Hall Park, New York, NY

2009
*Beg, Borrow and Steal, Rubell Family Collection, Miami, FL
*Berlin-Los Angeles, A Tale of Two (Other) Cities, Massimo De Carlo, Milan, Italy
Quodilbet II, Galerie Daniel Buchholz, Cologne, Germany
California Maximalism, Nyehaus, NY
Second Nature: The Valentine-Adelson Collection at the Hammer, Hammer Museum, Los Angeles, CA
*KölnSkulptur 5, Skulpturenpark Köln, Cologne, Germany

2008
Aaron Curry, Richard Hawkins, Peter Saul, David Kordansky Gallery, Los Angeles, CA
Series Drawings, Michael Werner Gallery, New York, NY
Black Swan, curated by Aaron Curry and Thomas Houseago, Michael Werner Gallery, London, England
Open Plan Living, Art Tel Aviv 08, curated by Andrew Renton, Tel Aviv, Israel
Friends and Family, Anton Kern Gallery, New York, NY
Nobody Puts Baby in a Corner, Isabella Bortolozzi Galerie, Berlin, Germany

2007
*Unmonumental: The Object in the 21st Century, The New Museum of Contemporary Art, New York, NY
Post Rose: Artists In and Out of the Hazard Park Complex, Galerie Christian Nagel, Berlin, Germany
Sculptors’ Drawings: Ideas, Studies, Sketches, Proposals, And More, Angles Gallery, Santa Monica, CA
L.A. Desire, curated by Wilhelm Schurmann, Galerie Dennis Kimmerich, Dusseldorf, Germany
Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art Detroit, MI
Aspect, Forms and Figures, curated by Joao Ribas, Bellwether Gallery, New York, NY
*Material Photographs, organized by Anthony Pearson, Shane Campbell Gallery, Oak Park, IL

2006
*Red Eye: Los Angeles Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL
L.A. Trash & Treasure, Milliken Gallery, Stockholm, Sweden
*Untitled (for H. C. Westermann), The Contemporary Museum, Honolulu, HI
25 Bold Moves, curated by Simon Watson and Craig Hensala of Scenic, House of Campari, Venice Beach, CA
Cloudbreak, Organized by David Kordansky, Hiromi Yoshii, Tokyo, Japan
The Figs Play Fox Dead, David Kordansky Gallery, Los Angeles, CA

2005
Southern Exposure, Wight Gallery, UCLA, Los Angeles, CA
Autonomy, Foxy Production, New York, NY

2004
Group Show, Worth Ryder Gallery, UC Berkeley, CA

2002
The Anniversary Show, 1R Gallery, Chicago, IL


SHOWS CURATED

2017
The Pit, Glendale, CA

SELECTED BIBLIOGRAPHY
(* indicates non-periodical book, catalog, or other publication)

2017
Thornton, Sarah, “Artistic Triumph,” Architectural Digest, August 2017, cover, pp. 62-73
Pagel, David, “At the Pit, artists mine the emotions behind the machine,” LATimes.com, Review, August 11, 2017
“Aaron Curry on Pablo Picasso,” LACMA.org, Artists on Art, June 2017, video
Ramade, Bénédicte, “Le Motif Picasso,” Picasso-Sculptures.fr, May 2017
Veis, Nurin, “Evolution: Four takes on the evolution of art,” Nature.com, March 23, 2017

2016
*Headspace, text by Jonathan Griffin, New York: Michael Werner, 2016
Alfaro, Por Juan, “15 Artistas Para 2017,” Harper’s Bazaar Art, 2016, pp. 88-95
Berg, Allison, “Tour de Force,” C Magazine, October, 2016, pp. 104-111
Neuendorf, Henri, “Gallerist David Kordansky on Today’s Market, and the LA Art Scene,” Artnet.com, People, October 26, 2016
Ebony, David, “David Ebony’s Top 10 New York Gallery Shows for October,” Artnet.com, October 5, 2016
McMahon, Katherine, “Habitat: Obsessions—A Look At Aaron Curry’s Guitars,” Artnews.com, September 30, 2016
Muñoz-Alonso, Lorena, “See What Dealers Are Bringing to Frieze London,” Artnet.com, Art Fairs, September 29, 2016
Halle, Howard, “Aaron Curry,” Time Out, September 28, 2016, p. 53
“Aaron Curry ‘Headspace’ at Michael Werner, New York,” ArtAddict.net, September 24, 2016
Powers, John, “Tom Ford on His Dark New Thriller, ‘Nocturnal Animals’,” Vogue.com, September 20, 2016
Neuendorf, Henri, “Aaron Curry on intergalactic Orgies and His First Painting Show in New York,” Artnet.com, People, September 15, 2016
Kerr, Dylan, “Hello Painting, My Old Friend: Why Sculptor Aaron Curry Is Rekindling His Romance with the Canvas,” Artspace.com, September 2, 2016
“Datebook: ‘Headspace’ at Michael Werner Gallery, New York,” BlouinArtInfo.com, August 29, 2016
“Things to Do in the Hudson Valley, June 18 Through June 26,” The New York Times, Calendar, June 19, 2016, p. WE8
Shang, Danielle, “LA, the New Art Frontier,” Randian-Online.com, May 28, 2016
Cigainero, Jake, “Sculptures for a Finger,” NYTimes.com, May 11, 2016
Robinson, Leanna, “Aaron Curry: David Kordansky Gallery,” Artillery, March-April 2016, cover, pp.48-49
Griffin, Jonathan, “Spray,” Art Los Angeles Reader, January 2016, pp. 5-6
“Scoop,” Vogue Japan, January 2016, p. 217

2015
*Rubell Family Collection: Highlights & Artists Writings, Volume 1, Miami: Rubell Family Collection, 2015, p. 422
*Aaron Curry: Bad Brain, Los Angeles and London: Bad Dimension and Koenig Books, 2015
Between the Lines: A Coloring Book by Contemporary Artists, “Aaron Curry,” Los Angeles: RxArt, 2015, p. 38-39
Pener, Degen, “Aaron Curry,” Cultured Magazine, Winter 2015, pp. 186-187
Mizota, Sharon, “Aaron Curry’s cosmic canvases: A trip through outer (and inner) space”, LATimes.com, Review, December 22, 2015
“Aaron Curry, ‘STARFUKER’,” 2-Times.com, December 21, 2015
Drohojowska-Philp, Hunter, “J.B. Blunk and Aaron Curry,” KCRW.com, December 17, 2015
Wagley, Catherine, “5 Free Art Shows You Should See in L.A. This Week,” LAWeekly.com, December 16, 2015
“Artistic License,” StyleBop.com, December 14, 2015
Parpala, Flavia, “Bijuteriile si arta contopesc,” MarieClaire.ro, December 11, 2015
“CADA Goes Art, En Stylebop.com,” MundoFlaneur.com, December 10, 2015
“Stylebop x Cada, Petrecere De Lensare,” elle.ro, December 10, 2015
“CADA Goes Art Collection At Stylebop.com,” 10magazine.com.au, December 10, 2015
Accornero, Valeria, “Contemporary art & friends,” GioielloContemporaneo.it, December 9, 2015
“CADA Goes Art Exclusively At Stylebop.com,” GraziaDaily.co.za, December 9, 2015
Magnusson, Johan, “Konstnärernas Smycken Är Riktiga Konstverk,” PlazaKvinna.com, December 9, 2015
“Ny smykkekollektion er skabt af kunstnere,” cover.dk, December 9, 2015
Traill-Nash, Glynis, “Gifts for the festive season: art meets jewellery,” TheAustralian.com, December 9, 2015
Theodosi, Natalie, “Stylebop.com Partners With Cada on Fine Jewelry Collection,” WWD.com, December 8, 2015
Wade, Prudence, “News: Art Attack,” BecauseLondon.com, December 8, 2015
“CADA lança linha de joias com três novos nomes da arte contemporânea,” vogue.globo.com, December 8, 2015
Keh, Pei-Ru, “Show piece: CADA continues the tradtion of artist-made jewellery with contemporary creations,” Wallpaper.com, December 8, 2015
Pieri, Kerry, “When Jewlery Becomes Art Collecting,” HarpersBazaar.com, December 8, 2015
Royce-Greensill, Sarah, “Beyond gold: fine jewellery’s new substance use,” TheTelegraph.co.uk, December 8, 2015
“Are these the coolest knuckle dusters ever?”, buro247.com, December 8, 2015
Milligan, Lauren, “Should You Invest In Wearable Art?”, Vogue.co.uk, December 8, 2015
“Cada + Aaron Curry,” W Magazine, December 2015, p. 82
“Lo Nuevo,” Vogue España, December 2015, p. 67
“Aaron Curry “STARFUKER” @ David Kordansky Gallery in Los Angeles,” PasUnAutre.com, November 18, 2015
Slenske, Michael, “Star gazing: Aaron Curry’s New solo show at David Kordansky Gallery, LA,” Wallpaper.com, November 17, 2015
Solway, Diane, “Far Out: Sci-fi meets pop culture in Aaron Curry’s new
show,” WMagazine.com, November 12, 2015
Boucher, Vincent, “Dior Homme creative director Kris Assche discusses his collections,” LATimes.com, October 9, 2015
Walsh, Brienne, “Top 5 Private Collector Museums to Visit,” HuffingtonPost.com, August 25, 2015
“Aaron Curry: Bad Brain,” TheArtofPrinting.com, May 6, 2015
Fox, Catherine, “News: High curator Michael Rooks to receive 2015 Nexus Award,” ArtsATL.com, March 27, 2015
Felder, Rachel, “Tom Ford hits Hollywood,” FT.com, February 20, 2015
Tschorn, Adam, “Remodeled Vuitton store: Historic touches but handbag in hand with future,” Salina.com, February 13, 2015
Schreffler, Laura, “Inside Louis Vuitton’s Reopened Maison on Rodeo Drive,” HauteLiving.com, February 5, 2015
Tschorn, Adam, “Louis Vuitton’s Rodeo Drive renovation a mix of classic and cool,” LATimes.com, January 30, 2015
Goldstein, Andrew M., “Gallerist David Kordansky on the Explosion of the L.A. Art Scene,” Artspace.com, January 28, 2015

2014
*Aaron Curry: Boxxes, Beijing and London: Ullens Center for Contemporary Art and Koenig Books, 2014
Haskell, Rob, “She Did It Her Way,” W, December 2014
“During Miami Art Week, these are must-see exhibits,” MiamiHerald.com, December 5, 2014
Pini, Gary, “Art Basel Miami Beach 2014: What’s Happening Thursday,” PaperMag.com, December 4, 2014
Sienske, Michael, “Art Collectors Don and Mera Rubell Put on a Dazzling Miami Show,” ArchitecturalDigest.com, December 3, 2014
Mosovich, Galena, “10 Striking Exhibits You’ll Want to Instagram During Art Basel,” OceanDrive.com, December 3, 2014
McGivern, Hannah, “The Rubells: 50 Years and looking to the future,” The Art Newspaper, December 3, 2014
Solway, Diane, “Family Affair,” W Art, December 2014/January 2015
Kinsella, Eileen, “Which Private Collections Have the Best Art at Art Basel in Miami Beach?” Artnet.com, December 1, 2014
“Our pick of shows to see when in Miami this week,” The Art Newspaper, December 1, 2014
“Miami Rhapsody: A Guide to Fairs, Parties, and More for December 1-7,” BlouinArtInfo.com, November 29, 2014
Frahm, Nicolai, “My Highlights from Art Basel in Miami Beach 2014,” Artsy.net, November 26, 2014
“Philip Tinari talks about the group show ‘The Los Angeles Project’ at UCCA,” Flash Art, Volume 47, October 2014, pp. 37-38
Mentis, Anastassios, “The art of living in Manhattan,” TheNational.ae, October 16, 2014
Adam, Georgina, “Theo Danjuma’s art collection at Frieze London,” FinancialTimes.com, October 10, 2014
Wilde, Jamie, “Location, Location, La Brea!,” Los Angeles Confidential, Issue 5, September 2014, p. 98
Peckham, Robin, “Finding the desert in the desert: The Los Angeles Project at UCCA, Beijing,” Ocula.com, September 30, 2014
Makinen, Julie, “Beijing gets a taste of L.A.’s art world in ‘The Los Angeles Project’,” LATimes.com, September 18, 2014
Griffin, Jonathan, “The New Dealer,” T Magazine, September 14, 2014
“Aaron Curry at Michael Werner,” Contemporary Art Daily, September 12, 2014
Cascone, Sarah, “Lincoln Center Will Present Artist’s Solar Power Plant,” Artnet.com, September 5, 2014
Russeth, Andrew, “About Face,” W Art, June/July 2014, p. 38
Loos, Ted, “Painterly Awakening,” Cultured, Summer 2014, p. 68
“Aaron Curry ‘Paintings’ at Michael Werner Gallery, London,” MousseMagazine.it, July 21, 2014
Daniels, Rebecca, “Aaron Curry: Paintings,” UCALibraryBlog.com, July 20, 2014
Crisell, Luke, “‘The Los Angeles Project’ Brings Local Art to Beijing,” LA-Confidential-Magazine.com, June 27, 2014
“Visit:Aaron Curry at CAPC, Bordeaux,” Kaleidoscope.com, June 26, 2014
Daglas, Cristina, “How Dallas Dresses: Christen Wilson,” D Magazine, June 2014
“Aaron Curry: Paintings at the Michael Werner Gallery,” TheUpcoming.co.uk, June 7, 2014
Vaillant, Alexis, “Aaron Curry: Hollywood Rats,” L’Officiel Art, March-May 2014, pp. 168-176, 237-238
Myers, Terry R., “William J. O’Brien,” BrooklynRail.org, April 2, 2014
“SP-Arte 2014: Gallery Highlights For Its 10th Edition Announced,” Artlyst.com, March 28, 2014
Chagollan, Steve, “Sam & Shanit Schwartz: Patrons of the Arts,” Variety, March 21, 2014, p. 67
“A Picture and a Poem: Characters of the Unknown,” The New York Times, February 13, 2014
Russeth, Andrew, “William King at Algus Greenspon,” GalleristNY.com, February 12, 2014
Rosenberg, Karen, “Aaron Curry: Melt to Earth,” The New York Times, January 3, 2014, p. C25

2013
Pollack, Barbara, “Patient US Collectors display their prizes in contemporary Chinese Arts,” South China Morning Post, December 30, 2013
*500 Drawings, designed by Aaron Curry and Brian Roettinger, Los Angeles: Bad Dimension, 2013
Russeth, Andrew, “A Tour of Art Basel Miami Beach 2013: Aaron Curry and John Wesley at David Kordansky Gallery,” GalleristNY.com, December 4, 2013
Gonan, Eric, “Public Sculpture’s Place in the Sun at Art Basel in Miami Beach,”BlouinArtInfo.com, December 4, 2013
“Art Basel in Miami Beach Announces Public Sector With Bhabha, Bove, Tuazon, and More,” BlouinArtInfo.com, November 14, 2013
Russeth, Andrew, “‘Aaron Curry: Melt to Earth’ at Lincoln Center,”GalleristNY.com, On view, November 19, 2013
Cashdan, Marina, “Self, Employed,” Surface, Issue 103, November 2013, p. 64
Haskell, Rob, “Wild Things,” Architectural Digest, Art Scene, November 2013, pp. 30, 78
*25 Collages, designed by Aaron Curry and Brian Roettinger, Los Angeles: Bad Dimension, 2013
“Art + Commerce: Fashion and Art Collide in Three Local Collaborations,” Los Angeles Confidential, Fashion File, Issue 6, October 2013, p. 86
Zhong, Fan, “Melt to Earth,” W Magazine, Culture, October 8, 2013
Indrisek, Scott, “Photos of Aaron Curry’s Lincoln Center Creatures,”BlackBookMag.com, Art, October 8, 2013
Battaglia, Andy, “Lincoln Center Installation ‘Like Magnets’,” The Wall Street Journal, October 6, 2013, p. A24
“The Approval Matrix: Week of October 14, 2013,” New York Magazine, October 6, 2013
Belcove, Julie L., “Colorful Guests Around the Plaza,” The New York Times, October 4, 2013, p. C30
Lindsay, Robin, “Aaron Curry Unveils New Sculpture,” The New York Times, October 4, 2013
“Lincoln Center launching major new art installation,” ABCLocal.go.com, September 27, 2013
Tschorn, Adam, “Dior Homme Beverly Hills unveils Aaron Curry sculpture,” Los Angeles Times, September 5, 2013
Bowley, Graham, “For Art Dealers, a New Life on the Fair Circuit,” The New York Times, August 22, 2013, p. A1
*Trigg, Sarah, Studio Life: Rituals, Collections, Tools, and Observations on the Artistic Process, New York: Princeton Architectural Press, 2013
Conner, Shawn, “Rennie Collection’s summer exhibition ‘physically engaging’,”The Vancouver Sun, July 12, 2013
*Box Painting, designed by Aaron Curry and Brian Roettinger, Los Angeles: Bad Dimension, 2013
“Art Basel 2013: Art Unlimited (VIDEO),” HuffingtonPost.com, The Blog, June 12, 2013
“50 Under 50: The Next Most Collectible Artists,” Art+Auction, June 2013, pp. 118-133
Vogel, Carol, “Met Is Ready to Unveil New European Paintings,” The New York Times, May 10, 2013, p. C24
Poundstone, William, “Recent Acquisitions at MOCA,” Artinfo.com, February 11, 2013
Scoccimarro, Antonio, “Diary: Set Pieces,” Mousse, Issue 37, February – March 2013, p. 251

2012
“Miami: David Kordansky at Art Basel Miami Beach,” Contemporary Art Daily, December 10, 2012
Johnson, Paddy, Corinna Kirsch, and Will Brand, “Highlights from Art Basel Miami Beach,” ArtFagCity.com, December 6, 2012
*Across the Pacific: Young Artists from LA, texts by Hervé Mikaeloff and Pierre Lefort, Seoul: 313 Art Project, 2012
*Aaron Curry & Richard Hawkins: Cornfabulation, Los Angeles: David Kordansky Gallery, 2012
*WYSIWYG: What You(ngs) See Is What You Get, text by Timothée Chaillou, Paris: Rosenblum Collection Edition, 2012
*Aaron Curry & Richard Hawkins: Cornfabulation, Los Angeles: David Kordansky Gallery, 2012
“Reise News: Urlaub unter dem Wind, Wellness, für Sünder, L.A. für Kunstfans,”Vogue German, Number 11, November 2012, p. 164
Basciano, Oliver, “Now Buy This: Half-century,” ArtReview, Issue 62, October 2012, p. 38
*Aaron Curry: Buzz Kill. New York: Michael Werner, 2012
*Van Adrichem, Jan, Raw Stardust: Excursions in Contemporary Sculpture II, edited by Chris Driessen and Heidi van Mierlo. Tilburg: Fundament Foundation, 2012.
Forbes, Alexander, “An Increasingly International Art Berlin Contemporary Announces 2012 Exhibitor List,” Artinfo.com, July 26, 2012
Ollman, Leah, “Review: Collage artists mash things up at L&M,” LATimes.com, July 20, 2012
Goodman, Jonathan, “Aaron Curry: Buzz Kill,” The Brooklyn Rail, June 6, 2012
“Aaron Curry at Michael Werner,” Contemporary Art Daily, June 1, 2012
Johnson, Ken, “Art in Review: Aaron Curry: ‘Buzz Kill’,” The New York Times, May 25, 2012, p. C23
“Aaron Curry ‘Buzz Kill’ at Michael Werner Gallery, New York,”MousseMagazine.it, May 24, 2012
Trigg, Sarah, “Studio Check: Aaron Curry,” Modern Painters, May 2012, pp. 7, 34-35
Oberthaler, Nick, in conversation with Chiara and Steve Rosenblum, “Buy First, Collect Later,” L’Officiel Art, Number 1, April-June 2012, pp. 110-119, 288-289
Zevitas, Steven, “New American Paintings visits Frieze and NADA,” New American Paintings Blog, May 9, 2012
Scoccimarro, Antonio, “Diary: Aaron Curry,” Mousse, Issue 33, April – May 2012, p. 236
“Solo show: Aaron Curry: Buzz Kill,” Artfacts.net, April 6, 2012
Contratto, Brian, “Calder at the Nasher,” The Chronicle, February 16, 2012
Livingston, Wendy, “Going Mobile with Alexander Calder,” Duke Today, February 14, 2012
Menconi, David, “With Calder, we find joy in the balance,” NewsObserver.com, February 12, 2012
McClemont, Doug, “Critic’s Pick: Aaron Curry,” ARTnews, February 2012, p. 128

2011
*23 Collages, designed by Brian Roettinger, Los Angeles: David Kordansky Gallery, 2011
*AARON CURRY: MMNKTLPLKT, Michael Werner Gallery, New York. Minneapolis: Shapco, 2011
“The formula for joy. Part 2.: Tom Ford,” Vogue Russia, December 2011
Martinez, Alanna, “From a Lygia Pape Retrospective to Edmund Teske’s L.A. Art Scene Portraits, ARTINFO’s 9 International Art Picks,” Artinfo.com, November 7, 2011
*American Exuberance. Miami: Rubell Family Collection, 2011
Scoccimarro, Antonio, “Diary: Secret Societies,” Mousse, Issue 31, December 2011 – January 2012, p. 177
Sallabedra, Megan, “5 Best Thanksgiving Artworks in L.A.,” LA Weekly, November 24, 2011
“Cornfabulation – Curry and Hawkins at Kordansky,” NotesonLooking.com, November 21, 2011
“Aaron Curry and Richard Hawkins at David Kordansky,” Contemporary Art Daily, November 19, 2011
Pagel, David, “Art review: Aaron Curry, Richard Hawkins at David Kordansky,”Los Angeles Times, November 18, 2011
Berardini, Andrew, “Chimerical Coitions,” ArtSlant, November 15, 2011
Wagley, Catherine, “Five Artsy Things to Do This Week, Including Chuck Close, Aaron Curry, Richard Hawkins and a Guide to Suburban Survival,”LAWeekly.com, November 9, 2011
Scoccimarro, Antonio, “Diary: Aaron Curry & Richard Hawkins,” Mousse, Issue 30, October-November 2011, p. 227
Mason, Shana Beth, “Lecture with Aaron Curry,” Flavorpill.com, September 27, 2011
*We Will Live, We Will See, curated by Pavel S. Pyś. London: Zabludowicz Collection, 2011, p. 8
“Houseago / Curry: Figure in Piedi,” Flash Art, Edizione Italiana, Number 295, July-September 2011, pp. 79-81
*Aupetitallot, Yves, Tableaux: MAGASIN – Centre National d’Art Contemporain 29.05 – 4.09.2011. Saint Etienne: XL imprimerie, 2011, p. 17
Pagel, David, “Art review: Eight artists at Gagosian Gallery,” Los Angeles Times, August 26, 2011
*Secret Societies, edited by Cristina Ricupero, Alexis Vaillant and Max Hollein, foreword by Max Hollein and Charlotte Laubard, texts by Ina Blom, Michael Bracewell, Gary Lachmann, Cristina Ricupero, Alexis Vaillant and Jan Verwoert. Cologne: Snoeck Verlagsgesellschaft mbH, 2011
Goldner, Liz, “Newport Beach, CA: ‘Alexander Calder and Contemporary Art: Form, Balance, Joy,’ at Orange County Museum of Art,” art ltd, July/August 2011, p. 20
“Secret Societies. To Know, To Dare, To Will, To Keep Silence,” NY Arts Magazine, Summer 2011
Rosboch, Lili, “Art Loved By Tom Watson, $8.5 Million Flowers, Goldfish: Uptown Galleries,” Bloomberg.com, July 26, 2011
“‘Flowers for Summer’ at Michael Werner,” Contemporary Art Daily, July 21, 2011
“Group Show at Schirn Kunsthalle,” Contemporary Art Daily, July 8, 2011
Smith, Frank, “Nasher Sculpture Center Presents Statuesque,” Dallas Monthly News, July 2011
Simek, Peter, “Art This Week Interviews Houseago, Curry,”FrontRow.DMagazine.com, July 5, 2011
Davies, Stacy, “Get Wired! OCMA’s Alexander Calder (and admirers) show puts the kick back into kitsch, whether you like it or not.,” OC Weekly, June 2, 2011
Douglas, Sarah, “L.A. on the Hudson,” Artinfo.com, May 4, 2011
Knight, Christopher, “Hanging around with the master,” Los Angeles Times, April 15, 2011, p. D19
“Exhibition Includes Works by Calder and Large-Scale Sculpture by Seven Contemporary Artists,” ArtDaily.org, April 12, 2011
Tomaso, Bruce, “‘Big Pink’ will rise next week in front of the Nasher,”DallasNews.com, April 1, 2011
Corwin, William, “Aaron Curry In Conversation With Will Corwin,” Saatchi Online, March 16, 2011
“Wie haben Sie das gemacht, Aaron Curry?,” Monopol, March 2011, p. 22
Duckers, Tanja, “Gallery Review: Aaron Curry at the Schinkel Pavilion,”Kunstmagazin, March 2011, pp. 24-26
*Statuesque, introduction and text by Nicolas Baume, foreword by Susan K. Freedman. New York: Public Art Fund, 2011, pp. 70-83
Helander, Bruce, “Aaron Curry,” The Art Economist, January 2011, p. 76

2010
*Two Face: Aaron Curry and Thomas Houseago, essay by Michael Darling. Marfa: Ballroom Marfa, 2010
*Warren, Lynn, Alexander Calder and Contemporary Art: Form, Balance, Joy, texts by George Baker, Brooke Kamin Rapaport, Bryan Granger, Dominic Molon, Diana Nawi and Julie Rodrigues Widholm, Chicago: Museum of Contemporary Art, Chicago, 2010
Simek, Lucia, “With Renzo Piano’s Nasher, Alexander Calder’s Sculpture Finds a Natural Bedfellow,” dmagazine.com, December 16, 2010
Moss, Jennifer, “Dynamic duo mixes classic and modern,” Vancouversun.com, November 18, 2010
Plocek, Keith, “Aaron Curry,” Art Lies, No.67, Fall/Winter 2010, p. 92
Satorious, Katherine, “Aaron Curry,” artUS, Issue 28, 2010, pp. 16-17
*Asthoff, Jens, “Aaron Curry,” The Art of Tomorrow. Berlin: Distanz Verlag, 2010, pp. 94-97
Campagnola, Sonia, “Aaron Curry,” Flash Art, October 2010, p.119
Moret, A., “Aaron Curry: ‘Two Sheets Thick’ at David Kordansky Galllery,” Art Ltd., September/October 2010, pp. 21-22
Griffin, Jonathan, “City Report: Los Angeles,” Frieze, October 2010, pp. 227-229
Griffin, Jonathan, “Aaron Curry,” Frieze, October 2010, pp. 239-240
Vetrocq, Marcia E., “Sculpture Under the Influence,” Art in America, October 2010, cover, pp. 3, 14-18
Bedford, Christopher, “New Images of the Old Man,” Art in America, October 2010, pp. 148-155
Princenthal, Nancy, “Sculpture in a Contracted Field,” Art in America, October 2010, pp. 164-169
Griffin, Jonathan, “Fluid Nature,” Mousse, Issue 25, September – October 2010, pp. 54-60
Lehrer-Graiwer, Sarah “Aaron Curry: Two Sheets Thick,” Art Review, Issue 44, September 2010 p. 120
Johnson, Ken, “Pondering Sculpture Under the Trees,” New York Times, August 27, 2010, p. C21
Taft, Catherine, “Aaron Curry,” Artforum, September 2010, p. 335
Warchol, Kit, “Aaron Curry,” Modern Painters, September 2010, p. 73
Yaji, Huang, “[Art Star] Aaron Curry,” Chinese Contemporary Art News, No.67, August 2010, p. 198
Harnish, Tracey, “Aaron Curry at David Kordansky Gallery,” CultureMob.com, July 19, 2010
Schad, Ed, “Aaron Curry’s Curious Enterprise,”ArtSlant.com (Los Angeles), July 7, 2010
Shaw, Michael, “Aaron Curry,” Artscene, Vol. 29, No. 11, July/August 2010, p. 25
*At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg. Annandale-on-Hudson: Center for Curatorial Studies, Bard College, 2010
Warchol, Kit, “Aaron Curry,” Artinfo.com, June 24, 2010
Klein, Paul, “Calder and the Kids,” HuffingtonPost.com, June 23, 2010
Miles, Christopher, “Aaron Curry,” LA Weekly, June 17, 2010, p. 43
Catton, Pia, “Artists Speak Figuratively in TriBeCa,” Wall Street Journal.com, June 1, 2010
*Aaron Curry: Bad Dimension. Cologne: Verlag der Buchhandlung Walter König, 2010
Ulrichs, David, “Aaron Curry, Thomas Houseago,” Art Review:, Issue 38, January/February 2010, p. 118
“Aaron Curry and Thomas Houseago: Standing Figures,” Flash Art, March – April 2010, pp. 86-89
Hawkins, Richard, “Hicksploitation,” Kaleidoscope, February/March 2010, pp. 30-35
Trembley, Nicolas, “Equilibre,” Numéro 109, December 2009-January 2010, p. 39

2009
*Hammer Projects: 1999-2009, text by Michael Ned Holte. Los Angeles: Hammer Museum, 2009, pp. 380-383
Asper, Colleen, “Aaron Curry,” Beautiful/Decay Book:2. Beautiful/Decay, 2009, pp. 42-55
*Beg, Borrow, and Steal, texts by Heidi Zuckerman Jacobson, Karl Haendel, Thomas Houseago, David Moos. Miami: Rubell Family Collection, 2009, pp. 46-51, 86
Buhr, Elke, “Unheimliche Begegnung in der dritten Dimension,” Monopol, November 2009, pp. 64-74
West, Kevin, “Thomas Houseago & Aaron Curry,” W Magazine, November 2009, p. 102
*Berlin-Los Angeles: A tale of two (other) cities, texts by Stefan Heideinreich, Thomas Lawson. Milan: Galleria Massimo De Carlo, 2009
Egan, Maura, “Wanderlust, Marfa, Texas,” The New York Times.com, June 5, 2009
Rosenberg, Karen, “Aaron Curry,” The New York Times, April 16, 2009
Wilson, Michael, “Aaron Curry,” Time Out New York, Issue 707, April 16-22, 2009
Falconer, Morgan, “Aaron Curry,” Saatchi Online, April 6, 2009
*The Colour Out of Space, text by Bruce Hainley. New York: Michael Werner
Sherwin, Skye, “Aaron Curry,” Art:Review, March 2009, p. 31
Kilston, Lyra, “Series Drawings,” Art on Paper, January/February 2009, pp. 83-84
Mizota, Sharon, “Queasily Human,” Art on Paper, January/February 2009, pp. 36-38
“Main Event: The Launch of L.A. Arts Month,” Angeleno, January 2009, p. 22

2008
Pollock, Lindsay, “Eli Broad, Jay-Z Tour Slower Miami Art Fair, Collectors Haggle,” Bloomberg.com, December 8, 2008
Rabottini, Alessandro, “Archaeology of the Future”, Mousse, Issue 16, December 2008, pp. 42-44
*Holzwarth, Hans Werner, ed., Art Now Vol 3, text by Astrid Mania. Cologne: Taschen, 2008: 108-111.
Young, Paul, “The Radar Art,” Angeleno, October 2008, pp. 84,86
*KölnSkuptur 5: Reality Check, text by Sonia Campagnola. Cologne: Verlag der Buchhandlung Walther König, p. 20
Holte, Michael Ned, “Peter Saul,” Artforum, Summer 2008, p. 392
Douglas, Sarah, “Sales Swift at Liste, Weak Dollar and All,” Artinfo.com, June 2, 2008
Launay, Aude, “Wassup Britney?”, 02/45, Spring 2008, p. 27

2007
Wehr, Anne, “Unmonumental: The Object in the 21st Century,” Time Out New York, Issue 636, December 6-12, 2007
*Unmonumental: The Object in the 21st Century, New Museum of Contemporary Art, texts by Richard Flood, Massimiliano Gioni, Laura Hoptman, Trevor Smith, Benjamin Godsill, Eva Diaz. New York: New Museum of Contemporary Art, 2007, pp. 56-59
*Red Eye: Los Angeles Artists from the Rubell Family Collection, texts by Michael Darling, Michael Ned Holte. Miami: Rubell Family Collection, 2007, pp. 46-51, 86
“The Artists’ Artists,” Artforum, December 2007, p. 122
Tumlir, Jan, “Sci-fi Historicism Part 3: Character Animation in Cotemporary Los Angeles Art,” Flash Art, July-September 2007, pp. 120-124.
Holte, Michael Ned, “Openings,” Artforum, Summer 2007, pp. 481-483
Tumlir, Jan, “Sci-fi Historicism,” Flash Art, May-June 2007, pp 118-121
Bartels, Daghild, “Jeder Penny fur die Kunst,” Parnass, January 2007, p. 77
Smith, Roberta, “Michael Queenland: Bread & Balloons,” The New York Times, March 9, 2007
Cotter, Holland, “Art in Review: Aspects, Forms, and Figures,” The New York Times, E30, March 2, 2007
Kino, Carol, “ART; Welcome to the Museum of My Stuff,” The New York Times, Section 2, February 18, 2007, p. 30
*Material Photographs, text by Anthony Pearson. Chicago: Shane Campbell Gallery, January 2007

2006
*Rooks, Michael, Dreaming of a Speech Without Words: The Paintings and Early Objects of H.C. Westermann. The Contemporary Museum, Honolulu, Hawaii, 2006, p. 111
Mason, Christopher, “It’s what’s on the inside that counts: New acquisitions in some familiar territory,” Art Basel Miami Beach 2006, December 2006, p. 98B
Smith, Roberta, “More Than You Can See: Storm of Art Engulfs Miami,” The New York Times, December 9, 2006,pp. B7, B11
Garnet, Daisy, “The Collector: Why the Collector Mera Rubell Keeps it All in the Family,” The New York Times Magazine, December 3, 2006, pp. 74
Rochette, Anne and Wade Saunders, “Place Matters: Los Angeles Sculpture Today,” Art in America, November 2006, p. 174
Brooks, Amra, “Must See Art,” LA Weekly, November 15, 2006
Brooks, Amra, “Los Angeles Roundup: A Report on Current Gallery, Museum Shows,” Artinfo.com, April 2006
Cotter, Holland, “The World Tour Rolls Into Town, Sprawling but Tidy (Art Review: The Armory Show),” The New York Times, March 10, 2006, pp. E29, E41

2005
Cotter, Holland, “Autonomy,” The New York Times, September 30, 2005


GRANTS / AWARDS / RESIDENCIES

2017
STPI, Creative Workshop & Gallery, River Valley, Singapore

    Selected Press

  • Artillery
    2016
    Aaron Curry: David Kordansky Gallery
    Leanna Robinson
  • ArtNews.com
    2016
    Habitat: Obsessions -- A Look At Aaron Curry’s Guitars
    Katherine McMahon
  • Artnet.com
    2016
    Aaron Curry on intergalactic Orgies and His First Painting Show in New York
    Henri Neuendorf
  • Artspace.com
    2016
    Hello Painting, My Old Friend: Why Sculptor Aaron Curry Is Rekindling His Romance With the Canvas
    Dylan Kerr
  • Los Angeles Times
    2015
    Aaron Curry’s cosmic canvases: A trip through outer (and inner) space
    Sharon Mizota
  • W Art
    2014
    Family Affair
    Diane Solway
  • Artforum
    2014
    Critics' Picks: Aaron Curry, CAPC Musee d'Art Contemporain
    Joanna Fiduccia
  • Kaleidoscope
    2014
    Visit: Aaron Curry at CAPC, Bordeaux
  • Christie's
    2014
    Aaron Curry
    Jonathan Griffin
  • The New York Times
    2013
    Colorful Guests Around the Plaza
    Julie L. Belcove
  • Architectural Digest
    2013
    Wild Things
    Rob Haskell
  • Modern Painters
    2012
    Studio Check: Aaron Curry
    Sarah Trigg
  • ARTnews
    2012
    Critic's Pick: Aaron Curry
    Doug McClemont
  • ArtSlant
    2011
    Chimerical Coitions
    Andrew Berardini
  • Los Angeles Times
    2011
    Art review: Aaron Curry, Richard Hawkins at David Kordansky
  • Kunstmagazin
    2011
    Review: Aaron Curry at the Schinkel Pavilion
    Tanja Dückers
  • Aaron Curry: Bad Dimension
    2010
    Dragging The Icon: Aaron Curry's Art and Sculpture In The Era Of Photoshop
    Alessandro Rabottini
  • Flash Art
    2010
    Aaron Curry: David Kordansky - Los Angeles
    Sonia Campagnola
  • Artfoum
    2010
    Aaron Curry, David Kordansky Gallery
    Catherine Taft
  • Kaleidoscope
    2010
    Hicksploitation
    Richard Hawkins
  • Beautiful/Decay Book:2
    2009
    Aaron Curry
    Colleen Asper
  • The Colour Out of Space
    2009
    Throwing Boring Overboard (First Glossary for AC)
    Bruce Hainley
  • Art on Paper
    2009
    Queasily Human
    Sharon Mizota
  • Hammer Projects: 1999-2009
    2009
    Aaron Curry
    Michael Ned Holte
  • ART NOW VOL. 3
    2008
    Aaron Curry
    Hans Werner Holzwarth
  • Mousse
    2008
    Archaeology of the Future
    Alessandro Rabottini
  • Unmonumental: The Object in the 21st Century
    2007
    Aaron Curry
    Sara Reisman
  • Artforum
    2007
    Openings
    Michael Ned Holte
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